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BROADHURST THEATER, 235-243 West 44Th Street, Manhattan
landmarks Preservation Connnission November 10, 1987; Designation List 195 LP-1323 BROADHURST THEATER, 235-243 West 44th Street, Manhattan. Built 1917-18; architect, Herbert J. Krapp. landmark Site: :Borough of Manhattan Tax Map Block 1016, lDt 11. On June 14 and 15, 1982, the landmarks Preservation Conunission held a public hearing on the proposed designation as a landmark of the Broadhurst '!heater and the proposed designation of the related landmark Site (Item No. 19). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. 'Ihe owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. 'Ihe Connnission has received many letters and other expressions of support in favor of this designation. DESCRIPITON AND ANALYSIS 'lhe Broadhurst '!heater survives t00ay as one of the historic theaters that symbolize American theater for both New York and the nation. Built shortly after the end of World War I, the Broadhurst was one of a pair with the Plymouth and among the numerous theaters constructed by the Shubert Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by the three brothers Sam s., lee and J.J. Shubert, the Shubert organization was the dominant shaper of New York's theater district. Beginning as producers, the brothers expanded into the building of theaters as well, and eventually helped cover the blocks east and west of Broadway in Midtown with playhouses. -
Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Overleaf.Januaryfebruarymarch09
1125 Broadway, PO Box 1100 Non Profit Org. Hewlett, New York 11557-0903 U.S. Postage Telephone: (516) 374-1967 PAID Programs: (516) 374-1667 Permit No. 50 Weather Emergency: (516) 374-1667 Freeport, NY 115 Find us on the web at at www.hwpl.org THE LIBRARY IS OPEN Monday-Thursday 9 am to 9 pm Friday 9 am to 6 pm Saturday 9 am to 5 pm Sunday 12:30 pm to 5 pm SCHEDULE CHANGES Thursday, January 1, CLOSED Monday, January 19 CLOSED Monday, January 26 1 – 9 pm Monday, February 16 CLOSED JANUARY FEBRUARY MARCH 5 • Monday 1 • Sunday 1 • Sunday Silent Films: Safety Last * 2 pm SAT Math* 7 pm THE BIG SCREEN: The Palm Beach Story 2 pm 3 • Tuesday 6 • Tuesday 3 • Tuesday Jobs: Reaching Your Personal Best 1 pm F Ì Author Visit-Larry Samuel/World’s Fair 1 pm Art Lecture: Chagall & the Russians 1 pm 4 • Wednesday Seated Aerobics 11 am 7 • Wednesday 4 • Wednesday Film: La Vie en Rose 2 & 7:30 pm Seated Aerobics 11 am Registration begins Let’s Talk About It 10 am 5 • Thursday Film: Indiana Jones... 2 & 7:30 pm Fri/Woodmere Workshop 11 am Travel Lights: Newfoundland/Nova Scotia 1 pm Seated Aerobics 11 am 8 • Thursday Art Reception 7 pm 8 • Sunday Film: Music Within 2 & 7:30 pm 9 • Friday 5 Towns Forum 7:30 pm NTNI: Andrey Tchekmazov , cellist* 2:30 pm 5 • Thursday 11 • Sunday 10 • Tuesday Antique Jewelry 1 pm THE BIG SCREEN: Auntie Mame 2 pm ÌF Terrorism lecture 7:30 pm 8 • Sunday 12 • Monday 11 • Wednesday Seated Aerobics 11 am CM Butzer American Comics & the Rise HWPL Readers: Unaccustomed Earth 2 pm Tkts. -
MUSIC BOX THEATER, 239-247 West 45Th Street
Landmarks Preservation Commission December 8, 1987; Designation List 197 LP-1359 MUSIC BOX THEATER, 239-247 West 45th Street. Built 1920; architects C. Howard Crane & E. George Kiehler. Landmark Site: Borough of Manhattan Tax Map Block 1017, Lot 11. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Music Box Theater and the proposed designation of the related Landmark Site (Item No. 55). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty -one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. Representatives of the two co-owners appeared at the hearing and indicated that neither had formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Music Box Theater survives today as one of the his to r ic playhouses that symbolize American theater for both New York and t h e nation. Constructed shortly after the end of World Wa r I, the Music Box was built by producer Sam Harri s to house Irving Berlin's ~usic Box Re ~ues . Sam Harris was a legendary Broadway producer, who first reached fame through his successful partnership with George M. Cohan, and the n collaborated with Irving Berlin and later with Kaufman and Hart. Irving Berlin is among the greatest and best-known Ame rican s ongwriters of t his cen t ury. -
