DOCSLIB.ORG

Exemplar De Assinante Da Imprensa Nacional

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Exemplar De Assinante Da Imprensa Nacional ISSN 1677-7042 Ano CXLIX N o­ 200 Brasília - DF, terça-feira, 16 de outubro de 2012 "Art. 2 o A hora de verão vigorará nos Estados do Rio Grande do Sul, Santa Catarina, Paraná, Sumário São Paulo, Rio de Janeiro, Espírito Santo, Minas Gerais, Goiás, Mato Grosso, Mato Grosso do Sul, . Tocantins e no Distrito Federal." (NR) PÁGINA Art. 2 o Este Decreto entra em vigor na data de sua publicação. Atos do Poder Executivo............................................................................................................................. 1 Art. 3 o Fica revogado o Decreto n o 7.584, de 13 de outubro de 2011. Presidência da República............................................................................................................................. 7 Ministério da Agricultura, Pecuária e Abastecimento ............................................................................... 9 Brasília, 15 de outubro de 2012; 191º da Independência e 124º da República. Ministério da Ciência, Tecnologia e Inovação......................................................................................... 12 DILMA ROUSSEFF Ministério da Cultura................................................................................................................................. 12 Edison Lobão Ministério da Defesa.................................................................................................................................. 14 DECRETO DE 15 DE OUTUBRO DE 2012 Ministério da Educação ............................................................................................................................. 14 Ministério da Fazenda................................................................................................................................ 16 Abre aos Orçamentos Fiscal e da Seguridade Social da União, em favor dos Ministérios de Minas e Energia, dos Transportes, da Integração Nacional e das Ministério da Justiça .................................................................................................................................. 25 Cidades, crédito suplementar no valor de R$ 1.606.480.156,00, para reforço de Ministério da Previdência Social............................................................................................................... 38 dotações constantes da Lei Orçamentária vigente. Ministério da Saúde ................................................................................................................................... 38 A PRESIDENTA DA REPÚBLICA , no uso da atribuição que lhe confere o art. 84, caput , Ministério das Cidades............................................................................................................................... 45 inciso IV, da Constituição, e tendo em vista a autorização contida no art. 4 o, caput , incisos I, alínea "a", o o Ministério das Comunicações.................................................................................................................... 48 II, XVII e XXVIII, alínea "a", e § 1 , da Lei n 12.595, de 19 de janeiro de 2012, Ministério de Minas e Energia.................................................................................................................. 57 DECRETA: Ministério do Desenvolvimento, Indústria e Comércio Exterior ............................................................ 75 Art. 1 o Fica aberto aos Orçamentos Fiscal e da Seguridade Social da União (Lei n o 12.595, de Ministério do Esporte................................................................................................................................. 94 19 de janeiro de 2012), em favor dos Ministérios de Minas e Energia, dos Transportes, da Integração Ministério do Meio Ambiente................................................................................................................... 95 Nacional e das Cidades, crédito suplementar no valor de R$ 1.606.480.156,00 (um bilhão, seiscentos e seis milhões, quatrocentos e oitenta mil, cento e cinquenta e seis reais), para atender à programação Ministério do Planejamento, Orçamento e Gestão................................................................................... 95 constante do Anexo I. Ministério do Trabalho e Emprego........................................................................................................... 