A Level Classics Preparation Work
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Essay 2 Sample Responses
Classics / WAGS 23: Second Essay Responses Grading: I replaced names with a two-letter code (A or B followed by another letter) so that I could read the essays anonymously. I grouped essays by levels of success and cross-read those groups to check that the rankings were consistent. Comments on the assignment: Writers found all manner of things to focus on: Night, crying, hospitality, the return of princes from the dead (Hector, Odysseus), and the exchange of bodies (Hector, Penelope). Here are four interesting and quite different responses: Essay #1: Substitution I Am That I Am: The Nature of Identity in the Iliad and the Odyssey The last book of the Iliad, and the penultimate book of the Odyssey, both deal with the issue of substitution; specifically, of accepting a substitute for a lost loved one. Priam and Achilles become substitutes for each others' absent father and dead son. In contrast, Odysseus's journey is fraught with instances of him refusing to take a substitute for Penelope, and in the end Penelope makes the ultimate verification that Odysseus is not one of the many substitutes that she has been offered over the years. In their contrasting depictions of substitution, the endings of the Iliad and the Odyssey offer insights into each epic's depiction of identity in general. Questions of identity are in the foreground throughout much of the Iliad; one need only try to unravel the symbolism and consequences of Patroclus’ donning Achilles' armor to see how this is so. In the interaction between Achilles and Priam, however, they are particularly poignant. -
Gillian Bevan Is an Actor Who Has Played a Wide Variety of Roles in West End and Regional Theatre
Gillian Bevan is an actor who has played a wide variety of roles in West End and regional theatre. Among these roles, she was Dorothy in the Royal Shakespeare Company revival of The Wizard of Oz, Mrs Wilkinson, the dance teacher, in the West End production of Billy Elliot, and Mrs Lovett in the West Yorkshire Playhouse production of Stephen Sondheim’s Sweeney Todd, the Demon Barber of Fleet Street. Gillian has regularly played roles in other Sondheim productions, including Follies, Merrily We Roll Along and Road Show, and she sang at the 80th birthday tribute concert of Company for Stephen Sondheim (Donmar Warehouse). Gillian spent three years with Alan Ayckbourn’s theatre-in-the-round in Scarborough, and her Shakespearian roles include Polonius (Polonia) in the Manchester Royal Exchange Theatre production of Hamlet (Autumn, 2014) with Maxine Peake in the title role. Gillian’s many television credits have included Teachers (Channel 4) in which she played Clare Hunter, the Headmistress, and Holby City (BBC1) in which she gave an acclaimed performance as Gina Hope, a sufferer from Motor Neurone Disease, who ends her own life in an assisted suicide clinic. During the early part of 2014, Gillian completed filming London Road, directed by Rufus Norris, the new Artistic Director of the National Theatre. In the summer of 2014 Gillian played the role of Hera, the Queen of the Gods, in The Last Days of Troy by the poet and playwright Simon Armitage. The play, a re-working of The Iliad, had its world premiere at the Manchester Royal Exchange Theatre and then transferred to Shakespeare’s Globe Theatre, London. -
The Application of Greco-Roman Mythology Learning in English Vocabulary Teaching from the Perspective of Etymology
International Journal of Languages, Literature and Linguistics, Vol. 7, No. 1, March 2021 The Application of Greco-Roman Mythology Learning in English Vocabulary Teaching from the Perspective of Etymology Jia Fan and Sun Yu mythology account for nearly 30% of the total‖ [3]. As one Abstract—Language is the carrier of culture and culture of the sources of European civilization, in the process of nourishes language. According to statistics, 56% of the English language development, Greco-Roman mythology commonly used 10,000 English words are adopted from Latin greatly enriches English vocabulary, and injects fresh blood and ancient Greek, which are the carrier languages of Roman civilization and Greek civilization respectively. Greco-Roman into English expression. A large quantity of words and mythology, with its rich cultural connotation, permeates all phrases derived from Greco-Roman mythology entered into aspects of people's social life in English-speaking countries and English vocabulary. Therefore, it is of great practical becomes a source of vitality for the expansion of English significance to integrate Greco-Roman mythological