Rudy Burckhardt
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January 16, 1987 N.E.A
R. I. Jewish Historical Inside: Association 1 1 "Living In An Age of 1 30 S essions Street P rovide n ce , RI 02 906 Treachery And Deception," page4 ..> .. .:., . THE ONL:Y ENGLISH-JEWISH WEEKLY IN R.I. AND SOUTHEAST MASS. VOLUME LXXIV, NUMBER 6 FRIDAY. JANU ARY 16, 1987 35¢ PER COPY ADL Report: Fundamentalist And NEW YORK (JTA) - The National Conference on Sovi et Evangelical Attitudes Toward Jews Jewry (NCSJ), in its year-end NEW YORK (J T A) - The president of the Southern Baptist It wa s found that 49 percent of report, rebukes the Soviet Union results made public last week of a Convention, the Re v. Bailey those between 18 and 34 years of for "a year of dramatic, but largely nationwide survey of evangelical Smith. Only 12 percent agreed age agreed with at. least. one of the disappointing developments'1 in and fundamentalist Christian with this statemen t. anti-Semitic characterizations human ri ghts and Jewish attitudes towa rds Jews challenge Sixty-ei ght percent sa id Jews compared to 34 percent of those 55 emigration. some commonly held assumptions, are viewed by God " no differently and ove r. In an 18-page wrap-up of Soviet accord ing to the Anti-Defamation than other non-Chris tians" The survey noted a statistically moves and statements on human League of B'nai B'rith which because they have not accepted significant relationship between ri ghts, released last Thursday at a commissioned the poll. Jesus, 20 percent said they may be belief in a literal reading of the press conference in Washington, Conducted telephonically judged " more harshly" and 12 Bible and expression of one or the NCSJ assails the new policy of among a sampling of 1,000 percent were "unsure." more secular anti-Semitic views. -
'A True Magic Chamber': the Public Face of the Modernist Bookshop
‘A True Magic Chamber’: The Public Face of the Modernist Bookshop Andrew Thacker Modernist Cultures 11.3 (2016): 429–451 DOI: 10.3366/mod.2016.0149 © Edinburgh University Press www.euppublishing.com/loi/mod Abstract This article explores the role of bookshops in the construction of a public for modernism and analyses a number of bookshops committed to promoting modernist culture, such as those run by Sylvia Beach (Shakespeare and Company), Adrienne Monnier (La Maison des Amis des Livres), and Frances Steloff (Gotham Book Mart). It also considers how the bookshop is a fulcrum between commerce and culture, a key issue for contemporary modernist studies, and discusses aspects of bookshop culture that seem to operate ‘beyond’ the market. One example is that of We Moderns, a catalogue issued by the Gotham Book Mart in 1940 and which represents a fascinating example of the print culture of the modernist bookshop. Drawing upon the work of Mark Morrisson and Lawrence Rainey, the article also evaluates the position of the bookshop within debates around modernism and the public sphere. The Business of the Magic Chamber A member of the public strolling through Paris in the early 1920s who drifts onto the Left Bank in search of culture, might find themselves in the triangle of small streets between the grander avenues of Boulevard St. Michel and the Boulevard St. Germain in the 6th Arrondissement. These are the streets around the Sorbonne and, as such, there are many bookshops servicing the university. Thinking it might be fun to buy a book, a modern or contemporary book, they stroll up Rue de l'Odéon, across from the National Theatre, spying a likely looking bookshop and decide to enter. -
1 Abbey Books; #4 Richard Abel Bookseller; 1973:1, S