95 Art. 2 o Os recursos necessários à abertura do crédito de que trata o art. 1 o decorrem de anulação Ministério dos Transportes ........................................................................................................................ 96 de dotações orçamentárias, conforme indicado no Anexo II. Conselho Nacional do Ministério Público................................................................................................ 96 o Ministério Público da União ..................................................................................................................... 97 Art. 3 Este Decreto entra em vigor na data de sua publicação. Tribunal de Contas da União .................................................................................................................. 108 Brasília, 15 de outubro de 2012; 191º da Independência e 124º da República. Poder Judiciário........................................................................................................................................ 108 DILMA ROUSSEFF Entidades de Fiscalização do Exercício das Profissões Liberais .......................................................... 108 Miriam Belchior Atos do Poder Executivo ÓRGÃO: 32000 • Ministério de Minas e Energia . UNIDADE: 32202 • Companhia de Pesquisa de Recursos Minerais • CPRM ANEXO I Crédito Suplementar DECRETO N o­ 7.826, DE 15 DE OUTUBRO DE 2012 PROGRAMA DE TRABALHO (SUPLEMENTAÇÃO) Recurso de Todas as Fontes R$ 1,00 FUNCIO- PROGRAMÁTICA PROGRAMA/AÇÃO/LOCALIZADOR/PRODU- E G R M I F VA L O R NAL TO S N P O U T Altera o Decreto nº 6.558, de 8 de setembro de 2008, que institui a hora de F D D E verão em parte do território nacional, para incluir o Estado de Tocantins e 2040 Gestão de Riscos e Resposta a Desastres 3.125.000 excluir o Estado da Bahia em sua abrangência. AT I V I D A D E S EXEMPLAR DE ASSINANTE DA22 663 2040IMPRENSA 20LA Mapeamento Geológico­geotécnico emNACIONAL Municí­ 3.125.000 pios Críticos com Relação a Riscos Geológi­ A PRESIDENTA DA REPÚBLICA , no uso da atribuição que lhe confere o art. 84, caput , cos o inciso IV, da Constituição, e tendo em vista o disposto no art. 1 , caput , inciso I, alínea "b", e § 2º, do 22 663 2040 20LA 0001 Mapeamento Geológico-geotécnico em Municí- 3.125.000 Decreto-Lei n o 4.295, de 13 de maio de 1942, pios Críticos com Relação a Riscos Geológicos - Nacional F 3 3 90 0 142 636.000 DECRETA: F 4 3 90 0 100 11 9 . 0 0 0 F 4 3 90 0 142 2.370.000 TOTAL • FISCAL 3.125.000 Art. 1 o O Decreto n o 6.558, de 8 de setembro de 2008, passa a vigorar com as seguintes TOTAL • SEGURIDADE 0 alterações: TOTAL • GERAL 3.125.000 Este documento pode ser verificado no endereço eletrônico http://www.in.gov.br/autenticidade.html , Documento assinado digitalmente conforme MP n o­ 2.200-2 de 24/08/2001, que institui a pelo código 00012012101600001 Infraestrutura de Chaves Públicas Brasileira - ICP-Brasil. 2 ISSN 1677-7042 1 Nº 200, terça-feira, 16 de outubro de 2012 ÓRGÃO: 32000 • Ministério de Minas e Energia 26 782 2075 111J 0024 Construção de Trecho Rodoviário - Entroncamen- 2.000.000 UNIDADE: 32265 • Agência Nacional do Petróleo, Gás Natural e Biocombus­ to RN-078 - Divisa RN/CE - na BR-226 - no tíveis • ANP Estado do Rio Grande do Norte - No Estado do ANEXO I Crédito Suplementar Rio Grande do Norte PROGRAMA DE TRABALHO (SUPLEMENTAÇÃO) Recurso de Todas as Fontes R$ 1,00 F 4 3 90 0 100 2.000.000 FUNCIO- PROGRAMÁTICA PROGRAMA/AÇÃO/LOCALIZADOR/PRODU- E G R M I F VA L O R 26 782 2075 113V Construção de Contorno Rodoviário • no Mu­ 8.000.000 NAL TO S N P O U T nicípio de Mossoró • na BR•304 • no Estado do F D D E Rio Grande do Norte 2 11 9 Programa de Gestão e Manutenção do Ministério de Minas e Energia 595.000 26 782 2075 113V 0024 Construção de Contorno Rodoviário - no Mu- 8.000.000 nicípio de Mossoró - na BR-304 - no Estado do AT I V I D A D E S Rio Grande do Norte - No Estado do Rio Grande 22 122 2119 8785 Gestão e Coordenação do Programa de Ace­ 595.000 do Norte leração do Crescimento • PAC F 4 3 90 0 100 8.000.000 22 122 2119 8785 0001 Gestão e Coordenação do Programa de Acele- 595.000 26 782 2075 1208 Adequação de Trecho Rodoviário • Palhoça ­ 11 5 . 0 0 0 . 0 0 0 ração do Crescimento - PAC - Nacional Divisa SC/RS • na BR•101 • no Estado de San­ F 4 3 90 0 142 595.000 ta Catarina TOTAL • FISCAL 595.000 26 782 2075 1208 0042 Adequação de Trecho Rodoviário - Palhoça - Di- 11 5 . 