Study Into the Need to Regulate Music Therapists in the Commonweath Of

Total Page:16

File Type:pdf, Size:1020Kb

Study Into the Need to Regulate Music Therapists in the Commonweath Of Virginia Department of Health Professions June 2019 THE VIRGINIA BOARD OF HEALTH PROFESSIONS STUDY INTO THE NEED TO REGULATE MUSIC THERAPISTS IN THE COMMONWEALTH OF VIRGINIA JUNE 2019 VIRGINIA BOARD OF HEALTH PROFESSIONS 9960 MAYLAND DR, SUITE 300 HENRICO, VA 23233-1463 (804) 367-4403 1 CONTENTS Executive Summary ................................................................................................................................................................................................ 4 Authority ..................................................................................................................................................................................................................... 4 The Criteria and Their Application .................................................................................................................................................................. 5 Criterion One: Risk for Harm to the Consumer ..................................................................................................................................... 5 Criterion Two: Specialized Skills and Training ..................................................................................................................................... 5 Criterion Three: Autonomous Practice .................................................................................................................................................... 5 Criterion Four: Scope of Practice ................................................................................................................................................................ 5 Criterion Five: Economic Impact ................................................................................................................................................................ 5 Criterion Six: Alternatives to Regulation ................................................................................................................................................. 5 Criterion Seven: Least Restrictive Regulation ....................................................................................................................................... 5 Application of the Criteria ............................................................................................................................................................................... 6 Overview ..................................................................................................................................................................................................................... 7 History Of The Profession ............................................................................................................................................................................... 7 Music Therapy Defined .................................................................................................................................................................................... 7 Associations .......................................................................................................................................................................................................... 8 American Music Therapy Association ................................................................................................................................................... 8 Virginia Music Therapy Association ...................................................................................................................................................... 8 Discussion of the Criteria ..................................................................................................................................................................................... 8 Criterion One: Risk of Harm ................................................................................................................................................................................ 9 Criterion Two: Specialized Skills and Training ......................................................................................................................................... 11 Education ............................................................................................................................................................................................................. 11 Master's Degree ............................................................................................................................................................................................ 12 Doctoral Degrees .......................................................................................................................................................................................... 12 Credentialing ...................................................................................................................................................................................................... 12 Criterion Three: Autonomous Practice ........................................................................................................................................................ 13 Criterion Four: Scope of Practice and Overlap .......................................................................................................................................... 14 Criterion Five: Economic Impact .................................................................................................................................................................... 15 Wages & Salaries ............................................................................................................................................................................................... 15 Workforce Adequacy....................................................................................................................................................................................... 15 Reimbursement ................................................................................................................................................................................................. 16 Medicare ........................................................................................................................................................................................................ 16 Medicaid......................................................................................................................................................................................................... 16 2 Private Insurance ..................................................................................................................................................................................... 16 Other Sources ................................................................................................................................................................................................ 16 Impact of Licensure on the Department Of Health Professions ................................................................................................... 17 Criteria Six and Seven: Alternatives to Regulation/ Least Restrictive Regulation ..................................................................... 17 Music Therapy Licensure In Other States .............................................................................................................................................. 18 Connecticut (2016) ..................................................................................................................................................................................... 18 Georgia (2012) .............................................................................................................................................................................................. 18 Nevada (2011) .............................................................................................................................................................................................. 18 North akota (2011) .................................................................................................................................................................................. 19 OklahomaD (2011) ......................................................................................................................................................................................... 19 Oregon (2015)............................................................................................................................................................................................... 19 Rhode sland (2014) ................................................................................................................................................................................... 19 Utah (2014)I .................................................................................................................................................................................................... 19 Wisconsin (2011) ........................................................................................................................................................................................ 19 Sources ......................................................................................................................................................................................................................