M-106 BOOKSELLER’S CATALOGS A & R BOOKSELLERS; #1 ABACUS BOOKSHOP; #1 ABBEY BOOKS; #4 RICHARD ABEL BOOKSELLER; 1973:1, Sale edition; 1974: 1 ABI BOOKS; #10-11, 15, 22-23, 30; Edward Gordon Craig; 1982: Early autumn, Spring, Edward Gorey; 1983: Spring ABINGTON BOOKS; 1973: Autumn ABOUT BOOKS; #3, 9-10, 61-64, 67-69 BEN ABRAHMSON’S ARGUS BOOK SHOP; #1-5, 7-12, 14-17, 20-34, Along the north wall, Along the south wall, 383, 623, 626, 969, 975, 985, 1944: Oct. HERMAN ABROMSON; #5-6, 7-10, 12 ACADEMIC BOOK COLLECTION; #9 ACADEMY BOOK SHOP; #61 PAUL ADAMS; Botany ADCO SPORTS BOOK EXCHANGE; 1808 TO DATE RICHARD ADAMIAK; #29 RICHARD H. ADELSON; 1981: Spring ; 1983: Spring ; 1992-93: Winter; 1994-95: Winter ADS AUTOGRAPHS; #1-3, 6-10, 13 ADVENTURE BOOK STORE; #1 ; 1988: Nov. AEONIAN PRESS; 1 catalog (unnumbered/undated) AESOP BOOKS; #8 CHARLES AGVENT; #2-5 AHAB RARE BOOKS; #26-27 ALASTOR RARE BOOKS; #16 EDWIN ALBERT; #1 l ALBION BOOKS; #3-4; 1979: Dec. ALCAZAR BOOK SERVICE; #51, 156 ALDREDGE BOOK STORE; #53, 87, 89-90, 114-116 ALEX ALEC-SMITH; #10, 14/16, 18 ALEPH-BET BOOKS; #3, 8-12, 14, 32, 35, 38-41, 43-45, 49, 53, 65; 2004: April 19 ALEXANDERSON & KLOSINSKI BOOKSELLERS; #1-2 ALFA ANTIQUARIAN BOOKSELLER; #79 LIBRAIRIE ALIX; #1 D.C. ALLEN; #32-33, 36, 58, 60, 62 R.R. ALLEN BOOKS; #21, 66-67, 70, 74, 79, 81-82, 84, 86, 92-96; 1996 WILLIAM H. ALLEN BOOKSELLER; #189, 206, 219, 224-225, 227-228, 231-232, 235-236, 239, 244-245, 249-251, 254-256, 259-261, 264-266, 268, 271-273, 275-276, 279-281, 283-284, 287-288, 290-291, 293- 294, 296-297, 300-301, 303-305, 307, 310-311, 313-314, 316-318, 320-321, 323-324; Special mailing 20 DUNCAN M. -
Sister Onfa: Uranian Missionary to Mesilla John Buescher
ISSN 1076-9072 SOUTHERN NEW MEXICO HISTORICAL REVIEW Pasajero del Camino Real By Doña Ana County Historical Society Volume XXVIII Las Cruces, New Mexico January 2021 Doña Ana County Historical Society Publisher Board of Directors for 2021 President: Dennis Daily Southern New Mexico Historical Review Vice President: Garland Courts Secretary: Jim Eckles Sponsors Treasurer: Dennis Fuller Historian: Sally Kading Past President: Susan Krueger Bob and Cherie Gamboa At Large Board Members Frank and Priscilla Parrish Luis Rios Robert and Alice Distlehorst Sim Middleton Jose Aranda Susan Krueger and Jesus Lopez Daniel Aguilera James and Lana Eckman Bob Gamboa Buddy Ritter Merle and Linda Osborn Frank Brito Review Editor position open - contact [email protected] Review Factotum: Jim Eckles Dylan McDonald Mildred Miles Cover Drawing by Jose Cisneros (Reproduced with permission of the artist) George Helfrich The Southern New Mexico Historical Review (ISSN-1076-9072) is looking for original articles concern- Dennis Daily ing the Southwestern Border Region. Biography, local and family histories, oral history and well-edited Nancy Baker documents are welcome. Charts, illustrations or photographs are encouraged to accompany submissions. We are also in need of book reviewers, proofreaders, and someone in marketing and distribution. Barbara Stevens Current copies of the Southern New Mexico Historical Review are available for $10. If ordering by mail, Glennis Adam please include $2.00 for postage and handling. Back issues of the print versions of the Southern New Mexico Historical Review are no longer available. However, all issues since 1994 are available at the Leslie Bergloff Historical Society’s website: http://www.donaanacountyhistsoc.org. -
Rudy Burckhardt's a Walk Through Astoria and Other Places in Queens
1 Rudy Burckhardt’s A Walk Through Astoria and Other Places in Queens By Christopher Sweet August 2017 The photographer and filmmaker Rudy Burckhardt (1914–1999) arrived in New York in 1935 from his native Switzerland, and was quickly immersed in avant-garde circles and the New York School. His then partner and life-long friend, the poet and dance critic Edwin Denby (1903– 1983), whom he had first met in Basel the year before, introduced him to Virgil Thomson, Aaron Copland, Paul Bowles, and others and together they soon encountered and befriended their neighbor, an unknown painter at the time, Willem de Kooning. The two, together and separately, would become essential figures in the downtown cultural bohemian scene over the next several decades, with friends and artistic collaborators including John Ashbery, Frank O’Hara, Franz Kline, Joseph Cornell, Larry Rivers, Alex Katz, Red Grooms, and many others. Burckhardt was initially daunted by what he called the “grandeur and ceaseless energy” of New York