FULL CONDUCTOR SCORE Catalog No: 024-4803-01 Salute To Liberty Concert March

James Swearingen

For reference only.

Not valid for performance. Rising Band Series (Grade levels 1½ – 2) The Rising Band Series is carefully designed and written to serve the performance needs of the developing band program. In addition to providing quality performance literature for your concert program, each title in the series provides an appropriate musical setting for the conductor/teacher to reinforce musical concepts and skills that have been addressed in the first two years of instruction. Written at two grade levels (1 1/2 and 2), the Rising Band Series provides a variety of musical works that employ the note and rhythm sequence used in most band method books. The Rising Band Series is a sound fundamental approach leading to a command of the concert band. SALUTE TO LIBERTY About the Arranger James Swearingen's talents as a performer, composer/arranger Concert March and educator include a background of extensive training and experience. He has earned degrees from Bowling Green State James Swearingen University and The Ohio State University. In recognition of distinguished contributions, Mr. Swearingen was recently accorded the title of Professor Emeritus from Capital University located in Instrumentation Columbus, Ohio. Prior to his appointment at Capital in 1987, he spent eighteen years teaching instrumental music in the public Full Conductor Score...... 1 schools of central Ohio. His first teaching assignment took him to Flute...... 10 the community of Sunbury, Ohio. He then spent fourteen years as Director of Instrumental Oboe...... 2 Music at Grove City High School, where his marching, concert, and jazz bands all received 1st B Clarinet...... 6 acclaim for their high standards of performing excellence. 2nd B Clarinet...... 6 B Bass Clarinet...... 2 Mr. Swearingen currently serves as a staff arranger for the famed Ohio State University Bassoon ...... 2 Marching Band. In addition to his arranging responsibilities, Mr. Swearingen manages to E Alto Saxophone...... 8 be very active as a guest conductor, adjudicator and educational clinician. Appearances B Tenor Saxophone...... 2 have included trips throughout the United States, as well as Australia, Canada, Europe, E Baritone Saxophone...... 2 Japan, Norway, the Republic of China and Singapore. 1st B Trumpet...... 5 School directors, student performers and audiences worldwide have enthusiastically 2nd B Trumpet...... 5  received Mr. Swearingen’s numerous contributions for band. With over 650 published F Horn...... 4 works, he has written band compositions and arrangements that reflect a variety of Trombone...... 6 musical forms and styles. Many of his pieces, including 120 commissioned works, have Baritone B.C...... 2 been chosen for contest and festival lists. He is a recipient of several ASCAP awards for Baritone T.C...... 2 published compositions and in 1992 was selected as an Accomplished Graduate of the Fine Tuba...... 4 and Performing Arts from Bowling Green State University. In March of 2000, he was invited Bells...... 4 to join The American Bandmasters Association, considered to be the most prestigious Timpani...... 1 bandmaster organization in the world. Mr. Swearingen received the 2002 Community Percussion 1: Snare Drum, Bass Drum...... 3 Music Educator Award given annually by the Columbus Symphony Orchestra. In that Percussion 2: Crash Cymbals...... 2 same year, he became conductor of the Grove City Community Winds. This highly talented Piano/Keyboard (optional)...... 1 ensemble consists of many fine musicians from the central Ohio area. On June 20, 2009, The American School Band Directors Association, Inc., presented Mr. Swearingen with the A. Austin Harding Award. This prestigious award is presented annually by the organization and is reflective of valuable and dedicated service to the school bands of America. In 2011, About the Music he received the Hall of Fame Award presented by the Ohio Chapter (Mu) of Phi Beta Mu. The OMEA Distinguished Service Award was presented to him at the 2014 OMEA Professional The memory of a concert in the park often brings forth a vision of times not to Development Conference. Later that year, he was presented the Signature Sinfonian Award be forgotten. With the distinct aroma of cotton candy and popcorn in the air, by Phi Mu Alpha Sinfonia. On April 21, 2015, The Ohio State School of Music honored Mr. families would unite in celebration of community togetherness. In addition, Swearingen with their Distinguished Alumnus Award. It should be noted that he is also a citizens of all ages respectfully paid tribute to our fallen military heroes on member of numerous professional and honorary organizations including NAfME, ASBDA, Memorial Day. A few weeks later they would openly celebrate the glorious Phi Beta Mu and Pi Kappa Lambda. birth of our Nation. With children marching in place, and the jubilant sound of Many of Mr. Swearingen’s most popular band compositions have been recorded by the hands clapping, a rousing performance of a steadfast march served to cap off prestigious Washington Winds and are available on Walking Frog Records compact discs: these gatherings with the ultimate feeling of American patriotism. His recordings include In All Its Glory, Exaltation, Celebration For Winds And Percussion, The Light Of Dawn, and the newest release, Flight of Valor. Rehearsal Suggestions 2019 Concert Band CD Salute To Liberty, an original composition from the pen of James For reference only. WFR399 Swearingen, was written and designed to assist younger musicians in learning how to play in the traditional march style. Please make note of the FOREVER FLYING following suggestions during your rehearsal time: The Washington Winds, Edward S. Petersen – Conductor • Maintaining a steady march tempo, particularly in the softer rendition of CONTENTS: Outrider (McBride), Voice Of America the trio, is an absolute must. March (K. L. King/arr. Swearingen), Starship Legacy (Chattaway), Island Breezes (Huckeby), The Codebreakers (Budiansky), Nordic Adventure • Avoid rushing the ends of phrases. (Katheryn Fenske), Vanguard Fanfare (Romeyn), The Swashbucklers March (Romeyn), Evil Jungle Prince (Neeck), Hymn To St. Avold (C. T. Smith), The Horseman Of Sleepy Hollow • Several dynamic levels are presentedNot throughout thisvalid work. Therefore, be for performance. (Romeyn), Dem Bones (Shaffer), Winds Of Joy (Weller), Red River Valley (arr. Glover), In sure to establish appropriate degrees of contrast. Times Of Turbulence (R. W. Smith), Modal Song and Dance (del Borgo), Jambo, Rafkiki! • Work for a proper balance between melody and those parts that (Webb), Salute To Liberty (Swearingen), Windsong (Chattaway), Dress Blues (Hammonds), compliment the melody. At The Water’s Edge (Romeyn), Skyward Bound (Swearingen), Rumble And Roar! (Neeck), Trans-America March (R. W. Smith), Forever Flying (Swearingen), Let’s Do This! (Benson), • The bass line should be played in a light and detached manner. Ghost Host (Eveland), The King’s Crown (Romeyn), Challenge Accepted! (McBride), Danza Del Mambo (R. W. Smith ), This Land Is Your Land (Guthrie/arr. A. Clark) • Above all else, have as much fun performing this piece as I did in composing it. LICENSING THIS WORK Visit barnhouse.com to obtain information on mechanical (recording) or derivative (arranging) licenses.

