DOCSLIB.ORG

2010/11 Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2010/11 Annual Report INTRODUCTION 1 OBJECTIVES + ACHIEVEMENTS 12 LIST OF PAYMENTS 21 REPORT OF OPERATIONS 34 FINANCIAL STATEMENTS 51 Front cover SMALL TIME GANSTER Boilermaker Supported through Fiction Television Co-funded and PIAF Craig Bowler at Big Ant Studios Supported through Digital Media Internship with a Company HAWKE The Film Company Supported through Production Investment Inside front cover UNDERBELLY FILES Screentime Supported through PIAF Back cover LITTLE MONSTERS Torus Games Supported through Digital Media Prototyping Inside back cover JOHN DOE Screen Corporation Supported through PIAF 3 INTRODUCTION FIlm Victoria IMMORTAL December Films Supported through Production Investment Initially constituted as the Victorian Film Corporation in 1976 under an Act of Parliament, the Corporation became Film Victoria in 1982 by virtue of the Film Victoria Act (1981). In 1997, the functions of Film Victoria were amalgamated with those of the State Film Centre of Victoria We invest in projects, people to form Cinemedia Corporation, and businesses, and promote under the Cinemedia Victoria as a world-class Corporation Act 1997. production destination. The Film Act 2001 abolished We work closely with industry Cinemedia Corporation and and government to position established Film Victoria and Victoria as an innovation hub the Australian Centre for and a leader in the Australian Film Victoria is the the Moving Image (ACMI) as ideas economy through the separate statutory authorities. State Government growth and development of In November 2006, Film Victoria the screen industry. agency that provides moved from the Arts portfolio strategic leadership Our film, television, online, to Innovation. mobile and interactive The Act defines Film Victoria’s and assistance to entertainment sectors role as to provide: the film, television, play a vital role in Victoria’s cultural, economic and social ‘Strategic leadership and online, mobile development, generating jobs assistance to the film, television and interactive and business activity, increasing and multimedia industry of the skills base, boosting Victoria to encourage innovation entertainment the capacity of our screen and the creation of new projects industries of infrastructure, and enriching our of high quality that are of cultural life by capturing local economic or cultural benefit Victoria. narratives, voices and ideas. to Victoria’. 4 INTRODUCTION KART WORLD Twiitch Supported through Digital Media Prototyping OUR STaFF — Support the creation and production of original screen content, encourage OUR audience engagement, provide professional and business development VISION support, and foster a skilled workforce — Market and develop the state as a Our vision is for Victoria to have a world-class production destination, world-leading screen economy and culture. provide locations advice and facilitate productions — Develop industry policy and strategy, OUR market and communicate industry mISSION achievements, host and facilitate industry events and work with the Board and Our mission is to lead an innovative screen government industry to deliver engaging, world-class — Manage the organisation’s governance content that enriches our cultural life, and financial, legal, recoupment, human and generates jobs, prosperity and resources and information technology creative opportunities. requirements. 5 INTRODUCTION MATCHING JACK Cascade Films Supported through Production Investment and Cash Flow Facility OUR CORPORaTE GOVERNaNCE We report to the Minister for Innovation, Services and Small Business, Louise Asher, MP and work closely with the Department of Business and Innovation (DBI). Organisational Chart Minister for Innovation, Services & Small Business Film Victoria Board Department of Business and Innovation Chief Executive Officer Directorate Jenni Tosi (Acting) Shae Quabba Strategy Policy development Marketing HAWKE Events The Film Company Supported through Production Investment Business Affairs Incentives, Locations Industry Development Nigel McCormick and Production Services and Investment Kate Marks Sue Edwards (Acting) Finance Production attraction Content creation Information technology Policy liaison Professional development Human resources Production services Business development Legal Production investment Cash Flow Facility Audience engagement 6 INTRODUCTION OUR BOaRD Ann Darrouzet John Howie Ann has worked in the film and television industry for more John has been President of the Debra Allanson than 30 years. She is a graduate Film Victoria Board since 2003 of the NSW University of and was formerly the Chair of Debra is an experienced Technology and VCA, and has Film Victoria between 1989 and screen industry executive worked as a creator, executive 1992. He was a member of the and entrepreneur with producer and producer across Film and Television Industry Task specialist knowledge of digital feature films, documentaries, Force, which reported to the media