0 0 0 . 0 0 0 TOTAL • SEGURIDADE 0 visa SC/RS - na BR-101 - no Estado de Santa TOTAL • GERAL 595.000 Catarina - No Estado de Santa Catarina F 4 3 90 0 100 11 5 . 0 0 0 . 0 0 0 26 782 2075 1248 Construção de Trecho Rodoviário • Manaus ­ 7.500.000 ÓRGÃO: 39000 • Ministério dos Transportes Divisa AM/RO • na BR•319 ­ no Estado do Amazonas UNIDADE: 39252 • Departamento Nacional de Infra­Estrutura de Transportes • DNIT 26 782 2075 1248 0013 Construção de Trecho Rodoviário - Manaus - Di- 7.500.000 visa AM/RO - na BR-319 - no Estado do Ama- ANEXO I Crédito Suplementar zonas - No Estado do Amazonas PROGRAMA DE TRABALHO (SUPLEMENTAÇÃO) Recurso de Todas as Fontes R$ 1,00 F 4 3 90 0 100 7.500.000 FUNCIO- PROGRAMÁTICA PROGRAMA/AÇÃO/LOCALIZADOR/PRODU- E G R M I F VA L O R 26 782 2075 12ER Adequação
Load more

Recommended publications
  • University of Western Sydney
    Submitted in fulfillment of the requirements for the Degree of Doctor of Creative Arts UNIVERSITY OF WESTERN SYDNEY School of Communication Arts Institute for Culture and Society Principal Supervisor: Dr. Maria AnGel Co-supervisor: Prof. Hart Cohen 2014 ACKNOWLEDGEMENTS This project has taken me seven years to complete and I would like to sincerely thank all the people who have, in one way or another, helped to make it possible. Despite all the difficulty I encountered, I found diverse kinds of support along the way, from friends, colleagues, family, experts and organisations, who have helped me persist with and conclude this project. A special thanks to Mestre Roxinho, Chiara Ridolfi, Elisabeth Pickering and 30 young refugees at Cabramatta High School for agreeing to be filmed so closely for such a long period of time. This was an expansive and difficult exercise in trust. I admire them for that. I want to acknowledge the generosity and expertise of the original academic supervisors Cristina Rocha, Hart Cohen, Megan Watkins, who have contributed to this project. Greg Nobel for having mediated the difficult moments along the way. I specially want to thank Dr. Maria Angel for having come onboard this project as my Principal Supervisor in the last year of my candidature. I am also very thankful for the support I received from volunteers and tutors who worked in the implementation of the project in 2010, and for the film equipment provided by the University of Western Sydney’s School of Communication Arts and the Institute for Culture and Society. The film component of this DCA was only possible because of this support.
    [Show full text]
  • Collecting and Conserving Net Art
    Collecting and Conserving Net Art Collecting and Conserving Net Art explores the qualities and characteristics of net art and its influence on conservation practices. By addressing and answering some of the challenges facing net art and providing an exploration of its intersection with conservation, the book casts a new light on net art, conservation, curating and museum studies. Viewing net art as a process rather than as a fixed object, the book considers how this is influenced by and executed through other systems and users. Arguing that these processes and networks are imbued with ambiguity, the book suggests that this is strategically used to create suspense, obfuscate existing systems and disrupt power structures. The rapid obsolescence of hardware and software, the existence of many net artworks within restricted platforms and the fact that artworks often act as assemblages that change or mutate, make net art a challenging case for conservation. Taking the performative and interpretive roles conservators play into account, the book demonstrates how practitioners can make more informed decisions when responding to, critically analyzing or working with net art, particularly software-based processes. Collecting and Conserving Net Art is intended for researchers, academics and postgraduate students, especially those engaged in the study of museum studies, conservation and heritage studies, curatorial studies, digital art and art history. The book should also be interesting to professionals who are involved in the conservation and curation of digital arts, performance, media and software. Annet Dekker is Assistant Professor Media Studies: Archival and Information Studies at the University of Amsterdam in the Netherlands, and Visiting Professor and co-director of the Centre for the Study of the Networked Image at London South Bank University, UK.
