FULL CONDUCTOR SCORE Catalog No: 012-4694-01

For reference only.

Not valid for performance. Voice Of America March Karl L. King Arranged by James Swearingen

Instrumentation About the Arranger

Full Conductor Score...... 1 James Swearingen's talents as a performer, composer/ Flute/Piccolo...... 10 arranger and educator include a background of extensive training and experience. He has earned degrees from Oboe...... 2 Bowling Green State University and The Ohio State 1st B Clarinet...... 4  University. In recognition of distinguished contributions, 2nd B Clarinet...... 4 Mr. Swearingen was recently accorded the title of 3rd B  Clarinet...... 4 Professor Emeritus from Capital University located in B Bass Clarinet...... 2 Columbus, Ohio. Prior to his appointment at Capital in Bassoon ...... 2 1987, he spent eighteen years teaching instrumental 1st E Alto Saxophone...... 3 music in the public schools of central Ohio. His first 2nd E Alto Saxophone...... 3 teaching assignment took him to the community of Sunbury, Ohio. He then B Tenor Saxophone...... 2 spent fourteen years as Director of Instrumental Music at Grove City High School, where his marching, concert, and jazz bands all received acclaim for E Baritone Saxophone...... 1 their high standards of performing excellence. 1st B Trumpet...... 3  Mr. Swearingen currently serves as a staff arranger for the famed Ohio State 2nd B Trumpet...... 3 University Marching Band. In addition to his arranging responsibilities, Mr. 3rd B  Trumpet...... 3 Swearingen manages to be very active as a guest conductor, adjudicator and 1st, 2nd F Horn...... 2 educational clinician. Appearances have included trips throughout the United 3rd, 4th F Horn...... 2 States, as well as Australia, Canada, Europe, Japan, Norway, the Republic of 1st Trombone...... 2 China and Singapore. 2nd Trombone...... 2 School directors, student performers and audiences worldwide have 3rd Trombone...... 2 enthusiastically received Mr. Swearingen’s numerous contributions for band. With over 650 published works, he has written band compositions and Euphonium (Baritone) B.C...... 2 arrangements that reflect a variety of musical forms and styles. Many of his Euphonium (Baritone) T.C...... 2 pieces, including 120 commissioned works, have been chosen for contest Tuba...... 4 and festival lists. He is a recipient of several ASCAP awards for published Bells...... 2 compositions and in 1992 was selected as an Accomplished Graduate of Timpani...... 1 the Fine and Performing Arts from Bowling Green State University. In March Snare Drum/Bass Drum...... 3 of 2000, he was invited to join The American Bandmasters Association, Cymbals...... 1 considered to be the most prestigious bandmaster organization in the world. Mr. Swearingen received the 2002 Community Music Educator Award given annually by the Columbus Symphony Orchestra. In that same year, he About the Composer became conductor of the Grove City Community Winds. This highly talented ensemble consists of many fine musicians from the central Ohio area. On Karl Lawrence King was born February 21, 1891 in June 20, 2009, The American School Band Directors Association, Inc., Paintersville, Ohio. His family moved to Xenia a short presented Mr. Swearingen with the A. Austin Harding Award. This prestigious time later, and around the turn of the century, the King award is presented annually by the organization and is reflective of valuable family moved to Canton, where young Karl would and dedicated service to the school bands of America. In 2011, he received begin to develop an interest in bands and music. After the Hall of Fame Award presented by the Ohio Chapter (Mu) of Phi Beta receiving some instruction on the cornet, King switched Mu. The OMEA Distinguished Service Award was presented to him at the to baritone. His first band experience was with the 2014 OMEA Professional Development Conference. Later that year, he was Thayer Military Band of Canton, while in his teens. In presented the Signature Sinfonian Award by Phi Mu Alpha Sinfonia. On April 1909 King spent some time as a member of bands in 21, 2015, The Ohio State School of Music honored Mr. Swearingen with their Columbus and also Danville, Illinois. While a member of Distinguished Alumnus Award. It should be noted that he is also a member these bands, King began to compose marches and other works. Beginning in of numerous professional and honorary organizations including NAfME, 1910, King began a decade-long career as a circus musician, spending one ASBDA, Phi Beta Mu and Pi Kappa Lambda. season each as a baritone player in the bands of Robinson’s Famous Circus, Many of Mr. Swearingen’s most popular band compositions have been Yankee Robinson Circus, Sells Floto Circus, and the Barnum and Bailey recorded by the prestigious Washington Winds and are available on Walking “Greatest Show On Earth.” He continued to write music while a member Frog Records compact discs: His recordings include In All Its Glory, of these bands, and in 1913 wrote what would become his masterpiece, Exaltation, Celebration For Winds And Percussion, The Light Of Dawn, and “Barnum and Bailey’s Favorite.” the newest release, Flight of Valor. In 1914 King accepted the position as bandleader on the Sells Floto/Buffalo Bill Combined Shows, a position he would hold for three seasons. In 1917 and 1918 he returned to the Barnum and Bailey Circus band, this time as its Forleader and conductor. referenceRecently married and intent upon settling down, King only. ended his circus “trouping days” and returned to Canton in 1919, where 2019 Concert Band CD he led the Grand Army Band. In 1920 King relocated to Fort Dodge, Iowa, where he assumed leadership of the municipal band and operated his own WFR399 publishing company, the K. L. King Music House. During his tenure, the Fort FOREVER FLYING Dodge band gained national recognition, and King became a beloved member of the community as well as a band musician of national and international The Washington Winds, repute. Among many honors bestowed upon King was membership in the Edward S. Petersen – Conductor prestigious American Bandmasters Association. He served as ABA President CONTENTS: Outrider (McBride), Voice Of America in 1938 and was later named an Honorary Life President. He lived in Fort March (K. L. King/arr. Swearingen), Starship Legacy Dodge for the remainder of hisNot life, passing away on Marchvalid 31, 1971. His Fort for(Chattaway), Islandperformance. Breezes (Huckeby), The Codebreakers (Budiansky), Nordic Adventure Dodge band was subsequently renamed the “Karl L. King Municipal Band” (Katheryn Fenske), Vanguard Fanfare (Romeyn), The Swashbucklers March (Romeyn), Evil in his honor. On October 22, 2006, a life-sized bronze statue of Mr. King was unveiled on the city square in Fort Dodge, as a testament and monument to Jungle Prince (Neeck), Hymn To St. Avold (C. T. Smith), The Horseman Of Sleepy Hollow the city’s most famous musician and citizen. (Romeyn), Dem Bones (Shaffer), Winds Of Joy (Weller), Red River Valley (arr. Glover), In As a composer, King was one of the most prolific and popular in the history Times Of Turbulence (R. W. Smith), Modal Song and Dance (del Borgo), Jambo, Rafkiki! of band music. He composed at least 291 works, including 185 marches, (Webb), Salute To Liberty (Swearingen), Windsong (Chattaway), Dress Blues (Hammonds), 22 overtures, 12 galops, 29 waltzes, and works in many other styles. Not At The Water’s Edge (Romeyn), Skyward Bound (Swearingen), Rumble And Roar! (Neeck), only did he compose some of the most brilliant and famous marches Trans-America March (R. W. Smith), Forever Flying (Swearingen), Let’s Do This! (Benson), for experienced bands at the professional and university levels; he also displayed a remarkable ability to compose first-rate music for younger, less Ghost Host (Eveland), The King’s Crown (Romeyn), Challenge Accepted! (McBride), Danza experienced musicians and bands. His music continues to be performed Del Mambo (R. W. Smith ), This Land Is Your Land (Guthrie/arr. A. Clark) worldwide by bands of all experience levels. Visit the Karl King website: www.karlking.us