business and industry long-form television and multi- State Government in 2000, the developments. She is a former platform content. Ann has Chair of the Film and Television Chief Executive of Screen West won national and international Strategy Committee in 2005 who has served on a number of awards including two AFIs, an and is a member of the Victorian arts and business boards and International Emmy, a Banff Screen Industry Roundtable, international festival juries. She is Rockie and two A.T.O.M. awards. which delivered its strategy in currently the Victorian President She has won the Sydney Film Our Board members 2009. A lawyer and former senior of Australian Interactive Festival Dendy Award and the partner in the firm of Howie & Multimedia Industry Association St Kilda Film Festival Best Film bring extensive Maher Solicitors, John now acts (AIMIA), the leading digital media Award for her short film work. experience from the as Special Counsel for Williams industry association. Debra is Ann is Managing Director of Winter Solicitors. He is Chair of Managing Director of Studio Ish, Westside Film & Television film, television, digital Victoria Legal Aid, and a member a company she founded in 2006, and has been engaged as an media, business and of the Melbourne and Olympic which specialises in content independent film production Park Trust and the Montsalvat production and marketing for consultant to federal government finance sectors. Foundation. broadcast, online and mobile. departments for the past decade. 7 INTRODUCTION Jo Dawson David Parker Jo is a chartered accountant David’s first film MALCOLM, with extensive experience in directed by Nadia Tass, was a financial services and wealth critical and box office success, management developed Ana Kokkinos winning eight AFI awards and through senior roles at National releasing in 22 countries. His Australia Bank and Deloitte. Jo Ana is an independent filmmaker role as producer, writer and has excellent management and based in Melbourne who cinematographer continues on strategy experience, and brings commenced her career as a in varying forms with features a strong corporate governance lawyer and industrial officer and TV movies such as THE background to the Board through before graduating from the VCA BIG STEAL, AMY, HERCULES experience developed in a range School of Film and Television. RETURNS, PURE LUCK and his of environments, including Chief She directed and co-wrote latest film MATCHING JACK, Financial Officer of National HEAD ON, which was selected the winner of Best Film, Best Financial Management. She is for Director’s Fortnight at Cannes Director and Best Screenplay Managing Director and Adviser and the winner of an AWGIE for at the Milan International Film with Executive Wealth Strategies, Best Adaptation. Ana’s feature Kim MCGrath Festival. David’s company with a financial planning practice film BLESSED premiered at the Nadia, Cascade Films, owned established in 2002, and is also Melbourne International Film Kim joined the Board in and operated the successful Director of the general insurance Festival in 2009. It won the Jury 2010. She has over 20 Melbourne Film Studio for company Catholic Church Prize at San Sebastian for Best years’ experience in public 25 years. David was a Insurances Limited. Screenplay and the Jury Prize policy development and commissioner on the for Best Film at the Kosmorama implementation in a range of Australian Film Commission Trondheim Film Festival in portfolio areas, including the after an early career as one of Norway. Ana recently won an screen industry and governance. Australia’s foremost movie stills Emerging Master Award at the She is currently engaged by the photographers. 2010 Seattle International Film United Nations Development Festival. Program on the former Victorian Premier, Steve Bracks’ Timor- Leste Governance Project. Kim also serves on the Board Dan Fill of the Melbourne International Film Festival. Dan is the co-founder of Chocolate Liberation Front, an entertainment company Jan Sardi focused on high-quality and innovative properties for all Michael Lynch Jan Sardi is one of Australia’s platforms. He has produced eminent screenwriters. In 1997 THE ADVENTURES OF FIGARO Michael has been involved in he received an Academy Award PHO for ABC3, IMMIGRATION arts administration for more Nomination for his screenplay for NATION – BUILDING than 20 years and was General SHINE, as well as nominations MULTICULTURAL AUSTRALIA Manager of the Sydney Theatre Michael MCMahon for BAFTA, the Writers Guild for SBS and THE WILD KRATTS Company and the Australia
Load more

Recommended publications
  • NT Drama Prospectus AUS-NZ 2020 V2 130819
