School of Music Graduate Handbook
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Youngstown State University Bulletin Graduate Edition 2006–2008
Youngstown State University Bulletin Graduate Edition 2006–2008 Effective August 2006 Youngstown, Ohio Youngstown State University reserves the right to change without notice any statement in this bulletin concerning, but not limited to, rules, policies, tuition, fees, curricula, and courses. Youngstown State University is committed to a campus environment that values all individu- als and groups, and to nondiscrimination and equal opportunity for all persons without regard to sex, race, religion, color, age, national origin, sexual orientation, handicap/disability, or identifica- tion as a disabled and/or Vietnam Era veteran. The University is also committed to the principles of affirmative action and acts in accordance with state and federal laws. Inquiries should be addressed to Youngstown State University’s director of Equal Opportu- nity and Diversity, who is responsible for coordinating the University’s programs for compliance. Inquiries can be initiated in writing or by calling (330) 941-3370. Youngstown State University Graduate Bulletin VOLUME 73 ISSUE 1 (2006–2007) EFFECTIVE AUGUST 2006 School of Graduate Studies and Research Youngstown State University One University Plaza Youngstown, OH 44555 Contents Ohio Board of Regents, YSU Board of Trustees, and Executive Officers 4 Academic Calendar 2006–2007 5 General Information 7 University Policies 25 Research at YSU 27 The School of Graduate Studies and Research 31 Student Fees, Charges, and Fines 44 State Residency Status 51 Financial Assistance 55 Course Numbering System, Abbreviations, -
FIVE CHALLENGES and SOLUTIONS in ONLINE MUSIC TEACHER EDUCATION Page 1 of 10
FIVE CHALLENGES AND SOLUTIONS IN ONLINE MUSIC TEACHER EDUCATION Page 1 of 10 Volume 5, No. 1 September 2007 FIVE CHALLENGES AND SOLUTIONS IN ONLINE MUSIC TEACHER EDUCATION David G. Hebert Boston University [email protected] “Nearly 600 graduate students?”1 As remarkable as it may sound, that is the projected student population for the online graduate programs in music education at Boston University School of Music by the end of 2007. With the rapid proliferation of online courses among mainstream universities in recent years, it is likely that more online music education programs will continue to emerge in the near future, which begs the question of what effects this new development will have on the profession. Can online education truly be of the same quality as a traditional face-to-face program? How is it possible to effectively manage such large programs, particularly at the doctoral level? For some experienced music educators, it may be quite difficult to set aside firmly entrenched reservations and objectively consider the new possibilities for teaching and research afforded by recent technology. Yet the future is already here, and nearly 600 music educators have seized the opportunity. Through online programs, the internet has become the latest tool for offering professional development to practicing educators who otherwise would not have access, particularly those currently engaged in full-time employment or residing in rural areas. Recognizing the new opportunities afforded by recent technological developments, Director of the Boston University School of Music, Professor Andre De Quadros and colleagues launched the nation’s first online doctoral program in music education in 2005. -
Connecting Canada Conference Program
CFMTA / FCAPM VIRTUAL CONFERENCE 20 CONNECTING CANADA 21 Musical diversity from coast to coast to coast CONFERENCE PROGRAM July 8–10, 2021 Dear Friends: I am pleased to extend my warmest greetings to everyone attending Connecting Canada – Musical Diversity from Coast to Coast to Coast, a virtual conference hosted by the Canadian Federation of Music Teachers’ Associations (CFMTA). This event brings together music educators from across the country to share their knowledge, ideas and experiences. I am certain that the wide array of professional development activities planned for this event, focussed on the theme of inclusion and diversity in music education, will stimulate a great deal of thoughtful and meaningful exchange and that attendees will come away inspired to put what they have learned into practice. It continues to be a challenging time for planning and hosting events. That is why I would like to thank the organizers for their hard work and dedication in ensuring this year’s conference could still take place and for putting together an informative program for everyone involved. You can take pride in your commitment to providing leadership in music education. Please accept my best wishes for a rewarding experience. Yours sincerely, The Rt. Hon. Justin P. J. Trudeau, P.C., M.P. Prime Minister of Canada Du 8 au 10 juillet 2021 Chères amies, chers amis, Je suis heureux de présenter mes salutations les plus chaleureuses à celles et ceux qui assistent à Connecter le Canada – La diversité musicale d’un océan à l’autre, un congrès virtuel organisé par la Fédération canadienne des associations de professeurs de musique (FCAPM). -
Study Into the Need to Regulate Music Therapists in the Commonweath Of
