A Magical Amulet for Curing Fever

Total Page:16

File Type:pdf, Size:1020Kb

A Magical Amulet for Curing Fever CHAPTER TEN A MAGICAL AMULET FOR CURING FEVER Among the Greek papyri in the Princeton University Collections is a magical talisman designed to rid the wearer of fever. 1 This charm, which is written on a cheap grade of coarse papyrus2 by an unlettered hand, measures about zi inches wide and about s¼ long (see Plate I B). When discovered it was still folded in a narrow compass, presumably to be placed in a small container and worn on the body of the patient.3 From the style of the handwriting the amulet can be dated in the third or fourth Christian century. The first third of the papyrus contains a meaningless string of mysterious-sounding syllables, arranged in seven lines, the first of which reads ~ixyoup1jmxyoup1j. In each of the following six lines the formula is written in such a way that the first letter and the last letter of the preceding line are dropped, thus forming a triangular pattern. The ancients attached a good deal of significance to the shape of this pattern (which was known as ~oTpuoe:La~c; "shaped like a bunch of grapes"), the theory being that the shortening of the incantation in successive lines would be effective in lessening the malady.4 The barbaric sound of the formula, composed of syllables 1 It is no. 159 in the Princeton University Collections, and was first edited by the present writer in Papyri in the Princeton University Collections, vol. III, ed. by Allen Chester Johnson and Sidney Pullman Goodrich (Princeton, 1942), 78-79. Princeton University Press, the holder of the original copyright, has granted permission to incorporate this material, in greatly expanded form, in the present study. 2 The papyrus is palimpsest, and illegible traces of the earlier writing remain in the upper left-hand and right-hand margins. 3 On fever amulets see Ulrich Wilcken, A rchiv fur Papyrusforschung, I (Leipzig, 1901), 420-27; Preisendanz's collection of magical Greek papyri (cf. p. 105, note 2 below); and, for a Gnostic fever amulet (dating from the fourth or fifth century) published since Preisendanz, Edmund H. Kase, Jr., Papyri in the Princeton University Collections, n (Princeton, 1936). no. 107. ' Another common pattern, formed by dropping a letter in successive lines from either the right-hand or the left-hand margin, thus producing the shape of a triangle, was called 1t-re:puyoe:L3~c:; ("shaped like a wing"). For examples found in papyri, see Gerhard Kropatscheck, De amuletorum apud antiquos usu, Diss. (Greifswald, 1907), p. 29; Franz Domseiff, Das Alphabet in Mystik und M agie, 2te Aufl. ( = :ETOIXEIA, Studien zur Geschichte des antiken Weltbildes und des griechischen Wissenschaft, vn; Leipzig, 1925), pp. 55-67; and P. Michaelidae 27 (ed. D. S. Crawford; London, 1955). AMULET FOR CURING FEVER 105 that convey no meaning, no doubt produced a desirable psycho­ logical effect upon the patient.1 The first part of the Princeton charm, ~cxyoup'YJ, was evidently regarded as highly efficacious, for nearly a dozen other incantations have been found which make use of it, either alone or in combination with other magical expres­ sions.2 The superstitious use of amulets and charms, so prevalent in the ancient world,3 was the object of more than one "scientific" exami­ nation. For example, Pliny the Elder discussed the question whether words and formulated incantations (verba et incantamenta carminum) possess any efficacy,4 and Lucian, in his typically mocking manner, 1 Iamblichus (De Mysteriis, vii, 5; ed. Thomas Taylor, 2nd ed. [London, 1845), pp. 294:ff.) answers Porphyry's question why charms and incantations are couched in barbaric and outlandish words, replying that they lose their potency if they are translated. 2 For ~ayoup7J see Karl Wessely, Ephesia Grammata (Vienna, 1886), nos. 36, 206, 207, 209, 335, and Karl Preisendanz, Papyri Graecae Magicae, n (Leipzig and Berlin, 1931 ), no. xxxvi, lines 10, 64, 309, 350. On the other hand 1tayo1>p1J is less common; for examples (with ~ayo1>p1J) see Preisendanz, op. cit., no. xxxvi, lines 309 and 350. 