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Conductor Score VOICE OF AMERICA Karl L. King 012-4694-00 March Arr. by James Swearingen March Tempo B = 120-128 C>O CW B> . > > > > 5 Flute/Piccolo [ C B C C B C C C C C C ! Y c| h Q S : S S f mf Oboe >O > . > > > > ! Y c| C CW B Q C B C CW S B : C C S C CW CS C ] f h mf . > > C> 1st B Clarinet [ W > > C B C B> C C C C C C ∫ C O CW B Q S : S S ! c| h f g mf 2nd, 3rd B Clarinet . > > > > ∫ W OC CW B C B C CW B C C C CW C C ! c| O Q C B C C S B : C C S C C C S C >C CW >B f mf B Bass Clarinet W ∫ Q g S : S S S S ! c| C O CW B C C ] > > .C B C >C >B C C f > > mf Bassoon [ > g > # Q C O CW B S : C S S CS S ] Yc| .C B C >C >B C C f > > mf C>O B> . > > 1st E Alto Saxophone [ W CW C B C C> > ∫ ! W c| h Q S B : C C S C C CS C f mf 2nd E Alto Saxophone W > g > . > > ∫ ! W c| C O CW B Q C B C CW S B : C C S C CW C S C > > f mf B Tenor Saxophone > > > > ∫ W g . ! c| Q C B C C S B : A >C O CW >B A f mf E Baritone Saxophone W > g > ∫ ! W c| Q C O CW B S : C S S CS S ] .C B C >C >B C C f > > mf March Tempo B = 120-128 5 1st B Trumpet [ W > > > > > > ∫ C O CW B Q C. B C C S B : C C S C C C S C ! c| h f g mf 2nd, 3rd B Trumpet ∫ W OC CW B Q S S S ! c| O C B C C B : C C C C C C ] >C CW >B .C >B >C >CW >B C C C CW C C f a2 mf 1st, 2nd F Horn [ g ! c| Q C O CW B C B C CW S B : S C S C S CW S C > > .C >B >C >C >B C C C C a2f a2 mf 3rd, 4th F Horn g ! c| Q C O CW B C B C S : S S S S ] > > .C >B >C >C >B CC CC C C C C a2 f a2mf [ C>O CW B> C. B> C> CW > > 1st, 2nd Trombone C B C C B A # Yc| Q h S : A f mf 3rd Trombone > g > . > > C> # Q C O CW B C B C S : A AW Yc| >B f mf Euphonium > g > C. B> C> C> B> (Baritone) For# Ycreference| Q C O CW B only. S : A AW f mf Tuba # Yc| Q g S : S S S S ] C O B .C >B >C >C >B C C C C > CW > Soft plastic mallets mf [ f > > Bells ! Y c| Q Q C B C C S B : C C S C C C S C Med. hard mallets > Timpani f mf (F, A, D) # Q Q Q R : C S SR S Yc| Not valid for performance.>B C C mf > > > > > >_ Snare Drum _ S S Bass Drum $ c| C SS C S Q C C S C C S B : C SC C SC C SC C CS > > > f > mf> Cymbals $ c| Q Ç R í í S í í S Ç : Ç Ç Ç Ç ] 123456f mf © 1955 C.L. Barnhouse Co. (SESAC) This arrangement © 2019 C.L. Barnhouse Co. (SESAC), P.O. Box 680, Oskaloosa, IA 52577, USA International copyright secured. All rights reserved. Printed in U.S.A. WARNING! This composition is protected by copyright law. To copy or reproduce it by any method is an infringement of the copyright law.

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O C CW C A C C CW C > Fl./Picc. [ C C C C C A C B C C C C C C ! Y h S S S

Ob. > ! Y A C C CW C A C C CW C A C S BW C C S C CW CS C ] [ A C > 1st Cl. W C O C C C C C CW C C CW C A C B C C C C C C ! h S S S > 2nd, 3rd Cl. W A O C C CW C A C C CW C C A C S BW C C S C CW C C ! C C C C C SR A C B C C C C C S C h Bs. Cl. W S S SR S S S S S S S S S S S ! C C C C C C C ] C C C C C >B C C

Bsn. [ # Y C S C S C SR S S S S C S S C S C S S CS S ] C C C C C >B C C [ C C C > 1st A. Sx. WW C O C C C C SR A C A C S B C C S C C CS C ! h

2nd A. Sx. W W A C SR A C C C C A C S BW C C S C CW C S C ! > > T. Sx. W C CW C C CW C ! A C SRS A S C S B A A

B. Sx. W ! W C S C S C SR S S S S C S S C S C S S CS S ] C C C C C >B C C [ g > 1st Trp. W C CW C C CW C ! C O C C C C A C A C S B C C S C C C S C