City, and it would take him two to three years before he began to photograph the city. In the meantime, he made his first film in 1936, a silent comedy set largely in his Chelsea loft and featuring Copland, Bowles, Thomson, and others. By 1939 he had created his first masterpiece, the photographic album New York, N. Why?, now in the collection of the Metropolitan Museum of Art. The work consists of 67 photographs arranged and sequenced in three main movements, focusing on street facades, shops and signage, and the ebb and flow of people in the streets, along with six sonnets by Edwin Denby and an excerpt from a New Yorker article. -
Edward Gorey Phantasmagorey, 1974 Pen and Ink with Collage on Paper Collection of Clifford Ross
Edward Gorey Phantasmagorey, 1974 Pen and ink with collage on paper Collection of Clifford Ross Phantasmagorey is a play on the term “phantasmagoria” which means: “a constantly shifting, complex succession of things seen or imagined.” Like a phantasmagoria, this series of six images reveals dreamlike glimpses into Gorey’s imagination. Each vignette shows a common motif in Gorey’s work, including a ghostly femme fatale, a cat sitting atop a stack of books, and a fur-coated self-portrait. This drawing was made for an exhibition of the same name, held at the Sterling Memorial Library, Yale University, in 1974. An art student named Clifford Ross, now a contemporary artist in his own right, curated the first survey of Gorey’s work for his senior thesis. 501 Harry Benson Scottish, born 1929 Edward Gorey in His New York City Apartment with Cat, 1978 Gelatin silver print Collection of the artist Benson’s photographic portrait offers a glimpse into Gorey’s apartment in Manhattan’s Murray Hill neighborhood, where he lived from 1953 to 1983. Gorey displayed his collection of fine art—including a print by Edvard Munch and drawings by Balthus—next to found objects that he treated as works of art, such as a weathered crucifix and a needlepoint of a skull. Out and about in the city, he took in movies, theater, dance, and art exhibitions. At home, he retreated to his creative sanctuary filled with obscure books, fine art, and his beloved cats. Edvard Munch Norwegian, 1863–1944 The Woman and the Bear, 1908–9 Lithograph on wove paper mounted on wove paper Bequest of Edward Gorey, 2001.13.61 Munch created this image to illustrate his mythical story Alpha and Omega. -
De Camp Was Her Father of 1983, They Married
The ABN E WSLETTEA AR VOLUME SEVENTEEN, NUMBER 2 ANTIQUARIAN BOOKSELLERS' ASSOCIATION OF AMERICA SPRING 2006 INSIDE: ABAA offers Scholarships to ILAB Congress............................................PAGE 15 ABAA Member Report from the New World: The Wins Oscar 39th California International Antiquarian Book Fair Photo credit: Copyright A.M.P.A.S. Diana Ossana and Larry McMurtry at the Academy Awards. by Susan Benne Longtime member Larry McMurtry won the Oscar for Best Adapted Screenplay for his treatment of Brokeback Mountain at the 78th Annual Academy Awards. He shared the honor with his writing partner, Diana Ossana. Photo credit: Lynne Winslow In his acceptance speech, Mr. McMur- The Book Fair Committee celebrates the success of the fair. Pictured: Gordon try thanked his bookselling colleagues of Hollis, Carol Sandberg, Ed Postal, Victoria Dailey, and Rachel Weinstein. the world. In a follow-up interview with McMurtry, he conveyed to Newsletter by Gordon Hollis and Kate Fultz If this wasnʼt your impression of the Editor Rob Rulon-Miller: "Here is rough- Hollis (Mr. Hollis was chair of the 2006 Los Angeles Book Fair then you might ly what I meant to say at the Oscar[s]-- Los Angeles Book Fair Committee) have missed the 39th California Inter- actually got to say most but not all of it... national Antiquarian Book Fair at the Finally, I'd like to thank booksellers--all When you think of the California Interna- Century Plaza in Los Angeles where all booksellers everywhere, from the owners tional Antiquarian Book Fair in Los An- of the above was true. The numbers for of the humblest paperback exchange up geles, does the following come to mind: the fair this year were impressive: there to the grand masters of the great book were 190 dealers from the U.S. -