    2020 Drama Aust/NZ Students COURSE PROSPECTUS TABLE OF CONTENTS Section One - Introduction and General Information .................................................................. 3 Section Two - Schools and Course Information .............................................................................. 5 Part 1 - National Theatre Ballet School ............................. Error! Bookmark not defined. Part 3- National Theatre Student Policies ..................................................................................... 12 Section Four - Application Process ................................................................................................... 21 Section Five - RTO information .......................................................................................................... 23 The National Theatre Melbourne RTO: 3600 Page 2 of 23 Cricos 01551E Section One – Welcome to the National Theatre Hello and a very warm welcome to the National Theatre Drama School. Creativity is a natural human expression. It’s a necessity for human evolution. At the National we seek to nurture and encourage this creativity. Einstein said, “It’s not that I’m so smart, it’s just that I stay with the problems longer.” We commit to you and your training over a three year period. Because creative artists need time. Time to grow, develop and mature. You need to invest the time to discover the artist you want to be. Our creative staff have been producing and nurturing artists since 1936, making us Australia’s original actor training academy. We employ working actors, directors and teachers who train our students with knowledge of the real world and all its demands. The caring and supportive nature of our staff is second to none. The training at the National is up-to-date, comprehensive and fresh. You will draw upon the teachings of Stanislavski, Mike Alfreds and Michael Chekhov. Classes include Shakespearean text, Suzuki, American text, Theatre creation, Film, TV and new media training, Yoga, Clown and voice and body work.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • The Premiere Fund Slate for MIFF 2021 Comprises the Following
    The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people.
    [Show full text]
  • Comedy, Tragedy, Life: an Interview with Nadia Tass and David Parker
    FINN (KODI SMIT-MCPHEE) AND JACK (TOM RUSSELL) IN MATCHING JACK AN INTERVIEW WITH NADIA TASS AND DAVID PARKER TASS AND PARKER'S LATEST FILM, MATCHING JACK. SKILFULLY MINES three years ago, we were in Film Finance THE HUMAN EXPERIENCE. BRIAN MCFARLANE TALKS TO THE PAIR Corporation being assessed for this film ABOUT THE FILM, AS WELL AS DELVING INTO THE INTRICACIES OF SOME we've just done. Matching Jack. The two OF THE FILMMAKERS' EARLIER WORK. people considering this film at that time did not assess it accurately. One of them said, 'The father needs to be a nicer person.' Now, BRIAN MCFARLANE: You've been making we prefer to be going down the feature film I don't know where that person's judgement films together regularly for twenty-five route, but it's terrific when, say, Disney or was coming from and why he was sitting in years now. How difficult has it been to Warner Bros, come to Nadia saying, 'We'd that chair. His opinion was completely wrong: maintain a career like that in Australia? like you to direct this or that piece.' if we'd followed his suggestion we'd have NADIA TASS: Oh, impossible. It's the tough- NT: It's the material, too. I'd much rather do had no film. The woman assessing it also est thing. That's why we work overseas so a really good high-end television story than wanted the female lead to be a battered wife. much. We've made both features and televi- some crappy feature.
    [Show full text]
  • Should This Dog Be Called Spot?
    SHOULD THIS DOG BE CALLED SPOT? Imagine this microscopic drama. A sperm cell from a male dog fuses with an egg cell from a female dog. Each dog’s gamete carries 39 chromosomes. The zygote that results from the fusion of the gametes contains 78 chromosomes – one set of 39 chromosomes from each parent. One pair of the zygote’s chromosomes is shown below. Chromosome from the female dog L T h A Chromosome from the male dog l T H a Each chromosome of the homologous pair contains alleles for the same traits. But one chromosome may have a dominant allele and the other may have a recessive allele. Use the drawing above and the table below to answer the questions. TRAIT Dominant Gene Recessive Gene Hair length Short (L) Long ( l ) Hair Texture Wiry (T) Silky ( l ) Hair Curliness Curly (H) Straight ( h ) Coat Pattern Spotted (A) Solid ( a ) 1. Will the new puppy have a spotted coat? _ yes ________ Explain why or why not: The puppy inherited the dominant allele for spots from its father. 2. Does the female dog (mother) have a spotted coat? _ not enough info ____ Explain how you know this: _She could have a dominant allele on her other chromosome, which is information we don’t have. _____ _____________________________________________________________________ _____________________________________________________________________ 3. Does the male dog (dad) have a spotted coat? __yes _____ Explain how you know this: _The male has at least one dominant allele that he gave to the puppy so we know that the male is spotted. ______________________________________________________________________ Page 5 4.
