Australian World Orchestra 2019 Performance Program Press Kit Media Release
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Alexander Briger: What Makes a Conductor Is Personality
Alexander Briger: What Makes a Conductor is Personality The Australian conductor tells us about growing up in a musical clan, founding the Australian World Orchestra, and reducing the work load to better enjoy performances and time with his young family. by Jo Litson, 16 May 2019 The Australian conductor tells us about growing up in a musical clan, founding the Australian World Orchestra, and reducing the work load to better enjoy performances and time with his young family. Was there lots of music around you when you were growing up? Yeah, a lot. My mother was a ballet dancer. My uncle Alastair [Mackerras] who lived downstairs was the Headmaster of Sydney Grammar, and he would drive me to school. He was a classical music fanatic. He owned thousands and thousands of CDs, from A to Z, and he was so methodical about it. So, I learnt a hell of a lot of music. Alexander Briger. Photo © Cameron Grayson What instrument did you play? I played violin but I didn’t really take it all that seriously, I have to say. I was much more into aeroplanes, that sort of thing. My uncle was Charles Mackerras, although I didn’t really know him well, he didn’t live here. He would come home to conduct the Sydney Symphony or the opera occasionally. I remember when I was 12, I was taken to a concert that he gave, Mahler’s Fourth Symphony with the Sydney Symphony, and that was the first concert that I was allowed to go to. I remember just being completely blown away by it and that’s when I started to take music very seriously and to think about conducting. -
Participating Artists
The Flowers of War – Participating Artists Christopher Latham and in 2017 he was appointed Artist in Ibrahim Karaisli Artistic Director, The Flowers of War Residence at the Australian War Memorial, Muezzin – Re-Sounding Gallipoli project the first musician to be appointed to that Ibrahim Karaisli is head of Amity College’s role. Religion and Values department. Author, arranger, composer, conductor, violinist, Christopher Latham has performed Alexander Knight his whole life: as a solo boy treble in Musicians Baritone – Re-Sounding Gallipoli St Johns Cathedral, Brisbane, then a Now a graduate of the Sydney decade of studies in the US which led to Singers Conservatorium of Music, Alexander was touring as a violinist with the Australian awarded the 2016 German-Australian Chamber Orchestra from 1992 to 1998, Andrew Goodwin Opera Grant in August 2015, and and subsequently as an active chamber Tenor – Sacrifice; Race Against Time CD; subsequently won a year-long contract with musician. He worked as a noted editor with The Healers; Songs of the Great War; the Hessisches Staatstheater in Wiesbaden, Australia’s best composers for Boosey and Diggers’ Requiem Germany. He has performed with many of Hawkes, and worked as Artistic Director Born in Sydney, Andrew Goodwin studied Australia’s premier ensembles, including for the Four Winds Festival (Bermagui voice at the St. Petersburg Conservatory the Sydney Philharmonia Choirs, the Sydney 2004-2008), the Australian Festival of and in the UK. He has appeared with Chamber Choir, the Adelaide Chamber Chamber Music (Townsville 2005-2006), orchestras, opera companies and choral Singers and The Song Company. the Canberra International Music Festival societies in Europe, the UK, Asia and (CIMF 2009-2014) and the Village Building Australia, including the Bolshoi Opera, La Simon Lobelson Company’s Voices in the Forest (Canberra, Scala Milan and Opera Australia. -
LMM Commissions Press Release Updated
London Music Masters presents world premieres of Gavin Higgins’ Tänze on 23 October and Edmund Finnis’ Shades Lengthen on 10 December as part of LMM’s 2015 commission series Friday 23 October 2015 Thursday 10 December 2015 6pm St. John’s, Hackney Royal Festival Hall Tänze Shades Lengthen (world premiere) (world premiere) Gavin Higgins composer Edmund Finnis composer LMM Learning students Benjamin Beilman violin (LMM London Philharmonic Award Holder) Orchestra London Contemporary Orchestra London Music Masters hosts world premieres of two new works by leading British composers Gavin Higgins on 23 October, and Edmund Finnis on 10 December as part of LMM’s 