FIFTY-ONE YEARS of FILM by RUDY BURCKHARDT to BE SCREENED at Moma BEGINNING FEBRUARY 6
The MuSeUITI Of Modem Art For Immediate Release January 1987 FIFTY-ONE YEARS OF FILM BY RUDY BURCKHARDT TO BE SCREENED AT MoMA BEGINNING FEBRUARY 6 The unprecedented fifty-one year career of independent filmmaker Rudy Burckhardt will be celebrated in a major film retrospective at The Museum of Modern Art, beginning Friday, February 6, 1987. Mr. Burckhardt, who is also a noted photographer and painter, will introduce the exhibition with a program of films entitled "The Streets of New York" on February 6 at 6:30 p.m. THE FILMS OF RUDY BURCKHARDT has been organized by Laurence Kardish, curator in the Museum's Department of Film, and the novelist and essayist Phillip Lopate, who have arranged sixty-seven films into fourteen thematically-related programs. The exhibition includes Mr. Burckhardt's first film, 145 West 21 (1936), with Aaron Copland, Paul Bowles, Paula Miller, and Virgil Thomson, and his most recent, Digital Venus (1987). The films in the exhibition include both fiction and poetic documentaries, revealing Mr. Burckhardt's lyrical eye and gentle playfulness, especially in his depiction of New York City street scenes and his "travel diaries." He has created several short comedies in collaboration with a wide variety of New York City artists, including the painters Alex Katz and Red Grooms, and the poets John Ashbery and Edwin Denby. In addition, he made films with the late surrealist artist and filmmaker Joseph Cornell and with the dancers Paul Taylor and Douglas Dunn. Concurrent with the Museum's film exhibition are shows of Mr. Burckhardt's paintings at the Blue Mountain Gallery, 121 Wooster Street, New York City, February 6-25, and photographs at the Brooke Alexander Gallery, 59 Wooster Street, New York City, February 10-March 7. -
The New York Times Includes the Wolfe
2/7/13 For Bookworms Who Want to Talk About It - The New York Times This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » January 22, 1999 For Bookworms Who Want to Talk About It By BRUCE SHENITZ Reading is an essentially solitary activity, but talking about books requires at least two people. Even if you live with another bibliovore, what are the chances that you will both be struck by the desire to read and discuss, say, ''Bleak House'' or ''Ulysses'' at precisely the same moment? The growing popularity of reading groups and book clubs attests to the desire to talk about books as well as read them. Another motivation for joining such groups, suggested Alberto Manguel, author of ''A History of Reading,'' is that it ''makes you feel less guilty about an activity that society sees as leisure, entertainment or diversion.'' As a result, he said, ''it gives us an alibi for this kind of guilty pleasure.'' In fact, New Yorkers have been gathering together for general book talk for more than 100 years, said Thomas Bender, a professor of history at New York University. Around the turn of the century, he said, such groups played an important part in the city's cultural life. The phenomenon of the author as a star had already developed in Europe earlier in the 19th century, Mr. -
Charles James Papers, 1704-1978 (Bulk 1960-1978)
Charles James papers, 1704-1978 (bulk 1960-1978) Finding aid prepared by Celia Hartmann and Caitlin McCarthy This finding aid was generated using Archivists' Toolkit on August 21, 2019 The Costume Institute's Irene Lewisohn Costume Reference Library The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 [email protected] Charles James papers, 1704-1978 (bulk 1960-1978) Table of Contents Summary Information .......................................................................................................3 Biographical note.................................................................................................................4 Scope and Contents note.....................................................................................................6 Arrangement note................................................................................................................ 7 Administrative Information .............................................................................................. 