    [Show full text]
  • Four Plays by Frank Wedekind
    TRAGEDIES OF SEX TRAGEDIES OF SEX BY FRANK WEDEKIND Translation and Introduction by SAMUEL A ELIOT, Jr. Spring’s Awakening (Fruhlings Erwachen) Earth-Spirit (Erdgeist) Pandora’s Box (Die Buchse der Pandora) Damnation 1 (Tod und Teufel) FRANK HENDERSON ftj Charing Cross Road, London, W.C. 2 CAUTION.—All persons are hereby warned that the plays publish 3d in this volume are fully protected under international copyright laws, and are subject to royalty, and any one presenting any of said plays without the consent of tho Author or his recognized agents, will be liable to the penalties by law provided. Both theatrical and motion picture rights are reserved. Printed in the TJ. S. A. CONTENTS PAGE Introduction vii Spring’s Awakening (Fruhlingserwachen) 1 Earth-Spirit (Erdgeist) Ill Pandora’s Box (Buchse der Pandora) . 217 Damnation! (Tod und Teufel) ...... 305 INTRODUCTION Frank Wedekind’s name is widely, if vaguely, known by now, outside of Germany, and at least five of his plays have been available in English form for qui^e some years, yet a resume of biographical facts and critical opinions seems necessary as introduction to this—I will not say authoritative, but more care- ful—book. The task is genial, since Wedekind was my special study at Munich in 1913, and I translated his two Lulu tragedies the year after. The timidity or disapprobation betrayed in this respect by our professional critics of foreign drama makes my duty the more imperative. James Huneker merely called him “a naughty boy !” Percival Pollard tiptoed around him, pointing out a trait here and a trait there, like a menagerie-keeper with a prize tiger.
    [Show full text]
  • Layout 1 (Page 2)
    OCT.OCT. 21-27,21-27, 20112011 CURRENTSURRENTS CThe News-Review’s guide to arts, entertainment and television HOPHOPtoto itit UmpquaUmpqua BrewBrew FestFest plansplans secondsecond yearyear ofof musicmusic andand beerbeer MICHAEL SULLIVAN/The News-Review INSIDE: What’s Happening/3 Calendar/4 Book Review/10 Movies/11 TV/15 Page 2, The News-Review Roseburg, Oregon, Currents—Thursday, October 20, 2011 MUSIC Some sales from Bieber’s new CD to go to charity FREE NEW YORK (AP) — Justin Bieber is in the holiday spirit: The singer is the first artist on the Universal Music roster to have part of his album sales Air & Duct Sealing benefit charity. Partial sales from “Under the Mistletoe,” his Christmas album that is out Nov. 1, will No catches, No out-of-pocket costs…just savings! go to various charities, includ- ing Pencils of Promise and the Make-A-Wish Foundation. “Universal never actually allowed money from the If you are Pacifi c Power Customer who owns or rents a album to go to charity, so it’s kind of a unique thing and I’m very happy and proud of what we’ve done,” the 17-year-old said in an interview from Manufactured Home Lima, Peru, on Monday. Universal Music Group in with electric heat, then we can help. the parent company to labels like Interscope Records and Island Def Jam Music Group. Over 90% of new and old homes tested have costly air leaks “holes” in their Its roster includes Eminem, Rihanna, Kanye West and heating/cooling ductwork resulting in higher utility bills and reduced home Lady Gaga.
    [Show full text]
  • Nomination Press Release
    Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros.
    [Show full text]
  • Nude in Winter by Francine Sterle (Tupelo Press, 2006)
    Readers’ Companion and Study Guide: Nude in Winter by Francine Sterle (Tupelo Press, 2006) Introduction Nude in Winter is composed entirely of poems written in response to visual art. Any literary representation of visual art is called “ekphrasis,” from the Greek words ek (out) and phrazein (tell, declare, pronounce). The term was first employed by Greek rhetoricians to denote a vivid, visual description, but over the centuries, it has undergone several shifts in meaning. In its earliest, somewhat restricted sense, ekphrasis focused on literal perception, i.e., writers simply described what was in front of them. The ideal was to capture in words what they saw on the canvas. Over time, writers began to balance the literal and the figural by using the painting as a catalyst not only for describing but also for addressing and reflecting upon the subject of the work. Perhaps Leo Spitzer’s definition, from his 1962 essay on Keats’s “Ode to a Grecian Urn,” comes closest to our present conception of the word: “the poetical description of a pictorial or sculptural work of art.” Poets often turn to visual art as a springboard for new work. By entering the artist’s spatial realm for inspiration and engaging with a painting, photograph, or sculpture, poets learn to address an original piece of art and give it a voice. Responding to visual art requires an intense, absorbed state of mind and leads to leaps in perception and experience. Writing is not only a matter of learning to write but also of learning to see. We improve our writing by improving our perception.