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SALUTE TO LIBERTY Conductor Score Concert March James Swearingen (ASCAP) 024-4803-00 March = 128 5 C > [ C> C C C> B> C C C C C C C C C Flute YY C T : ! Y 42 h f mf Oboe Y > g ! Y Y 2 C C C C B C T C C : CC C CC C ] 4 > C > > f mf 1st B Clarinet [ > > g g g ∫ Y2C C C C B C T C : C C ! 4 > C > C .C C C C C f mf > 2nd B Clarinet g g g ∫ ! Y2 T C C : C C C C 4 >C C C >C C >B C .C C C f > mf > B Bass Clarinet g ∫ Y2 T T T T T TS : T T T T ! 4 C C T C C C C C C ] f C C C mf Bassoon [ > C> C> > # Y 2 C C C B C TS : B B ] Y Y 4 h f div.mf E Alto Saxophone [ g ∫ ! 2 C C TS : B B 4 >C C > >C >B C B B f mf B Tenor Saxophone > > g ∫ Y2C C C C C B C TS : B ! 4 > > B f mf E Baritone Saxophone ∫ ! 2 C T CT C T C TCT C T CTSC: T CT C T C T ] 4 h f mf 5 March C = 128 1st B Trumpet [ > > g ∫ Y2C C C C B C TS : Q Q ! 4 > C > f 2nd B Trumpet g ∫ Y2 TS : Q Q ! 4 >C C C >C C >B C f > F Horn Y g Y 2 TS : B B ] ! 4 >C C C >C >C >B C f mf [ > C> > > Trombone # Y C C C C B C TS B B Y Y 42 h : f mf > > > > Baritone # Y C C C C C B C TS : B B Y Y 42 h f mf Tuba # YY 2 T T T T T g TS : T T T ] Y 4 C C T C C C C C T C f C C C mf [ > g Bells Y C TS : B B ! Y Y 42 C C C C B C > > > mf Timpani f (B , E ) For reference# Y B only.C CTS Q Q ∫ ∫ Y Y 42 B C : ] f h > > > Snare Drum [ g Bass Drum $ 2 C C CC CC C C CC C CC C CTSCCTS : CC CCC CC C 4 B B C C C B B f h mf Crash Cymbals Ç Ç í í í T S Ç Ç $4 2 : ] f h mf Y Not valid for performance.g ! Y Y 2 TS : 4 C C C C C C B C B B Piano/Keyboard >C C C >C >C >B C B B (optional) f mf # Y CT CT T TCT T CTSCT CT T T Y Y 42 C C C : C C 123456h