3 From a vast literature on the subject, and in addition to the several titles which are mentioned in other footnotes of the present study, the following surveys and monographs may be mentioned: Campbell Bonner, Studies in Magical Amulets, Chiefly Graeco-Egyptian (Ann Arbor, 1950); E. A. Wallis Budge, Amulets and Superstitions (London, 1930); Ernst von Dob­ schiitz, "Charms and Amulets (Christian)," Hastings' Encyclopcedia of Re­ ligion and Ethics, III (1911), 413-430; F. Eckstein and J. H. Waszink, "Amulett," Reallexikon fur Antike und Christentum, 1 (1950), cols. 397-411; S. Eitrem and A. Fridrichsen, Ein christliches Amulett auf Papyrus ( = Vi­ denskapsselskapets Forhandlinger for I92I, No. 1; Kristiania, 1921); Sam Eitrem, "Aus 'Papyrologie und Religionsgeschichte': Die magischen Papyri," Papyri und Altertumswissenschaft, ed. Walter Otto and Leopold Wenger ( = Munchener Beitrage zur Papyrusforschung und antiken Rechtsgeschichte, xix; Munich, 1934), pp. 243-263; Johannes Ficker, "Amulett," Herzog­ Hauck, Realencyclopadie fur protestantische Theologie und Kirche, 3te Aufl., I (1896), 467-476 (with a full list of extant early Christian objects); Theodor Hopfner, Griechisch-agyptischer Offenbarungszauber ( = Studien zur Palaeo­ graphie und Papyruskunde, ed. C. Wessely, xx1; Leipzig, 1921); M. P. Nilsson, Die Religion in den griechischen Zauberpapyri (Lund, 1948); A. D. Nock, "Greek Magical Papyri," Journal of Egyptian Archaeology, xv (1929) 219-235; Ernst Reiss, "Religious Gleanings from the Magical Papyri," Classical Weekly, xxvm (1934-35), 105-111; B. R. Rees, "Popular Religion in Graeco­ Roman Egypt," Journal of Egyptian Archaeology, xxxv1 (1950), 86-100; and T. Schrire, Hebrew Amulets, Their Decipherment and Interpretation (London, 1966). Likewise reference may be made to two bibliographies of Greek and Roman folklore and magic, compiled by Eugene S. McCartney and Richard H. Crum in Classical Weekly, XL (1946-47), 99-101, and ib., XLII (1948-49), 234-236. ' Pliny, Natural History, xxviii, 3. .
Recommended publications
  • Evil Eye Belief in Turkish Culture: Myth of Evil Eye Bead
    The Turkish Online Journal of Design, Art and Communication - TOJDAC April 2016 Volume 6 Issue 2 EVIL EYE BELIEF IN TURKISH CULTURE: MYTH OF EVIL EYE BEAD Bilgen TUNCER MANZAKOĞLU [email protected] Saliha TÜRKMENOĞLU BERKAN Doğuş University, Industrial Product Design Department [email protected] ABSTRACT Evil eye belief is found in many parts of the world and it plays a major social role in a large number of cultural contexts. The history of evil eye bead usage dated back to ancient times, but upon time it’s meaning have been re-constructed by culture. This paper focused on an amulet based commodity “evil eye bead” used against evil eye and for ornament in Turkey. In order to analyze the myth of evil eye bead, two-sectioned survey was conducted. First section determined evil eye belief rate, participant profile and objects against evil eye. In the second section, the semantic dimensions of evil eye bead was analyzed in the myth level encompassing its perception and function as a cultural opponent act. This paper interrogated the role of culture, geography, and history on the evil eye bead myth. Keywords: Evil Eye Bead, Culture, Myth, Semiology. TÜRK KÜLTÜRÜNDE NAZAR İNANCI: NAZAR BONCUĞU MİTİ ÖZ Nazar inancı dünyanın bir çok bölgesinde bulunmakta ve kültürel bağlamda önemli bir sosyal rol üstlenmektedir.Nazar boncuğunun kullanımı antik zamanlara dayanmakla birlikte, taşıdığı anlam zaman içerisinde kültür ile birlikte yeniden inşa edilmiştir. Türkiye’de hem süs eşyası hem de kem göze karşı kullanılan nazar boncuğu bu makalenin ana konusudur. Nazar boncuğu mitini analiz etmek için iki aşamalı anket çalışması yürütülmüştür.
    [Show full text]
  • A Re-Examination of the Omamori Phenomenon
    The Hilltop Review Volume 7 Issue 2 Spring Article 19 April 2015 Ancient Magic and Modern Accessories: A Re-Examination of the Omamori Phenomenon Eric Mendes Follow this and additional works at: https://scholarworks.wmich.edu/hilltopreview Recommended Citation Mendes, Eric (2015) "Ancient Magic and Modern Accessories: A Re-Examination of the Omamori Phenomenon," The Hilltop Review: Vol. 7 : Iss. 2 , Article 19. Available at: https://scholarworks.wmich.edu/hilltopreview/vol7/iss2/19 This Article is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in The Hilltop Review by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 152 Ancient Magic and Modern Accessories: A Re-Examination of the Omamori Phenomenon Runner-Up, 2013 Graduate Humanities Conference By Eric Teixeira Mendes Fireworks exploded, newspapers rushed “Extra!” editions into print and Japanese exchanged “Banzai!” cheers at news of Japan`s crown princess giving birth to a girl after more than eight years of marriage… In a forestate of the special life that awaits the baby, a purple sash and an imperial samurai sword were bestowed on the 6.8 pound girl just a few hours after her birth - - along with a sacred amulet said to ward off evil spirits. The girl will be named in a ceremony Friday, after experts are consulted on a proper name for the child. (Zielenziger) This quote, which ran on December 2, 2001, in an article from the Orlando Sentinel, describes the birth of one of Japan`s most recent princesses.