Recommended publications
  • Bachelor of Arts/Bachelor of Music Double-Degree Option 1
    Bachelor of Arts/Bachelor of Music Double-Degree Option 1 BACHELOR OF ARTS/BACHELOR OF MUSIC DOUBLE-DEGREE OPTION • Students must meet the application requirements for both the Bachelor of Arts and Bachelor of Music degree programs. • Students engage in professional study in music and study in the liberal arts, leading to both Bachelor of Music and Bachelor of Arts degrees. • The duration of the double-degree option may vary among disciplines but will be less than the sum of the durations of both degree programs if undertaken separately. For most students, pursuit of a double-degree option will require five years of study. It should be noted that in a few cases (notably when the B.A. graduation major is in the natural sciences) completion of all requirements in five years may not be possible. • Students pursuing the double-degree option may choose between the five Bachelor of Music graduation majors (church music, composition, elective studies, music education, and performance) and any of the Bachelor of Arts graduation majors except music. • Students shall meet the requirements for the B.A. graduation major and B.M. graduation major, as well as the OLE Core Curriculum requirements and general graduation requirements for the two degrees. Note that degree requirements completed for one degree also count toward the corresponding requirements in the other degree. • The final two years of coursework in pursuit of the degrees must be spent in residence. 17 of the last 20 full-course credits must be earned through St. Olaf. Some students may require up to 43 total credits in order to complete all requirements for both degrees.
    [Show full text]
  • Youngstown State University Bulletin Graduate Edition 2006–2008
    Youngstown State University Bulletin Graduate Edition 2006–2008 Effective August 2006 Youngstown, Ohio Youngstown State University reserves the right to change without notice any statement in this bulletin concerning, but not limited to, rules, policies, tuition, fees, curricula, and courses. Youngstown State University is committed to a campus environment that values all individu- als and groups, and to nondiscrimination and equal opportunity for all persons without regard to sex, race, religion, color, age, national origin, sexual orientation, handicap/disability, or identifica- tion as a disabled and/or Vietnam Era veteran. The University is also committed to the principles of affirmative action and acts in accordance with state and federal laws. Inquiries should be addressed to Youngstown State University’s director of Equal Opportu- nity and Diversity, who is responsible for coordinating the University’s programs for compliance. Inquiries can be initiated in writing or by calling (330) 941-3370. Youngstown State University Graduate Bulletin VOLUME 73 ISSUE 1 (2006–2007) EFFECTIVE AUGUST 2006 School of Graduate Studies and Research Youngstown State University One University Plaza Youngstown, OH 44555 Contents Ohio Board of Regents, YSU Board of Trustees, and Executive Officers 4 Academic Calendar 2006–2007 5 General Information 7 University Policies 25 Research at YSU 27 The School of Graduate Studies and Research 31 Student Fees, Charges, and Fines 44 State Residency Status 51 Financial Assistance 55 Course Numbering System, Abbreviations,
    [Show full text]
  • Degree Type – Bachelor of Music (BM) Degree Title – Performance
    THE UNIVERSITY OF TEXAS RIO GRANDE VALLEY 2015-2016 01-22-16 Degree Type – Bachelor of MusIc (BM) Degree Title – Performance This degree is designed to train students for careers in the professional world of music performance or who wish to pursue a graduate degree in music. STUDENT LEARNING OUTCOMES: 1. Students wIll have competence In musIcal solo and ensemble performance coverIng a varIety of stylIstIc eras and cultural Influences. 2. Students wIll have an understandIng of the hIstorical and cultural context of stylistic epochs. 3. Students wIll have the abIlIty to apply theoretIcal analysIs to musIc to enhance stylIstIc and structural understanding. 4. Student wIll understand and be able to apply best practIce concepts and applIcatIon in music instruction and pedagogy for young ages through adulthood. 