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Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
Trap Pilates POPUP
TRAP PILATES …Everything is Love "The Carters" June 2018 POP UP… Shhh I Do Trap Pilates DeJa- Vu INTR0 Beyonce & JayZ SUMMER Roll Ups….( Pelvic Curl | HipLifts) (Shoulder Bridge | Leg Lifts) The Carters APESHIT On Back..arms above head...lift up lifting right leg up lower slowly then lift left leg..alternating SLOWLY The Carters Into (ROWING) Fingers laced together going Side to Side then arms to ceiling REPEAT BOSS Scissors into Circles The Carters 713 Starting w/ Plank on hands…knee taps then lift booty & then Inhale all the way forward to your tippy toes The Carters exhale booty toward the ceiling….then keep booty up…TWERK shake booty Drunk in Love Lit & Wasted Beyonce & Jayz Crazy in Love Hands behind head...Lift Shoulders extend legs out and back into crunches then to the ceiling into Beyonce & JayZ crunches BLACK EFFECT Double Leg lifts The Carters FRIENDS Plank dips The Carters Top Off U Dance Jay Z, Beyonce, Future, DJ Khalid Upgrade You Squats....($$$MOVES) Beyonce & Jay-Z Legs apart feet plie out back straight squat down and up then pulses then lift and hold then lower lift heel one at a time then into frogy jumps keeping legs wide and touch floor with hands and jump back to top NICE DJ Bow into Legs Plie out Heel Raises The Carters 03'Bonnie & Clyde On all 4 toes (Push Up Prep Position) into Shoulder U Dance Beyonce & JayZ Repeat HEARD ABOUT US On Back then bend knees feet into mat...Hip lifts keeping booty off the mat..into doubles The Cartersl then walk feet ..out out in in.. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
CAT1 Fall 2018 MANO V9
"1 CAT 1 Sixth College, UC San Diego Visual reExperience: a non linear guide to a history of looking at things Fall, 2018 Prof. Michael Ano Tuesday and Thursday, 3:30-4:450 Office hours: Th 1:00-2:00 PM, 6th College Pepper Canyon 106 Email: [email protected] This syllabus is subject to revision. Office Hours PC 3:30-4: T 11:30-12:30 @ TTH YN 106 Ano, Michael [email protected] 50 CAT office H HS 2305 M 10:00-12:00 TH 8-8:50 Huddleston, Grace [email protected] S A @ CAT office HS 2305 M 10:00-12:00 TH 9-9:50 Huddleston, Grace S A @ CAT office 10-10:5 HS 2305 TH Czacki, Catherine Th 11:30-1:30 [email protected] 0 S A 11-11:5 HS 2305 TH Czacki, Catherine Th 11:30-1:30 0 S A 12-12:5 HS 2305 F 10:00-11:00 @ TH Feenstra, Klara [email protected] 0 S A CAT TA Lounge HS 2305 F 11:00-12:00 @ TH 1-1:50 Feenstra, Klara S A CAT TA Lounge HS 2305 TH 2-2:50 Fatima, Emal [email protected] S A HS 2305 TH 5-5:50 Goodwin, Cole [email protected] S A HS 2305 TH 6-6:50 Goodwin, Cole S A HS 2305 TH 7-7:50 Fatima, Emal S A “It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it. -
Plug in Lotusland
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-13-2016 (un)plug in lotusland Laurin D. Jefferson University of New Orleans, New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Poetry Commons Recommended Citation Jefferson, Laurin D., "(un)plug in lotusland" (2016). University of New Orleans Theses and Dissertations. 2161. https://scholarworks.uno.edu/td/2161 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. (un)plug in lotusland A Thesis Submitted to the graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Poetry by Laurin DeChae Jefferson B.S. Indiana University of Pennsylvania, 2013 May, 2016 Table of Contents Preface: The Pain of Space & Proofs for Science Fiction ............................................................... 1 PROLOGUE ......................................................................................................................................... 13 i/I, you/You ........................................................................................................................................... 20 hemispheres ........................................................................................................................................... -
The Lost Journals of Sylvia Plath
