Memory As the Method of Power Struggle in Michael Frayn's
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PHIL 20604 Fall 2019 Prof. Don Howard Modern Physics and Moral
PHIL 20604 Fall 2019 Prof. Don Howard Modern Physics and Moral 308 Malloy Hall Responsibility Tel: 631-7547 TTh 11:00-12:15 [email protected] 625 Flanner Office Hours: TTh 12:30-1:30 Texts: Michael Frayn. Copenhagen. New York: Anchor, 2000. Robert Jungk. Brighter than a Thousand Suns: A Personal History of Atomic Scientists. New York: Harcourt Brace, 1970. Russell McCormmach. Night Thoughts of a Classical Physicist. Cambridge, MA: Harvard University Press, 1991. Sylvan S. Schweber. In the Shadow of the Bomb: Bethe, Oppenheimer, and the Moral Responsibility of the Scientist. Princeton, NJ: Princeton University Press, 2000. Requirements: There will be three components in the computation of your final grade for the course: (1) Discussion Papers (60 %). Each student will be required to submit three discussion papers, each a minimum of 1,500 words, or, roughly, five pages, on topics to be worked out in consultation with the instructor. Each of the three discussion papers will be worth 20 % of the final course grade. Papers will be graded on the basis of both content and mechanics, the latter counting for approximately 20% of the grade on each paper. (2) Journals (25 %). You will be required to keep a journal to be used primarily to record your critical reactions to the assigned readings. At a minimum, you should write a one-page ($300 words) critical response to each reading assignment, though you are encouraged to write more, taking advantage of this opportunity to record your thoughts on any topic related to the course and the readings. Journal entries will be graded on a random, unannounced basis several times over the course of the semester. -
10. Interlude in Denmark (PDF)
10 Interlude in Denmark In my early student days -- as I have mentioned in chapter 3 -- my friend Christiansen-Weniger and I won an election as German student representatives on the ticket by striking a mathematical funny bone: Christiansen-Weniger - von Hippel [Christiansen minus von Hippel]. In the meantime, "Krischan" had become a professor of agriculture and had been called to Ankara in that capacity. He was an "unblemished Aryan," still a German citizen, and his lovely wife, Luise, alias "Körnchen," also a youth-movement friend, came to visit us. She intended to fly to Warsaw, and I wanted to fly to Copenhagen via Danzig, in order to visit Olga, who was directing a training school for agricultural helpers in that neighborhood. We therefore decided to fly together from Istanbul. In those early years of aviation, this was a major undertaking. Istanbul did not yet have a real airport and our six-passenger plane, with semi-open cockpit, took off from a meadow at night with the headlights of carefully stationed cars outlining a runway. Before our departure, we received the reassuring news that the plane flying the reverse route had crashed in the Albanian mountains. Our flight proved glorious, however. We passed over the Balkans in semi-darkness. No light shone from the ground there because practically all of its settlements had then been wiped out in the Balkan Wars and World War I. At sunrise we reached the Carpathian mountains and flew along that stunning semi-circle separating Hungary from Poland. The air became turbulent and we had to throw up "par la fenêtre [out the window]." At noon we landed in Warsaw, where Luise left me. -
Copenhagen, 1941
Copenhagen, 1941 Heisenberg visited his mentor and former teacher, Niels Bohr, in Copenhagen in 1941, perhaps to ask his advice on the right course of action for the development of atomic energy. It is not certain what was said during this meeting, however Bohr came away with the impression that the Nazis were actively developing a nuclear bomb. Letter of Niels Bohr (1885 – 1962) to Werner Heisenberg (1901 –1976) - released 6 February 2002 Transcription: Kære Heisenberg, Jeg har set en bog “Stærkere end tusind sole” af Robert Jungk, der for nylig er udkommet på dansk, og jeg synes jeg skylder dig at sige, at det har forbavset mig meget at se, hvor stærkt din hukommelse har svigtet dig i dit brev til bogens forfatter, der i uddrag er aftrykt i den danske udgave. Translation. Dear Heisenberg, I have seen a book, “Stærkere end tusind sole” [“Brighter than a thousand suns”] by Robert Jungk, recently published in Danish, and I think that I owe it to you to tell you that I am greatly amazed to see how much your memory has deceived you in your letter to the author of the book, excerpts of which are printed in the Danish edition. Personally, I remember every word of our conversations, which took place on a background of extreme sorrow and tension for us here in Denmark. In particular, it made a strong impression both on Margrethe and me, and on everyone at the Institute that the two of you spoke to, that you and Weizsäcker expressed your definite conviction that Germany would win and that it was therefore quite foolish for us to maintain the hope of a different outcome of the war and to be reticent as regards all German offers of cooperation. -
Savoring the Classical Tradition in Drama
