Issue No. 05: “Isolation” Winter 2020

Total Page:16

File Type:pdf, Size:1020Kb

Issue No. 05: “Isolation” Winter 2020 Mundelein Writes Issue No. 05: “Isolation” Winter 2020 Published by the Mundelein Arts Commission Table of Contents WINNING ENTRIES Resonance (First Place) ........................................................1 by Deanna Krikorian Imagine (Second Place)......................................................12 by Jessica M. Leong Where to Start (Third Place)..............................................25 by Jerry Cornille HONORABLE MENTIONS Alone.....................................................................................37 by Mike Franklin My Covid Life......................................................................41 by Dorothy Bakirtjy Lost and Found...................................................................53 by Sonja Orentas NOTE: These stories are recreated exactly as they were received for the contest. There has been no editing other than the occasional spelling or punctuation error. Authors retain their copyright, though the stories or any part thereof may be reproduced by the Village of Mundelein for publicity purposes with proper credit but with no payment given to the authors other than the contest prizes. Resonance By Deanna Krikorian First Place Someone had left the lights on. Walking through the door, it was the first thing Lucy noticed, the only evidence that anyone but her had stepped inside the auditorium since school got out. The seats in front of her were empty, the wings barren of props or backdrops, the pit below her sealed shut. The stage felt abandoned, sealed away from those who would normally beg to use it. She’d forgotten how desolate it could look when it wasn’t cluttered with sets and scripts and instruments, packed to the brim with people. Summer left no room for performers. She had to give Amanda credit – she’d promised solitude, and she’d delivered. “I miss hearing you play,” her sister had told her earlier that morning. She’d been sitting cross-legged on the piano bench in their living room, taking up space usually reserved for Lucy. Lucy had rolled her eyes. “You can find plenty of piano music on Spotify.” “You know that’s not what I mean. You’ve been 1 playing almost every day since we were kids, and now you’re just done?” “Sorry to disappoint.” She’d hoped it would have ended there, but her sister had never known when to leave things alone. “Maybe it’s the house that’s stopping you,” she’d said as her eyes wandered around the living room. “Why don’t you go and play somewhere else?” “Amanda, how many places do you know that have grand pianos just out in the open for anyone to use?” “The auditorium at school has one. It’s not like anyone’s using it right now. You used to play there all the time, remember?” “I’m not in high school anymore.” “So what? I know some of the other teachers use it when they think no one’s listening. I can give you my keys, no one will even know you were there.” “Don’t bother – I’m not going.” “Would you just try it? I mean, seriously, what’s the worst thing that could happen?” “I could get caught breaking and entering, for starters.” “Don’t be dramatic. You know it’s always empty during the summer.” “I don’t care. I’m not playing.” “Come on, Luce. Just try.” “What’s the point?” “The point is, you always loved playing. Now the house is quiet all the time. It isn’t right.” 2 She’d looked away. “Nothing’s right anymore.” Lucy had heard Amanda sigh and stand up, but she’d kept her head down. Looking up to find pity in her eyes would have only pissed her off. “You know Mom wouldn’t have wanted you to stop playing.” “Well, Mom doesn’t really get a say anymore, does she?” “Could you please just try it? For me?” Lucy had heard it in her voice, the pain she usually tried to pretend wasn’t there. It didn’t come out very often. Amanda bottled her feelings; Lucy drowned in them. They’d spent months dancing around one another, Amanda forcing her life to stay intact, Lucy letting hers fall to pieces. They’d never talked about it. Lucy hadn’t let them. Every part of her had wanted to say no, but instead she’d nodded, taken the keys and walked out the door. She’d thought it would be a good excuse to leave, to get out of a conversation she knew was heading toward territory she’d rather avoid; now, standing on stage, staring out at the empty seats, Lucy wasn’t sure she’d made the right choice. Every step she took echoed across the hall, emphasized her own aloneness. She let the sound drown out whatever feelings might try to rear their ugly