© 2019 Birch Island Music Press (ASCAP), P.O. Box 680, Oskaloosa, IA 52577, U.S.A. International copyright secured. All rights reserved. Printed in U.S.A. WARNING! This composition is protected by copyright law. To copy or reproduce it by any method is an infringement of the copyright law.

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[ C C > C. C> C CX C B C CY C C C C C C Fl. Y C C C T C T C ! Y Y h h h h

Ob. Y g g g ! Y Y C C C T C C C C CX C B C T C CY CC C CC C ] C C > . > h

1st Cl. [ g g g g Y g T g T C ! CC C C C C B C C C .C C C C C C C >C .C > >C 2nd Cl. g g g Y g T g g T C ! CC C C C C C C C C C .C C C C C C C >C .C > C >C Bs. Cl. T g T T T T g TS T T T T ! Y T T T T C C C C ] C C C >C C C C CX C C C [ > . > Bsn. # Y B CT C C C C CX C C CY C C TS B B ] Y Y h h h h . > g g A. Sx. [ g g ! B C T C CC C C CC C C BC C C CC TSBB BB > .h > h h T. Sx. g . > g ! Y B C T C C C C CX C C CY C C TS B B > h h B. Sx. g g C T C T C T T T C T T C T C T C TSCT CT C T C T ] ! >C C C CW [ 1st Trp. Q S g g g TS Q Q ! Y C C C C B C >C .C > mf 2nd Trp. Q S g g g TS Q Q ! Y C C C C C C C >C .C > C mf Hn. Y g g g ! Y B T C C C C C C C C C C TS B B ] C > . > h [ > C. C> C C C B C B B Trb. # Y B C T C TS Y Y h h h h > . > Bar. # Y B CT C C C C CX C C CY C C TS B B Y Y h h h h Tuba # g YYY T T g T C C T C T T CX T C T T C TS T T T T ] C C C > C C C C C C

Bells [ Y g g B ! Y Y B C T C C C C CX C B C TS B For referenceh > only. h Timp. # YY Q Q Q Q Q Q Q Q ] Y > S.D. [ g g g g B.D. $ CCC CCCC C CTCC T C CC C C C CCCC CCCC CCC C CTSCCC TS B CC CCCB CC C h S h Cr. Cyms. $ í í í T S í í í í í í í T S Ç Ç ] Noth valid for performance.h

YY g T g g g TS ! Y C C C C CC B C C CC B B Pno./Kybd. B CC C .C > C BB B (opt.) > h B g g # Y T T T T T T T T T TSCT CT C T C T Y Y C C C C C C C CX C C C 7891> 011121314 - 4 -

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1. 2. [ C C C C > C. C> C C > > Fl. Y C T C C C B C T C C T C C ! Y Y h h h h : h f Ob. Y g g > g g g ! Y Y C C C C C T C C C C C T C C : T C ] > . C B C C >C > f 1st Cl. [ g . > g g ! Y C C C C C T C C C C C C C T C C : C T C C > h h B > > f 2nd Cl. g T g g g T g TS ! Y C C C C C C C C C B C C C : C >C .C > Bs. Cl. ! Y T T g T T T T T g g g TS : g TS ] C C C C C C C C > C .C > C C C [ > . > Bsn. # Y B CT C C C C C C B C TS : C TS ] Y Y h h h h h . > g g g A. Sx. [ g g ! B C T C CC C C CC C CC BB CC TSC: C TS > .h > h T. Sx. g . > g g ! Y B C T C C C C C C B C TS : C TS > h h g B. Sx. C T C T T T T C T T C. g CTS : CTS ] ! C >C C C C h >C C h h 1. 2. 1st Trp. [ . > g g ! Y Q S C C C C C C B C TS : C T C C > h h > > f 2nd Trp. Y Q S g g g TS : g TS ! C C C C C B C C >C . > Hn. Y g g ! Y B T C C C C C B C TS : C TS ] C >C . > h h h [ > C. C> C C C B C C Trb. # Y B C T C TS TS Y Y h h h h : h > . > Bar. # Y B CT C C C C C C B C TS : C TS Y Y h h h h h Tuba # Y T g T T T T g g g TS g TS Y Y T C C C T C C : ] C C C > C C .C > C C