2015 series of commissions. Higgins’ dance suite Tänze will be performed by 70 of London Music Masters Learning students aged 9-11 and the London Philharmonic Orchestra at the Royal Festival Hall. This free event precedes pianist and LMM Ambassador Benjamin Grosvenor’s concert with the London Philharmonic Orchestra, performing Ravel’s Piano Concerto in G major, marking his first time performing with them in London. Higgins’ large scale, innovative new work will explore the history of dance music from the Baroque period to the present day. Higgins explains: “Tänze is a new work inspired by the Baroque dance suite. As such the piece is made up of the four dances most commonly utilised; Allemande, Courante, Sarabande and a lively Gigue. Dance music has always been very important to me and I’ve been wanting to write a ‘dance suite’ for some time now. When I was approached by LMM to write this piece I felt this was the opportunity to do just that. -
Mozart and Brahms I Contents Welcome 1
Music to soothe your soul Mozartand Brahms 28 + 29 MAY 2021 CONCERT HALL, QPAC PROGRAM | MOZART AND BRAHMS I CONTENTS WELCOME 1 IF YOU'RE NEW TO THE ORCHESTRA 2 FOR YOUNGER EARS 4 DEFINTION OF TERMS 8 LISTENING GUIDE 10 ARTIST BIOGRAPHIES 14 SUPPORTING YOUR ORCHESTRA 24 MUSICIANS AND MANAGEMENT 26 II PROGRAM | MOZART AND BRAHMS WELCOME Today we are very privileged to welcome back to the QPAC stage one of the world's greatest oboists - Diana Doherty. The oboe is a notoriously tricky instrument with several parameters that make it hard to master, none more so than the temperamental double reed at the top. These are hand- made by the oboist from a weed similar to bamboo (Arundo Donax for those playing at home). There are but a handful of oboists in the world who are invited to perform as soloists outside of their country, and Diana is one of them. One of my first trips to see the Sydney Symphony Orchestra as a teenager was to witness Diana perform the Richard Strauss Oboe Concerto. I marvelled at her gloriously resonant oboe sound, especially as she was 37 weeks pregnant! Nearly a decade later I watched Diana premiere Ross Edwards' Oboe Concerto, dressed (as instructed by the composer) as a wild bird, whilst undertaking dance choreography. I can’t think of any other oboist in the world who can pull off these jaw-dropping feats. Today, Diana performs the most famous work from the oboe repertoire - Mozart's Oboe Concerto in C. Diana is one of those oboists who makes the instrument sound like a human voice, and I have no doubt that you will enjoy her breathtaking rendition of this charming yet virtuosic concerto. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Elena Kats-Chernin
Elena Kats-Chernin Elena Kats-Chernin photo © Bruria Hammer OPERAS 1 OPERAS 1 OPERAS Die Krönung der Poppea (L'incoronazione di Poppea) Der herzlose Riese Claudio Monteverdi, arranged by Elena Kats-Chernin The Heartless Giant 1643/2012/17 3 hr 2020 55 min Opera musicale in three acts with a prologue 7 vocal soloists-children's choir- 1.1.1.1-1.1.1.1-perc(2)-3.3.3.3.2 4S,M,A,4T,2Bar,B; chorus; 0.2.0.asax.tsax(=barsax).0-0.2.cimbasso.0-perc(2):maracas/cast/claves/shaker/guiro/cr ot/tgl/cyms/BD/SD/tpl.bl/glsp/vib/wdbls/congas/bongos/cowbell-continuo-strings; Tutti stings divided in: vla I–III, vlc I–II, db; Availability: This work is available from Boosey & Hawkes for the world Continuo: 2 gtr players, doubling and dividing the following instruments: banjo, dobro, mandolin, 12-string, electric, classical, Jazz, steal-string, slide, Hawaii, ukulele (some Iphis effects may be produced by the 1997/2005 1 hr 10 min same instrument); 1 vlc(separate from the celli tutti); 1theorbo; 1kbd synthesizer: most used sounds include elec.org, Jazz.org, pipe.org, chamber.org, hpd, clavecin, and ad Opera for six singers and nine musicians lib keyboard instruments as available. 2S,M,2T,Bar 1(=picc).0.1(=bcl).0-1.0.0.0-perc(1):wdbl/cyms/hi hat/xyl/marimba/SD/ World premiere of version: 16 Sep 2012 vib or glsp/3cowbells/crot/BD/tpl.bl/wind chimes/chinese bl/claves- Komische Oper, Berlin, Germany pft(=kbd)-vln.vla.vlc.db Barrie Kosky, director; Orchester und Ensemble der Komischen Oper Berlin Conductor: André de Ridder World Premiere: 03 Dec 1997 Bangarra Dance -
St John's Smith Square