2nd, 3rd Trp. W g SR A C C C C S S S ! AC O C C C C A C C C C A C B CC C CC C C C ] >BW CW C C

1st, 2nd Hn. [ ! S C S C C SRS C S C S C S C S C S C C S BW S C S C S CW S C C C C C C C C C C C >B C C C C a2 3rd, 4th Hn. ! S S SRS S S S S S S S S S S ] CC CC C CC CC C CC C CC C >B CC CC C C C C [ C CW C C CW C > 1st, 2nd Trb. A C B A # Y A C SQS S S A C C C C 3rd Trb. CW A CW C # A C SRS S S A AW Y >B Euph. C CW C A C CW C C B> (Bar.) For# Y A referenceC SRS only.S S A AW

Tuba # Y S S SR S S S S S S S S S S S ] C C C C C C C C C C >B C C C C

Bells [ g ! Y C O C C CW C A C C CW C A C S B C C S C C C S C C C C Not valid for performance.> Timp. # C S C S C SR Q Q C S S C S C S SR S Y C >B C C > _ S.D. CC C C C CSR S C S C S C S C S C S C CSS B _ C C S C C C S C B.D. $ C S C S C C S C S C S C S C S C S C B C S C S C S C S > Cyms. $ Ç Ç í S R Ç Ç Ç Ç Ç Ç í S Ç Ç Ç Ç Ç ] 7891011121314 - 4 -

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1. 2. O C CW C CW ^ > ^ C^ > (X) >B Fl./Picc. [ C C C C C B C C C^ C^ ^ B ! Y h S C S SR : R f ^ ^ ^ Ob. ^ > ^ ^ > > ! Y A C C CW C CW S B C C C C C S C SR BW : R (X) B ] f [ ^ > C^ ^ ^ > > 1st Cl. W C O C C C C C CW C C B C C C C^ C^ B B ! h S S SR : R a2f > ^ ^ > > 2nd, 3rd Cl. W A O C C CW C CW ^ S B C CW ^ C^ C^ C S C SR BW R (X) B ! C C C C C SR C B C C C C C C B : h f ^ ^ Bs. Cl. W S S SR ^ S S SR R ! C C C C C : ] C B B B B >B > > > > f [ ^ ^ ^ Bsn. # C S C S C SR S C S C SR : R B ] Y C >B >B >B >B > f ^ ^ ^ 1st A. Sx. [ W ^ > ^ ^ > > W C O C C C C SR C S B C CW C C C S C SR B : R B ! h ^ f 2nd A. Sx. W ^ ^ ^ ^ ^ W A C SR CW S B C S C SR BW : R ! > C C C C > >B f T. Sx. W ^ > > > C^ C^ > > ! A C SR CW S B BW B S SR B : R (X) B f B. Sx. W ^ ^ ^ W C S C S C SR S C S C SR : R B ] ! C >B >B >B >B > 1. 2. f [ g > ^ ^ ^ ^ ^ > > 1st Trp. W O C CW C CW ^ S S C SR R (X) B ! C C C C C B C C C C C B : a2 f ^ ^ a2 2nd, 3rd Trp. W g ^ ^ ^ ^ O SR C S B C C S SR : R ] ! AC C C C C C BW C C C C C CC BBW >B > > f ^ ^ 1st, 2nd Hn. [ ^ ! S C S C C SR S B C SC SR : R B C C C CW C B BBW BB C C BW B >B > > > > f ^ ^ a2 3rd, 4th Hn. ^ S S SR S B C S C SR : R (X) B ] ! CC CC CC CW C B BBW BB C C B >B > > > > f > 1st, 2nd Trb. [ C^ > B> B> ^ ^ B> B # Y A C SR SS C C S C SR : R B f 3rd Trb. ^ > B> ^ ^ # A C SR SS C C S C SR : R B Y C >B >B > f Euph. C^ > B> B> ^ ^ B> (Bar.) For# Y A referenceC SR SS only.C C S C SR : R B > f ^ ^ ^ Tuba # S S SR S S SR : R ] Y C >B >B >B >B C C C C C >B f [ g > Bells Y C CW C CW S S C SR : R (X) B ! C O C C C C B C C C C C B Not valid> for performance.> f Timp. # C S C S C SR S C S C SR : Q Y C >B B B >B > > > _ _ _ S.D. CC C C C CSR CSS B _ C C C C CSS CSRSR B _ R B _ B.D. $ C S C S C C B B B C C B : B f > > > Cyms. $ Ç Ç í S R í S Ç Ç Ç í S í S R Ç : R Ç ] 15 16 17 18 19 20 21f - 5 -

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22 C B C C C C C C C B B C B C C C C C B C C^ CX ^ CY ^ Fl./Picc. [ C C C C C C C C C C ! Y : R ^ ^ ^ Ob. Y : C C C B C C C C C C C C B B R C C C B C C C C C C C B C C CX CY ] ! C C C B C C C C C B B B C C^ CY ^ ^ 1st Cl. [ W C C C C C CW C C CX C C B C C C C C C C C C ! : R

2nd, 3rd Cl. W B B ^ ^ ^ ! : C C C C B C C C C C C C C RC C C C B C C C C C C C C B C C CY C Boldly Bs. Cl. W > > > > > ^ ^ ^ ! : B O C C C C C B O C C C C C C B O C C ] > > >> >>>>C >B O >C >>C >C > > >C C C Boldly > > > > > ^ Bsn. [ >O C> C >C>C B O C C>>>> > > >> >O C ^ ^ # : B C C C C B O C C C C C B C C C C ] Y > > >

1st A. Sx. [ W > C B> C > ! W : C S B C C C C S C C C CS B C C C C A C SR

2nd A. Sx. WW S S C C S SR ! : C B C C C C C B C C C B C C C C A C Boldly > > > > > > > > >^ ^ ^ T. Sx. W : C C B O C C C ! B O C C C C C C C C C C C B O C C Boldly> > >> >>>> >B O > >>C >> > C > > > > > >^ B. Sx. W >O C> C >C>C B O C C>>>> > > >> >O C C ^ ^ ! W : B C C C C B O C C C C C B C C C ] > > 22 1st Trp. [ W B B ^ ^ ^ ! : C C C C B C C C C C C C C RC C C C B C C C C C C C C B C C CY C ^ 2nd, 3rd Trp. W ^ ^ : C B C C C C C C C B BR C B C C C C C B C C CY C ] ! C C C CW CX C C C C C [ 1st, 2nd Hn. C B C ! : C SB C C C C S C C C C S B C C C C A C SR C >B C C C C C >B C S R C >B C C C C A C