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 8-2005 The Lost Journals of Sylvia Plath Kimberly Dawn Knutsen Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the English Language and Literature Commons Recommended Citation Knutsen, Kimberly Dawn, "The Lost Journals of Sylvia Plath" (2005). Dissertations. 1040. https://scholarworks.wmich.edu/dissertations/1040 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE LOST JOURNALS OF SYLVIA PLATH by Kimberly Dawn Knutsen A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Western Michigan University Kalamazoo, Michigan August 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE LOST JOURNALS OF SYLVIA PLATH Kimberly Dawn Knutsen, Ph.D. Western Michigan University, 2005 Wilson A. Lavender is a doctoral candidate and instructor of women’s studies who is beginning to thing he knows nothing about women. His wife, Katie, is a recent graduate and stay-at-home mother of three—sexy, bored, and plagued by a violent past. Her sister, January, newly pregnant and obsessed with 80s rocker, Stevie Flame, arrives unexpectedly from New Mexico. As Wilson writes in the dissertation he fears will never be done: “Things begin to devolve.” Reproduced with permission of the copyright owner. -
Thematic Patterns in Millennial Heavy Metal: a Lyrical Analysis
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis Evan Chabot University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Chabot, Evan, "Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis" (2012). Electronic Theses and Dissertations, 2004-2019. 2277. https://stars.library.ucf.edu/etd/2277 THEMATIC PATTERNS IN MILLENNIAL HEAVY METAL: A LYRICAL ANALYSIS by EVAN CHABOT B.A. University of Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2012 ABSTRACT Research on heavy metal music has traditionally been framed by deviant characterizations, effects on audiences, and the validity of criticism. More recently, studies have neglected content analysis due to perceived homogeneity in themes, despite evidence that the modern genre is distinct from its past. As lyrical patterns are strong markers of genre, this study attempts to characterize heavy metal in the 21st century by analyzing lyrics for specific themes and perspectives. Citing evidence that the “Millennial” generation confers significant developments to popular culture, the contemporary genre is termed “Millennial heavy metal” throughout, and the study is framed accordingly. -
Open Steinle Cory Kanyecriticism.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS & SCIENCES “I THOUGHT ABOUT KILLING YOU”: CONSIDERING THE UTILITY OF RHETORICAL AND BIOGRAPHICAL CRITICAL APPROACHES TO KANYE WEST’S YE CORY N. STEINLE SPRING 2020 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts and Sciences and Labor and Employment Relations with honors in Communication Arts and Sciences Reviewed and approved* by the following: Bradford Vivian Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Associate Teaching Professor in Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This paper examines the merits of intrinsic and extrinsic critical approaches to hip-hop artifacts. To do so, I provide both a neo-Aristotelian and biographical criticism of three songs from ye (2018) by Kanye West. Chapters 1 & 2 consider Roland Barthes’ The Death of the Author and other landmark papers in rhetorical and literary theory to develop an intrinsic and extrinsic approach to criticizing ye (2018), evident in Tables 1 & 2. Chapter 3 provides the biographical antecedents of West’s life prior to the release of ye (2018). Chapters 4, 5, & 6 supply intrinsic (neo-Aristotelian) and extrinsic (biographical) critiques of the selected artifacts. Each of these chapters aims to address the concerns of one of three guiding questions: which critical approaches prove most useful to the hip-hop consumer listening to this song? How can and should the listener construct meaning? Are there any improper ways to critique and interpret this song? Chapter 7 discusses the variance in each mode of critical analysis from Chapters 4, 5, & 6. -
The Front Runner