    [Show full text]
  • Research Online Clutch
    Edith Cowan University Research Online Theses : Honours Theses 2004 Clutch Claire Canham Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Art Practice Commons, and the Fine Arts Commons Recommended Citation Canham, C. (2004). Clutch. https://ro.ecu.edu.au/theses_hons/377 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/377 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Clutch vb. to seize with or as if with hands or claws, to grasp or hold firmly, to attempt to get hold or possession of, a firm grasp, a hand or claw in the act of clutching, power or control.
    [Show full text]
  • Study Guide-Sunday in the Park
    The Music Theatre International Study Guide For Music and Lyrics by Stephen Sondheim Book by James Lapine Lyrics © 1984 by Revelation Music Publishing Corp. and Rilting Music, Inc. Study Guide Text © 1993 MTI Enterprises, Inc. Table Of Contents About Sunday In The Park With George.......................3 The Characters in Sunday In The Park With George .............5 Plot Synopsis .............................................7 Themes and Topics to Explore (Questions and Assignments) .....................................13 The Visual Artist ........................................13 The Artist in Society ......................................14 Impressionism ..........................................15 Modern Art ............................................15 The Artist and Interpersonal Relationships ......................16 The Painting ...........................................17 Family Trees ...........................................17 Sunday in the Park with George as a Theatrical Metaphor for Seurat’s Masterpiece ...................18 Sunday in the Park with George as a Metaphor for the Struggles of Contemporary Broadway Authors and Composers .............18 Sunday in the Park with George as a Musical Theatre Work ............19 The Musical Theatre Elements of Sunday in the Park with George ........20 Create Your Own Musical ..................................21 Critical Analysis ........................................21 Appendix ...............................................22 About the Creation of Sunday in the Park with George
    [Show full text]
  • Into the Woods
    INTO THE WOODS Screenplay by James Lapine Music and Lyrics by Stephen Sondheim Based on the musical by Stephen Sondheim and James Lapine ii. MUSICAL NUMBERS Prologue: Into the Woods (page 1)...............Baker, Cinderella, Jack, Wife, Stepmother, Florinda, Lucinda, Jack's Mother, LRRH, Witch Cinderella at the Grave (page 21)..............Cinderella's Mother Hello, Little Girl (page 23)............................Wolf, LRRH “The cow as white as milk…” (page 26)..................Baker, Wife I Know Things Now (page 33)...................................LRRH A Very Nice Prince (page 37)......................Wife, Cinderella Giants in the Sky (page 40)...................................Jack Agony (page 46).............Cinderella's Prince, Rapunzel's Prince It Takes Two (page 51).................................Baker, Wife Stay with Me (page 54).......................................Witch On the Steps of the Palace (page 59)....................Cinderella “Careful my toe…” (page 63)..........Stepmother, Florinda, Lucinda Witch's Lament (page 81).....................................Witch Any Moment (page 84).....................Cinderella's Prince, Wife Moments in the Woods (page 86)................................Wife Your Fault (page 90)..........Baker, Jack, Cinderella, LRRH, Witch Last Midnight (page 94)......................................Witch No One Is Alone(page 102)............Cinderella, LRRH, Baker, Jack Finale/Children Will Listen (page 108)................................Baker, Wife, Witch, ALL FADE UP Grey clouds of an early morning sky. BAKER (V.O.) Once upon a time, in a far off kingdom, there lay a small village at the edge of the woods... Suddenly, the WELL-WORN BOOT of Cinderella steps into the frame and lands on what we thought was the sky, but in fact is simply its reflection in a puddle of water. A strong CHORD accents the splash and we begin a musical vamp.