    [Show full text]
  • THAI CHARMS and AMULETS by Q>Hya Anuman Cflajadhon Acting President, Royal Lnstitztte
    THAI CHARMS AND AMULETS by q>hya Anuman Cflajadhon Acting President, Royal lnstitztte Tbe belief in and use of charms and amulets as magical protec­ tion against dangers and misfortunes, and also to bring love, luck and power is a world-wide one. It is not confined to primitive races on! y, but also to be found among modern peoples of every nation and faith. In fact "the thought and practice of civilized peoples can not be cut off as with a knife from the underlying customs and beliefs which have played a determining part in shaping the resulting products, however much subsequent knowledge and ethical evaluation may have modified and transformed the earlier notions". 1 For this reason, every faith and religion has in one form or another certain cui ts and formulas, as inherited from the dim past and handed down from generation to generation, from the old belief of magic and superstition, which are paradoxically contrary to the real teaching of the religion's founder. This is inevitable; for the mass of humanity that forms the woof and warp of the woven fabric of faith of the great religions, is composed of many levels of culture. A.B. Griswold says in his "Doctrines and Reminders of Theravada Buddhism" that "within the Theravada there are two very different sorts of Buddhist­ rationalists and pious believers."2 This may be applied equally to other religions: there are always implicitly two sorts of believers within the same religion, the intellectuals and the pious people. It is with the latter that one can :find abundant phenomena of charms and amulets in belief and practice.
    [Show full text]
  • Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
    Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles.
    [Show full text]
  • MAGICAL AMULETS in Thai Culture
    MAGICAL AMULETS In Thai culture By Chris Jones of Thai-amulets.com There are four types of magical amulets in Thai culture. The term to describe these amulets as a whole is khawng-khlang, which may be translated as 'sacred, potent objects.' The first type is the khruang-rang, which means material substances transformed into stone or copper. These amulets will protect people if they are held in the mouth or on the body. They include khot, which are stones found in nature such as stone eggs or meteoric ores and various types of seeds found in jack-fruit and tamarind plants. These amulets are used mostly by poor people, since they depend upon being found freely rather than having to be bought. The second type is the phra-khruang, which are small statues or figurines of the Buddha which also protect the person or, if larger, a household. They may be cast from a mould or else be in the form of a votive tablet. These may be used to complete a vow – i.e. to thank the Buddha for a blessing – or else as a talisman carried around the neck. The third type is the khruang-pluk-sek. Pluk-sek means 'to arouse the potency of a person or object by means of a spell or incantation' so a khruang-pluk-sek is a more powerful form of amulet. Most of the spells used are incantations based on ancient Sanskrit verses – Sanskrit is known as Pali in Thailand. When the spells call for being written down, the Khmer (Cambodian) alphabet is used rather than Thai which is not considered to be suitable for magic.Khmer characters are believed to have runic qualities.
    [Show full text]
  • The Cultural Significance of Precious Stones in Early Modern England
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 6-2011 The Cultural Significance of Precious Stones in Early Modern England Cassandra Auble University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the Cultural History Commons, European History Commons, and the History of Gender Commons Auble, Cassandra, "The Cultural Significance of Precious Stones in Early Modern England" (2011). Dissertations, Theses, & Student Research, Department of History. 39. https://digitalcommons.unl.edu/historydiss/39 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND by Cassandra J. Auble A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor Carole Levin Lincoln, Nebraska June, 2011 THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND Cassandra J. Auble, M.A. University of Nebraska, 2011 Adviser: Carole Levin Sixteenth and seventeenth century sources reveal that precious stones served a number of important functions in Elizabethan and early Stuart society. The beauty and rarity of certain precious stones made them ideal additions to fashion and dress of the day. These stones also served political purposes when flaunted as examples of a country‘s wealth, bestowed as favors, or even worn as a show of royal support.