Virginia Department of Health Professions June 2019 THE VIRGINIA BOARD OF HEALTH PROFESSIONS STUDY INTO THE NEED TO REGULATE MUSIC THERAPISTS IN THE COMMONWEALTH OF VIRGINIA JUNE 2019 VIRGINIA BOARD OF HEALTH PROFESSIONS 9960 MAYLAND DR, SUITE 300 HENRICO, VA 23233-1463 (804) 367-4403 1 CONTENTS Executive Summary ................................................................................................................................................................................................ 4 Authority ..................................................................................................................................................................................................................... 4 The Criteria and Their Application .................................................................................................................................................................. 5 Criterion One: Risk for Harm to the Consumer ..................................................................................................................................... 5 Criterion Two: Specialized Skills and Training ..................................................................................................................................... 5 Criterion Three: Autonomous Practice .................................................................................................................................................... 5 Criterion Four: Scope of Practice ............................................................................................................................................................... -
(MUS) Fall 2021 Department of Music Chairperson Christina Dahl Staller
MUSIC (MUS) Fall 2021 Department of Music Chairperson Christina Dahl Staller Center 3304 (631) 632-7330 Graduate Program Director Erika Honisch Staller Center 3346 (631) 632-4433 Degrees Awarded M.A. in Music History and Theory; M.A. in Ethnomusicology; M.A. in Composition; M.M. in Music Performance; Ph.D. in History and Theory; Ph.D in Ethnomusicology; Ph.D. in Composition; D.M.A. in Music Performance. Website https://www.stonybrook.edu/commcms/music/ Application Applications to our programs can be found on our website here: https://www.stonybrook.edu/commcms/music/academics/_graduate/index.php Description of the Department of Music The Department of Music offers programs that normally lead to the Doctor of Philosophy degree in Music History and Theory, in Ethnomusicology, and in Composition. The Department also offers programs that normally lead to the Doctor of Musical Arts degree in Music Performance. Masters Degrees in Music History and Theory, in Ethnomusicology, in Composition, and in Music Performance are also available. Stony Brook’s programs have grown out of an unusual partnership between the academy and the conservatory. The Music Department has a distinguished and well-balanced faculty in the areas of music history, theory, ethnomusicology, composition, and performance. The degree programs are designed to favor interaction among musical disciplines that have traditionally been kept separate. For example, the performance programs at Stony Brook all have an academic component. Graduate courses typically have a healthy mix of students from all areas. A number of courses are team taught by two or more faculty members, examining topics from several disciplinary viewpoints. -
Master of Music Musicology Admission Requirements 1
Conservatory of Music and Dance MASTER OF MUSIC MUSICOLOGY ADMISSION REQUIREMENTS 1. All admissions materials must be received by the Conservatory no later than February 1st. 2. Possess a bachelor’s degree in music. 3. Complete an application for admission. 4. Submit transcripts of all prior work. 5. Possess a minimum overall grade point average of 3.0 (4.0 =A) for all prior work. 6. Possess a minimum overall grade point average of 3.0 (4.0=A) in undergraduate music history courses. 7. Submit examples of writing skills. (The writing sample is to be chosen from (1) a ten-page paper (minimum) on some aspect of the major field -- can be an earlier term paper from the baccalaureate degree or (2) a senior project from the baccalaureate degree.) 8. Possess reading knowledge in at least one language other than English ENROLLMENT REQUIREMENTS MATRICULATION EXAMINATION The matriculation examination in dictation, music history, and music theory must be completed before enrolling for the first term of admission. It is administered during the week prior to the first day of classes of each term. The results of the examination will determine the number and level of music history and music theory courses, which must be completed. All review courses must be passed with a grade of B- or better. APPLIED AUDITION Perform a placement audition before enrolling the first term of admission. Not required for admissions but necessary to determine level of placement in applied lessons. SUPERVISORY COMMITTEE The Supervisory Committee, which consists of at least two music history faculty plus one other member, is assigned to approve the planned program and prepare and grade the comprehensive examination. -
Reva and Sid Dewberry Family School of Music 1