The Front Runner Written by Matt Bai & Jay Carson & Jason Reitman July 27th, 2017 Blue Revisions 8/28/17 Pink Revisions 9/10/17 Yellow Revisions 9/15/17 ii. Note: The following screenplay features overlapping dialogue in the style of films like The Candidate. The idea is to create a true-to-life experience of the Hart campaign of 1987. CAST OF CHARACTERS THE HARTS GARY HART, SENATOR LEE HART, HIS WIFE THE CAMPAIGN TEAM BILL DIXON, CAMPAIGN MANAGER BILLY SHORE, AIDE-DE-CAMP KEVIN SWEENEY, PRESS SECRETARY JOHN EMERSON, DEPUTY CAMPAIGN MANAGER DOUG WILSON, POLICY AIDE MIKE STRATTON, LEAD ADVANCE MAN IRENE KELLY, SCHEDULER AT THE WASHINGTON POST BEN BRADLEE, EXECUTIVE EDITOR ANN DEVROY, POLITICAL EDITOR AJ PARKER, POLITICAL REPORTER DAVID BRODER, CHIEF POLITICAL CORRESPONDENT BOB KAISER, MANAGING EDITOR AT THE MIAMI HERALD KEITH MARTINDALE, EXECUTIVE EDITOR JIM SAVAGE, EDITOR TOM FIEDLER, POLITICAL REPORTER JOE MURPHY, INVESTIGATIVE REPORTER ROY VALENTINE, PHOTOGRAPHER THE TRAVELING PRESS JACK GERMOND, BALTIMORE SUN COLUMNIST IRA WYMAN, AP PHOTOGRAPHER ALAN WEINBERG, PHILADELHIA ENQUIRER ANN MCDANIEL, NEWSWEEK MIKE SHANAHAN, AP MIAMI DONNA RICE, MODEL AND ACTRESS BILLY BROADHURST, HART’S PERSONAL FRIEND LYNN ARMANDT, RICE’S FRIEND “1984” EXT. SAINT FRANCIS HOTEL, SAN FRANCISCO. NIGHT. We open inside a NEWS VAN. Four monitors show different competing feeds. A waiting reporter. Color Bars. A political commercial. One monitor is cueing up a debate clip. A light pops on the reporter and he springs to life. TV REPORTER Yes, we learned just a few minutes ago that Senator Hart will soon be leaving this hotel back to the convention hall, where he will concede -- yes, he will concede -- to former vice president Walter Mondale. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
The Carters Everything Is Love Full Album Download the Carters Everything Is Love Full Album Download
the carters everything is love full album download The carters everything is love full album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67af2f48bc92c3e8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Everything Is Love (Explicit) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £8.99. The ultimate luxury for the biggest stars is to be able to randomly release an album without warning. Although much anticipated ever since their first collaboration in 2002, Jay-Z and Beyoncé’s common album surprised everyone on June 16th, 2018 at the same time as Nas and Kanye West’s NASIR. Strange coincidence indeed. Following the blueprints of Jay-Z’s 4:44 and Beyoncé’s Lemonade , EVERYTHING IS LOVE is an album focused on the introspection of an extraordinary couple and the analysis of their celebrity. Its nine tracks are both a celebration of black success and a sharp critique of today’s society. -
DANNY COLLINS by Dan Fogelman
DANNY COLLINS by Dan Fogelman White Shooting Draft - 05/21/13 Blue Draft - 06/07/13 Pink Pages - 06/18/13 Yellow Pages - 06/20/13 Green Pages - 06/28/13 Goldenrod Pages - 07/01/13 Salmon Pages - 07/08/13 Buff Pages - 07/30/13 Cherry Pages - 08/01/13 This material is the property of Danny Collins Productions, LLC and access and use of this material is intended solely for use by Danny Collins Productions, LLC, its personnel and other authorized persons. Dissemination or disclosure of the material in any form to any unauthorized persons or the sale or copying of this material in whole or in part is strictly prohibited. 1. OVER BLACK we hear the sounds of a TURNTABLE turning on. We hear a NEEDLE drop. The record plays a SONG. The SONG is pure, innocent, and simple... the kind of thing great singer-songwriters are made of. TEXT: “The following is kind-of based on a true story a little bit.” The words are lifted away in a haze of CIGARETTE SMOKE. 1 INT. CHIME IN MAGAZINE OFFICES - DAY (1971) 1 We listen to the song as we pick up snapshots from an office of an early 70’s music magazine: - Cigarettes are smoked indoors, everywhere. Smoke wafts over cubicles, everywhere. - Women wear mini-skirts. Really “mini” mini-skirts. - Music POSTERS and SIGNAGE line cubicle walls. Hendrix. Dylan. Simon and a Jew-fro’d Garfunkel. - A poster of a young RICHARD NIXON. Someone has drawn a MUSTACHE on Nixon’s face as well as a “SPEECH BUBBLE” which reads “I’m an asshole.” - We hone in on a SINGLE CIGARETTE.