    [Show full text]
  • Amulet Lesson
    Amulet Lesson Author Lisa Mendel, Grades 7 and 8 middle school art teacher, Mt. Greylock Regional High School, Williamstown, MA Lesson Overview Using the computer as a reference, students will create an amulet with material (clay) that they are provided. Students will design four different amulets (with pencil and paper) after researching what an amulet is and what the meaning is behind them. Objectives ¾ Students will be able to identify amulets from different cultures and customs. ¾ Students will be able to define and demonstrate an understanding of balance, repetition, rhythm, scale, proportion, unity, harmony and emphasis. MA Standards Visual Art 2.11 For space and composition, create unified 2D and 3D compositions that demonstrate an understanding of balance, repetition, rhythm, scale, proportion, unity, harmony, and emphasis. Create 2D compositions that give the illusion of 3D space and volume. 6.3 Interpret the meanings of artistic works by explaining how the subject matter and/or form reflect the events, ideas, religions, and customs of people living at a particular time in history. Materials 1. Paper 2. Pencil 3. Clay 4. Sculpting tools 5. Paint, glitter, and sequins (etc.) Procedure Lecture/Demonstration With the use of lecture and student questioning, review/teach: ¾ Explain use of amulets and the process that artists use when creating a piece made from different materials. ¾ Using scrap paper students will design four different ideas for their amulets and pick the one that they like best. ¾ Go over use of different materials and key art terminology such as balance, repetition, rhythm, scale, proportion, unity, harmony and emphasis. Also look at ways of attaching different materials and the safety and cleanup procedures needed to complete project successfully.
    [Show full text]
  • A Strategy to Reach Animistic People in Madagascar
    Andrews University Digital Commons @ Andrews University Dissertation Projects DMin Graduate Research 2006 A Strategy To Reach Animistic People in Madagascar Jacques Ratsimbason Andrews University Follow this and additional works at: https://digitalcommons.andrews.edu/dmin Part of the Practical Theology Commons Recommended Citation Ratsimbason, Jacques, "A Strategy To Reach Animistic People in Madagascar" (2006). Dissertation Projects DMin. 690. https://digitalcommons.andrews.edu/dmin/690 This Project Report is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertation Projects DMin by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. ABSTRACT A STRATEGY TO REACH ANIMISTIC PEOPLE IN MADAGASCAR by Jacques Ratsimbason Adviser: Bruce Bauer ABSTRACT OF GRADUATE STUDENT RESEARCH Dissertation Andrews University Seventh-day Adventist Theological Seminary Title: A STRATEGY TO REACH ANIMISTIC PEOPLE IN MADAGASCAR Name of researcher: Jacques Ratsimbason Name and degree of faculty adviser: Bruce Bauer, D.Miss. Date completed: August 2006 Problem The majority of the Malagasy people who live in Madagascar are unreached with the gospel message. A preliminary investigation of current literature indicated that 50 percent of the Malagasy are followers of traditional religions. This present study was to develop a strategy to reach the animistic people with the gospel message. Method This study presents Malagasy people, their social characteristics, population, worldviews, and lifestyles. A study;and evaluation of Malagasy beliefs and practices were developed using Hiebert's model of critical contextualization. Results The study reveals that the Seventh-day Adventist Church must update its evangelistic methods to reach animistic people and finish the gospel commission in Madagascar.
    [Show full text]
  • Amulets & Talismans
    AMULETS & TALISMANS PATHWAYS 11419 CONCORD VILLAGE AVE., ST. LOUIS, MO 63123 (314) 842-0047 www.pathwaysstl.com Amulets and Talismans are very powerful magickal tools for achieving change in your life. Talismans work by generating a positive force thereby drawing the desired result to you through the Law of Attraction. Amulets, on the other hand, provide protection by deflecting negative energies thus creating a protective barrier around your space. Unlike most other forms of magick, a correctly charged Amulet or Talisman will work even if its wearer initially has no belief in its powers. When empowered correctly, both work like self-charging solar batteries and function in a way that links them with the appropriate planetary or energetic forces in line with their intention. Magickal energy is then continually channeled through to the objective as more energy is attracted from the Cosmos. The ancient symbols used in the construction of some Amulets and Talismans pre-date the Christian era and yet they are as potent and effective today as they were at the time of their original construction. Many Talismans, like the ones from King Solomon, have historic roots stemming from the Qabalah over 3,000 years ago. King Solomon’s teachings form one of the cornerstones of Western Magick. Talismans based on King Solomon’s designs are very powerful, and their effects will often be felt very quickly. CHARGING YOUR AMULET OR TALISMAN To get the maximum benefit from your Amulet or Talisman it is advisable to form a link between yourself and the planetary forces that will operate through it by charging it.