head and forced her mind to focus only on what lay in front of her. She hesitated when she saw it. There was something about the piano sitting center stage that didn’t feel right. It should have been wheeled to stage left, slightly to the back, with just inches of room between the bench and the curtain. It should have been sitting in the only way 3 that allowed for more people to fit around it, should have been thought of in comparison to other performers – an orchestra, a band, a choir. When she used to bring it on stage, when it had been hers, it had only ever been a tool used for accompaniment. This piano wasn’t meant to perform solos. Things had been easier, then. When her only worries were concerts and classes and Homecoming. When the future was distant and opportunistic, intangible in nature and bursting with potential. When problems could be fixed and wrongs could be righted with ease. When meeting expectations was as simple as looking up and playing in time, and she always had someone waiting for her in the audience. Her body moved without her mind’s permission, unlocking the wheels and pushing until the instrument found its rightful place. She acted on instinct, walking around it, locking the wheels into place, lifting the cover until it stood upright, until she could see each individual string. The desire to look inside, to see something that felt almost forbidden, was often too strong to ignore. It should have lessened the mystery, broken the magic of how every key found its note, but all it ever did was add to her own fascination. Something as simple as a string, wound as tight as deemed necessary, created beauty, not pain, when struck in the right way. Lucy wasn’t sure there was anything in the world besides music that worked that way. She sat down before she could remind herself why she didn’t want to. Her hands hovered over the keys for 4 just a moment before she let them drop, falling into their starting position. It felt natural. Familiar. Like a habit too deeply ingrained in her body to ever truly break. As she started, she kept her eyes on her hands, not trusting muscle memory to carry her through unsupervised. The key to success was focus. Her mind always wanted to wander, to search for something she could never quite find, but the music demanded she tie herself down, find the present and stick to it. People seemed to think performing was about unchecked expression, but she relied on a rigidity that felt almost contradictive. Emotions could come and go, were necessary, even, but only so long as they followed the linearity of the music, didn’t try and carry her anywhere else. Only then would she find her way to the end. The problem was, she’d never been one to listen to her own advice. Losing herself was all too easy. It didn’t matter how many other performances she’d had on this stage – this piece had a home. It didn’t exist in an auditorium. She’d spent months perfecting every inch of it, giving it life on a different set of keys, and now she could hear the echo of a memory, louder than any of the notes currently filling the space around her. She stared at her hands and saw an outdated version of them, saw everything that existed the last time she’d played. The deceptive winter sun shining through her living room window, promising warmth it couldn’t deliver. The glare on the stand in front of her, making it impossible to rely on sheet music. Her memory hadn’t failed her that day, not according to Mom. 5 She could always feel her listening, even when she didn’t make a sound. Her presence had been soft, but never unknown, never unrecognized. Lucy had turned toward her when she’d finished, eyes asking for approval. She’d given it. She’d always given it, even when Lucy knew she didn’t deserve it. She felt the error, her pinkie slipping past its target. The chord winced in response, punished her with dissonance, broke the mirage of an old performance. She’d been taught to play through mistakes, to let errors take their place and leave them be, but instead she went back for it, played it again until the missed note corrected itself. The music continued, but when she looked down, the illusion had faded, left as quickly as it had come. She didn’t see anything more than her hands on the keys, didn’t feel anything but the air conditioning sheltering her from the summer heat. No one else was watching. No one else was listening. She stopped again six bars later, went back for the sixteenth notes her right hand tripped over. Again, ten bars after that, for the butchered rhythm. Again, four bars, missed dynamic.
Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • AXS TV Canada Schedule for Mon. January 13, 2020 to Sun. January 19, 2020
    AXS TV Canada Schedule for Mon. January 13, 2020 to Sun. January 19, 2020 Monday January 13, 2020 4:00 PM ET / 1:00 PM PT 6:00 AM ET / 3:00 AM PT The Top Ten Revealed Tom Green Live Epic Songs of ‘73 - Find out which epic songs of ‘73 make our list as rock experts like Eddie Andrew Dice Clay - It’s a reunion of the true bad boys of comedy as actor and legendary stand-up Money, Lita Ford, Clem Burke (Blondie), Caleb Quaye (Elton John) and Jack Russell (Jack Russell’s comedian Andrew Dice Clay reconnects with his running mate Tom for a no-holds-barred discus- Great White) count us down! sion of life, show-biz, and whatever else pops up. 4:30 PM ET / 1:30 PM PT 7:00 AM ET / 4:00 AM PT The Day The Rock Star Died Classic Albums Michael Jackson - Michael Jackson was a singer, songwriter, dancer and known simply as “The Phil Collins: Face Value - The program includes several previously unseen performances as well as King of Pop.” His contributions to music, dance, and highly publicized personal life made him a rare home movies of the studio sessions where Phil Collins worked closely with Hugh Padgham global figure in popular culture for over four decades. and the Earth, Wind & Fire horn section. Featuring the classic ‘In The Air Tonight,’ ‘Behind The Lines,’ ‘Please Don’t Ask,’ ‘I Missed Again’ and ‘This Must Be Love.’ 5:00 PM ET / 2:00 PM PT The Ronnie Wood Show 8:00 AM ET / 5:00 AM PT Bobby Gillespie - Joining Ronnie this week is lead singer and founding member of Primal Rock Legends Scream, Scottish-born Bobby Gillespie.
    [Show full text]
  • When You Reach Me but You Will Get the Job Done
    OceanofPDF.com 2 Table of Contents Things You Keep in a Box Things That Go Missing Things You Hide The Speed Round Things That Kick Things That Get Tangled Things That Stain Mom’s Rules for Life in New York City Things You Wish For Things That Sneak Up on You Things That Bounce Things That Burn The Winner’s Circle Things You Keep Secret Things That Smell Things You Don’t Forget The First Note Things on a Slant White Things The Second Note Things You Push Away Things You Count Messy Things Invisible Things Things You Hold On To Salty Things Things You Pretend Things That Crack Things Left Behind The Third Note Things That Make No Sense The First Proof Things You Give Away Things That Get Stuck Tied-Up Things Things That Turn Pink Things That Fall Apart 3 Christmas Vacation The Second Proof Things in an Elevator Things You Realize Things You Beg For Things That Turn Upside Down Things That Are Sweet The Last Note Difficult Things Things That Heal Things You Protect Things You Line Up The $20,000 Pyramid Magic Thread Things That Open Things That Blow Away Sal and Miranda, Miranda and Sal Parting Gifts Acknowledgments About the Author 4 To Sean, Jack, and Eli, champions of inappropriate laughter, fierce love, and extremely deep questions 5 The most beautiful experience we can have is the mysterious. —Albert Einstein The World, As I See It (1931) 6 Things You Keep in a Box So Mom got the postcard today. It says Congratulations in big curly letters, and at the very top is the address of Studio TV-15 on West 58th Street.
    [Show full text]
  • Small Mentor-Protege Program
    File Name: 0802181551_080118-807313-SBA-FY2018First [START OF TRANSCRIPT] Carla: Ladies and gentlemen, welcome and thank you for joining today's live SBA web conference. Please note that all participant lines will be muted for the duration of this event. You are welcome to submit written questions during the presentation and these will be addressed during Q&A. To submit a written question, please use the chat panel on the right-hand side of your screen. Choose all panelists from the Send To drop down menu. If you require technical assistance, please send a private note to the event producer. I would now like to formally begin today's conference and introduce Chris Eischen. Chris, please go ahead. Chris: Thank you Carla. Hello everyone and welcome to SBA's First Wednesday webinar series. For today's session, we'll be focusing on the All Small Mentor Protégée Program, and by the end of the program you should have a better understanding of this topic as well as the resources available to you. If you are new to our event, this is a webinar series that focuses on getting subject matter experts on specific small business programs, in this case, All Small Mentor Protégée Program, and having them provide you with valuable information you can use in the performance of your job as an SBA employee, a member of the Federal acquisition community, or a PTAC employee. We appreciate you taking this time to join us on the August edition of SBA's First Wednesday webinar series, and we hope that you benefit from today's session.