ST JOHN’S SMITH SQUARE 2015/16 SEASON Discover a musical landmark Patron HRH The Duchess of Cornwall 2015/16 SEASON CONTENTS WELCOME TO ST JOHN’S SMITH SQUARE —— —— 01 Welcome 102 School concerts Whether you’re already a friend, or As renovation begins at Southbank 02 Season Overview 105 Discover more discovering us for the first time, I trust Centre, we welcome residencies from the 02 Orchestral Performance 106 St John’s history you’ll enjoy a rewarding and stimulating Orchestra of the Age of Enlightenment 03 Choral & Vocal Music 108 Join us experience combining inspirational and London Sinfonietta, world-class 03 Opera 109 Subscription packages music, delicious food and good company performers from their International Piano 04 Period Instruments 110 Booking information in the fabulous grandeur of this historic Series and International Chamber Music 05 Regular Series 111 How to find us building – the UK’s only baroque Series, and a mid-summer performance 06 New Music 112 Footstool Restaurant concert venue. from the Philharmonia Orchestra. 07 Young Artists’ Scheme This is our first annual season brochure We’re proud of our reputation for quality 08 Festivals – a season that features more than 250 and friendly service, and welcome the 09 Southbank Centre concerts, numerous world premieres and thoughts of our visitors. So, if you have 10 Listings countless talented musicians. We’re also any comments, please let me know and discussing further exciting projects, so I’ll gladly discuss them with you. please keep an eye on our What’s On I look forward to welcoming you to guides or sign up to our e-newsletter. -
Cello Dreaming Programme Notes 27 Sept 2015
CELLO DREAMING CoralCoral Lancaster Lancaster Alan MacLean cellocello piano Cello Dreaming Concert A programme that explores aspects of dreaming, and the myriad ways in which music reveals to us inner realities of life Coral Lancaster and Alan MacLean 27 September 2015, 4pm Holywell Music Room Coral Lancaster pursues a varied career as a freelance chamber musician, orchestral musician, and teacher. Originally from Perth, Western Australia, Coral studied with Gregory Baron, Suzanne Wijsman, and David Pereira (dedicatee of Inner World and Threnody), before moving to the UK in 1997. Based in Oxford, Coral performs with the Lyric Piano Trio and the Jubilee Ensemble, and teaches locally. She is known for her sensitive performances, and also works regularly with the Philharmonia, the Bournemouth Symphony Orchestra, and the City of Birmingham Symphony Orchestra. This year Coral has toured with the Philharmonia to Madrid and Paris, and will shortly be travelling to Iceland with them as well. She can next be heard in Oxford performing in a solo lunchtime concert at St Michael at the North Gate, on 23rd November. Alan MacLean is a graduate of The Royal Scottish Academy of Music and Drama. Alan studied with the Hungarian pianist Bela Simandi and received the award for the most outstanding student in his final year. Further study followed with internationally renowned pianists including Karl Ulrich Schnabel. Much in demand as a chamber musician, he has played with many of the country's leading instrumentalists and he premiered Malcolm Arnold's ‘Trio Bourgeoises’ and a recent arrangement of John Field's Rondo in A flat for Piano and Orchestra. -
Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska, -
Tasmania Discovery Orchestra 2011 Concert 1
Tasmania Discovery Orchestra 2011 The Discovery Series, Season II Concert 1: Discover the Orchestra Alex Briger – Conductor Mozart Overture Die Zauberflöte , K. 620 Beethoven Symphony No. 7 in A Major, Op. 92 Coffee and Cake in the foyer with musicians and conductor Sunday 17 h April 2011 | 2:30pm Stanley Burbury Theatre Sandy Bay, Hobart The Tasmania Discovery Orchestra The TDO is a refreshingly new, bold idea in Australian orchestral music making, designed to offer musicians with advanced orchestral instrument skills the opportunity to come together and make great music in Hobart, Tasmania. The TDO was created in 2010, and was an immediate success, drawing musicians from around Australia to Hobart for the inaugural performance. The response for more performance opportunities for orchestral players is evident by the large number of TDO applicants for both the 2010 and 2011 seasons. This demand led to the creation of another new initiative by the Conservatorium of Music, the TDO Sinfonietta , which will be continuing