    [Show full text]
  • Event RECAP July 21-23 Wired Café San Diego, CA July 21-23 July 21-23 2011 WIRED Café
    EVENT RECAP JULY 21-23 WIRED CAFÉ SAN DIEGO, CA JULY 21-23 JULY 21-23 2011 WIRED CAFÉ From July 21-23, 2011, WIRED hosted the 3rd Annual WIRED Café @ Comic-Con. Throughout the weekend, over 3,000 guests received invitation-only access to WIRED’s full-service Café, which provided a media preview lounge, gadget lab, cuisine, cocktails, and a host of activities and interactive demos from WIRED partners, including HBO, Microsoft, History Channel, MGM Casinos, Budweiser Select, and Pringles. An all-star cast of celebs stopped by to sample the food, drinks, and gear, including Justin Timberlake, Amanda Seyfried, Jon Favreau, Rose McGowan, Natasha Henstridge, Olivia Munn, John Landis, Adam West, Billy Dee Williams, Kevin Smith, Nikki Reed, Kellan Lutz, and the entire cast of HBO’s True Blood. All of these celebs were captured by the WIRED.com video crew and featured on WIRED.com. Both Access Hollywood and CNN camped out all day to interview the stars of True Blood. PRESENTED BY SPONSORED BY WIRED CAFÉ SAN DIEGO, CA JULY 21-23 SAN DIEGO, CA JULY 21-23 WIRED CAFÉ 5 “I love the WIRED Café, it’s one of my favorite spots at Comic-Con.” —Kellan Lutz KellanWIRED Lutz CAF/ TwilightÉ SAN DIEGO, CA JULY 21-23 SAN DIEGO, CA JULY 21-23 WIRED CAFÉ 7 Lucy LawlessWIRED CAF /É SpartacusSAN DIEGO, CA JULY 21-23 JULY 21-23 CELEBRITY ATTENDEES 6 / 7 / 8 / 1 / 9 / 10 / 2 / 3 / 4 / 5 / 11 / 12 / 1 / Justin Timberlake and Amanda Seyfried, In Time 2 / Rose McGowan, Conan the Barbarian 3 / Rutina Wesley, True Blood 6 / Eric Balfour, Haven 7 / Aisha Tyler, Archer 8 / Nikki Reed, Twilight 9 / Jon Favreau, Cowboys and Aliens 4 / Skyler Samuels, The Nine Lives of Chloe King 5 / Tony Hale, Alan Tudyk, Adam Brody, and Jake Busey, Good Vibes 10 / Dominic Monaghan, X-Men Origins: Wolverine 11 / Kristin Bauer and Alexander Skarsgard, True Blood 12 / Kevin Smith, 4.3.2.1.
    [Show full text]
  • Theatre Costume, Celebrity Persona, and the Archive
    Persona Studies 2019, vol. 5, no. 2 THEATRE COSTUME, CELEBRITY PERSONA, AND THE ARCHIVE EMILY COLLETT ABSTRACT This essay considers the archived costume in relation to the concept of the celebrity performer’s persona. It takes as its case study the Shakespearean costume of Indigenous actress Deborah Mailman, housed in the Australian Performing Arts Collection. It considers what the materiality of the theatre costume might reveal and conceal about a performer’s personas. It asks to what extent artefacts in an archive might both create a new persona or freezeframe a particular construct of a performer. Central to the essay are questions of agency in relation to the memorialisation of a still living actress and the problematisation of persona in terms of the archived object. Can a costume generate its own persona in relation to the actress? And what are the power dynamics involved in persona construction when an archived costume presents a charged narrative which is very different to the actress’s current construction of her persona? KEY WORDS Costume; Archive; Deborah Mailman; Indigenous; Memory; Shakespeare COSTUME IN THE ARCHIVE: A CHARGED OBJECT In this essay I consider the archived theatre costume in relation to persona studies and what the materiality of costume might reveal or conceal about the celebrity performer’s persona(s). Can an archived costume have its own persona? What complexities arise when the charged historical narrative of an archived costume is at odds with a current persona? And in the following case study of Deborah Mailman, what happens when the framing of a living Indigenous actress’s costume constructs a persona that is quite different to the one that the actress currently constructs for herself? A costume worn by a performer live on stage is remembered in particular ways – and many in the audience might focus more on the performer’s stance, physicality, and verbal prowess than what they are wearing.