3rd, 4th Hn. ! : C S B C C C C C S B C C C C C S B C C C C A C SR ] C >B C C C C C >B C S R C >B C C C C A C Boldly > > > > > >^ 1st, 2nd Trb. [ >O C> C >C>C B O C C>>>> > > >> >O C C ^ ^ # Y : B C C C C B O C C C C C B C C C Boldly > > > > > > > >^ 3rd Trb. >O C> C >C>C B O C C>>>> > > >> >O C C ^ ^ # Y : B C C C C B O C C C C C B C C C Boldly > > > > Euph. >O C> C>>C>C> B O C> C>>>> > > >> >O C> C ^ ^ ^ (Bar.) For# : B referenceC only.C C C B O C C C C C B C C C Y > > Boldly ^ ^ ^ Tuba # : O C ] Y B O C >C C C >C >B >C C C C C C B O >C > C > > >> >>>>C >B O >C >>C >C > > C C [ > > > > Bells B C C C C ! Y : C S B CSR C S SR C S B C C S B C C CX CY play 2nd time only A to B , D to C ∫ Not valid for performance. Timp. # Y : Q A Q A Q Q >A > > >A >>> S.D. CC C C C C C C C CC C C C CSRSR CC C C C C C C C CC C C C C C C C B.D. $ : C S C S C S C S C S C S C C S C S C S C S C S C SS C C C >>> Cyms. $ : Ç Ç Ç Ç Ç Ç í S R Ç Ç Ç Ç Ç ÇS í í í ] 22 23 24 25 26 27 28 29 - 6 -

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^ 1. 2. C B C C C C C C C B B C C O C C C^ C^ ^ C C B> Fl./Picc. [ C C C C C C C C C C C C C Y ! Y R h S : SR Y

Ob. ^ ^ ^ ^ > Y ! Y C C C C B C C C C C C C C B B R C C C C C O C C C C C S B : SR Y ] h >A C C ^ ^ [ C C C BX C C C C C CW C C B B C CX C C O C C C C^ ^ C C C C C C > C 1st Cl. W C R C C C C C C S B S X ! h : C CX p ^ ^ ^ ^ > 2nd, 3rd Cl. W C BX C C C C C C C C B B RC C C O C C C C C C S B S X ! C C C C C C C C C C : C C CX h p Bs. Cl. W > > > > X ! B O C C C C C B O C C C C C C A C S : C SR ] > > >> >>>>C >B O >C >>C >C > > >B > > > > Bsn. [ >O C> C >C>C B O C C>>>> > > >> > # Y B C C C C B O C C C C C A C S B : C SR Y ] > > > Y

1st A. Sx. [ W > C B> C > > > > W ! W C S B C C C C S C C C CS B B B A C S B : C SR

2nd A. Sx. W WW S S C C C S S : SR ! C >B C C C C C >B C C >B B >B >A C >B C > > > > T. Sx. W B O S S X ! B O C C C C C C C C C C C C C C A C : C C CX > > >> >>>> >B O > >>C >> > >B p > > > > B. Sx. W >O C> C >C>C B O C C>>>> > > >> > W ! W B C C C C B O C C C C C A C S B : C SR ] > > > 1. 2. ^ ^ 1st Trp. [ W ^ ^ > C C C BX C C C C C C C C B B RC C C C O C C C C C C C C S B : SR X ! C C h C C C C

2nd, 3rd Trp. W ^ ^ ^ ^ X ! C C C C BX C C C C C CW C C B BR C CX C C C O C C C C C CC C C C S B : C SR ] h C > ^ ^ ^ 1st, 2nd Hn. [ ! C SB C C C C C S B C C C C C S B C C C C C C C C C C S B : C SR Y C >B C C C C C >B C S R C >B C C C C C C C C C C >B C ^ 3rd, 4th Hn. ^ ^ ! C S B C C C C C S B C C C C C S B C C C C C C C C C C S B : C SR Y ] C >B C C C C C >B C S R C >B C C C C C C C C C C >B C > > 1st, 2nd Trb. [ > > C>>>C> B O C> >>>> > > >> > B # B O C C C C C C C B O C C C C C A C S B : C SR Y Y > > Y > 3rd Trb. > > C>>>C> B O C> >>>> > > >> > # B O C C C C C C C B O C C C C C A C S B : C SR Y Y > > > Y > Euph. >O C> C>>C>C> B O C> C>>>> > > >> > (Bar.) For# B referenceC C C only.C B O C C C C C A C S B : C S C CY Y Y > > > Y p Tuba # O S : SR Y ] Y B O C >C C C >C >B >C C C C C C A C C Y > > >> >>>>C >B O >C >>C >C > > >B

Bells [ > > > Y ! Y C S B CSR C S B C SR C SOC C C C C S B : S Y h C A C C C CY Not valid for performance.Play p Timp. # Y Q A Q A Q R B : Q YY >A > > >A > > _ S.D. CC C C C C C C C CC C C C CSRSR CC C C C S C S C CC C C C CSS B _ CSRSR B.D. $ C S C S C S C S C S C S C C S C S C S C S C S C S C B : C > Cyms. $ Ç Ç Ç Ç Ç Ç í S R Ç Ç Ç Ç Ç Ç í SÇ : í S R ] 30 31 32 33 34 35 36 37 38 - 7 -

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39 TRIO Fl./Picc. [ Y ! Y Q Q Q Q Q Q Q Q

Ob. Y ! Y Q Q Q Q Q Q Q Q ] [ > > 1st Cl. S BX C CS B C S C ! B CW C B CW C C S (X) C (X) C B CW C B C C C

2nd, 3rd Cl. ! B C AW B CW C CX C S BB C S (X) C (X) CCX BB C CW CC BB CC CC C SB C S C C B CW CW C > C >B C C C Bs. Cl. ! S S S S S S S S S S S S S S S S ] C C CY C C C C C C C p C C C C C C [ Bsn. # YY C S C S CY S C S C S S C S S C S C S S S C S S C S S ] p C C C C C C