Bells [ Y g > g g g ! Y Y B C T C C C C C TS : TS For referenceh only.C B C C Timp. # YYY Q Q Q S C C C O CTS : CTS ] mf h > h h > S.D. [ g g g g g f B.D. $ CCC CCCC C CTCC T C CC C C C CCCC CCCT C OCC C CTSC TS : CTCC T C h S h h S Cr. Cyms. $ í í í T S í í í í Tí O í T S : í T S ] Noth valid for performance.h h

YY g T g g g TS : g T ! Y C C C C B C C C C Pno./Kybd. B CC C CC CC CC CC C C BB C C > > (opt.) > . > f g # Y T T T T T T T g g g TS : g TS Y Y C C C C C C C C C C 15 16 > 17 18 .C >19 C 20 C 21 - 5 -

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22 [ C> > > > > > >> Fl. Y C C TS C C C TS Q Q Q S C C ! Y Y : h h

Ob. Y g g ! Y Y : C C TS C TS Q Q Q S C ] > > >C > >C >C >C >

1st Cl. [ > g g g Y : C C TS C TS B C T C ! > >C > >C >C C C C C C >C > mf f 2nd Cl. g g g ! Y : TS TS TS >C >C >C >C C >C B C C B C f > mf Bs. Cl. g TS g TS T T T g TS ! Y : C C C C T T T ] > > > > >C >C C C C C C C C f mf [ > > > > > > Bsn. # Y C C TS C C TS B C C B C TS Y Y : C C h ] f h h mf [ g A. Sx. g C B C ! : C C TS C C C TS C C C C TS > > >C > > > h f mf T. Sx. > g g ! Y : C C TS C C C TS B C C B C TS > >C > > > h f mf > > > > > g g B. Sx. C C TS C TS T T T T T T TS ! : C C C C C C C C C C ] f h > mf 22

1st Trp. [ > g g g ! Y : C C C TS C C TS C B C T C C > > > > >C C C C C >> mf f 2nd Trp. g g g ! Y : TS TS TS >C >C C >C C >C B C C B C f > > mf Hn. Y g g ! Y : C TS C TS B C B C TS ] > >C >C >C >C > C f mf h [ > > > > > > B C C B C Trb. # Y C C C TS C C C TS TS Y Y : h h f h mf > > > > > > Bar. # Y C C TS C C TS B C C B C TS Y Y : C C h f h h mf g Tuba # YYY : g TS g TS C T C T C T C T C T T C TS ] >C C C C C C C f > > > > > mf [ g Bells YY Q Q Q Q TS ! Y : B C C B C For reference only.mf Timp. # Y : Q Q Q Q Q Q Q Q ] Y Y > > > S.D. [ g g g g g g f C C C C C B.D. $ : C C BC C CC C C CCCB C CC CCCC CCC CCC C CC CCCC CCC C CTCC T S C f mf h Cr. Cyms. $ : í í Ç í í Ç í í í í í í í T S ] Not valid for performance.h f mf g YYY : C TS g TS g T ! C C C C C C B C B C >C >C Pno./Kybd. > >C >C CC CC C B CC CC B C (opt.) > > > B f > > > > > g mf g # Y C C TS C TS T T T T T T TS Y Y : C C C C C C C C C C 22 h 23 24 > 25 26 27 28 29 - 6 -

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1. 2. [ C> > > > > > . > C >> Fl. Y C C TS C C C TS C C C C C B C T C C C TS ! Y Y h h h h h : h Ob. Y g TS g TS g g g g ! Y Y C C C C C C C T C C : TS ] > > > > > >C .C >C C C B C >> C