Reva and Sid Dewberry Family School of Music 1 REVA AND SID DEWBERRY FAMILY SCHOOL OF MUSIC Linda Monson, Director Music for Well-Being Graduate Certificate A417 deLaski Performing Arts Building The Graduate Certificate in Music for Well-Being builds on courses Fairfax Campus currently offered in the School of Music and on the school-wide initiative around well-being as an important consideration and subject of study for Phone: 703-993-1380 all musicians. Website: music.gmu.edu Expanding and supplementing courses developed in connection with the undergraduate minor in Music for Well-Being, the certificate Undergraduate Programs allows students to explore the connections between music and consciousness and between vibration, meditation, and well-being. The Bachelor's Degrees graduate certificate gives students a thorough grounding in theory and The two undergraduate degree programs offered through the School practice and includes instruction in compositional and improvisational of Music, the Bachelor of Arts (BA) in Music and the Bachelor of Music approaches. Although there is some overlap in subject matter, this is not (BM), prepare students for graduate work in music and music literature; intended as a program in music therapy. The certificate is conceived as research and professional work in musical activities; and state licensure, a compliment to the programs focused on mindfulness and well-being or certification, to teach vocal and choral or instrumental music at the that are a priority across the university. The success of the long-running elementary and secondary school levels. Healing Arts Ensemble at the graduate level, as well as the undergraduate level, and the growth in the new minor in Music for Well-Being indicates The School of Music enables students to pursue worthwhile vocational the potential level of student interest in the program. -
Perspectives for Music Education in Schools After COVID-19: the Potential of Digital Media
Min-Ad: Israel Studies in Musicology Online, Vol. 18, 2021 Benno Spieker, Morel Koren – Perspectives for Music Education in Schools after COVID-19: The Potential of Digital Media Perspectives for Music Education in Schools after COVID-19: The Potential of Digital Media BENNO SPIEKER, MOREL KOREN Abstract: Innovations in research fields related to computer music and the advancement of the music industry have also influenced the digital sector for music education. Although many kinds of educational, edutainment, and entertainment music software appeared before the pandemic and are still in use, with the COVID-19 crisis and restrictions, it seems that music education in the primary classes has not systematically and thoroughly benefited from the innovations and advances reported by science and the music industries. However, the current need to teach music online could have an effect on the use of digital media after the pandemic. We present examples from the Netherlands, Romania, and Israel that lead to observations and suggestions about the potential of digital media after COVID-19. Keywords: music education, online music learning, singing, solfege, music literacy, primary education, voice synthesis, artificial intelligence. Introduction More than sixty years after humankind successfully programmed a computer to generate sounds from a digital composition, and almost forty years after the invention of a standard for sharing musical information digitally – MIDI (Musical Instrument Digital Interface), and the invention of the Internet, it can be said that digital media brought significant changes in almost all fields of music. Writing, composing, performing, recording, storing, disseminating with or without video are encompassing producing and consuming computerized music and digital media. -
Academic Programs 15 ACADEMIC PROGRAMS
Graduate Catalog 2019-2020 Academic Programs 15 ACADEMIC PROGRAMS MODESTO A. MAIDIQUE CAMPUS PROGRAMS COLLEGE OF BUSINESS http://business.fiu.edu COLLEGE OF ARTS, SCIENCES AND EXECUTIVE MASTER OF BUSINESS EDUCATION ADMINISTRATION https://case.fiu.edu/ INTERNATIONAL MASTER OF BUSINESS MASTER OF ARTS IN: ADMINISTRATION English MASTER OF ACCOUNTING Linguistics MASTER OF BUSINESS ADMINISTRATION MASTER OF FINE ARTS IN CREATIVE WRITING MASTER OF INTERNATIONAL BUSINESS MASTER OF SCIENCE IN: MASTER OF SCIENCE IN: Biology Finance Chemistry Health Informatics and Analytics Environmental Studies Human Resource Management Forensic Science Information Systems Geosciences International Real Estate Mathematical Sciences Logistics and Supply Chain Management Physics Marketing Psychology DOCTOR OF PHILOSOPHY IN BUSINESS Statistics ADMINISTRATION PROFESSIONAL SCIENCE MASTERS: DOCTOR OF BUSINESS ADMINISTRATION Environmental Policy and Management Forensic Science COLLEGE OF COMMUNICATION, DOCTOR OF PHILOSOPHY IN: ARCHITECTURE + THE ARTS Applied Mathematical Sciences http://carta.fiu.edu/ Biology MASTER OF ARCHITECTURE Biochemistry MASTER OF ARTS IN: Chemistry Architecture Earth Systems Science Interior Architecture Physics Urban Design Psychology MASTER OF ARTS IN TEACHING: Art Education (K-12) SCHOOL OF EDUCATION AND HUMAN MASTER OF FINE ARTS IN VISUAL ARTS DEVELOPMENT MASTER OF INTERIOR ARCHITECTURE http://education.fiu.edu/ MASTER OF LANDSCAPE ARCHITECTURE MASTER OF SCIENCE IN: MASTER OF MUSIC Adult Education and Human Resource Development MASTER OF SCIENCE -
Developing Fully Online Pre-Service Music and Arts Education Courses
