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George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Annual Report 2020 Content
Annual Report 2020 Content Published by: Stanley Thomas Johnson Stiftung 1 Management Activities Editors: Beate Engel, Guido Münzel, Myriam Vetsch 1.1 Organisation 1 January to 31 December 2020 3 Design: Atelier Pol, Bern 1.2 President’s Report 5 April 2021 2 Funding Activities Focus Topic: Coping with the Corona Crisis 2.1.1 Saving our humanity 6 Barbara Bleisch 2.1.2 Nothing is set in stone 8 Beate Engel in conversation with Céline Wenger of Wildwuchs Festival 2.1.3 Clod Ensemble “The Black Saint and the Sinner Lady” 10 Suzy Willson & Paul Clark 2.1.4 The project “Soulfood Delivery” by guerillaclassics 16 Three musicians interviewed by Sandra Smolcic 2.2.1 The Covid-19 Pandemic — an aggravated humanitarian situation in fragile contexts 21 Lorenz Indermühle 2.2.2 The effects of Covid-19 on the Islington Centre in London 24 Anna Giokas 2.2.3 The consequences of the Covid-19 pandemic for the project 28 Mental Health and Paediatrics in Yemen Stephanie Baer, Doctors without Borders 3 Photo Series “Terra” by Aurèle Ferrier 34 Beate Engel 4 News from the Support Sectors Culture Extra 40 Culture 41 Medical Research 42 Victims of Conflict and Violence 45 Education and School Projects 46 5 In Memoriam: Honouring the deceased board members Martin Hubacher and Peter Spycher Sepp Schnyder 48 6 Application Statistics 2020 6.1 The follow-up project “2nd Chance for a 1st education” 52 6.2 Number of applications according to sectors 54 6.3 Approved applications according to project host countries 55 6.4 Approved applications according to sectors in Swiss francs 55 7 Grants 2020 7.1 Approved projects 56 Aurèle Ferrier, film still, research trip in China, Terra (AT), 2018 © Aurèle Ferrier 7.2 Partially claimed project grants 74 1 Management Activities 1.1 Organisation 1 January to 31 December 2020 “The Stanley Thomas Johnson Foundation supports projects Foundation Board Sector Education and School Projects Mirjam Eglin, President Walter Rumpf in the fields of culture, education, humanitarian aid and Ursula Frauchiger, Vice-president medical research. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Claire Rutter Soprano
Claire Rutter Soprano The renowned international soprano Claire UK highlights include Minnie La Fanciulla del Rutter of Norwegian-British ancestry began West, Violetta, Elvira and the title roles in her studies at the Guildhall School of Music new productions of Norma, Madama and Drama and joined the ensemble at the Butterfly and Tosca all of which she sang at National Opera Studio where she was Grange Park Opera. For three years, Claire sponsored by English National Opera. She was a company principal at Scottish Opera, went on to build her career singing the title where her roles included roles in ENO’s new productions of Lucrezia Maddalena Andrea Chenier, Fiordiligi Cosi Borgia, Tosca and Aïda, as well as appearing fan tutte, Elettra Idomeneo, CountessA on the ENO stage as Donna Anna Don lmaviva Le nozze di Figaro, the title role Giovanni, Amelia, Elvira Ernani, in Turandot, Rosalinde DieFledermaus, Gilda Rigoletto and Violetta La Traviata. Gilda Rigoletto, Violetta and Leonora Il trovatore. Chelsea Opera Group engaged the Engagements that could sadly not take place artist for several opera-in-concert in 2020 include her return to ENO for the role performances, including the title roles of Foreign Princess Rusalka in a new in Manon Lescaut and Giovanna d’Arco, production, which also planned to tour to the title role in La Théâtre de la Ville de Luxembourg, a Gioconda and Abigaille Nabucco for Opera performance of Verdi‘s Requiem with Sir Mark North, Gilda and Violetta forWelsh National Elder and the Hallé Orchestra, and concert Opera. performances of Tristan und Isolde (Isolde) and Götterdämmerung (Brünnhilde). -
In Rural Areas
IETM PUBLICATION www.ietm.org ARTS In Rural Areas Garden, Massia Esti, Photo: Anna Siggelkow March 2020 IETM is supported by: ISBN:9782930897448 The European Commission support for the production of this publication does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsi ble for any use which may be made of the information contained therein. IETM PUBLICATION www.ietm.org Arts in Rural Areas IETM Publication by Fernando García-Dory, Piotr Michałowski, Laura H Drane Beyond the Urban – policy paper by CAE, ENCC, IETM, THE Published by IETM - International network for contemporary performing arts, Brussels March 2020 Editing and general coordination: Vassilka Shishkova, Elena Polivtseva, Ása Richardsdóttir (IETM) Layout: Milton Pereira on a