    [Show full text]
  • Mark Wagner's Stunt Resume
    Mark Aaron Wagner HEIGHT: 5’10” Weight: 165 lbs. Stuntman / Stunt Coordinator/ Actor S.A.G./ A.F.T.R.A./ U.B.C.P./ A.C.T.R.A Suit- 38-40R, Shirt- 16x34 International Stunt Association- 818-501-5225 Waist- 32, Inseem- 31 KMR (agent)- (818) 755-7534 Shoe: 10 www.MarkAaronWagner.com (Online Demo) Current Resume on IMDB.com Feature Films (Full List Upon Request) Once Upon a Time in Hollywood Zoë Bell/ Rob Alonzo Captain Marvel (driver) Hank Amos/ Jeff Habberstad Ant-Man and The Wasp (dbl. Paul Rudd) Brycen Counts Peppermint (stunt dbl.) Keith Woulard Deadpool 2 (driver) Owen Walstrom/ Darrin Prescott Bright Rob Alonzo Predator Marny Eng/ Lance Gilbert Captain America: Civil War (dbl.- Paul Rudd) Sam Hargrave/ Doug Coleman Three Billboards (dbl.- Sam Rockwell) Doug Coleman PeeWee’s Big Holiday (dbl.- Paul Reubens) Mark Rayner Maze Runner: Scorch Trials ND George Cottle Ant-Man (dbl.- Paul Rudd) Jeff Habberstad Stretch (dbl.- Patrick Wilson) Ben Bray Captain America: Winter Soldier Strike Agent Tom Harper/ Casey O’Neil 300: Rise of an Empire Artemisia Father Damon Caro Iron Man 3 Extremis Soldier Markos Rounthwaite/ Mike Justus/ Jeff Habberstad Secret Life of Walter Mitty (dbl.- Adam Scott) Tim Trella/ Clay Cullen Dark Knight Rises ND/ Driving Tom Struthers/ George Cottle Gangster Squad (dbl.-Frank Grillo) Doug Coleman Men in Black 3 ND Wade Eastwood/ Simon Crane X-Men: First Class MIB Jeff Habberstad/ Brian Smrz Girl with the Dragon Tattoo Drving Jeff Habberstad This Is 40 (dbl.- Paul Rudd) Joel Kramer The Master (dbl.- Joaquin Phoenix) Garrett
    [Show full text]
  • A STUDY GUIDE by Robert Lewis
    A STUDY GUIDE BY ROBERT LEWIS http://www.metromagazine.com.au http://www.theeducationshop.com.au OVERVIEW OF FILM The series of three 54-minute episodes immigration program. Migrants from charts how the dream soon became war-torn Europe arrived en masse. It At the dawn of the twentieth century a nightmare for some. The insecuri- was social engineering on the grand- Australia was a social laboratory. ties of those at the helm meant that est of scales. The country would be A great experiment was underway at the start of the twentieth century fundamentally transformed forever. But to make this new country the most immigration policy was driven by fear the gatekeepers to the nation’s borders progressive and egalitarian nation in and racism, as well as by a vision had to take Australia and its people the world. of being a ‘British’ Australia. As the with them on this radical journey of White Australia Policy was developed change. The new arrivals had to be The country was busy initiating radical and enforced, many of the non-white white, and the dream was kept alive reforms, born of noble ideals, that residents were deported and barred through stealth and propaganda. The enshrined basic political freedoms and from entry. Vibrant communities were message was clear: ‘You’re welcome the rights of fairness and opportunity fractured and the Chinese population but on our terms and only if you adopt for all. At Federation in 1901, Australia dwindled dramatically. this country as your own.’ It was the seemed to stand as a beacon to the age of assimilation.