aaustralian societys for musicm Developing fully online pre-service education e incorporated music and arts education courses Sharon Lierse Charles Darwin University Abstract Charles Darwin University (CDU) offers education courses for students who want to teach in Australian schools. The university is unique due to its geographic location, proximity to Asia and its high Indigenous population compared to the rest of the country. Many courses are offered fully online including music education for pre-service teachers. This shift has presented both opportunities and challenges. The study is an investigation of reviewing music and arts education courses to be delivered fully online using Participatory Action Research as the methodology. The four steps for the research are as follows: planning a change, acting and observing the processes and consequences of change, reflecting on the processes and consequences, and replanning to start the cycle again. The reflection and replanning stage of the course are especially important because courses need to be updated regularly to keep up with policy developments. It is anticipated that by the end of the year, the aspects of the course which have been successful and the ones which will require extensive reviewing will have been addressed. Through this process of rewriting, reviewing and reflecting, a fully online music education course will be able to be delivered successfully to music education students around Australia. Key words: arts education, curriculum development, music education, online learning Victorian Journal of Music Education 2015:1, 29-34 Introduction same class for an entire degree. Charles Darwin University’s main campus is located in Darwin, but In 2015, the author was appointed as lecturer there are many satellite campuses as well as some in music and the performing arts to pre-service lecturing staff working overseas. -
The International Recognition of Qualifications in the Field of Music
Music Study, Mobility, and Accountability Project The International Recognition of Qualifications in the Field of Music Introduction This document provides an overview of qualifications in the field of music, their titles, meanings, and uses. It presents information concerning: • Present conditions and the dynamics of change in Europe and the United States regarding the meaning and use of qualifications and credentials. • Recognition of studies completed successfully by students in exchange programmes. • Recognition of completed qualifications and credentials such as degrees, diplomas, certifi- cates, or courses of study. • A nation-by-nation summary of requirements to enter regulated music professions where academic qualifications or credentials are normally specified. Each of these topics is complex; specific definitions and practices can vary among nations and institutions. Policies and practices change over time. Readers using the information provided here are encouraged to obtain a full understanding of the ways qualifications and credentials work in each specific national or institutional situation in which they are engaged. The Recognition of Qualifications in the European Union Recognition of qualifications is one of the conditions for the establishment of a European Union (EU) area for higher education and for the European free market, which is based on the free movement of goods and workers. The European Union has therefore developed far-reaching rules on the recognition of qualifications. A distinction needs to be made between recognition for academic purposes (for the continuing of studies abroad or for a study period abroad as part of the regular studies) and recognition for professional purposes (to be allowed to work in a certain profession). -
Music and Dance in the College of Professional Studies and Fine Arts
Music and Dance In the College of Professional Studies and Fine Arts OFFICE: Music 112 General Information TELEPHONE: 619-594-6031 / FAX: 619-594-1692 The School of Music and Dance offers graduate study leading E-MAIL: [email protected] to the Master of Arts degree in music and the Master of Music degree. The school also offers advanced coursework in dance that may be used toward fulfilling advanced degree requirements in Faculty Interdisciplinary Studies and in other departments with the approval Music of the student’s graduate adviser. Charles J. Friedrichs, Ed.D., Associate Professor of Music, With approval of the school, students electing to pursue the Master Director of School of Arts degree may specialize in one of the following fields: ethno- musicology and musicology. Piano pedagogy and theory are currently Donna M. Conaty, M.M., Professor of Music and Associate Dean of not accepting new graduate students. Master of Music students may the College of Professional Studies and Fine Arts specialize in composition, conducting, jazz, or performance. Brenton P. Dutton, M.M., Professor of Music, Emeritus Graduate students are prepared for careers that encompass Karen J. Follingstad, D.M.A., Professor of Music scholarly research, teaching, performing, or creating new works. Marian Liebowitz, D.M.A., Professor of Music, Emeritus Composition: Individual composition studies integrated with an Todd H. Rewoldt, D.M.A., Professor of Music awareness of global music practices. Joseph M. Waters, Ph.D., Professor of Music Conducting: Literature and score analysis, hand techniques, rehearsal techniques, general preparation and performance in both Bill R.