1st A. Sx. [ W > > ! B CW C AW CX S B CSR B C C B C C C S B C SR p > 2nd A. Sx. W S SR ! B C C AW CX B C B C C B C C C S B C SR p > T. Sx. C (X) C S C C C S C ! B CW C B CW C C CX C C C B CW C B C C C CX C

B. Sx. W ! C S C S CY S C S C S S C S S C S C S S S C S S C S S ] p C C C C C C 39 TRIO 1st Trp. [ ! Q Q Q Q Q Q Q Q

2nd, 3rd Trp. ! Q Q Q Q Q Q Q Q ] [ 1st, 2nd Hn. Y S C S C S CX S C S CY C C C C C RS C S C SC S C S C C C C C C R ! C C C C C C C C C C C C C C C C C C C C p

3rd, 4th Hn. ! Y S S S CW S C S CX C C C C C RS C S C S S S R ] CC CC C C C C C C C C C C CC CC CC CC CC CC CC CC p B C AY > A A C B> C 1st, 2nd Trb. [ B C CW C A CCX B C A A C B C # YY S SR S SR p 3rd Trb. A > > # YY B CX C C S B C SRA(Y) A C S B C SR p (Y) C Euph. B C C C C B C B C C C C C C C (Bar.) For# YY B CX referenceC CW CX only.S C C CW C CX S

Tuba # YY C S C S CY S C S C S S C S S S S S S C S S C S S ] C C CY C C C C C C C C C C C p [ > > Bells YY S BY C S S B C S ! B CX C NotB CW C validC forC CX B performance.CW C B C C C C C Timp. # YY Q Q Q Q Q Q Q Q > > S.D. S C S C S C S C S C C C C C CRR S C S C S C S C CC C C C C CRR B.D. $ C S C S C S C S C S B C S C S C S C S C S C S B C S p > > Cyms. $ Q Q Q Q Q Q Q Q ] 39 40 41 42 43 44 45 46 - 8 -

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Fl./Picc. [ Y ! Y Q Q Q Q Q Q Q Q

Ob. Y ! Y Q Q Q Q Q Q Q Q ] [ 1st Cl. C^ S B C C S C C^ S S ! C C A C C B C C C C A C C C ^ a2 ^ a2 2nd, 3rd Cl. C SB C C C C S C C C S B C C C C S ! C B B BW AX C C C C B B BW A C C C ^ ^ ^ ^ ^ ^ Bs. Cl. ^ S S S S S S S S S S C^ ^ ! B BY C C C C (X) C ] C C C C C C C C C C C C ^ ^ Bsn. [ ^ ^ C C^ ^ ^ ^ ^ # Y S S (X) B BY C S S C S S S S C S S C C C (X) C C ] Y C C C C C C C C [ 1st A. Sx. W C^ B B ^ ! S BW CX C CW C A C S B B BW C CX C C C SR

2nd A. Sx. W ^ ^ ! C S B B BW CX C CW C A C S B B B C C C C C SR ^ ^ ^ ^ ^ T. Sx. C^ S B C C C CW C S CX C^ S C ^ ^ ! C C C C C B C C C C C C C C C C C ^ ^ B. Sx. W ^ ^ C C^ C^ ^ ^ ^ ! C S C S (X) B BY C S S C S S S S C S S C C C (X) C C ] C C C C C

1st Trp. [ ! Q Q Q Q Q Q Q Q

2nd, 3rd Trp. ! Q Q Q Q Q Q Q Q ] [ ^ ^ 1st, 2nd Hn. Y C C SC SC S CX S CY S C C C R C C S C S C S S C S C C SR ! C C C C C C C C C C C C C CCW C C C ^ 3rd, 4th Hn. ^ ! Y C C S C S C S CW S CX S C C C R C C S C S C S S S SR ] C C C C C C C C C C C C C CC CC CC CC a2 a2 C^ B B BY ^ C ^ ^ 1st, 2nd Trb. [ C C CX C A C B B BBW (Y) C C C^ C^ ^ ^ ^ # YY C S B B BX CY S C C C C ^ ^ 3rd Trb. ^ C CX C A ^ B B (Y) C C C^ C^ ^ ^ ^ # YY C S B B BY C C S B C C C C ^ ^ Euph. C B C C C C C CX C C C CY C B C C C C C^ C^ C^ ^ ^ ^ ^ (Bar.) For# YY S referenceC only.S S C C C C C ^ ^ ^ ^ ^ ^ ^ ^ ^ Tuba # Y S S (X) B BY S S S S S S S S Y C C C C C C C C C C ] C C (X) B BY C C C C C C C C C CX C [ ^ ^ Bells YY C S B C C S C C S S ! NotC C validA C forC performance.B C C C C A C C C Timp. # YY Q Q Q Q Q Q Q Q > > S.D. C C S C S C S C S C S C C CRR C C S C S C S C S C S C CSRSR B.D. $ C S C S C S C S C S C S C S C S C S C S C S C S C S C > > Cyms. $ Q Q Q Q Q Q Q Q ] 47 48 49 50 51 52 53 54 - 9 -

Voice of America_00 score 6/26/19 2:29 AM p. 10

55 Fl./Picc. [ Y ! Y Q Q Q Q Q Q Q Q

Ob. Y ! Y Q Q Q Q Q Q Q Q ] [ > > 1st Cl. S BX C CS B C S CW C ! B CW C B CW C C S C CX B CW C B C C

2nd, 3rd Cl. CW C ! B C AW B CW C CCX S BB C S C CX BB C CW CC BB CC CC C SB C S CW C B CW CW C > C >B C Bs. Cl. S S S S S S S S S S S S S S S S ! CY C ] C C C C C C C C C C C C C C [ Bsn. # Y S S CY S C S C S S C S S C S C S S S S S S S ] Y C C C C C C C C C C

1st A. Sx. [ W > > ! B CW C AW CX S B CSR B C C B C C C S B C SR

2nd A. Sx. W > AW CX S B C SR B C C S B C SR ! B C C > B C C C T. Sx. C (X) C S C C C S CW C ! B CW C B CW C C CX C C C B CW C B C C C CX