5. Students wIll demonstrate conceptual and practIcal capacity for practIces relatIng to sustainabIlIty In performIng arts and performIng arts educatIon. 6. Students wIll demonstrate effectIve use of current technologIes as relate to music performance, hIstory, culture, and analysIs. A – GENERAL EDUCATION CORE – 42 HOURS Students must fulfill the General Education Core requirements. The courses listed below satisfy both degree requirements and General Education Core requirements. RequIred Language, Philosophy, and Culture – 3 hours MUSI 1309 World Music Cultures CreatIve Arts – 3 hours MUSI 1308 Music History and Literature I B – MAJOR REQUIREMENTS – 78 HOURS (42 advanced minImum) 1 – MusIc Core – 24 hours (12 advanced) MUSI 1211 Music
    [Show full text]
  • Bachelor of Arts in Music C50001BA
    8/15/14 Bachelor of Arts in Music C50001BA The following information has official approval of the School of Music, but is intended only as a supplemental guide. Official degree requirements are established at the time of admission to the degree-granting college. Completion of this degree within the identified time frame below is contingent upon many factors, including but not limited to: class availability, total number of required credits, work schedule, finances, family, course drops/withdrawals, successfully passing courses, and prerequisites among others. The transfer process is completed through an appointment with your academic advisor. It is recommended that students consider taking General Education courses during some summer sessions to reduce credit load during the regular academic year. Italicized courses fulfill General Education requirements. Unless a course is specified, refer to the General Education guide at http://www.uakron.edu/advising/docs/General_Education_Guide.pdf If placed into Intro to Music Theory 1st Year Fall Semester Credit Hours Prerequisites English Composition I Requirement (Note a) 3 Appropriate placement by advisor Math Requirement 3 Appropriate placement by advisor 7500:157 Student Recital 0 7520:1xx Applied Music** 2 1/2 hour lesson weekly 7510:xxx Major Conducted Ensemble 1 Audition 7500:101 Intro to Music Theory* 2 Theory Placement Examination 7500:154 Music Literature I 2 Total 13 1st Year Spring Semester English Composition II Requirement (Note a) 3 3300:111 or equivalent Speech/Oral Communication
    [Show full text]
  • Requirements for the Bachelor of Music Education College of Fine Arts the University of Oklahoma
    REQUIREMENTS FOR THE BACHELOR OF MUSIC EDUCATION COLLEGE OF FINE ARTS THE UNIVERSITY OF OKLAHOMA For Students Entering the Credit Hours and Grade Averages Required Instrumental Total Credit Hours.............................. 132-148 Oklahoma State System Music Education Minimum Overall GPA .............................2.50 for Higher Education: Minimum GPA in OU Work .........................2.50 1050A Summer 2000 through A grade of C or better is required in all courses taken within the School of Music. Bachelor of Spring 2001 Bachelor’s degrees require a minimum of 40 hours of upper-division (3000-4000) coursework. Music Education Audition is required for admission to the degree program. All coursework must be letter graded; P/NP may not count toward degree. General Education Requirements (31-44 hours) Hours Applied Music and Music Technique (34 hours) Hours ENGL 1113, Principles of English Composition (Core I)* 3 Applied Music 2010, Primary Instrument¤ 8 ENGL 1213, Principles of English Composition (Core I)* 3 COMM 1113, Principles of Communication*, or 3 2613, Public Speaking Applied Music 4010, Primary Instrument¤ 5 HIST 1483, United States, 1492-1865, or 3 1493, United States, 1865 to Present (Core IV) MUTE 1311, Group Piano I 1 MATH 1473, Mathematics for Critical Thinking (Core I), or 3 MUTE 1321, Group Piano II 1 COMM 2513, Introduction to Statistics (Core I) MUTE 2311, Group Piano III 1 MUTE 2321, Group Piano IV 1 P SC 1113, American Federal Government (Core III) 3 MUTE 1211, Brass Instrument Class 1 One of the following: MUTE 1221, Percussion Instrument Class 1 ANTH 1113, General Anthropology (Core III) 3 MUTE 1231, Woodwind Instrument Class (2 semesters required) 2 PSY 1113, Elements of Psychology (Core III) MUTE 1251, Stringed Instrument Class 1 SOC 1113, Introduction to Sociology (Core III) MUTE 3242, Instrumental Conducting I 2 Natural Science—2 courses, 7 hours min.