1st Cl. [ > g g g g g g Y C C TS C TS C T C C : TS ! > >C > >C >C .C >C C C C B C >> C 2nd Cl. g g g g g g ! Y TS TS TS : TS >C >C >C >C C >C .C >C C CC C B C C f > Bs. Cl. g g g g ! Y C TS TS C T C T T T C TS : C TS ] > >C >C >C C C C C C C f >C > Bsn. [ > > > > > > C. > C # Y C C C TS C C C TS C CC C B C TS : C TS Y Y h h h h h ] f h A. Sx. [ g g g g g g ! C C C TS C CW C TS C C C CC C B C TS : C TS > > > > > > . > f T. Sx. > g g . > g g ! Y C C C TS C C C TS C C C CC C B C TS : C TS f > > > > > h h > > > > g B. Sx. C C C TS C TS C T C T T T C CTS : CTS ! C C C C C C ] f h > > h h 1. 2. 1st Trp. [ > g g g g g g ! Y C C TS C TS C T C : TS > >C > >C >C .C >C C C C B C >C > C

2nd Trp. g g g g g Y g TS TS TS : TS ! >C >C C >C C >C .C >C C CC C B C C f > > Hn. Y g g . > ! Y C TS C TS C C C CC C B C TS : C TS ] > >C >C >C >CW > h h h h f [ > > > > > > C. C> C C C C B C C Trb. # Y C C C TS C C C TS TS T Y Y h h h h : h C f h mp > > > > > > . > Bar. # Y C C TS C C TS C C C CC C B C TS C T Y Y C C h h h : h C f h h mp Tuba # Y g TS g TS T T g TS g TS Y Y C T T : ] >C >C C >C > C C C C C C C C C C f > > Bells [ Y g g g g ! Y Y Q Q Q Q C TS : TS For reference only.C >C C C C B C C Timp. # YYY Q Q Q Q Q S C CC C C C CTS : CTS ] mf h h > > > S.D. [ g g g g g g C C C C B.D. $ C C BC C CCCC C C CCCB C CCCC CCCC CCC CCC C CC CCCC CCC C CTCC T S C : CTSC TS f h h Cr. Cyms. $ í í ÇNotí validí Ç íforí performance.í í í í í T S : í T S ] f h h g g YYY C TS g TS g g T : g TS ! C C C C C C C C C C C C C B C C C C Pno./Kybd. >C C C CC CX CC CC CC CC CC CC C CY BB C >> C (opt.) > > > > > . > > > > > > g # C C C C T YYY C C TS C C TS T T C T C C C C CTS : CTS 30 h 31 32> 33 34 35 36h 37h 38 - 7 -

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39 Trio Play 2nd time only [ C C C C C C C Fl. Y S C C C C C C T CC C C C C C C C ! Y Y : h Play 2ndmf time only Ob. Y g Y Y : S CC CC C T C C ] ! C C C C C C CC C C C C C C C Play 2ndmf time only [ 1st Cl. S CC CC g ! Y : C C C C C C C T CC C C C C C C C C C mf 2nd Cl. : ! Y B C C B CC C B C C B p / mf Bs. Cl. T T T T ! Y : C T C T T C T T C T C C C T T C T T ] p / mf C C C C C C [ Bsn. # B C C B CC C B C C B YYY : ] p / mf A. Sx. [ ! : B C C B CC C B C C B p / mf T. Sx. Y : B B CC C B C C B ! / C C pPlaymf 2nd time only B. Sx. : CT CT T TCT TCT CT C T C T T TCT T ] ! C C C C C C 39 Triomf Play 2nd time only melody 1st Trp. [ ! Y : C B CC C C C B B C B 2nd Trp. ! Y : B C C B CC C B C C B p / mf Hn. Y ! Y : B C C B CC C B C C B ] p / mf [ melody Trb. C B CC C C C B # YY : B C B Y / pmelodyf Bar. # C B CC C C C B YYY : B C B p / f Tuba # Y : T T T T T T T T Y Y T T T T C C T T ] /C C C C C C C C C C C C pPlaymf 2nd time only Bells [ Y ! Y Y : B CC C B B C C C B C ForPlaymf 2nd referencetime only only. Timp. # Y : C C C CS Q S C ] Y Y C C C C C mf > S.D. [ B.D. $ : CCC CCC CCCC CCC CCCC CCCC CCC C CC CCCC CCC CCCC CCC CCCC CCCC C / pPlaymf 2nd time only Cr. Cyms. $ : í í Notí í validí í forí í performance.í í í í í í ] mf Y ! Y Y : C C B C C B C C CC B CC C C B Pno./Kybd. /B C C B C C B C B (opt.) p mf # C YYY : CT CT C T C TCT C TCT CT C T T C T C TCT C T 39 40 41 42 43 44 45 - 8 -