B. Sx. W ! C S C S CY S C S C S S C S S C S C S S S C S S C S C S ] C C C C C 55

1st Trp. [ ! Q Q Q Q Q Q Q Q

2nd, 3rd Trp. ! Q Q Q Q Q Q Q Q ] [ 1st, 2nd Hn. Y S C S C S CX S C S CY C C C C C RS C S C SC S C S C C C C C C R ! C C C C C C C C C C C C C C C C C C C C

3rd, 4th Hn. ! Y S S S CW S C S CX C C C C C RS C S C S S S R ] CC CC C C C C C C C C C C CC CC CC CC CC CC CC CC B C AY > A A C B> C 1st, 2nd Trb. [ B C CW C A (X) CC B C A A C B C # YY S SR S SR

3rd Trb. A > > # YY B CX C C S B C SRA(Y) A C S B C SR (Y) C Euph. B C C C C B C B C C C C C CW C (Bar.) For# YY B CX referenceC CW CX only.S C C CW C CX S

Tuba # YY C S C S CY S C S C S S C S S S S S S C S S C S C S ] C C CY C C C C C C C C C C [ > > Bells YY S BY C S S B C S CW C ! B CX C NotB CW C validC forC CX B performance.CW C B C C C Timp. # YY Q Q Q Q Q Q Q Q > > S.D. S C S C S C S C S C C C C C CRR S C S C S C S C CC C C C C CRR B.D. $ C S C S C S C S C S B C S C S C S C S C S C S B C S > > Cyms. $ Q Q Q Q Q Q Q Q ] 55 56 57 58 59 60 61 62 - 10 -

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– Picc. + Picc. C^ ^ ^ Fl./Picc. [ Y C C C^ CY ^ ^ C^ ! Y Q Q Q Q Q Q S C p Ob. Y ^ ^ ! Y Q Q Q Q Q Q Q R C C ] mf C^ C^ ^ ^ 1st Cl. [ ^ ^ C C CX ^ ^ C^ CW S B C C CW C CX S B C CX C C B O C C C ! > > B CW C ^ ^ ^ ^ ^ ^ ^ ^ ^ 2nd, 3rd Cl. CW S C CW C CX S CX C B O C C C C C C ! C B C C CW C CX BB C S C BB CW CC B O C C C C CX C C >BW C > BW CW ^ > ^ ^ ^ ^ Bs. Cl. ^^ S S S S S S S C C^ ^ ^ ! BW C C CW C C C C C C C C (X) C C ] C C C C C C C > C ^ ^ ^ Bsn. [ ^ C C^ ^ ^ ^ ^ # Y S S S S C S C S C S C C (Y) C C C ] Y C C C C BX C C CX C C C C C C > ^ 1st A. Sx. [ W ^ > ^ > C C^ ^ ^ ^ ^ ^ C S B C C CW C C S B CS BW B CW C B O C C C C C C C ! > ^ ^ 2nd A. Sx. W ^ C C^ ^ ^ ^ ^ ^ S C CW C CX S B C S BW C C C C C ! CW >B C > > B C C B O C C ^ T. Sx. ^ > > > C>O > > ^ ^ ^ ^ ^ ^ CW C C O C AW S C C C C C C C C C C C C C ! > h > h B CW C C C (X) C C C ^ ^ ^ B. Sx. W ^ > C C C C C^ ^ ^ ^ ^ S S S S C S C S C S BW C C CW C C C C C (X) C C C ] ! C C C C [ ^ ^ 1st Trp. Q Q Q Q Q Q S C^ ^ ^ ^ ^ ! C C C (X) C C C p ^ 2nd, 3rd Trp. ^ ^ ^ ^ ^ ^ ! Q Q Q Q Q Q S C C C C ] (X) C C CC p ^ ^ > 1st, 2nd Hn. [ ! Y C C SC SC SC C C S C C SCBX C SC SC S C C SR Q C C C C C C C C C C C C C C C C C

3rd, 4th Hn. ^ ^ > ! Y S S S C C S C C S BW C C S C S C S SR Q ] CCW CC CC CCW CC C C C C C C C C C C CC CC C>O > > C>O C> > > B C ^ 1st, 2nd Trb. [ C> C AX C> C BW CW A C C C^ C^ ^ ^ ^ ^ # YY S h S h S BX B CX C A C C C C C C>O > > C>O C> > ^ 3rd Trb. C> C AX C> C > C C^ C^ ^ ^ ^ ^ # YY S h S h S BX B CX CA C C (Y) C C C > > > C>O > > Euph. ForCX ^ C> CreferenceO CX AX C> C C (Yonly.) C C C C C C C C^ C^ C^ ^ ^ ^ ^ (Bar.) # YY h S h B CX C C C (Y) C C C

Tuba ^ ^ ^ ^ ^ ^ ^ ^ ^ # YY S S S S S S S C C ] C C C C BX C C CX C C C C C C C C (Y) C C C C > C C [ ^ ^ ^ ^ ^ ^ ^ ^ ^ Bells YY CX S C CW C CX S CY C B O C C C C ! >B NotC valid>B C forC B performance.CX C C C CY C C Timp. # YY Q Q Q Q Q Q Q Q > > > _ _ _ S.D. CSS B _ C C C C CSS B _ CS B _ C C S C S C S C CSR B.D. $ C B R C S C B R B C S C S C S C S C Q > > Cyms. $ Q Q Q Q Q Q Q Q ] 63 64 65 66 67 68 69 70 - 11 -

Voice of America_00 score 6/26/19 2:29 AM p. 12

71 C C CY C C C C C C C C C C C Fl./Picc. [ Y B CX C B CW C C C CX B CW C B C C C ! Y S S f > > Ob. YY B CW C BX O C CY S B C SR B C C B C C C S B C SR ] ! f C B C C 1st Cl. [ B CW C B CW C C CX C C C CX B CW C C C C CX C C C C C ! C C S S f a2 a2 2nd, 3rd Cl. B CW C BW O C CX C C C C C C C C B C C B C C CCC C C C C C S C ! B CW C B CW C C S C CX B CW C B C C C f Bs. Cl. ! S S S S S S S S S S S S S S S S ] C C CY C C C C C C C f C C C C C C