    [Show full text]
  • (MUS) Fall 2021 Department of Music Chairperson Christina Dahl Staller
    MUSIC (MUS) Fall 2021 Department of Music Chairperson Christina Dahl Staller Center 3304 (631) 632-7330 Graduate Program Director Erika Honisch Staller Center 3346 (631) 632-4433 Degrees Awarded M.A. in Music History and Theory; M.A. in Ethnomusicology; M.A. in Composition; M.M. in Music Performance; Ph.D. in History and Theory; Ph.D in Ethnomusicology; Ph.D. in Composition; D.M.A. in Music Performance. Website https://www.stonybrook.edu/commcms/music/ Application Applications to our programs can be found on our website here: https://www.stonybrook.edu/commcms/music/academics/_graduate/index.php Description of the Department of Music The Department of Music offers programs that normally lead to the Doctor of Philosophy degree in Music History and Theory, in Ethnomusicology, and in Composition. The Department also offers programs that normally lead to the Doctor of Musical Arts degree in Music Performance. Masters Degrees in Music History and Theory, in Ethnomusicology, in Composition, and in Music Performance are also available. Stony Brook’s programs have grown out of an unusual partnership between the academy and the conservatory. The Music Department has a distinguished and well-balanced faculty in the areas of music history, theory, ethnomusicology, composition, and performance. The degree programs are designed to favor interaction among musical disciplines that have traditionally been kept separate. For example, the performance programs at Stony Brook all have an academic component. Graduate courses typically have a healthy mix of students from all areas. A number of courses are team taught by two or more faculty members, examining topics from several disciplinary viewpoints.
    [Show full text]
  • Master of Music Musicology Admission Requirements 1
    Conservatory of Music and Dance MASTER OF MUSIC MUSICOLOGY ADMISSION REQUIREMENTS 1. All admissions materials must be received by the Conservatory no later than February 1st. 2. Possess a bachelor’s degree in music. 3. Complete an application for admission. 4. Submit transcripts of all prior work. 5. Possess a minimum overall grade point average of 3.0 (4.0 =A) for all prior work. 6. Possess a minimum overall grade point average of 3.0 (4.0=A) in undergraduate music history courses. 7. Submit examples of writing skills. (The writing sample is to be chosen from (1) a ten-page paper (minimum) on some aspect of the major field -- can be an earlier term paper from the baccalaureate degree or (2) a senior project from the baccalaureate degree.) 8. Possess reading knowledge in at least one language other than English ENROLLMENT REQUIREMENTS MATRICULATION EXAMINATION The matriculation examination in dictation, music history, and music theory must be completed before enrolling for the first term of admission. It is administered during the week prior to the first day of classes of each term. The results of the examination will determine the number and level of music history and music theory courses, which must be completed. All review courses must be passed with a grade of B- or better. APPLIED AUDITION Perform a placement audition before enrolling the first term of admission. Not required for admissions but necessary to determine level of placement in applied lessons. SUPERVISORY COMMITTEE The Supervisory Committee, which consists of at least two music history faculty plus one other member, is assigned to approve the planned program and prepare and grade the comprehensive examination.
    [Show full text]
  • Reva and Sid Dewberry Family School of Music 1
    Reva and Sid Dewberry Family School of Music 1 REVA AND SID DEWBERRY FAMILY SCHOOL OF MUSIC Linda Monson, Director Music for Well-Being Graduate Certificate A417 deLaski Performing Arts Building The Graduate Certificate in Music for Well-Being builds on courses Fairfax Campus currently offered in the School of Music and on the school-wide initiative around well-being as an important consideration and subject of study for Phone: 703-993-1380 all musicians. Website: music.gmu.edu Expanding and supplementing courses developed in connection with the undergraduate minor in Music for Well-Being, the certificate Undergraduate Programs allows students to explore the connections between music and consciousness and between vibration, meditation, and well-being. The Bachelor's Degrees graduate certificate gives students a thorough grounding in theory and The two undergraduate degree programs offered through the School practice and includes instruction in compositional and improvisational of Music, the Bachelor of Arts (BA) in Music and the Bachelor of Music approaches. Although there is some overlap in subject matter, this is not (BM), prepare students for graduate work in music and music literature; intended as a program in music therapy. The certificate is conceived as research and professional work in musical activities; and state licensure, a compliment to the programs focused on mindfulness and well-being or certification, to teach vocal and choral or instrumental music at the that are a priority across the university. The success of the long-running elementary and secondary school levels. Healing Arts Ensemble at the graduate level, as well as the undergraduate level, and the growth in the new minor in Music for Well-Being indicates The School of Music enables students to pursue worthwhile vocational the potential level of student interest in the program.