    [Show full text]
  • ABC TV 2015 Program Guide
    2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS..
    [Show full text]
  • Top Names of Australian Film and Television Announced to Present at Star-Studded AACTA Awards
    Media Release – Strictly embargoed until Sunday 4 January 2015 Top Names of Australian Film and Television Announced to Present at Star-studded AACTA Awards The countdown to the Australian Academy of Cinema and Television Arts (AACTA) Awards is on, with top names of Australian film and television today announced to present at the star-studded Ceremony, held in Sydney and broadcast on Network Ten. Australia’s biggest celebration of screen, the 4th AACTA Awards will see AACTA President Geoffrey Rush present along with AACTA Award winners Lachy Hulme and Adam Zwar. A number of leading women of Australian television are also confirmed to present, including Kat Stewart, Marta Dusseldorp and Danielle Cormack, with all three nominated for Best Lead Actress in a Television Drama, adding anticipation to who will win on the night. Australian film and television favourite, and AFI Award winner, Stephen Curry will participate in the show, along with Dan Wyllie, who is nominated for Best Guest or Supporting Actor in a Television Drama for RAKE SERIES 3. Turkish actor/writer/director, Yilmaz Erdogan, will make his debut as a presenter and nominee at the 4th AACTA Awards. Erdogan is nominated for Best Supporting Actor for his performance in THE WATER DIVINER, competing alongside Patrick Brammall (THE LITTLE DEATH), Robert Pattinson (THE ROVER) and TJ Power (THE LITTLE DEATH). AACTA will announce the host of the 4th AACTA Awards next week, with the Ceremony broadcast nationally on Network Ten at 8:30pm Thursday 29 January, and encored on FOXTEL’s ARENA channel on Saturday 31 January. Further presenter and entertainment announcements will be made in the lead up to the 4th AACTA Awards, and tickets are on sale now for the public and industry: www.aacta.org The AACTA Awards are proudly supported by the NSW Government through its tourism and major events agency, Destination NSW.
    [Show full text]
  • Media Release – Strictly Embargoed Until 4Pm Monday 28 January 2013
    Media Release – Strictly embargoed until 4pm Monday 28 January 2013 AUSTRALIAN ACADEMY ANNOUNCES FIRST GROUP OF WINNERS - 2ND AACTA AWARDS The 2nd AACTA Awards Luncheon, presented by Deluxe was held today at Sydney’s The Star Event Centre, where the Australian Academy of Cinema and Television Arts (AACTA) announced the first group of winners for the 2nd AACTA Awards. 2nd AACTA Awards Presenters Presenters at the event included television favourites Diana Glenn, Jane Harber and Jimi Bani as well as acclaimed actors Damon Herriman, Daniel Henshall and Felicity Price. Also taking to the stage were The Sapphires stars Miranda Tapsell and Shari Sebbens. The event was hosted by the always-entertaining and irreverent Oscar® and AFI Awarded Adam Elliot. Special Presentation of the AACTA Raymond Longford Award – Al Clark A special highlight of the 2nd AACTA Awards Luncheon presented by Deluxe was the presentation of the prestigious AACTA Raymond Longford Award, the nation’s highest screen accolade, to one of Australia’s most revered producers, Al Clark. The presentation was accompanied by moving and insightful tributes from Ana Kokkinos, David Stratton and Alan Finney. With a filmmaking career spanning three decades, Al Clark has produced or executive produced 19 feature films including some of Australia’s most iconic, celebrated and internationally significant cinema, with credits including The Adventures of Priscilla, Queen of the Desert, Chopper, Razzle Dazzle, Blessed, Red Hill and the upcoming musical Goddess. In addition to his achievements as an extraordinary and tenacious producer, Clark is also noted by a cross section of the industry as a mentor and educator whom many credit with helping to launch their careers.
    [Show full text]