Bsn. [ # YY C S C S CY S C S C S S C S S C S C S S S C S S C S S ] f C C C C C C > > 1st A. Sx. [ W B C C B C B C B C C C B C C C ! B CW C CW S S CX C CW S S f 2nd A. Sx. W > > ! B CW C BW O C CX S B CS C C B C C B C C C S B C S C C f T. Sx. C AX C C A ! B CW C B CW C C CX C B CW C B C C C CX f B. Sx. W ! C S C S CY S C S C S S C S S C S C S S S C S S C S S ] f C C C C C C 71 > 1st Trp. [ BX C B> C ! B CW C B CW C C S S C (X) C B CW C B C C CS S C C f a2 2nd, 3rd Trp. ! S B C S C B S B C S C C ] B C CW CC BW OOBW CC CX CX >B C C BB CC CC B CC CC CC >B C C C f [ 1st, 2nd Hn. Y S C S C S CX S C S CY C C C C C RS C S C SC S C S C C C C C C R ! C C C C C C C C C C C C C C C C C C C C f 3rd, 4th Hn. ! Y S S S CW S C S CX C C C C C RS C S C S S S R ] CC CC C C C C C C C C C C C CC CC CC CC CC CC CC f AY A 1st, 2nd Trb. [ B C C C C B C B C C C C # YY B CX C CW CX CW C CX f AY A 3rd Trb. B C C C C B C B C C C C # YY B CX C CW CX CW C CX f BX O C CY A A A Euph. C CW C C CX C C A (Bar.) For# YY S referenceC only. C C f Tuba # YY C S C S CY S C S C S S C S S S S S S C S S C S S ] C C CY C C C C C C C C C C C f [ > > Bells YY S (Y) B C S S B C S ! B CX C B CW C C C (X) C B CW C B C C C C C f Not valid for performance. Timp. # YY C S C S Q C S S C S S C S C S S S C S S C S S f >C C C C >C C > > S.D. S C S C S C S C S C C C C C CRR S C S C S C S C CC C C C C CRR B.D. $ C S C S C S C S C S B C S C S C S C S C S C S B C S > > f > > Cyms. $ Ç Ç Ç Ç Ç Ç ÇR Ç Ç Ç Ç Ç Ç ÇR ] f 71 72 73 74 75 76 77 78 - 12 -

Voice of America_00 score 6/26/19 2:29 AM p. 13

[ C^ B C C C C C C C^ B C C Fl./Picc. Y A C C C A ^ C^ ! Y S S S C S C

Ob. Y C^ B B BX AY C C^ B ^ ^ ! Y S SR S B BW A C S C CX ]

1st Cl. [ C^ B B BW AX C C C C^ B A C C^ C^ ! S S S B BW S a2 a2 ^ ^ 2nd, 3rd Cl. C^ S B C C C C C CW C C S CX C^ S C C C C S C C ! C C A C C B C C C C A C C C C ^ ^ ^ ^ ^ ^ Bs. Cl. ^ S S S S S S S S S S C^ ^ ! B BY C C C C C ] C C C C C C C C C C C C ^ ^ Bsn. [ ^ ^ C C^ ^ ^ ^ ^ # Y S S B BY C S S C S S S S C S S C C C C C ] Y C C C C C C C C ^ ^ 1st A. Sx. [ W C B C C C C C C C B C C C C ^ ^ ! S A CS S A C S C C

2nd A. Sx. W ^ C C C C C C ^ C C C C ^ ^ ! C S B A CS C S B A C S C C ^ ^ ^ ^ ^ T. Sx. C^ S B C C C CW C C^ S C ^ ^ ! C C C A B C C C C C C C C C C C ^ ^ B. Sx. W ^ ^ C C^ C^ ^ ^ ^ S S B BY C S S C S S S S C S S C C C C ] ! C C C C C C C C [ ^ 1st Trp. C^ S B C C S C C^ S S ^ ! C C A C C B C C C C A C C C

2nd, 3rd Trp. ^ ^ ^ ^ S B S S S ] ! C B BB BY BW AAX C CC CC CC BB BB BW A C C (X) C ^ ^ 1st, 2nd Hn. [ ! Y C C SC SC S CX S CY S C C C R C C S C S C S S C S C C SR C C C C C C C C C C C C C CW C C C C ^ 3rd, 4th Hn. ^ ! Y C C S C S C S CW S CX S C C C R C C S C S C S S S SR ] C C C C C C C C C C C C C CC CC CC CC ^ ^ ^ 1st, 2nd Trb. [ C B C C C C C C CX C A C B C C C C C C^ C^ ^ ^ ^ ^ # YY S S C C C C C ^ ^ ^ 3rd Trb. C B C C C C C C CX C A C B C C C C C C^ C^ ^ ^ ^ ^ # YY S S C C C C C B BX CY B Euph. C C C CX C A C C BW C CY ^ C^ C^ ^ ^ ^ ^ (Bar.) For# YY S C reference only.S C C C C CX ^ ^ ^ ^ ^ ^ ^ Tuba # Y S S S S S S S S S S ^ ^ Y C C B BY C C C C C C C C ] C C B BY C C C C C C C C C (X) C C [ ^ ^ Bells YY C S B C C S C C S S ! NotC C validA C forC performance.B C C C C A C C C Timp. # Y S S Q S S S SR S S S R Q Y C C C C C C C C C B > > S.D. C C S C S C S C S C S C C CRR C C S C S C S C S C S C CSRSR B.D. $ C S C S C S C S C S C S C S C S C S C S C S C S C S C > > Cyms. $ Ç Ç Ç Ç Ç Ç ÇR Ç Ç Ç Ç Ç Ç ÇR ] 79 80 81 82 83 84 85 86 - 13 -

Voice of America_00 score 6/26/19 2:29 AM p. 14

87 C C CY C C C C C C C C C C CW C Fl./Picc. [ Y B CX C B CW C C C CX B CW C B C C ! Y S S

Ob. Y BX O C CY B> C B C C B C C > ! Y B CW C S SR C S B C SR ] [ B C C B C B C C C 1st Cl. B CW C CW C C CX C C C CX CW C C CX C C C CW C ! C S S a2 a2 2nd, 3rd Cl. B CW C BW O C CX C C C C C C C C B C C B C C CCC C C C C C S CW C ! B CW C B CW C C S C CX B CW C B C C