    [Show full text]
  • Piano-2014.Pdf
    REQUIREMENTS FOR THE BACHELOR OF MUSIC WEITZENHOFFER FAMILY COLLEGE OF FINE ARTS THE UNIVERSITY OF OKLAHOMA CREDIT HOURS AND GRADE AVERAGES REQUIRED For Students Entering the Piano Total Credit Hours . 124-135 Oklahoma State System Minimum Overall Grade Point Average . 2.50 for Higher Education Minimum Grade Point Average in OU Work . 2.50 B725 Summer 2014 through A grade of C or better is required in all courses taken within the School of Music. Bachelor’s Spring 2015 degrees require a minimum of 40 hours of upper-division (3000-4000) coursework. Bachelor of Music OU encourages students to complete at least 31-33 hours of applicable coursework each year to have the opportunity to graduate in four years. Audition is required for admission to the degree program. General Education & Other Requirements (37-48 hours) Hours Major Requirements (87 hours) Hours Core I: Symbolic and Oral Communication Major Area (48 hours) ENGL 1113, Principles of English Composition 3 ENGL 1213, Principles of English Composition, or 3 PIAN 2020, Piano 8 EXPO 1213, Expository Writing PIAN 4020, Piano 14 Foreign Language—this requirement is not mandatory if the student successfully 0-10 completed 2 years of the same foreign language in high school. —2 courses (Core I) MUTE 1332, Functional Piano Skills I 2 ________________________________ MUTE 1342, Functional Piano Skills II 2 ________________________________ MUTE XXXX, Major Performance Ensemble§ 2 Mathematics—(Core I) (1473 is recommended) ______________________ 3 MUTE XXXX, Major Performance Ensemble§ (3000-4000) 2 MUTE 3110, Studio Accompanying for Piano Majors 4 (4 semesters required) Core II: Natural Science - 2 courses.
    [Show full text]
  • Academic Programs 15 ACADEMIC PROGRAMS
    Graduate Catalog 2019-2020 Academic Programs 15 ACADEMIC PROGRAMS MODESTO A. MAIDIQUE CAMPUS PROGRAMS COLLEGE OF BUSINESS http://business.fiu.edu COLLEGE OF ARTS, SCIENCES AND EXECUTIVE MASTER OF BUSINESS EDUCATION ADMINISTRATION https://case.fiu.edu/ INTERNATIONAL MASTER OF BUSINESS MASTER OF ARTS IN: ADMINISTRATION English MASTER OF ACCOUNTING Linguistics MASTER OF BUSINESS ADMINISTRATION MASTER OF FINE ARTS IN CREATIVE WRITING MASTER OF INTERNATIONAL BUSINESS MASTER OF SCIENCE IN: MASTER OF SCIENCE IN: Biology Finance Chemistry Health Informatics and Analytics Environmental Studies Human Resource Management Forensic Science Information Systems Geosciences International Real Estate Mathematical Sciences Logistics and Supply Chain Management Physics Marketing Psychology DOCTOR OF PHILOSOPHY IN BUSINESS Statistics ADMINISTRATION PROFESSIONAL SCIENCE MASTERS: DOCTOR OF BUSINESS ADMINISTRATION Environmental Policy and Management Forensic Science COLLEGE OF COMMUNICATION, DOCTOR OF PHILOSOPHY IN: ARCHITECTURE + THE ARTS Applied Mathematical Sciences http://carta.fiu.edu/ Biology MASTER OF ARCHITECTURE Biochemistry MASTER OF ARTS IN: Chemistry Architecture Earth Systems Science Interior Architecture Physics Urban Design Psychology MASTER OF ARTS IN TEACHING: Art Education (K-12) SCHOOL OF EDUCATION AND HUMAN MASTER OF FINE ARTS IN VISUAL ARTS DEVELOPMENT MASTER OF INTERIOR ARCHITECTURE http://education.fiu.edu/ MASTER OF LANDSCAPE ARCHITECTURE MASTER OF SCIENCE IN: MASTER OF MUSIC Adult Education and Human Resource Development MASTER OF SCIENCE
    [Show full text]
  • School of Music Graduate Handbook