SAVORING THE CLASSICAL TRADITION IN DRAMA MEMORABLE PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION JIM DALE ♦ Friday, January 24 In the 1950s and ’60s JIM DALE was known primarily as a singer and songwriter, with such hits as Oscar nominee “Georgy Girl” to his credit. Meanwhile he was earning plaudits as a film and television comic, with eleven Carry On features that made him a NATIONAL ARTS CLUB household name in Britain. Next came stage roles like 15 Gramercy Park South Autolycus and Bottom with Laurence Olivier’s National Manhattan Theatre Company, and Fagin in Cameron Mackintosh’s PROGRAM AT 6:00 P.M. Oliver. In 1980 he collected a Tony Award for his title Admission Free, But role in Barnum. Since then he has been nominated for Reservations Requested Tony, Drama Desk, and other honors for his work in such plays as Candide, Comedians, Joe Egg, Me and My Girl, and Scapino. As if those accolades were not enough, he also holds two Grammy Awards and ten Audie Awards as the “voice” of Harry Potter. We look forward to a memorable evening with one of the most versatile performers in entertainment history. RON ROSENBAUM ♦ Monday, March 23 Most widely known for Explaining Hitler, a 1998 best-seller that has been translated into ten languages, RON ROSENBAUM is also the author of The Secret Parts of Fortune, Those Who Forget the Past, and How the End Begins: The Road to a Nuclear World War III. -
Synesthetic Landscapes in Harold Pinter's Theatre
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1645 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 GRAÇA CORRÊA All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________ ______________________________ Date Chair of Examining Committee Daniel Gerould ______________ ______________________________ Date Executive Officer Jean Graham-Jones Supervisory Committee ______________________________ Mary Ann Caws ______________________________ Daniel Gerould ______________________________ Jean Graham-Jones THE CITY UNIVERSITY OF NEW YORK iv Abstract Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Adviser: Professor Daniel Gerould In the light of recent interdisciplinary critical approaches to landscape and space , and adopting phenomenological methods of sensory analysis, this dissertation explores interconnected or synesthetic sensory “scapes” in contemporary British playwright Harold Pinter’s theatre. By studying its dramatic landscapes and probing into their multi-sensory manifestations in line with Symbolist theory and aesthetics , I argue that Pinter’s theatre articulates an ecocritical stance and a micropolitical critique. -
March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster. -
The Copenhagen Interpretation: Exploring Science on Stage
The Copenhagen Interpretation: Exploring Science on Stage Michael Frayn’s play Copenhagen, which opened and was known for his experimental, as well as in London in 1998, in New York in 2000, and theoretical, work; Diana Barkan Buchwald, finally made it to Los Angeles in late 2001, ex- associate professor of history, and general editor plores what might have been said during a 1941 and director of the Einstein Papers Project; Hank meeting of Niels Bohr and Werner Heisenberg at Stratton, who plays Werner Heisenberg in the Los Bohr’s home in the German-occupied capital city Angeles production of the play; Marge Leighton, a of Denmark. Although in the end all the ambigu- close friend of the Bohr family (and widow twice- ities and “uncertainties” remain, the three charac- over of Caltech physics professors Tommy Laurit- ters (including Bohr’s wife, Margrethe), with the sen and Bob Leighton); and Jay Labinger, admin- knowledge of hindsight “when all are dead and istrator of the Beckman Institute, who often writes gone,” reenact various drafts of the purpose of on the historical, cultural, social, and literary Heisenberg’s visit—and the ultimate question of aspects of science (see his review of two other why Heisenberg did not build an atomic bomb for science plays in E&S, 2001, no. 1). the Nazis. After Hank Stratton described the play briefly Caltech interest in the play naturally ran quite (but told the audience they’d have to “spend 55 high, and on December 10, in a packed Beckman bucks” to get the rest of it), Diana Barkan Auditorium, Caltech hosted a panel, “The Copen- Buchwald, a historian of science, outlined what hagen Interpretation,” convened “to consider the was going on in physics at the time: fission had broader scientific, historical, philosophical, and been discovered in Berlin in 1938 by Lise Meitner, artistic dimensions of this encounter and its Otto Hahn, and Fritz Strassmann. -
The Future Workshop: Democratic Problem Solving
The Future Workshop: Democratic problem solving Rene Victor Valqui Vidal Informatics and Mathematical Modelling Technical University of Denmark 2800 Lyngby Denmark [email protected] www.imm.dtu.dk/~vvv October 2005 Abstract The origins, principles and practice of a very popular method known as The Future Workshop are presented. The fundamental theory and principles of this method are presented in an introductory way. In addition, practical guidelines to carry out such a workshop are outlined and several types of applications are shortly described. The crucial importance of both the facilitation process and the use of creative tools in team work are enhanced. Keywords: Future workshop, problem solving, facilitation, social fantasy, creativity, group work 1. Introduction “Dreams, not desperation make communities survive”. This slogan was written on a wall of a shantytown in the outskirts of Lima, a community that has developed from nothing to become a well-functioning town. Visions, collaboration and hard work have been the factors that have transformed a desert into a well-developed town. To create dreams about the future is an important task for many groups of individuals and organizations both in grass root activities, public institutions and small businesses. To create visions is the ability to think about the future with great imagination and wisdom. In general, to change or transform the actual situation of a system you can use two main approaches: 1 • First to criticize the actual situation, them to dream about a preferable future situation, and finally to find ways to move from the actual situation to a preferable one; or • First depict a future preferable situation, then analyze the actual situation, and finally find ways to move from the actual situation to a preferable one. -