template by JosWorld This publication is distributed free of charge and follows the Creative Commons agreement Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND). You are free to reuse and share this publication or parts of it as long as you mention the original source. This publication should be mentioned as follows: F. García-Dory, P. Michałowski, L. H Drane, ‘Arts in Rural Areas’, IETM, March 2020.. Link: https://www.ietm.org/en/publications For further information please contact [email protected] The publishers have made every effort to secure permission to reproduce pictures protected by copyright. Any omission brought to their attention will be solved in future editions of this publications. 2 ARTS IN RURAL AREAS IETM PUBLICATION www.ietm.org About the Authors FERNANDO GARCÍA-DORY Fernando García-Dory is an artist and researcher whose work engages specifically with the relationship between culture and nature as manifested in multiple contexts, from landscapes and the rural, to desires and expectations in relation to identity. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
The Old Bailey and the Recorder of London: a Brief History
From our Patron, Simon Callow Last year I received the exceptional honour of the Freedom of the City of London. Since boyhood I have been haunted by the City, its history, its imagery, its traditions. One of the most vital of those traditions is the City's association with music. Since at least 1350, The Worshipful Company of Musicians has proudly celebrated the noble art. I vividly remember a City of London Festival when I was a youth, in which The Yeoman of the Guards was performed with full son et lumière effects at the Tower of London, and Sir William Walton was specially commissioned to write a splendid piece for the City – A Song for the Lord Mayor's Table. Since then the Barbican Concert Hall has opened, and the London Symphony Orchestra has become resident orchestra. Music is everywhere in the City, as it should be. So when last year's Lord Mayor and Lady Mayoress, Roger and Clare Gifford, asked me become a Patron of their new charity, the City Music Foundation, I said yes straight away - not only because of the ancient association of the City with music, but because it looks so keenly to the future. Its raison d'être is to help young musicians at that critical difficult early point in their careers, right at the beginning, after their training, when they attempt to launch themselves into the world. The Foundation nurtures, encourages, and supports them at a vulnerable moment in their lives. I know very well what that feels like - young actors face exactly the same problems; sometimes really gifted, exceptional artists fall by the wayside. -
A Discography of Robert Burns 1948 to 2002 Thomas Keith
Studies in Scottish Literature Volume 33 | Issue 1 Article 30 2004 A Discography of Robert Burns 1948 to 2002 Thomas Keith Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Keith, Thomas (2004) "A Discography of Robert Burns 1948 to 2002," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/30 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas Keith A Discography of Robert Bums 1948 to 2002 After Sir Walter Scott published his edition of border ballads he came to be chastised by the mother of James Hogg, one Margaret Laidlaw, who told him: "There was never ane 0 my sangs prentit till ye prentit them yoursel, and ye hae spoilt them awthegither. They were made for singing an no forreadin: butye hae broken the charm noo, and they'll never be sung mair.'l Mrs. Laidlaw was perhaps unaware that others had been printing Scottish songs from the oral tradition in great numbers for at least the previous hundred years in volumes such as Allan Ramsay's The Tea-Table Miscellany (1723-37), Orpheus Caledonius (1733) compiled by William Thompson, James Oswald's The Cale donian Pocket Companion (1743, 1759), Ancient and Modern Scottish Songs (1767, 1770) edited by David Herd, James Johnson's Scots Musical Museum (1787-1803) and A Select Collection of Original Scotish Airs (1793-1818) compiled by George Thompson-substantial contributions having been made to the latter two collections by Robert Burns. -
Journal of the Royal Horticultural Society of London