Adam C. Nedeff¶S Game Show Collection 5,358 Episodes Strong As of 3/23/2010
Adam C. Nedeff¶s Game Show Collection 5,358 Episodes Strong as of 3/23/2010 I: Game Shows II: Game Show Specials III: Unsold Game Show Pilots IV: My Game Show Box Games I: Game Shows ABOUT FACES {1 episode} Tom Kennedy¶s big break as announcer/substitute host. -Episode with Tom Kennedy filling in for Ben Alexander (End segment missing) [AF-1.1/KIN] ALL-STAR BLITZ {2 episodes} You might as well call it ³Hollywood Square of Fortune.´ -Sherlyn Walters, Ted Shackleford, Betty White, Robert Woods (Dark picture but watchable) [ASB- 1.1/OB] -Madge Sinclair, Christopher Hewitt, Abby Dalton, Peter Scolari [ASB-1.2/OB] ALL-STAR SECRETS {3 episodes} Overly-chatty celebrity guessing game. -Conrad Bain, Robert Gulliame, Robert Pine, Dodie Goodman, Ann Lockhart [AlStS-1.1/OC] -David Landsberg, Eva Gabor, Arnold Schwarzenegger(!), Barbara Feldon, David Huddleston (First two minutes missing) [AlStS-1.2/OC] -Bill Cullen, Nanette Fabray, John Schuck, Della Reese, Arte Johnson [AlStS-1.3/OC] BABY GAME {1 episode} Question: On Match Game, you had to make a match to win. On Dating Game, you had to make a date to win. How did you win on a show called Baby Game? -George & Carolyn vs. Gloria & Lloyd [BG-1.1/KIN] BANK ON THE STARS {2 episodes} A pretty nifty memory test with the master emcee. -Johnny Dark, Mr. Hulot¶s Holiday, The Caine Mutiny; Roger Price appears to plug ³Droodles´ [BOTS- 1.1/KIN] -The Long Wait, Knock on Wood, Johnny Dark [BOTS-1.2/KIN] BATTLESTARS {6 episodes} Alex Trebek just isn¶t right for a ³Hollywood Squares´-type show. -
Mitchell, Alexander 2018
BEHIND THE BIG DESK: HOW NEWS PARODY RESTRUCTURED THE NETWORK LATE NIGHT TALK SHOW AND REINVENTED AN AMERICAN ART FORM A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Alexander Mitchell Washington, D.C. April 19, 2018 Copyright © 2018 Alexander Mitchell All rights reserved ii BEHIND THE BIG DESK: HOW NEWS PARODY RESTRUCTURED THE NETWORK LATE NIGHT TALK SHOW AND REINVENTED AN AMERICAN ART FORM Alexander Mitchell Thesis Adviser: Brian Hochman, Ph.D. ABSTRACT On June 16, 1960, Senator John F. Kennedy bounded into Studio 6B in 30 Rockefeller Plaza in New York City. Tonight Show host Jack Paar had invited Kennedy onto his program as the first presidential candidate to appear on late night television. Paar treated Kennedy with deference and worked to keep his program largely apolitical, focusing mostly on charming banter with the candidate and questions about his personal life. However, despite Paar’s best efforts, the press slammed him for being too political by even having a politician on his program. Fast- forward fifty-six years to 2016. In the exact same studio, Tonight Show host Jimmy Fallon conducts a similarly friendly interview with controversial presidential candidate, Donald Trump. Once again the host is widely attacked by the presses. But this time the criticism isn’t that Fallon was being too political, it was that he wasn’t being political enough. In this senior thesis I explore what changes occurred over this six-decade span to make Americans expect more from our late night talk show hosts. -
The Production of an Amateur Musical Revue
This dissertation has been 64—6939 microfilmed exactly as received NOVAK, Elaine Adams, 1922- THE PRODUCTION OF AN AMATEUR MUSICAL REVUE. The Ohio State University, Ph.D.,1963 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan THE PRODUCTION OP AN AMATEUR MUSICAL REVUE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elaine Adams Novak, A. B., A. M. ****** The Ohio State University 1963 Approved by jTffi Adviser ' Department of Speech CONTENTS Page LIST OP T A B L E S ..................................... Ill LIST OP ILLUSTRATIONS............................. Iv Chapter I. INTRODUCTION .................................. 1 The Purpose Definitions of Terms Organization of Remainder of Dissertation II. THE PROFESSIONAL MUSICAL REVUE IN NEW YORK .. 