Bs. Cl. S S S S S S S S S S S S S S S S ! CY C ] C C C C C C C C C C C C C C [ Bsn. # Y S S CY S C S C S S C S S C S C S S S S S S S ] Y C C C C C C C C C C > > 1st A. Sx. [ W B C C B C B C B C C C B C ! B CW C CW S S C CX CW S S CW C > > 2nd A. Sx. W C B C ! B CW C BW O C CX S B CS C B C C C C C S B C S CW

T. Sx. C AX C C A ! B CW C B CW C C CX C B CW C B C C C CX

B. Sx. W S S CY S C S C S S C S S C S C S S S S S S S ] ! C C C C C C C C C C 87 [ > > 1st Trp. (X) B C B C CW C ! B CW C B CW C C S S C (X) C B CW C B C C CS S

2nd, 3rd Trp. ! S B C S C B S B C S C ] B C CW CC BW OOBW CC CX CX >B C C BB CC CC B CC CC CC >B C CW CW C

1st, 2nd Hn. [ ! Y S C S C S CX S C S CY C C C C C RS C S C SC S C S C C C C C C R C C C C C C C C C C C C C C C C C C C C

3rd, 4th Hn. ! Y S S S CW S C S CX C C C C C RS C S C S S S R ] CC CC C C C C C C C C C C C CC CC CC CC CC CC CC AY A 1st, 2nd Trb. [ B C C C C B C B C C C C # YY B CX C CW CX CW C CX AY A 3rd Trb. B C C C C B C B C C C C # YY B CX C CW CX CW C CX BX O C CY A A A Euph. C CW C C (X) C C C A (Bar.) For# YY S referenceC only. C C

Tuba # YY C S C S CY S C S C S S C S S S S S S C S S C S C S ] C C CY C C C C C C C C C C [ > > Bells YY S (Y) B C S S B C S CW C ! B CX C NotB CW C validC forC CX B performance.CW C B C C C Timp. # YY C S C S Q C S S C S S C S C S S S C S S C S C S >C C C C >C > > S.D. S C S C S C S C S C C C C C CRR S C S C S C S C CC C C C C CRR B.D. $ C S C S C S C S C S B C S C S C S C S C S C S B C S > > Cyms. $ Ç Ç Ç Ç Ç Ç ÇR Ç Ç Ç Ç Ç Ç ÇR ] 87 88 89 90 91 92 93 94 - 14 -

Voice of America_00 score 6/26/19 2:29 AM p. 15

CX ^ > C CW C CX ^ > CY B O C A C C> Fl./Picc. [ Y B C B C C C B CX C ! Y S S S S > Ob. Y C^ B C C^ B> C > B O C > ! Y S C CW C S S BW B CW C A C S C S ] ^ > ^ > C C A C C> 1st Cl. [ C B C C C C B C C B CW COB C ! S CW S S S > ^ > S > > 2nd, 3rd Cl. ^ C CW C CX C B C BW B CW C B OOB C A C C ! CW S B C S B C CX C C B CW C A CS CS ^ ^ ^ ^ ^ Bs. Cl. S S S S S S S C C CS S S ! C C C BW C C CW C C C C C ] C C C C > C >C ^ Bsn. [ ^ ^ ^ ^ # YY S S S S C S C S C S S C C S S ] C C C C BX C C CX C C C C C C C >C > ^ B O > 1st A. Sx. [ W C^ B> C C B> C C C C C A C C ! S C CW C S B CW C S S

2nd A. Sx. W ^ ^ > > S C CW C CX S B CS BW B CW C B O C A C S C S ! CW >B C >

T. Sx. > > > C>O > > > > S C C O C AW S C C C S BW C B O CX A CS C S ! > h > h C CW C ^ B. Sx. W ^ > C C C C ^ ^ ^ S S S S C S C S C S BW C C CW C C S C C S S ] ! C C C C C >C [ ^ > 1st Trp. CW S B C C CW C CX S B C CX C C B O C A CS C S ! > > B CW C 2nd, 3rd Trp. S ^ S S S S ! C B C CC CW C CX B C B C BCO C A C CC ] > CW CX >B C >BW CW > [ ^ ^ > 1st, 2nd Hn. Y C C SC SC SC S C S S S S S S S ! C C C CBW CC CC CC CC CC C CC CC CC CC C C C C C C C C C C C >C ^ > 3rd, 4th Hn. ^ S S S S S S S S S S S ! Y CW C C CW C C C C C CBW CC CC CC CC CC C CC CC CC CC C ] C C C C C C C C C C >C C>O > > C>O C> > > C B O > 1st, 2nd Trb. [ C> C AX C> C BW O C A C C # YY S h S h S BX C C CX C B (Y) C A C S C S C>O > > C>O C> > 3rd Trb. C> C AX C> C > O ^ ^ ^ > # YY S h S h S BX C C CX C B C C S C C C S C S > > > C>O > > > Euph. C>C O C AX C> C C BW B CW C C C C C ^ ^ ^ (Bar.) For# Y S referenceh S h only.S C S C C S S Y C >C ^ Tuba # ^ ^ ^ ^ YY S S S S S S S C S C S C S ] C C C C BX C C CX C C C C C C C C C C > C >C

Bells [ Y ^ ^ O . ! Y CX S C CW C CX S CY C B C A C S C S >B NotC valid>B C forC B performance.CX C Timp. # YQ Q C S C S C SR R Q SS S S Y > B C C C .C > > > _ _ _ > S.D. CSS B _ C C C C CSS B _ CS B _ C C S C S C S C CC C C C CSS C S B.D. $ C B R C S C B R B C S C S C S C S C S C S C C > > >. Cyms. $ í S Ç Ç Ç í S Ç Ç Ç Ç Ç Ç ÇÇ R í S ] 95 96 97 98 99 100 101 102 - 15 - Voice Of America March Karl L. King Arranged by James Swearingen

For reference only.

Not valid for performance.