    [Show full text]
  • Hats Off to the Class of 2021
    SUMMMER 2021 THE ESC CONNECTION A DIGITAL MAGAZINE OF THE EDUCATIONAL SERVICE CENTER OF NORTHEAST OHIO Hats off to the Class of 2021 Educational Service Center (ESC) of Northeast Ohio 1 6393 Oak Tree Blvd. Independence, OH 44131 (216) 524-3000 Fax (216) 524-3683 Superintendent’s Robert A. Mengerink Superintendent message Jennifer Dodd Director of Operations and Development By Dr. Bob Mengerink, Superintendent Steve Rogaski Director of Pupil Services Dear Colleagues, Bruce G. Basalla Treasurer As you all begin your summer, I hope you are all able to reflect on this past school year and find some positive aspects of the challenges you faced. This may be the new skills you have learned in technology or creative ways of expanding learning options for students. It could be the reminder of how GOVERNING BOARD we can and should lean on colleagues for support. Perhaps it is a greater Christine Krol President appreciation for understanding and addressing the non-academic needs of students. It might be realizing how adaptable we really are at accepting Anthony Miceli changes. Or maybe it’s remembering to slow down and prioritize what is Vice President most important for our students, ourselves and our families. Whatever it is, Carol Fortlage you should all be proud of how you have taken these challenges, led with Tony Hocevar grace and continuously identified solutions for your students, parents and Frank Mahnic, Jr. community. While there will always be challenges and controversy ahead in leading and transforming schools, my sincerest wish for you this summer is Editor: to do those things that will allow you to recharge yourself both physically and Nadine Grimm mentally while remembering that you are truly our unsung heroes.
    [Show full text]
  • Smash Hits Volume 60
    35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene.
    [Show full text]
  • CONGRESSIONAL RECORD—SENATE, Vol. 154, Pt. 2
    February 12, 2008 CONGRESSIONAL RECORD—SENATE, Vol. 154, Pt. 2 1933 the challenges of our time? Those are terrible costs of America’s revolution a profound personal commitment to the discussions the Abraham Lincoln could always be seen—in Lincoln’s human rights. We will remember not Bicentennial Commission hopes to fos- words—‘‘in the form of a husband, a fa- only his courage and his optimism, but ter as America prepares to celebrate ther, a son or a brother. A living also his deep affection for his adopted the bicentennial of the birth of its history was to be found in every family country. He leaves behind a legacy of greatest President. in the limbs mangled, [and] in the hope and inspiration. I encourage everyone to go to the scars of wounds received . ’’ On a personal level, it was an honor Commission’s Web site at Lincoln went on to say: to call TOM a colleague and a friend. I www.lincolnbicentennial.com, learn But those histories are gone. They were was proud to work with him on so more about Lincoln and about how the pillars of liberty; and now that they have many important issues. your community can plan to celebrate crumbled away, that temple must fall—un- I remember working with him to se- his birthday. President Lincoln’s less we, their descendants, supply their place cure funding to build a tunnel to by- adopted hometown of Springfield is with other pillars. pass a section of Route 1 that was so also my adopted hometown. I have I would like to think that Lincoln frequently closed by landslides that it lived there almost 40 years now.
    [Show full text]
  • Finance Committee
    05/08/2006 Finance 1 COMMITTEE ON FINANCE May 8, 2006 6:00 PM Vice-Chairman Gatsas called the meeting to order. Vice-Chairman Gatsas called for the Pledge of Allegiance, this function being led by Alderman Roy. A moment of silent prayer was observed. The Clerk called the roll. There were twelve Aldermen present. Present: Aldermen Roy, Gatsas, Long, Duval, Osborne, Pinard, Lopez, Shea, DeVries, Smith, Thibault and Forest Absent: Aldermen O’Neil and Garrity Messrs.: David Cornell, Tom Nichols, Stephan Hamilton, Jim Hoben, Denise Boutilier, Kevin Clougherty, Randy Sherman, Virginia Lamberton Vice-Chairman Gatsas advises that the purpose of the meeting shall be continuing discussions relating to the proposed FY2007 municipal budget and we’ll just change a little bit of the order and apologize but there are some people that had some commitments and have the Assessors go first followed by Traffic and then Finance. Board of Assessors Mr. David Cornell, Chairman of the Board of Assessors, stated today we will be presenting information on the exemption analysis giving an update of exactly where we’re at with our 2006 projected tax base. Historically the Mayor and Board of Aldermen have adjusted the exemption amounts during reval years. Our goal in this process is to provide the Mayor and the Aldermen with as much factual information so they can make an informed decision on this very important topic. Certainly we feel our role in this process is advisory in nature and some of the figures that we’ve provided to you aren’t necessarily our recommendations but they’re the figures that need to be adjusted to if the goal of the Aldermen is to keep the same proportional benefit before the reval and after the reval.