    [Show full text]
  • Talismans and Amulets in the Japanese Collection1
    ANNALS OF THE NÁPRSTEK MUSEUM 35/1 • 2014 • (p. 39–68) TALISMANS AND AMULETS IN THE JAPANESE COLLECTION1 Alice Kraemerová2 ABSTRACT: This article describes all types of amulets and talismans present in the Náprstek Museum Japanese collection and uncovers their symbolic meaning. These are mostly talismans from shrines and temples dating to the beginning of the 20th century, traditional hand-crafted items from famous places of pilgrimage and toys used as talismans. KEY WORDS: Japan – Buddhist temple – Shintǀ shrine – shamanism – talisman – amulet– ofuda – ema – omamori – collecting – Náprstek Museum of Asian, African and American Cultures (Prague) 1. Defining terminology Amulet is considered to have protective or otherwise salutary effects while talisman primarily attracts fortune. Various authors describe different classifications of amulets and talismans according to their functional principles: homeopathic principle, contact principle, the principle of the magic of the written word, principle of colour magic, the principle of magic substances, the principle of the personifies higher power and the combinatorial principle (Nuska 2012). In this article we shall not use this division as for such a detailed analysis it would be necessary to acknowledge all types of amulets and talismans, not just those collected by the Czech travellers and brought into the NpM collections. Most of the available literature deals with the European view on amulets and talismans; the furthest it gets is the Near East. The Far East is usually not that well mapped due to the geographical distance and the language barrier. For the Japanese talismans, there are several often used terms: mayoke (㨱 㝖ࡅ) or yakuyoke (གྷ㝖ࡅ), omamori (࠾Ᏺࡾ) and ofuda (ᚚᮐ) or gofu (ㆤ➢).
    [Show full text]
  • Ancient Egyptian Amulets Magic and Religion Were Part of Everyday Life in Ancient Egypt
    Ancient Egyptian Amulets Magic and religion were part of everyday life in Ancient Egypt. The Egyptians had objects and jewellery they believed had powers. Today we call these magical objects amulets. There were different types of amulets. Some were thought to be protective, and others were thought to have healing powers. Amulets were also used in mummification to help the person make the journey to the Netherworld. Whatever problems an ancient Egyptian faced, there would be an amulet to help. Amulets used to protect the dead are called Funerary Amulets. They were often placed inside the bandages of the mummy or placed in the tomb. Let's have a look at some common amulets... Bastet Bastet was one of the most loved Goddesses in Egypt. Cats became sacred to the Egyptians because of her and were sometimes mummified. She was the Goddess of women, pregnancy and the home. Egyptians who wanted to have children would leave offerings or wear an amulet of Bastet. The Egyptians also believed an amulet of Bastet could protect them from illnesses and evil spirits. A festival was held in honour of Bastet every year. Ankh The Ankh was a hieroglyph that represented life. When placed on a mummy it was believed to give the gift of eternal life to the dead. Ankhs were often shown in the hands of Gods and Goddesses who had the power to give life. Djed The Djed pillar represented the backbone of Osiris, King of the Netherworld. It would be placed on the mummy to strengthen the spine and help them stand up when they were reborn.
    [Show full text]
  • Kings for UCP.Png
    In anthropology as much as in popular imagination, kings are fgures of fascination and intrigue, heroes or tyrants in ways presidents and prime ministers can never be. Tis collection of essays by two of the world’s most distinguished anthropologists—David Graeber and Marshall Sahlins—explores what kingship actually is, historically and anthropo- logically. As they show, kings are symbols for more than just sovereignty: indeed, the study of kingship ofers a unique window into fundamental dilemmas concerning the very nature of power, meaning, and the human condition. Refecting on issues such as temporality, alterity, and utopia—not to mention the divine, the strange, the numinous, and the bestial—Graeber and Sahlins explore the role of kings as they have existed around the world, from the BaKongo to the Aztec to the Shilluk and beyond. Richly delivered with the wit and sharp analysis characteristic of Graeber and Sahlins, this book opens up new avenues for the anthropological study of this fascinating and ubiquitous political fgure. * * * If you deem that anthropology is neither a form of pompous navel- gazing, nor an exercise in making preposterous generalizations out of sketchy personal experiences, this book is for you. With impecca- ble scholarship, conceptual imagination, and wit, David Graeber and Marshall Sahlins think anew, and within a broad comparative scope, an ancient and illustrious question: why and how can a single man come to rule over the many as the embodiment or the delegate of a god? Such a question, they show, can only be answered by shifting towards an analysis where human, non-human, and meta-human persons are treated on the same ontological level as parts of a hierarchical cosmic polity.
    [Show full text]