2005 VJCL State Finals Certamen Upper Level – Round I
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The Copa: an Introduction and Commentary
THE COPA: AN INTRODUCTION AND COMMENTARY by FRANCES J. GRUENEWALD B.A., University of British Columbia, 1972 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1975 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date AlfJL 3L<\t /<?7S. ABSTRACT The purpose of this thesis is two-fold: firstly, to make a general study of the Copa with a view to determining, as far as is possible, its authorship and date, and,secondly, to attempt a detailed exegesis of its contents. The first Chapter contains an introduction to the MSS tradi• tion of the Appendix Vergiliana, and a brief discussion of the statements of Donatus and Servius concerning Vergilian authorship of the poems. In Chapter 2 the question of the authorship of the Copa is considered. The views of various scholars, who use as tests of authenticity studies of content and style, vocabulary, metre and parallel passages, are discussed. -
THE MYTH of ORPHEUS and EURYDICE in WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., Universi
THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., University of Toronto, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OP PHILOSOPHY in the Department of- Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, i960 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada. ©he Pttttrerstt^ of ^riitsl} (Eolimtbta FACULTY OF GRADUATE STUDIES PROGRAMME OF THE FINAL ORAL EXAMINATION FOR THE DEGREE OF DOCTOR OF PHILOSOPHY of MARK OWEN LEE, C.S.B. B.A. University of Toronto, 1953 M.A. University of Toronto, 1957 S.T.B. University of Toronto, 1957 WEDNESDAY, SEPTEMBER 21, 1960 AT 3:00 P.M. IN ROOM 256, BUCHANAN BUILDING COMMITTEE IN CHARGE DEAN G. M. SHRUM, Chairman M. F. MCGREGOR G. B. RIDDEHOUGH W. L. GRANT P. C. F. GUTHRIE C. W. J. ELIOT B. SAVERY G. W. MARQUIS A. E. BIRNEY External Examiner: T. G. ROSENMEYER University of Washington THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN Myth sometimes evolves art-forms in which to express itself: LITERATURE Politian's Orfeo, a secular subject, which used music to tell its story, is seen to be the forerunner of the opera (Chapter IV); later, the ABSTRACT myth of Orpheus and Eurydice evolved the opera, in the works of the Florentine Camerata and Monteverdi, and served as the pattern This dissertion traces the course of the myth of Orpheus and for its reform, in Gluck (Chapter V). -
Elementary, My Dear Readers
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Elementary, My Dear Readers NCIS (which stands for Naval Criminal Investigative Service) is an extremely popular “police procedural” television drama that has spun off as a New Orleans series. NCIS: New Orleans, which airs Tuesday nights on CBS, is set in the Crescent City and it would be highly unusual if you haven’t seen the show filming around town. It premiered on September 23, 2014. The episodes revolve around a fictional team of agents led by Special Agent Dwayne Cassius “King” Pride, Special Agent Christopher LaSalle, and Special Agent Meredith Brody. They handle criminal investigations involving the U.S. Navy and Marine Corps. If the NCIS team seems to be everywhere you look these days, allow yourself to travel back in literary time and imagine another famous detective team present all around you. Even if their bailiwick was late Victorian England, I seem to feel their presence all around this historic city. Perhaps you will, too. Arthur Conan Doyle penned his first Sherlock Holmes story, A Study in Scarlet, in novel form in 1886 at the age of 27. In it Holmes expounded: “Criminal cases are continually hinging upon that one point. A man is suspected of a crime months perhaps after it has been committed. His linen or clothes are examined and brownish stains discovered upon them. Are they blood stains, or mud stains, or rust stains, or fruit stains, or what are they? That is a question which has puzzled many an expert, and why? Because there was no reliable test. -
TSJCL 2006 Upper Rd 1 Pg 1 2006 Texas State JCL Certamen Upper
2006 Texas State JCL Certamen Upper Round 1 TU # 1: As she was crossing a body of water, what did Helle fall off of? A GOLDEN RAM B1: Whose threats were Phrixus and Helle escaping? INO, THEIR STEP-MOTHER B2: What did Phrixus do when he safely landed in Colchis? SACRIFICED THE RAM TU # 2: Where did Antony win a battle and, three weeks later, win another, bringing to an end a civil war in 42 BC? PHILIPPI B1: Soon after this battle, Antony and Octavian removed themselves from their partner in the triumvirate. Who was this partner? LEPIDUS B2: What two relatives of Antony caused trouble the following year by trying to stir up hostility against Octavian? HIS WIFE FULVIA AND HIS BROTHER LUCIUS TU # 3: Which Roman author is described by the following: Caesar seems to have been a guest in his house at one point; he was about 15 years younger than Caesar and seems to have died at age thirty; we have 113 of his poems, many of which mention his affair with a married woman. CATULLUS B1: To whom did Catullus dedicate his book of poems, according to poem 1 in the collection? CORNELIUS NEPOS B2: Translate this line from Catullus: “passer mortuus est meae puellae.” MY GIRL’S SPARROW / DOVE IS DEAD TU # 4: Give all the participles of the verb ferÇ, ferre. FERNS, L}TUS, L}TâRUS, FERENDUS B1: Give all the participles for the verb arbitror. ARBITR}NS, ARBITR}TUS, ARBITR}TâRUS, ARBITRANDUS B2: Give all the infinitives for arbitror. ARBITR}R¦, ARBITR}TUS ESSE, ARBITR}TâRUS ESSE TU # 5: What king of Elis remained young forever by choosing perpetual sleep as -