10 Survey of the Professional Musical Revue in New York Organization for a Professional Musical Revue Procedure for Producing a Professional Musical Revue III. THE LOCALLY-PRODUCED AMATEUR MUSICAL REVUE .. 66 The Gay Capers Organization for the Gay Capers Procedure for Producing the Gay Capers IV. THE PACKAGED AMATEUR MUSICAL REVUE ............ 124 The Jerome H. Cargill Producing Organization Organization for a Cargill Revue Procedure for Producing a Cargill Revue V. A SUGGESTED ORGANIZATION AND PROCEDURE FOR THE LOCAL PRODUCTION OP AN AMATEUR MUSICAL REVUE . 131 Organization Procedure Summary BIBLIOGRAPHY ..................................... 209 AUTOBIOGRAPHY ..................................... 216 il LIST OP TABLES Table Page 1. Income and Expenses for the Gay Capers of I960, 1961, and 1962 ....................... 73 2. Budget for the Gay Capers of * 6 0 ............. 94 lil / LIST OF ILLUSTRATIONS Figure Page 1. Organization for the Gay Oarers ................ 77 2. Rehearsal Schedule for the Gay Capers.............113 3. -
The History of the Hartman Theatre, 1938-1963
This dissertation has been microfilmed exactly as received 69-11,698 RODGERS, Charles Andrew, 1932- THE HISTORY OF THE HARTMAN THEATRE, 1938-1963. The Ohio State University, Ph.D., 1968 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan THE HISTORY OF THE HARTMAN THEATRE 1938 - 1963 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Charles Andrew Rodgers, B„Sc0, M.A„ ****** The Ohio State University 1968 Approved by p/ p s Adviser PREFACE The popular, even the scholarly, concept of the American theatre has tended to center about theatrical ac tivities in New York City0 Only recently, with increasing emphasis placed upon educational, community, and summer theatre, has there arisen increasing recognition of the theatrical world outside New York. And though the ex istence of the road has long been acknowledged, a substan tial part of that theatre history--made when the theatre’s most important personalities in their original roles were criss-crossing America--still remains to be written. In the professional theatre of the nineteen sixties the road is confined to a relatively small group of larger cities privileged to view Broadway successes and mediocrities Columbus, Ohio is one of these cities. Over the years Columbus has had many legitimate playhouses (Market House, Comstock's Theatre, The Great Southern Theatre), but the Hartman Theatre, since its opening in 1911, has been the busiest and most important theatre in central Ohio. From its opening until the present except for a period of dark ness between 1963 and 1964, the Hartman has made profes sional theatre available to Ohio audiences. -
Agnes of God Script Pdf
Agnes of god script pdf Continue Redirecting download Agnes God Play Script PDF after seconds of Drama/Characters: 3 FemalesSummoned in Covent, Dr Martha Livingston, a court-appointed psychiatrist, is accused of assessing the sanity of a young novitiat accused of killing her newborn. Miriam Ruth, The Mother-Supreme, definitely keeps the young Agnes away from the doctor, raising Livingston's suspicions further. Who killed the baby and who was the father of the tiny victim? Livingston's questions force all three women to reconsider the meaning of faith and the power of love that leads to John Pilmeier's play GodWritten by John PielmeierCharactersAgnesMother Miriam RuthDr. Martha Livingston's premiere of the 1979Place premiere of Eugene O'Neill's Theatrical Language CenterEnglishSubjectDramaSettingA Monastery Agnes God is a 1979 play by American playwright John Pielmeier which tells the story of an aspiring nun who gives birth and insists that the baby was the result of a virgin concept. The psychiatrist and mother of the monastery's chief clashed during the investigation. The name is a pun on the Latin phrase Agnus Dei (The Lamb of God). Summary Of the Stage Play touches on three main characters: Martha, a psychiatrist; Mother-supreme; and Agnes, a rookie. There are no other characters on the stage. All three roles are considered to be demanding of the actors playing them. Martha covers the entire range of emotions during the play, from educator to antagonist, from a hard-footed court psychiatrist and atheist to a faithful healer seeking faith. She is always on stage and has only three small respite from monologues or dialogue while Agnes and Mother Supreme take memories of the events in the monastery. -