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C C C C C C C C C Fl. [ Y C C C C C C C CX CX ! Y Y h TSS h T

Ob. Y g ! Y Y C TSS C CC CC C C C C C T C CX C C CX ] h C C [ g 1st Cl. Y CTSS C CC CC C C C C C T C CX C C CX ! h C C 2nd Cl. g TS ! Y C B C C C C B CC C C C

Bs. Cl. g Y TS T T T T T T T T T T T T ] ! C C C C C C C C C C C C C [ Bsn. # Y C TS B C C C C B CC C C C ] Y Y h [ A. Sx. g TS ! C B C C C C B CW C C C CW

T. Sx. g ! Y C TS B C C C C B CC C C C

B. Sx. CTSCT CT T TCT TCT CT C T C T C T C T ] ! h C C C

1st Trp. [ g ! Y C T C C C C CC C C C C CC C B 2nd Trp. Y g TS ! C B C C C C B CC C C C

Hn. YY g TS ] ! C B C C C C B CX C C C CX [ Trb. # Y C T CC C C C C C B CC C C C Y Y h C Bar. # Y C T CC C C C C C B CC C C C Y Y h C

Tuba # YYY g TS T T T T T T T T T T T T ] C C C C C C C C C C C C C [ g Bells YY TS For! Y C referenceCC C C C only.C C B CC C C C Timp. # Y CTS C C C CS Q Q ] Y Y h C C C > S.D. [ g B.D. $ CTSCCC TS C CCC CCCC CCC CCCC CCCC CCC C CC CCCC CCC CCCC CCC C h Cr. Cyms. $ í T S í í í í í í í í í í í í ] h Not valid for performance.

YY g TS ! Y C B C C C C B C C C C C C C CCX C Pno./Kybd. C B C C C C B CX C C C (opt.) C B C C C C B # TCT TCT C C C C YYY CTSCT CT C T C C CT T T T T h 46 47 48 49 50 51 52 - 9 -

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55 [ B C C C C C C C C Fl. Y C C C C C C TS C ! Y Y h

Ob. Y g ! Y Y B C C C C CC CC C C TS ] C C C C C [ 1st Cl. g TS ! Y B C C C C C CC CC C C C C C C

2nd Cl. ! Y B C C B C C B CC C B Bs. Cl. T T T T ! Y C T C T T C C C T C T C T ] C C C C C C C [ Bsn. # Y C C C C B C C B CC C B ] Y Y

A. Sx. [ ! B C C B C C B CC C B

T. Sx. ! Y C C C C B C C B CC C B

B. Sx. C C C C CT CT T TCT TCT CT C T C T ] ! C C C 55

1st Trp. [ ! Y B C C C B CC C B C B 2nd Trp. Y ! B C C B C C B CC C B

Hn. YY ] ! B C C B C C B CC C B [ Trb. # C C C C B C B CC C B YYY C

Bar. # C C C C C B CC C YYY B C B

Tuba # Y T T T T T T Y Y C C C T T T T C ] C C C C C C C C C C

Bells [ Y ! Y Y B C C B CC For referenceB only.C C C B Timp. # Y Q Q C C C CS Q ] Y Y C C C > S.D. [ B.D. $ CCC CCCC CCCC CCCCC CCCC CCC CCCC CCC CCCC CCCC CCC C CC CCCC CCC C

Cr. Cyms. $ í í í í í í í í í í í í í í ] Not valid for performance.

