The Portrait of English Society in Selected Novels
Total Page:16
File Type:pdf, Size:1020Kb
MASARYKUNIVERSITYBRNO FacultyofEducation EnglishDepartment THE PORTRAIT OF ENGLISH SOCIETY IN SELECTED NOVELS OF AGATHA CHRISTIE Bachelor thesis Author:EvaBlažková Supervisor: Mgr.Lucie Podroužková,Ph.D. Brno2006 Declaration Ideclare thatIhave compiledthisfinalthesis bymyselfandthatIhaveusedonlythe sources listedinthe bibliography. ………………….. ListofContents 1. Introduction................................................................................................. 1 2. Whodunit..................................................................................................... 3 3. WomenandWomen’sIssues...................................................................... 4 4. FamilyLife................................................................................................ 11 5. Servants..................................................................................................... 18 6. Conclusion ................................................................................................ 30 7. Resume...................................................................................................... 32 8. Bibliography.............................................................................................. 33 9. Appendix................................................................................................... 34 1. Introduction The detective stories byAgatha Christie are my biglove.I have readalmost all her novels and short stories, I evendreamed about becoming a great detective. I just could not decide, whether I would be more like Miss Marple or Mr. Poirot, her two most popular detectives. What makes me like them somuch? The character of the great detective, who comes and solves everything at the end of the book by intellectual thinking, exposes the evil and represents the order, is a phenomenon which brings securityinto our lives andleaves us withthe hope for justice. Althoughthe mainmotive of crime novelsis money,the backgroundof these stories ismuchmore diverse. It is the societyitself,its relationships anddelicate invisible web of consensus andrules which must beobeyedaswell asthecharacter andtemperamentof the people,whichformsthe complete pictureofacrimestory. As the title of my thesis indicates, I would like to focus and more deeply comment on some interestingfeatures of the Englishsocietyas reflectedinthe works of Agatha Christie. My work is based on the information gathered from her novels CrookedHouse (1949) , ThereisaTide (1948) ,Hercule Poirot´sChristmas (1939) , Five Little Pigs (1942) , The Mysterious Affair at Styles (1920) and The Moving Finger (1942) . Agatha Christie is the best sellingauthor of anygenre andof all time.Her books have sold over twobillioncopies inthe Englishlanguage andanother billioninover 103foreignlanguages. She is famouslyknownas the “Queenof Crime” andis the most important andinnovative writer inthe development of the Englishdetective fiction.She published over eightynovels and stage plays,manyof these featuringone of her main series characters –Hercule Poirot or Miss Marple.Most of her books andshort stories have beenfilmed,her playThe Mousetrap holds the record for the longest runever in Londonandit is still runningin2006 after more than20,000performances.In1971she was granted the title of Dame Commander of the British Empire.I consider her one of themostsuccessfulwomenintheworld. Her private life was not that happy. Her father diedwhenshe was only a child, her first marriage was an unhappyone andwas divorced in1928.However,theyhada daughter Rosalind, named after one of Shakespeare’s heroines. During World War I Agatha Christie worked in a hospital and then a pharmacy. This job influenced her 1 detective stories,as manyof the murders inher books are committedwiththe help of poison. Her life carries one big mystery – her disappearance for eleven days in 1926. Her car was foundabandonedandin the endshe was discoveredin a hotel inHarrogate, she herself later claimed to have suffered amnesia due to a nervous breakdown followingthe deathof her mother andher husband’s infidelity.A fictionalisedversion of the disappearance was recreatedina film Agatha (1971) , starring Vanessa Redgrave as Christie andDustinHoffmanas a journalist whofinds her.In1930she remarriedto Sir Max Mallowan, a British archaeologist, who was fourteen years younger. This marriage was very happy, althougheven nowadays the relationship between an older womananda younger manis seenas somethingverysuspicious andunconventional.I see in this her big courage as well as independent spirit. They visited together the Middle East andseveral of her novels tookplace there.She diedin1976at the age of eighty-fiveandis