in 2011. This ensemble performs the chamber music repertoire of the 20th- Century and works composed for mixed orchestral ensemble. With a repertoire of known favourites, this ensemble of more intimate proportions than the TDO, is designed for orchestral musicians with advanced chamber instrumental skills. The TDO and TDO Sinfonietta are about investing in the future of Australian music. Our mission is simple: Australian orchestral musicians, not employed in full-time positions with orchestras, need more opportunities to perform. We want our community and audience to get involved! Have you ever wondered how an orchestra works? Or, perhaps, you’ve always wanted to know what the Conductor does. -
The Turn of the Screw
OPÉRA DE BENJAMIN BRITTEN THE TURN OF THE SCREW VENDREDI 12 MARS 2021 À 19 H 30 — CONSERVATOIRE DE PARIS ALEXANDER BRIGER DIRECTION MUSICALE ORCHESTRE DU CONSERVATOIRE DE PARIS BRIGITTE JAQUES-WAJEMAN MISE EN SCÈNE CONSERVATOIRE NATIONAL SUPÉRIEUR DE MUSIQUE ET DE DANSE DE PAR I S RETRANSMISSION EN DIRECT VENDREDI 12 MARS 2021 — 19 H 30 www.conservatoiredeparis.fr SALLE RÉMY-PFLIMLIN DURÉE ESTIMÉE 1 H 45 SANS ENTRACTE Coproduction Conservatoire de Paris et Cité de la musique – Philharmonie de Paris en partenariat avec le CRR de Paris/ Nous remercions l’Opéra national de Paris et la Comédie-Française pour le prêt gracieux de costumes et d’accessoires. photographies : Ferrante Ferranti conception graphique : Mioï Lombard THE TURN OF THE SCREW MUSIQUE DE BENJAMIN BRITTEN LIVRET DE MYFANWY PIPER Une fois par an, le Conservatoire de Paris propose, avec la Philharmonie de Paris, une grande production lyrique qui rassemble tous les talents de l’école. Dirigés par des grands noms de la scène internationale de l’opéra, pour la direction musicale comme pour la mise en scène, ils abordent tous les aspects du processus de création, dans des conditions professionnelles. L’orchestre et les étudiants des classes de chant du Conservatoire de Paris donnent l’opéra de chambre The Turn of the Screw, composé en 1954 pour la Biennale de Venise par Britten. « La cérémonie de l’innocence est noyée », chantent Miss Jessel et Peter Quint, morts dans des conditions mystérieuses, et qui hantent maintenant le manoir où Flora et Miles sont envoyés avec leur nouvelle gouvernante. Fondé sur une nouvelle fantastique d’Henry James datant de la toute fin du XIXe siècle, l’opéra de Britten est dirigé par Alexander Briger, familier de ce répertoire (il a notamment dirigé en Australie, dont il est originaire, The Rape of Lucretia et A Midsummer Night’s Dream, dans une mise en scène de Baz Luhrmann), et que les Parisiens connaissent pour l’avoir apprécié dans les opéras de John Adams, Nixon in China et I Was Looking at the Ceiling and Then I Saw the Sky au Théâtre du Châtelet. -
4532.Pdf (166.8Kb)
PROGRAM PART ONE PART TWO Jonathan Pasternack, conductor Peter Erös, conductor Overture to LA FORZA DEL DESTINO ..... GIUSEPPE VERDI (1813-1901) from DIE WALKÜRE ..............................RICHARD WAGNER (1813-1883) Aria: “LEB’ WOHL” David Borning, baritone from LES CONTES D’HOFFMANN ... JACQUES OFFENBACH (1819-1880) Aria: “LES OISEAUX DANS LA CHARMILLE” Cecile Farmer, soprano from THE BARTERED BRIDE ............... BEDRICH SMETANA (1824-1884) Aria: “NOW, NOW MY DEAR” (VASHEK’S STUTTERING SONG) URELY YOU MUST BE THE BRIDEGROOM OF RU INA S ARIE from LA TRAVIATA ..................................................................... G. VERDI Duet: “S K ’ M ” Aria: “DE’ MIEI BOLLENTI SPIRITI” Nataly Wickham, soprano / Thomas Harper, tenor Duet: “UN DÌ FELICE” Aria: “AH FORS’ È LUI…SEMPRE LIBERA” from DIE ZAUBERFLÖTE ................................................. W. A. MOZART Tess Altiveros, soprano / David Margulis, tenor Aria: “EIN MÄDCHEN ODER WEIBCHEN” Duet: “PAPAGENA, PAPAGENO” from DIE ZAUBERFLÖTE ..................... WOLFGANG AMADEUS MOZART Faina Morozov, soprano / Drew Dresdner, baritone Aria: “ACH, ICH FÜHL’S” (1756-1791) Arian Ashworth, soprano from AÏDA .................................................................................. G. VERDI Duet: “CIEL! MIO PADRE” from CAVALLERIA RUSTICANA ........... PIETRO MASCAGNI (1863-1945) Rebecca Paul, soprano / David Borning, baritone Aria: “VOI LO SAPETE” Brittany Hines-Hill, soprano from DER ROSENKAVALIER ................ RICHARD STRAUSS (1864-1949) Trio: “MARIE THERES! HAB’