YY B C ! Y B CCC B C C B C C C B Pno./Kybd. C B C C B C C C BB (opt.) B C C B C C C # C C C C TCT TCT C YYY CT CT C T C C CT C T T 53 54 55 56 57 58 59 - 10 -

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C C C C Fl. [ Y C C C C C C C C C C C C C B ! Y Y h TS

Ob. Y ! Y Y C C C C C TS C C C C C C C ] C h C C C C B [ 1st Cl. Y C C C C CTS C C C C C C C ! C h C C C C B 2nd Cl. g TS ! Y C C B C CC C C C C C C B Bs. Cl. T T g T T T T ! Y T C T C TS T T T T ] C C C C C C C C C C C [ Bsn. # Y C C B C TS CC C C C C C B ] Y Y h

A. Sx. [ g ! C C B C TS CC C C C CW C B

T. Sx. g ! Y C C B C TS CC C C C C C B

B. Sx. T TCT T CTS T T T T T T C T T ] ! C C C h C C C C C C C

1st Trp. [ g ! Y C C B C T C CC C C C C C B

2nd Trp. Y g TS ! C C B C CC C C C C C C B

Hn. g YY C TS ] ! C B C CC C C C CW C B [ Trb. # Y C C B C T C CC C C C C C B Y Y h Bar. # Y C C B C T C CC C C C C C B Y Y h Tuba # Y T T g TS T T T T T T T T Y Y T T C C C C C C C C ] C C C C C [ g Bells YY TS For! Y C referenceC B C only.CC C C C C C B Timp. # Y S C CTS Q Q Q Q ] Y Y C C h > S.D. [ g B.D. $ CCC CCC CCCC CCCC C CTSCCC TS C CCC CCCC CCC CCCC CCCC CCC C CC C h Cr. Cyms. $ í í í í í T S í í í í í í í í ] Not validh for performance.

YY g TS ! Y C C B C C C C C C C C C B Pno./Kybd. C C C B C CC CC C C C C CX C B (opt.) B C C C C B # Y T TCT T CTS T T T T T T T T Y Y C C C C C C C C C C C 60 61 h 62 63 64 65 66 - 11 -

Salute to Liberty_00 score 5/22/19 2:42 AM p. 12

1. 2. > C> C> B> C C> Fl. [ Y C C C ! Y Y Q Q Q Q : h T h T f > > > > Ob. YYY Q Q Q Q : C C B C T C T ] ! >C C C f h h [ > > > > 1st Cl. Q Q Q Q C C B ! Y : C C C CT C T > f h h 2nd Cl. g > g g Y TS : C B C T C T ! CC C C C B C >C C C >C > > f Bs. Cl. g g g ! Y T T T T T T TS : T T T T C T T ] C C C C C C C C C C C >C C C >C f [ > > > > > Bsn. # Y CC C C C B C TS C C C C C B C T C T Y Y h : h h ] mf f div. g g A. Sx. [ g ! (X)CC C C C B TSC: C C CC CC CC B CC TCC T C > C > > > > f T. Sx. g > g g ! Y CC C C C B C TS : C C C C C B C T C T > > > > mf f > > B. Sx. Q Q Q Q : CT CT T T C C CT C T ] ! C C C f h h 1. 2.

1st Trp. [ > > > > ! Y Q Q Q S : C C C C C B CT C T >C > f h h f mf 2nd Trp. g > g g Y TS : C B C T C T ! CC C C C B C >C C C >C > > f Hn. Y g > > > > ! Y TS : C C C C C B C T C T ] (X)CC C C C B C > h h f [ > > > > > Trb. # C C C C C C C C B C C YYY CC B CT C : h T h T h > mf f f > > > > > Bar. # Y CC C C C B CT : C C C C C B C T C T Y Y h >C h h f mf f Tuba # Y T T T g TS T T g T g T Y Y T T T : T T C ] C C C C C C C C C C C >C C C >C f Bells [ Y . ! Y Y Q Q Q Q : C C C C B S C T C h For reference only. f > Timp. # Y Q Q Q Q : C C B S C T ] Y Y C C h f > S.D. [ g g g B.D. $ CCC CCC CCCC CCC CCCC CCCCC C CTSCCC TS : C CCC CCCC CCCCC CCCC CCC C CTC T CC TT h f h h Cr. Cyms. $ Q Q Q Q : í í í í Ç S í. T ] Not valid for performance.h f g g YYY g TS : T T ! C C C C C B C C C C C C B C C Pno./Kybd. CCY CC CC C C C BB C C CC CC C C B C C (opt.) C > > > > > f> > # CT CT T TCT T CT T T C C YYY C C C CTSCT: C C C CT C T 67 68 69 h 70 71 72 73 h 74h - 12 -