Heisenberg's Visit to Niels Bohr in 1941 and the Bohr Letters
Klaus Gottstein Max-Planck-Institut für Physik (Werner-Heisenberg-Institut) Föhringer Ring 6 D-80805 Munich, Germany 26 February, 2002 New insights? Heisenberg’s visit to Niels Bohr in 1941 and the Bohr letters1 The documents recently released by the Niels Bohr Archive do not, in an unambiguous way, solve the enigma of what happened during the critical brief discussion between Bohr and Heisenberg in 1941 which so upset Bohr and made Heisenberg so desperate. But they are interesting, they show what Bohr remembered 15 years later. What Heisenberg remembered was already described by him in his memoirs “Der Teil und das Ganze”. The two descriptions are complementary, they are not incompatible. The two famous physicists, as Hans Bethe called it recently, just talked past each other, starting from different assumptions. They did not finish their conversation. Bohr broke it off before Heisenberg had a chance to complete his intended mission. Heisenberg and Bohr had not seen each other since the beginning of the war in 1939. In the meantime, Heisenberg and some other German physicists had been drafted by Army Ordnance to explore the feasibility of a nuclear bomb which, after the discovery of fission and of the chain reaction, could not be ruled out. How real was this theoretical possibility? By 1941 Heisenberg, after two years of intense theoretical and experimental investigations by the drafted group known as the “Uranium Club”, had reached the conclusion that the construction of a nuclear bomb would be feasible in principle, but technically and economically very difficult. He knew in principle how it could be done, by Uranium isotope separation or by Plutonium production in reactors, but both ways would take many years and would be beyond the means of Germany in time of war, and probably also beyond the means of Germany’s adversaries. -
Release of Documents Relating to 1941 Bohr-Heisenberg Meeting
Release of documents relating to 1941 Bohr-Heisenberg meeting DOCUMENTS RELEASED 6 FEBRUARY 2002 The family of Niels Bohr has decided to release all documents deposited at the Niels Bohr Archive, either written or dictated by Niels Bohr, pertaining specifically to the meeting between Bohr and Heisenberg in September 1941. There are in all eleven documents. The decision has been made in order to avoid possible misunderstandings regarding the contents of the documents. The documents supplement and confirm previously published statements of Bohr's recollections of the meeting, especially those of his son, Aage Bohr. The documents have now been organised, transcribed and translated into English at the Niels Bohr Archive. Because of the overwhelming interest in the material, it has been decided that the material should be published in full instead of being made available to scholars upon individual application, as is normal practice at the Niels Bohr Archive. This has been done by placing facsimiles, transcriptions and translations on this website here. An illustrated edition of the transcriptions and translations is published in the journal Naturens Verden, Vol. 84, No. 8 - 9. Reprints can be obtained from the Niels Bohr Archive for USD8/EUR8/DKK50 (prepaid). Release of documents relating to 1941 Bohr-Heisenberg meeting. Document 1. Draft of letter from Bohr to Heisenberg, never sent. In the handwriting of Niels Bohr's assistant, Aage Petersen. Undated, but written after the first publication, in 1957, of the Danish translation of Robert Jungk, Heller als Tausend Sonnen, the first edition of Jungk's book to contain Heisenberg's letter. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Reading the Offstage in Harold Pinter's Early Plays
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Regarding the unseen : reading the offstage in Harold Pinter's early plays Goh, Qi Wei 2017 Goh, Q. W. (2017). Regarding the unseen : reading the offstage in Harold Pinter's early plays. Master's thesis, Nanyang Technological University, Singapore. http://hdl.handle.net/10356/69576 https://doi.org/10.32657/10356/69576 Downloaded on 25 Sep 2021 13:19:07 SGT READING THE THE OFFSTAGE PLAYSREADING PINTER’S IN REGARDING THE UNSEEN: READING THE OFFSTAGE IN HAROLD PINTER’S EARLY PLAYS GOH QI QI WEIGOH 2017 GOH QI WEI SCHOOL OF HUMANITIES AND SOCIAL SCIENCES 2017 REGARDING THE UNSEEN: READING THE OFFSTAGE IN HAROLD PINTER’S EARLY PLAYS GOH QI WEI School of Humanities and Social Sciences A thesis submitted to the Nanyang Technological University in partial fulfilment of the requirements for the degree of Masters of Art 2017 Acknowledgements The initial concept for this project came from a unusual idea for an undergraduate essay on Henrik Ibsen’s Hedda Gabler (1891). Dr Daniel Jernigan suggested its possibilites as a larger project and for this and more, I owe him my deepest gratitude. His insightful comments on my drafts have been immeasurably helpful and this paper would not be half as decent today without Dr Jernigan’s keen eye for detail. To Dr Kevin Riordan, I similarly extend my sincerest thanks for his ‘gestures of solidarity’. In addition, I would like to thank Dr Jane Wong and Dr Lee Hyun Jung for their constructive comments during my confirmation exercise.