ACADEMY AWARDS 2020 PICTURE: Nomadland Other Nominees: the Father Judas & the Black Messiah Mank Promising Young Woman
ACADEMY AWARDS 2020 ACADEMY AWARDS 2019 ACADEMY AWARDS 2018 PICTURE: PICTURE: PICTURE: Nomadland Parasite Green Book Other nominees: Other nominees: Other nominees: The Father Ford v Ferrari The Irishman Black Panther Star Is Born Judas & the Black Messiah Mank Little Women Marriage Story BlacKKKlansman The Favourite Promising Young Woman Minari Joker 1917 Jojo Rabbit Bohemian Rhapsody Trial of the Chicago 7 Sound of Metal Once Upon a Time in Hollywood Roma Vice ACTOR: ACTOR: ACTOR: Anthony Hopkins, The Father Joaquin Phoenix, Joker Rami Malek, Bohemian Rhapsody Other nominees: Other nominees: Other nominees: Riz Ahmed, Sound of Metal Antonio Banderas, Pain and Glory Christian Bale, Vice Chadwick Boseman, Ma Rainey’s Black Bottom Leonardo DiCaprio, Once Upon a Time in Hollywood Bradley Cooper, Star Is Born Gary Oldman, Mank Adam Driver, Marriage Story Willem Dafoe, At Eternity’s Gate Steven Yeun, Minari Jonathan Pryce, Two Popes Viggo Mortensen, Green Book ACTRESS: ACTRESS: ACTRESS: Frances McDormand, Nomadland Renée Zellweger, Judy Olivia Coleman, The Favourite Other nominees: Other nominees: Other nominees: Viola Davis, Ma Rainey’s Black Bottom Cynthia Erivo, Harriet Yalitza Aparicio, Roma Andra Day, United States vs. Billie Holiday Scarlett Johansson, Marriage Story Glenn Close, The Wife Vanessa Kirby, Pieces of a Woman Saoirse Ronan, Little Women Lady Gaga, Star Is Born Carey Mulligan, Promising Young Woman Charlize Theron, Bombshell Melissa McCarthy, Can You Ever Forgive Me? SUPPORTING ACTOR: SUPPORTING ACTOR: SUPPORTING ACTOR: Daniel Kaluuya, Judas & the Black Messiah Brad Pitt, Once Upon a Time in Hollywood Mahershala Ali, Green Book Other nominees: Other nominees: Other nominees: Sacha Baron Cohen, Trial of the Chicago 7 Tom Hanks, Beautiful Day in the Neighborhood Adam Driver, BlacKKKlansman Leslie Odom Jr, One Night in Miami Anthony Hopkins, Two Popes Sam Elliott, Star Is Born Paul Raci, Sound of Metal Al Pacino, The Irishman Richard E. -
The Words May Be Wrong”
ABSTRACT Title of Dissertation: SOMEWHERE THERE’S MUSIC: NANCY HAMILTON, THE OLD GIRLS’ NETWORK, AND THE AMERICAN MUSICAL THEATRE OF THE 1930S AND 1940S Korey R. Rothman, Doctor of Philosophy, 2005 Dissertation directed by: Professor Heather Nathans Department of Theatre Nancy Hamilton, a Broadway lyricist, playwright, actress, screenwriter, and Academy Award-winning filmmaker, is an important unsung figure of the twentieth century musical theatre. Although she is now remembered chiefly as the lyricist of the song “How High the Moon” and, in the recent drive to recover gay and lesbian history, the life-long romantic partner of “first lady of the American stage,” Katharine Cornell, Hamilton was a successful lyricist of the intimate revue, a genre of musical theatre that flourished during the 1930s. Her intimate revues One for the Money (1939) and Two for the Show (1940) launched the careers of luminaries of stage and screen, including Alfred Drake, Gene Kelly, and Betty Hutton, and Three to Make Ready (1946), which featured Ray Bolger, ran for an impressive 323 performances. Throughout the 1930s and 1940s, Hamilton maintained a constant presence as employer or employee on Broadway, and it appeared that she thrived by surrounding herself with an Old Girls’ Network of women with whom she maintained overlapping professional and romantic relationships. This previously unchronicled Old Girls’ Network, which included women such as Katharine Hepburn, Beatrice Lillie, and Mary Martin, countered the established Old Boys’ Network of popular entertainment and launched the careers of many well-known women performers, producers, directors, composers, and lyricists. Yet, even with the support of this network, Hamilton could barely sustain her career after the 1940s.