8 Related Materials .............................................................................................................. 9 Controlled Access Headings............................................................................................... 9 Collection Inventory..........................................................................................................11 Series I. Business Ventures.........................................................................................11 -
AUCTION Guide
SPECIAL DIGITAL SUPPLEMENT ISSUE 17.4 // AUTUMN 2019 FB&C AUCTION guide AUTUMN 2019 FORUM 2 A Day in the Life SWANN 4 Remarkable Accounts BONHAMS 6 At the Center of Power HINDMAN AUCTIONS 8 High Spots from a Highlight Sale HERITAGE 10 Collecting with Substance SKINNER 12 Earnest Works Order Online at FineBooksMagazine.com/store Missed an issue? That’s OK! JUST $8 SETS STARTING AT Complete your collection of Fine Books & Collections today! PER ISSUE $30 PER YEAR Autumn 2019, 17.4 Auction Guide www.finebooksmagazine.com EDITORIAL & ADMINISTRATION Contents • Autumn 2019 • www.finebooksmagazine.com 101 Europa Drive, Suite 150 Chapel Hill, NC 27517 TEL: (800) 662-4834 FAX: (919) 945-0701 PUBLISHER Webb C. Howell [email protected] AssOCiaTE PUBLISHER Autumn 2010 Winter 2011 Spring 2011 Summer 2011 Autumn 2011 Winter 2012 Spring 2012 Kimberly Draper • mark Twain • Dave Eggers • Dublin’s Book World • Artist Clementine • Jules Feiff er • Siglio Press • Larry mcmurtry . [email protected] • mining Archive • Lakeside Classics • Collecting Books you Hunter • Dickens • Audrey Niff enegger • Collecting Picasso m. • Book Arts Web • Shakespeare’s Falsehood Can’t Read • The Strachey Papers • Albert H. Small • Illustrated Classics • Printer’s medals wann EDITOR oru F • Cocktail Collection • Edward Curtis S OF Rebecca Rego Barry of y y y [email protected] ourtes ourtes C ART DIRECTOR C Rosie Haller [email protected] FORUM 2 SWANN 4 MANAGING EDITOR 38 A Day in the Life 40 Remarkable Accounts Greg Sanders Letters at Forum’s September sale Thousands of pages available at [email protected] COLUMNISTS offer a rare look at the Beatles’ time Swann Galleries’ September sale Nicholas Basbanes in India. -
Mimi Gross Charm of the Many
Mimi Gross Charm of the Many Preface by Dominique Fourcade Text by Charles Bernstein Salander-O’Reilly Galleries New York This catalogue accompanies an exhibition from September 5–28, 2002 at Salander-O'Reilly Galleries, LLC 20 East 79 Street New York, NY 10021 Tel (212) 879-6606 Fax (212) 744-0655 www.salander.com Monday–Saturday 9:30 to 5:30 © 2002 Salander-O’Reilly Galleries, LLC ISBN: 0 -158821-110-X Photography: Paul Waldman Design: Lawrence Sunden, Inc. Printing: The Studley Press TABLE OF CONTENTS Preface 7 Dominique Fourcade Mimi Gross 9 Charles Bernstein Plates 21 Chronology 42 The artist in her studio. Photo: Henry Jesionka. >#< PREFACE Dominique Fourcade Charm of the Many, such a derangement, does not mean that many were charming, nor does it mean that many have a charm. It alludes to a surprise: in the act of painting many a dif- ferent one lies a charm, single, inborn, and the painter is exposed. Is acted. It has to do with unexpectable sameness, it is serendipitous as well as recalcitrant and alarming. It lurks, very real, not behind but in front of the surfaces. It amounts to a lonesome surface, the surface of portraiture, and deals with an absence, because one does not portray life, death is the subject. Death is the component and the span, the deeper one portrays the more it dawns on us. A sameness, not opaque, with a great variety of reso- nances, a repeated syncope. Charm of the Many is to be sensed, obviously, under the light of Mimi’s own Coptic ways, Fayoumesque, on the arduous path of appearance.