    [Show full text]
  • Unwinding Duchamp: Mots Et Paroles a Tous Les Etages
    Unwinding Duchamp: Mots et Paroles a Tous les Etages. Volume 1. Text. Glyn Thompson. Submitted in accordance with the requirements of the degree of Ph. D. The University of Leeds School of Fine Art, History of Art and Cultural Studies. September 2008. The candidate confirms that the work submitted is his own work and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. Acknowledgements. I should like to thank the following individuals and organisations who have assisted me in the production of this submission. My supervisors at the University of Leeds, Dr.Alexandra Parigoris and Christopher Taylor. The University of Leeds School of Fine Art, Art History and Cultural Studies, for waiving my course fees, and providing me with the opportunity to test my thesis on the students I have been honoured to teach, on a variety of modules, including ARTF 3157: Duchamp and After, and for financial support for attendance at conferences in Helsinki in 2006 (LA.P.L.) and Gothenburg (Leeds-Helsinki­ Gothenburg Fine Art Research as Practice group), 2008. Doctor Will Rae, for the sympathetic reception of my preliminary submission. Professor M McQuillan for his constant encouragement. Professor V Green and Dr B Eng for their valuable observations. The staff in the Documents Provision section of the Boddington Library. Nigel Walsh of the Leeds City Art Gallery, for offering me the opportunity to mount the exhibition Jemandem ein R Mutt's zeugnis ausstellen, Spring/Summer 2008.
    [Show full text]
  • Untitled (Galvanized 1 Iron Wall), 1974
    The Contingent Object of Contemporary Art This page intentionally left blank The Contingent Object of Contemporary Art martha buskirk THE MIT PRESS cambridge, massachusetts london, england © 2003 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Minion, Syntax, and Scala Sans by Graphic Composition, Inc., Athens, Georgia, and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Buskirk, Martha. The contingent object of contemporary art / Martha Buskirk. p. cm. Includes bibliographical references and index. ISBN 0-262-02539-6 (hc. : alk. paper) 1. Art—Reproduction. 2. Art—Attribution. 3. Art, Modern—20th century. 4. Aesthetics, Modern— 20th century. I. Title. N8580 .B87 2003 709'.04'5—dc21 2002038061 Contents acknowledgments vii introduction 1 1 authorship and authority 19 2 original copies 59 3 medium and materiality 107 4 context as subject 161 5 contingent objects 211 notes 261 selected bibliography 287 index 297 This page intentionally left blank acknowledgments This book would not have happened without the time afforded by a Bunting Fellowship at the Radcliffe Institute for Advanced Study during 2000–2001. My first thanks therefore go to the people whose advice and assistance were crucial as I was pursuing this fellowship, specifically Carol Armstrong, Laura Hoptman, Rosalind Krauss, Kathy O’Dell, and Laura Tonelli. I also benefited from a sabbatical leave from my teaching duties, which was sup- ported by Kate Bodin, John Raimo, and the many colleagues at Montserrat College of Art who took over my responsibilities while I was away.
    [Show full text]
  • INTO the WOODS Screenplay by James Lapine Music and Lyrics by Stephen Sondheim Based on the Musical by Stephen Sondheim and Jame
    INTO THE WOODS Screenplay by James Lapine Music and Lyrics by Stephen Sondheim Based on the musical by Stephen Sondheim and James Lapine ii. MUSICAL NUMBERS Prologue: Into the Woods (page 1)...............Baker, Cinderella, Jack, Wife, Stepmother, Florinda, Lucinda, Jack's Mother, LRRH, Witch Cinderella at the Grave (page 21)..............Cinderella's Mother Hello, Little Girl (page 23)............................Wolf, LRRH “The cow as white as milk…” (page 26)..................Baker, Wife I Know Things Now (page 33)...................................LRRH A Very Nice Prince (page 37)......................Wife, Cinderella Giants in the Sky (page 40)...................................Jack Agony (page 46).............Cinderella's Prince, Rapunzel's Prince It Takes Two (page 51).................................Baker, Wife Stay with Me (page 54).......................................Witch On the Steps of the Palace (page 59)....................Cinderella “Careful my toe…” (page 63)..........Stepmother, Florinda, Lucinda Witch's Lament (page 81).....................................Witch Any Moment (page 84).....................Cinderella's Prince, Wife Moments in the Woods (page 86)................................Wife Your Fault (page 90)..........Baker, Jack, Cinderella, LRRH, Witch Last Midnight (page 94)......................................Witch No One Is Alone(page 102)............Cinderella, LRRH, Baker, Jack Finale/Children Will Listen (page 108)................................Baker, Wife, Witch, ALL FADE UP Grey clouds of an early morning sky. BAKER (V.O.) Once upon a time, in a far off kingdom, there lay a small village at the edge of the woods... Suddenly, the WELL-WORN BOOT of Cinderella steps into the frame and lands on what we thought was the sky, but in fact is simply its reflection in a puddle of water. A strong CHORD accents the splash and we begin a musical vamp.
    [Show full text]