vocabulary. Etymology, the scientific study of the origin of learning into English vocabulary learning. words, is crucial in English vocabulary teaching, as etymological study improves vocabulary learning. This paper B. Research Objective adopts the methodology of literature research to gather materials about English vocabulary teaching methods, This paper aims to classify English vocabulary from etymology theory, and Greco-Roman mythological origin of Greco-Roman mythology systematically and apply English vocabulary. In order to better explain the cultural Greco-Roman mythology to English vocabulary teaching connotation of words in English vocabulary teaching, this from the perspective of etymology, so as to further promote paper proposes method of applying Greco-Roman mythology vocabulary teaching and learning. -
A Minute to Midnight (Atlee Pine Series#2)
ADVANCE INFORMATION A Minute to Midnight (Atlee Pine Series#2) David Baldacci 9781509874484 Fiction > Crime, Mystery & Thrillers Thriller / Suspense,Crime & Mystery,Modern & Contemporary Fiction (Post C 1945) Pan ǀ Rs 450 ǀ 640pp ǀ Paperback ǀ B Format September 15, 2020 A gripping thriller featuring Atlee Pine, FBI Special Agent, by internationally bestselling author David Baldacci. A Minute to Midnight is the gripping follow up to Long Road to Mercy featuring Special Agent Atlee Pine from one of the world's most favourite thriller writers, David Baldacci. Without Mercy. At six years old, Atlee's twin sister, Mercy, was taken from the family home while Atlee was left for dead. Since that fateful night, Atlee has dedicated her life and career to catching those who hurt others. Word of a killer. Atlee has never stopped searching for answers about her sister. A notorious serial killer, locked in a maximum-security prison, continues to haunt her. Does he really know what happened to Mercy? Quest for justice. When Atlee oversteps the mark on the arrest of a dangerous criminal, the FBI gives her a leave of absence - the perfect opportunity to return to where it all began. Determined to finally uncover the truth, Atlee Pine's journey home turns into a rollercoaster ride of murder, long-buried secrets and lies . and a revelation so personal that everything she once believed is fast turning to dust. Author Bio: David Baldacci is one of the world's bestselling and favourite thriller writers. With over 130 million copies in print, his books are published in over eighty territories and forty-five languages, and have been adapted for both feature-film and television. -
Study Questions Helen of Troycomp
Study Questions Helen of Troy 1. What does Paris say about Agamemnon? That he treated Helen as a slave and he would have attacked Troy anyway. 2. What is Priam’s reaction to Paris’ action? What is Paris’ response? Priam is initially very upset with his son. Paris tries to defend himself and convince his father that he should allow Helen to stay because of her poor treatment. 3. What does Cassandra say when she first sees Helen? What warning does she give? Cassandra identifies Helen as a Spartan and says she does not belong there. Cassandra warns that Helen will bring about the end of Troy. 4. What does Helen say she wants to do? Why do you think she does this? She says she wants to return to her husband. She is probably doing this in an attempt to save lives. 5. What does Menelaus ask of King Priam? Who goes with him? Menelaus asks for his wife back. Odysseus goes with him. 6. How does Odysseus’ approach to Priam differ from Menelaus’? Who seems to be more successful? Odysseus reasons with Priam and tries to appeal to his sense of propriety; Menelaus simply threatened. Odysseus seems to be more successful; Priam actually considers his offer. 7. Why does Priam decide against returning Helen? What offer does he make to her? He finds out that Agamemnon sacrificed his daughter for safe passage to Troy; Agamemnon does not believe that is an action suited to a king. Priam offers Helen the opportunity to become Helen of Troy. 8. What do Agamemnon and Achilles do as the rest of the Greek army lands on the Trojan coast? They disguise themselves and sneak into the city. -
Five Modern Adaptations of Ancient Myths Synchronos Mythos