    [Show full text]
  • Smash Hits Volume 57
    H' II i.C'^Wf'«^i^i'>SSH"WS'^~'^'-"' 0!!^ Feb 5-18 1981 Vol.3 No 3 g^g^<nFG^gJJ^ Another issue already? I'd rather watch paint dry. Let's see what drivel they're trying to palm off on us this time. Features on Madness and Phil Collins? 1 mean, honestly, i don't suppose it's even occurred to them to interview The Strang ... oh, they have. But as for the rest of it, who really wants a colour poster of Adam or the chance to win the new Gen X album? What happened to the Sky pin-up they promised us? What about the feature on pencil sharpeners, the win a string bag competition, the paper clip giveaway? No sign of any of it. 1 mean, honestly. I'd write a letter if 1 were you . VIENNA Ultravox 2 ROMEO AND JULIET Dire Straits 8 ROCK THIS TOWN Stray Cats 10 TAKE MY TIME Sheena Easton 13 IN THE AIR TONIGHT Phil Collins 16 ZEROX Adam And The Ants 20 THE BEST OF TIMES Styx 21 GANGSTERS OF THE GROOVE Heatwave 22 MESSAGE OF LOVE Pretenders 26 TURN ME ON TURN ME OFF Honey Bane 26 BORN TO RUN Bruce Springsteen 33 TWILIGHT CAFE Susan Fassbender 36 1.0. U. Jane Kennaway 36 LONELY HEART U.F.O 43 1 SURRENDER Rainbow 43 MADNESS: Feature 4/5/6 PHIL COLLINS: Feature 14/15/16 ADAM AND THE ANTS: Colour Poster 24/25 THE STRANGLERS: Feature 34/35 DEBBIE HARRY: Colour Poster 44 DISC JOCKEYS 9 CARTOON 9 BITZ 11/12 CROSSWORD 18 INDEPENDENT BITZ 19 DISCO 22 REVIEWS 28/29 STAR TEASER 30 SOUNDAROUND/GEN X COMPETITION 31 BIRO BUDDIES 32 COMPETITION WINNERS ...! 37 LEHERS .„..39/40 GIGZ • 42 This magazine is published by EMAP Nationaf Publications Ltd, Peterborough, and is printed by East Midland Utbo Printers, Peterborough.
    [Show full text]
  • Jeralynn Sue Tharaldson
    WALLER: This interview is taking place on 09-15-83, at 10~10 a.m., and the interview is with JERALYNN SUE THARALDSON. Your date of birth Jeri? H () JERALYNN: 07-20-61. ~ '# WALLER: Where do you live now? JERALYNN: 3824 Grand Avenue. WALLER: And your telephone number? JERALYNN: 624-2280 WALLER: And this interview is being conducted by Lt. Waller concerning the death investigation of Sally Tharaldson and Virgil La Panta. Now as I said when we talked briefly before, turning the tape recorder on, you were interviewed by Sgt. Hall? JERALYNN: Yes WALLER: A short time after your Mother's disappearance? JERALYNN: Yes WALLER: And what we are going to do here is go over the in­ formation that you provided at that time, and also I am going to ask you some other questions. JERALYNN: Yes WALLER: And you are here on your own, correct? JERALYNN: Yes WALLER: I understand that you are the natural daughter of both Jerry and SallY? JERALYNN: Yes WALLER: Are there any other children that are? JERALYNN: The four boys, no. WALLER: Okay, they were Sally's children by a previous marriage. Is that correct? JERALYNN: Yes WALLER: And that includes Terry, Tommy, e_ ..... ~~._._._'I!. JERALYNN: Timmy. -1­ WALLER: Timmy, JERALYNN: Tony. WALLER: And Tony, okay. Do you have any other sisters? JERALYNN: No. WALLER: And you were living with your parents .. JERALYNN: Yes. WALLER: At the time that your Mother disappeared? JERALYNN: Yes. WALLER: Now, can we go back to that time. Do you remember it fairly clearly? JERALYNN: Not to 5 years ago, that's a while.