buriedatSt.Mary’sChurchyardinCholsey,Oxon. The aim of this thesis is toexamine social aspects of Britishsocietybetweenthe twoworldwars as describedinher novels,especiallythe role andnature of the family, the role of womenandportrait of social classes andtocompare the social background depicted in Agatha Christie’s novels with the available historical facts. I divided my work into four chapters, which concentrate on the typical features of English society betweenthe WorldWar I and WorldWar II.In the first chapter “Whodunit” I want to introduce the classical detective storyof “GoldenAge” of detective fiction,the typical setting–the Englishcountryside andsocietywhichis describedit the novels,mainly upper class andupper middle class andalso the twomaindetective characters –Miss Marple and Mr. Poirot. Agatha Christie knew these classes and she depicted very precisely the mainfeatures of them –strongsense of possessiveness,deep prejudices andhypocrisy.Inthe chapter “Womenandthe Women’s Issues” I wouldlike to discuss the role of a womaninthe societyandthe changingattitude towards womeninthe first half of the twentiethcentury.This chapter will alsointroduce some womencharacters depictedin Christie’s novels.The thirdchapter “FamilyLife” will deal withthe picture of a familyinAgatha Christie’s books.The familyis considereda foundationstone of the society,andthe change from the Victorianmodel of the familytoa modernone as we know it nowadays is very interesting. Next chapter, “Servants”, will show the working class – teachers, maids and governesses, their role in Christie’s novel and changesinthesocietyconnectedwiththem. 2 2. Whodunit The question“whohas done it” is a basic concept of the detective novel from so calledGoldenAge Mysterynovel,where the puzzle itself is the most important thing andwhere the reader gets many clues from whichthe murderer canbe identifiedbefore the solution is revealed in the final pages of the book. The character of the great detective and the mystery which he is solving is the central motive of the detective story, the rest around is reduced to a minimum. (Hilský 1992: 165) The return of a natural andlawful order of the countryside life is the endof the narrative. Inthe Golden Age of detective novel the writers followed some clichés, which later became unacceptable andridiculed,for instance verypopular was a lockedroom mystery.It is a particular kind of whodunit, where the crime is committed under impossible circumstances a where the victim was foundina room whichwas at the time of crime impossibletoenter andleavewithout beingseenbytheothers. The writes also followed distinct rules, where some topics like increasing unemployment,the General Strike of 1926,the Great Depressionof the 1930s,the rise of Europeandictatorships or sexual relationships betweenthe characters of the storyare totallyexcluded(Hilský 1992: 165). Accordingly,the famous rules published in 1929 byRonaldKnox,knownas TenCommandments ,Christie followedonlypartly.Insome stories she did not comply with them at all, like in her famous novel The Murder of Roger Ackroyd ,where the narrator of the storyis revealedtobe the murderer itself.The ruleswerefollowing: 1.Thecriminalmust bementionedintheearlypartofthestory,butmustnot beanyone whosethoughtsthe readerhas beenallowedtofollow. 2.Allsupernaturalor preternaturalagencies are ruledoutasa matterofcourse. 3.Not morethanonesecretroomor passageisallowable. 4.Nohithertoundiscoveredpoisons maybeused,noranyappliancewhichwillneeda longscientificexplanationatthe end. 5.NoChinamanmustfigureinthestory. 6.Noaccidentmusteverhelpthedetective,nor mustheeverhaveanunaccountable intuitionwhichproves toberight. 7.Thedetectivehimself mustnotcommitthecrime. 8.Thedetective is boundtodeclare anycluesuponwhichhe mayhappentolight. 3 9.Thestupidfriendofthedetective,theWatson,mustnotconcealfromthereaderany thoughtswhichpass throughhismind;hisintelligencemust beslightly,butvery slightly,belowthatoftheaveragereader. 10.Twinbrothersanddoublesgenerally,mustnotappearunlesswehave beenduly preparedforthem. According to Knox, a detective story "must have as its main interest the unravelingof a mystery; a mysterywhose elements are clearlypresentedtothe reader at an early stage in the proceedings, and whose nature is such as to arouse curiosity, a curiositywhichisgratifiedattheend.” In this chapter I would like to deal with some specific attributes of Christie’s books: typical setting,her famous detectives andthe typical societywhichshe writes aboutinher novels. The Britishcountryside is a term whichbrings in the mindplaces awayfrom the influence of large cities andtowns,a typical village witha church,full of local people interestedin gossips,a typical Englishgentlemanintweed,large greenfields,lakes and woods. Surely our concept of living in the country is also influenced by reading the