I 3 2044 105 172"381 : JOURNAL OF THE llopl lortimltoal fbck EDITED BY Key. GEORGE HEXSLOW, ALA., E.L.S., F.G.S. rtanical Demonstrator, and Secretary to the Scientific Committee of the Royal Horticultural Society. VOLUME VI Gray Herbarium Harvard University LOXD N II. WEEDE & Co., PRINTERS, BEOMPTON. ' 1 8 8 0. HARVARD UNIVERSITY HERBARIUM. THE GIFT 0F f 4a Ziiau7- m 3 2044 i"05 172 38" J O U E N A L OF THE EDITED BY Eev. GEOEGE HENSLOW, M.A., F.L.S., F.G.S. Botanical Demonstrator, and Secretary to the Scientific Committee of the Royal Horticultural Society. YOLUME "VI. LONDON: H. WEEDE & Co., PRINTERS, BROMPTON, 1 8 80, OOUITOIL OF THE ROYAL HORTICULTURAL SOCIETY. 1 8 8 0. Patron. HER MAJESTY THE QUEEN. President. The Eight Honourable Lord Aberdare. Vice- Presidents. Lord Alfred S. Churchill. Arthur Grote, Esq., F.L.S. Sir Trevor Lawrence, Bt., M.P. H. J". Elwes, Esq. Treasurer. Henry "W ebb, Esq., Secretary. Eobert Hogg, Esq., LL.D., F.L.S. Members of Council. G. T. Clarke, Esq. W. Haughton, Esq. Colonel R. Tretor Clarke. Major F. Mason. The Rev. H. Harpur Crewe. Sir Henry Scudamore J. Denny, Esq., M.D. Stanhope, Bart. Sir Charles "W. Strickland, Bart. Auditors. R. A. Aspinall, Esq. John Lee, Esq. James F. West, Esq. Assistant Secretary. Samuel Jennings, Esq., F.L S. Chief Clerk J. Douglas Dick. Bankers. London and County Bank, High Street, Kensington, W. Garden Superintendent. A. F. Barron. iv ROYAL HORTICULTURAL SOCIETY. SCIENTIFIC COMMITTEE, 1880. Chairman. Sir Joseph Dalton Hooker, K.C.S.I., M.D., C.B.,F.R.S., V.P.L.S., Royal Gardens, Kew. -
2014-2015 Impact Report
IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide. -
7. Palaces of Entertainment
7. Palaces Of Entertainment Escapism coupled with fantasy In 1919 cinema audiences reached a million a week with many “going to the pictures’ twice a week. Attendances rocketed with 987 million tickets sold in 1938. At one billion attendances, cinema was 25 times more popular than association football. The survey showed that 50% of the population went at least once a week; some went two, three or even four times. Only 12% of twelve year olds had never been to a cinema that by now had a magnetic attraction. An imposing façade, opulent interior, main film, giants of screen with their good looks, sex- appeal and humour, a B movie and newsreel interspersed – guaranteed a great night out, or better still two or even more. By 1939 weekly cinema audiences exceeded 23 million. Whilst the government regulated hours of opening for adults and juveniles, content was left to the British Board of Film Censors, established in 1912. Saturday morning children’s shows took hold. Sunday opening was a thorny issue and a closing time of 4.30 pm was common. The Board’s obligation was to “respect good taste and decency” with self-imposed limitations about extremes or excess, and films which might deprave, offend or corrupt. The Board set out 43 rules, of which all but ten concerned morality, defined as reference to bodily functions, coarse language and sex. Subjects dealing with ‘capitalist’ and labour, including strikes and poverty, were banned as being too political and controversial. Going to the theatre was a social event with evening dress expected in the stalls and dress circle. -
Fora 'Balanced
FORA 'BALANCED .......University of Edinburgh,-Oid College South Bridge, Edinburgh EHS 9YL VIEW ·· Tel: 031-6671011 ext 4308 18 November-16 December GET ALBERT IRVIN Paintings 1959-1989 Tues-Sat 10 am-5 pm Admission Free Subsidised by the Scottish Arts Council DAILY Glasgow Herald Student Newp~aper of the Year y 16thnovem 25p r_ MURIELGRA the Rector THESHAMEN speaks synergyand pages 10-11 ecstasy page12 - u ars by Neil Rafferty scotland as an active member-' _As a member of the Scottish and state in the EEC: "We could· Nationalists renowned for attack JeffSinton shape the agenda of the commun ing all of Scotland's Tories, espe ity by holding regular summits in cially Malcolm Rifkind, the Edinburgh," he said. former Labour MP had to attack iiM SILLARS, Scottish the Scottish Secretary. Nationalist MP for Glasgow "Not only would Scottish rep-· "He is a governor-general," Govan, declared on Friday resentation in Brussels double," who "does not represent the Scot that the West must "extend he argued, "but we would have tish people," and if independence Commissioners in our own right.':.._ the hand of friendship and • were ever achieved Thatcherism dialogue" to Eastern Europe "would be marginalised forever -"with no strings attached." The economic and industrial and the ideas of the Adam Smith benefits of membership, how Institute relegated to the Dandy Speaking at the William ever, were subject to vague politi and the Beano." Robertson Building, Sillars said cal rules. Citing the cases of' Ravenscraig and Gartcosh steel Mr Sillars, invited to speak at that the past fortnight of events in the University by EU Scottish East Germany would not lead to works, the member for Govan claimed that the EEC would not Nationalists, managed to stay for the threat of a re-unified Ger some questions by_ the audience.