Five Modern Adaptations of Ancient Myths Synchronos Mythos Five Modern Adaptations of Ancient Myths Polytechnic School March 3rd 2009 STAFF CREDITS Ezra Rawitsch……..Editor in Chief Allie Hodgen…..Copy Editor Emily Beljak…..Copy Editor Preston Harvey……..Art Director Daniel Stoffel…...Team Manager Table of Contents Opening the Earth By Allie Page 4-5 Conquest for the Golden Apple By Preston Page 6-7 The Epic Apple Hunt By Daniel Page 8 - 9 A Man Who Knew What Was Right By Emily Page 10 - 11 30,000,000 Gone By Ezra Page 12 - 13 Opening the Earth By Allie Trapped in the underworld With nowhere to go They were left behind, And chained to the wall Zeus had done this to save his throne For if they had escaped Zeus’s rule would surly fall But slowly, yet surely The chains started to erode And after hundreds of centuries The Cyclops emerged out of their prison The one eyed monsters split open the earth But as soon as they did They believed themselves cursed The sun beat down on them Seeping into their skin They had nowhere to go So the went back down Into the dark flames of the earth The Cyclops were raging So they stomped and ramped about Thus creating earthquakes whenever the sun comes out 4 5 Conquest for the Golden Apple Hercules had a commission A task to get a consecrated apple For this wasn’t an easy mission Because the apples would terminate a human life Upon one single touch He conjured up a marvelous plan And advised Atlas to get him one But Atlas had to hold up the sky Hercules knew this was no easy chore For it was one of his 12 labors -
BOOKS by the BEACH By
WWW. BOOKSBYTHEBEACH.CO.UK 11-15 APRIL BOOKS byby thethe BEACH2018 TICKETS AVAILABLE FROM THE STEPHEN JOSEPH THEATRE SCARBOROUGH BOOK FESTIVAL WELCOME WED 11 APRIL 10.30AM – 11.30AM £7 A WARM WELCOME to our NATALIE fifth BOOKS BY THE BEACH. HAYNES ANTIGONE - GREEKOEDIPUS MYTHS AND 2018 is a year of commemorations - one hundred years of Votes HOSTED BY PETER GUTTRIDGE for Women and the bicentenary of Mary Shelley’s Frankenstein. We’re joining in the celebrations and inviting you to the party. SCARBOROUGH LIBRARY CONCERT HALL We’ve a festival feast with everyone’s favourite flavour. There are themed lunches at The Crescent Hotel and The Stephen Joseph Bistro. A Brazilian Breakfast at Palm Court provides a fruity start...whilst Wykeham Abbey Old Kitchen is the perfect setting for a candelit dinner and a retelling of Romeo and Juliet. Writer, broadcaster and former stand up comedian Natalie Haynes is the author of Crime and thriller writers play their part and we’ve a new drama The Amber Fury and The Ancient Guide to Modern set in the town hall council chamber. Radio, screen and theatre Life. She has written and presented BBC Radio 4 stars take to the stage and we’re exploring the science of food. show, ‘Natalie Haynes Stands Up for the Classics’. There’s a dancer in the art gallery, musicians in the library and In a fresh look at the tale of Oedipus and Antigone St. Mary’s Church opens its doors to tales of Anne Brontë. Poignant Natalie introduces her new novel, The Children thoughts are shared for Amnesty International and TV journalists of Jocasta and brings Ancient Greece to life. -
Eris Goddess of Discord © Emmanuella Kozas
The Order of the White Moon Goddess Gallery Presents A Level III Final Project by Priestess Ajna DreamsAwake for The Sacred Three Goddess School (© 2013. All original material in this Project is under copyright protection and is the intellectual property of the author.) Eris Goddess of Discord © Emmanuella Kozas Image used with permission from the artist Eris is the Greek Goddess of Chaos and Discord, and, in the confusion that surrounds Her origins, She certainly live up to the name. She is referred to either a minor spirit, or eldest daughter of Nyx (Night) and Zeus, or daughter of Zeus and Hera and twin to Ares. She is depicted as a beautiful young woman, a skeletal crone or winged daemon. Hesiod describes two Goddesses who go by the name Eris, the Erites. The first is a benign Goddess who promotes healthy competition, and can be a catalyst for bettering oneself. This "Good Eris" provides the incentive for individuals to create the change they want to see in themselves. It is Eris who gives us the proverbial "kick in the butt" we all require, at times, when we become lethargic, complacent or prone to procrastination. The second Eris is the one we are most familiar with. As the daughter of Hera and Zeus, and companion to Ares, She fosters evil, war and cruelty. Her epithets include Infernal Monster, Lady of Sorrows and Nurse of War. The poet Virgil writes that Eris lives in a cavern, surrounded by mountains, at the entrance to Hades. Eris begins as a small and insignificant Spirit who thrives on Chaos, striding through battlefields growing stronger and larger as She feeds on the slaughter. -
2021 SPRING Pan Macmillan Spring Catalogue 2021.Pdf