    [Show full text]
  • Phil Collins the Singles Mp3, Flac, Wma
    Phil Collins The Singles mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Singles Country: Europe Released: 2018 Style: Pop Rock, Ballad MP3 version RAR size: 1252 mb FLAC version RAR size: 1971 mb WMA version RAR size: 1714 mb Rating: 4.9 Votes: 442 Other Formats: VOX AHX AIFF AU ASF MP1 RA Tracklist Hide Credits A1 In The Air Tonight 5:35 A2 I Missed Again 3:44 You Can't Hurry Love A3 2:54 Written-By – Holland-Dozier-Holland A4 Against All Odds 3:26 Easy Lover A5 5:03 Written-By – Nathan East, Phil Collins, Philip Bailey B1 Sussudio 4:23 B2 One More Night 4:48 Separate Lives B3 4:08 Written-By – Stephen Bishop A Groovy Kind Of Love B4 3:30 Written-By – Carole Bayer, Toni Wine Two Hearts B5 3:24 Written-By – Lamont Dozier, Phil Collins C1 Another Day In Paradise 5:23 C2 I Wish It Would Rain Down 5:28 Something Happened On The Way To Heaven C3 4:51 Written-By – Daryl Stuermer, Phil Collins C4 Do You Remember? 4:36 D1 Both Sides Of The Story 6:42 D2 Dance Into The Light 4:23 True Colors D3 4:34 Written-By – Steinberg & Kelly Can't Stop Loving You D4 4:16 Written-By – Billy Nicholls (Love Is Like A) Heatwave D5 2:52 Written-By – Holland-Dozier-Holland Companies, etc. Phonographic Copyright (p) – Philip Collins Ltd. Copyright (c) – Philip Collins Ltd. Licensed To – Rhino Entertainment Company Record Company – Warner Music Group Credits Remastered By – Miles Showell, Nick Davis Written-By – Phil Collins Notes Made in the EU - Gatefold sleeve Barcode and Other Identifiers Barcode: 603497860272 Other versions Category Artist
    [Show full text]
  • CCAC PUBLIC MEETING AGENDA Wednesday, June 21, 2017 9:30 Am
    CCAC PUBLIC MEETING AGENDA Wednesday, June 21, 2017 9:30 a.m. – 4:45 p.m. United States Mint 2nd Floor Conference Room 801 9th Street, N.W. Washington, D.C. 20220 A P P E A R A N C E S CCAC COMMITTEE MEMBERS: MARY LANNIN, Madam Chair ROBERT HOGE HEIDI WASTWEET HERMAN VIOLA DENNIS TUCKER JEANNE STEVENS-SOLLMAN KAREEM ABDUL-JABBAR ERIK JANSEN TOM URAM C O N T E N T S SPECIAL GUEST PAGE JOVITA CARRANZA 6 KAREEM ABDUL-JABBAR 7 ANTONIO TAGUBA 135 CHARLES PINCK 189 PAT O'DONNELL 193 P R O C E E D I N G S MS. LANNIN: Good morning. And welcome to all special guests we have, especially Jovita Carranza, the brand new treasurer of the United States. Welcome. Thank you for attending. (Applause) MS. LANNIN: Okay. I'd like to call this meeting to order of the Citizens Coinage Advisory Committee for Wednesday, June 21st, 2017. And Mr. Dave Motl is here. And the first order of business today will be the formal swearing in of our newest member, Kareem Abdul-Jabbar. And Dave is the acting deputy director of the United States Mint. MR. MOTL: We're going -- there you are. (Applause) (Pause) MR. MOTL: And how are you (indiscernible)? (indiscernible) let you know and officially get you in to CCAC. (Swearing in as follows:) So do you -- and then state your name. MR. ABDUL-JABBAR: Kareem Abdul-Jabbar. MR. MOTL: -- solemnly swear that you will support and defend the Constitution of the United States against all enemies, foreign and domestic, that you will bear true faith and allegiance to the same, that you will -- that you take this obligation freely without any mental reservation or purpose of evasion and that you will well and faithfully discharge the duties of your office to which you are about to enter.
    [Show full text]