    HUGH A. GLAUSER SCHOOL OF MUSIC COLLEGE OF THE ARTS GRADUATE HANDBOOK FALL 2015 1 TABLE OF CONTENTS Page No. I. Master’s Programs – Overview……………………………………………………………. 4-7 General Academic Requirements……………………………………………… 4 Qualitative Requirements………………………………………………………… 4 Time Limits……………………………………………………………………………. 4-5 Transfer Credit………………………………………………………………………. 5-6 Research Requirement……………………………………………………………. 6 Theory Placement Examination……………………………………………….. 6 Ensemble Requirement……………………………………………………………. 6 Degree Programs……………………………………………………………………. 6 Thesis, Recital and Final Oral Examination………………………………… 7 II. Master’s Programs – Guidelines for Degree Options……………………………….. 8-17 Guidelines for M.A. Degree Program…………………………………………. 8-11 Guidelines for M.M. Degree Program………………………………………… 12-15 Guidelines for the Online Music Education Program……………………. 16 Guidelines for Committee Members of Final Oral Examinations……. 17 III. Doctoral Programs – Overview……………………………………………………………. 18-28 General Academic Requirements……………………………………………… 18 Qualitative Requirement…………………………………………………………. 18 Time Limits……………………………………………………………………………. 19 Transfer Credit………………………………………………………………………. 19-20 Advisory Committee……………………………………………………………….. 20 Residence……………………………………………………………………………… 21 Research Requirements…………………………………………………………. 21 Theory Placement Examination……………………………………………….. 21 Candidacy Examination…………………………………………………………… 21-23 Dissertation…………………………………………………………………………… 23-26 The Examining Committee………………………………………………………. 26-27 Final Oral Examination…………………………………………………………….
    [Show full text]
  • The International Recognition of Qualifications in the Field of Music
    Music Study, Mobility, and Accountability Project The International Recognition of Qualifications in the Field of Music Introduction This document provides an overview of qualifications in the field of music, their titles, meanings, and uses. It presents information concerning: • Present conditions and the dynamics of change in Europe and the United States regarding the meaning and use of qualifications and credentials. • Recognition of studies completed successfully by students in exchange programmes. • Recognition of completed qualifications and credentials such as degrees, diplomas, certifi- cates, or courses of study. • A nation-by-nation summary of requirements to enter regulated music professions where academic qualifications or credentials are normally specified. Each of these topics is complex; specific definitions and practices can vary among nations and institutions. Policies and practices change over time. Readers using the information provided here are encouraged to obtain a full understanding of the ways qualifications and credentials work in each specific national or institutional situation in which they are engaged. The Recognition of Qualifications in the European Union Recognition of qualifications is one of the conditions for the establishment of a European Union (EU) area for higher education and for the European free market, which is based on the free movement of goods and workers. The European Union has therefore developed far-reaching rules on the recognition of qualifications. A distinction needs to be made between recognition for academic purposes (for the continuing of studies abroad or for a study period abroad as part of the regular studies) and recognition for professional purposes (to be allowed to work in a certain profession).
    [Show full text]