PUBLICITY CONTACTS General enquiries [email protected] * * * * * * * Alice Dewing Rosie Wilson [email protected] [email protected] Amy Canavan Siobhan Slattery [email protected] [email protected] Camilla Elworthy [email protected] * * * * * * * Elinor Fewster [email protected] FREELANCE Emma Bravo Anna Pallai [email protected] [email protected] Gabriela Quattromini Caitlin Allen [email protected] [email protected] Grace Harrison Emma Draude [email protected] [email protected] Hannah Corbett Emma Harrow [email protected] [email protected] Jess Duffy Jamie-Lee Nardone [email protected] [email protected] Kate Green Laura Sherlock [email protected] [email protected] Philippa McEwan Ruth Cairns [email protected] [email protected] CONTENTs PICADOR MACMILLAN COLLECTOR’S LIBRARY MANTLE MACMILLAN PAN TOR BLUEBIRD ONE BOAT PICADOR The War of the Poor Eric Vuillard A short, brutal tale by the author of The Order of The Day: the story of a moment in Europe’s history when the poor rose up and banded together behind a fiery preacher, to challenge the entrenched powers of the ruling elite. The fight for equality begins in the streets. The history of inequality is a long and terrible one. And it’s not over yet. Short, sharp and devastating, The War of the Poor tells the story of a brutal episode from history, not as well known as tales of other popular uprisings, but one that deserves to be told. Sixteenth-century Europe: the Protestant Reformation takes on the powerful and the privileged. -
Programme 2021 Thank You to Our Partners and Supporters
8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more. -
The Silence of the Girls Readers' Guide
Women’s Prize for Fiction 2019 Reading Group Guide Also by Pat Barker: The Eye in the Door Union Street (1982) (1993) The Silence of the Girls Blow Your House Down The Ghost Road (1995) (1984) Another World (1998) by Pat Barker The Century’s Daughter Border Crossing (2001) (1986) Double Vision (2003) Hamish Hamilton The Man Who Wasn’t Life Class (2007) There (1988) Toby’s Room (2012) Regeneration (1991) Noonday (2015) About the book There was a woman at the heart of the Trojan war whose voice has been silent – till now. Briseis was a queen until her city was destroyed. Now she is slave to Achilles, the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive to become the author of her own story? Discover the greatest Greek myth of all – retold by the witness history forgot. About the author Pat Barker was born in Yorkshire and began her literary career in her forties, when she took a short writing course taught by Angela Carter. Encouraged by Carter to continue writing and exploring the lives of working class women, she sent her fiction out to publishers. Thirty-five years later, she has published fifteen novels, including her masterfulRegeneration Trilogy, been made a CBE for services to literature, and won awards including the Guardian Fiction Prize and the UK’s highest literary honour, the Booker Prize. She lives in Durham and her latest novel is The Silence of the Girls. womensprizeforfiction.co.uk readinggroups.org read – The Reading Agency Ltd • Registered number: 3904882 (England & Wales) Questions and discussion points 1. -
On the Social Construction of Hellenism Cold War Narratives of Modernity, Development and Democracy for Greece
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2012 On the Social Construction of Hellenism Cold War Narratives of Modernity, Development and Democracy for Greece Despina Lalaki The New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/95 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Journal of Historical Sociology Vol. 25 No. 4 December 2012 DOI: 10.1111/j.1467-6443.2012.01432.x On the Social Construction of Hellenism Cold War Narratives of Modernity, Development and Democracy for Greecejohs_1432 552..577 DESPINA LALAKI* Abstract Hellenism is one of those overarching, ever-changing narratives always subject to historical circumstances, intellectual fashions and political needs. Con- versely, it is fraught with meaning and conditioning powers, enabling and constrain- ing imagination and practical life. In this essay I tease out the hold that the idea of Hellas has had on post-war Greece and I explore the ways in which the American anti-communist rhetoric and discussions about political and economic stabilization appropriated and rearticulated Hellenism. Central to this history of transformations are the archaeologists; the archaeologists as intellectuals, as producers of culture who, while stepping in and out of their disciplinary boundaries, rewrote and legiti- mized the new ideological properties of Hellenism while tapping into the resources of their profession. ***** We feel humiliated and we understand that things cannot remain the same as they were before...butwegave the world democracy, and we expect the European Union to support us.