ARCTOS Acta Philologica Fennica
ARCTOS Acta Philologica Fennica VOL. LI HELSINKI 2017 INDEX Heikki Solin Rolf Westman in Memoriam 9 Ria Berg Toiletries and Taverns. Cosmetic Sets in Small 13 Houses, Hospitia and Lupanaria at Pompeii Maurizio Colombo Il prezzo dell'oro dal 300 al 325/330 41 e ILS 9420 = SupplIt V, 253–255 nr. 3 Lee Fratantuono Pallasne Exurere Classem: Minerva in the Aeneid 63 Janne Ikäheimo Buried Under? Re-examining the Topography 89 Jari-Matti Kuusela & and Geology of the Allia Battlefield Eero Jarva Boris Kayachev Ciris 204: an Emendation 111 Olli Salomies An Inscription from Pheradi Maius in Africa 115 (AE 1927, 28 = ILTun. 25) Umberto Soldovieri Una nuova dedica a Iuppiter da Pompei e l'origine 135 di L. Ninnius Quadratus, tribunus plebis 58 a.C. Divna Soleil Héraclès le premier mélancolique : 147 Origines d'une figure exemplaire Heikki Solin Analecta epigraphica 319–321 167 Holger Thesleff Pivotal Play and Irony in Platonic Dialogues 179 De novis libris iudicia 220 Index librorum in hoc volumine recensorum 277 Libri nobis missi 283 Index scriptorum 286 Arctos 51 (2017) 63–88 PALLASNE EXURERE CLASSEM: MINERVA IN THE AENEID Lee Fratantuono The goddess Minerva is a key figure in the theology of Virgil's Aeneid, though there has been relatively little written to explicate all of the scenes in the epic in which she plays a part or receives a reference.1 The present study seeks to provide a commentary on every mention of Pallas Athena/Minerva in Virgil's poetic corpus, with the intention of illustrating how the goddess plays a crucial role in the unfolding drama of the transition from a Trojan to an Italian identity for the future Rome, and in particular how the Volscian heroine Camilla serves as a mortal incarnation of the Minerva who was a patroness of battles and the military arts. -
Zeus in the Greek Mysteries) and Was Thought of As the Personification of Cyclic Law, the Causal Power of Expansion, and the Angel of Miracles
Ζεύς The Angel of Cycles and Solutions will help us get back on track. In the old schools this angel was known as Jupiter (Zeus in the Greek Mysteries) and was thought of as the personification of cyclic law, the Causal Power of expansion, and the angel of miracles. Price, John Randolph (2010-11-24). Angels Within Us: A Spiritual Guide to the Twenty-Two Angels That Govern Our Everyday Lives (p. 151). Random House Publishing Group. Kindle Edition. Zeus 1 Zeus For other uses, see Zeus (disambiguation). Zeus God of the sky, lightning, thunder, law, order, justice [1] The Jupiter de Smyrne, discovered in Smyrna in 1680 Abode Mount Olympus Symbol Thunderbolt, eagle, bull, and oak Consort Hera and various others Parents Cronus and Rhea Siblings Hestia, Hades, Hera, Poseidon, Demeter Children Aeacus, Ares, Athena, Apollo, Artemis, Aphrodite, Dardanus, Dionysus, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces [2] Roman equivalent Jupiter Zeus (Ancient Greek: Ζεύς, Zeús; Modern Greek: Δίας, Días; English pronunciation /ˈzjuːs/[3] or /ˈzuːs/) is the "Father of Gods and men" (πατὴρ ἀνδρῶν τε θεῶν τε, patḕr andrōn te theōn te)[4] who rules the Olympians of Mount Olympus as a father rules the family according to the ancient Greek religion. He is the god of sky and thunder in Greek mythology. Zeus is etymologically cognate with and, under Hellenic influence, became particularly closely identified with Roman Jupiter. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort is Dione: according to the Iliad, he is the father of Aphrodite by Dione.[5] He is known for his erotic escapades. -
Duke Certamen 2018 Novice Division Round 1
DUKE CERTAMEN 2018 NOVICE DIVISION ROUND 1 1. Also known as the Boreads, what twin brothers were said to have purple wings which allowed them to fly? ZETES AND CALAÏS B1: When Zetes and Calaïs chased the Harpies all the way to the Strophades Islands, either Iris or what messenger deity persuaded them to stop, promising that the Harpies would no longer hurt Phineus? HERMES B2: Which of the Argonauts killed Zetes and Calais because they had convinced the rest of the Argonauts to abandon him in Mysia? HERACLES 2. If, after listening to a Latin translation of Jay-Z’s song Encore, your friend asks you what “Vēni, vīdi, vīci” means in English, how should you respond? I CAME, I SAW, I CONQURERED B1: That same friend then googles more Julius Caesar quotes. Next, She asks you what “Alea Iacta est” means in English. What do you tell her? THE DIE IS/HAS BEEN CAST B2: An acquaintance, having overheard this conversation, comes over and tells you that they don’t see why you are speaking a “dead language.” Being the witty Classicist that you are, you respond “rident stolidi linguam Latinam.” What did you just say? FOOLS LAUGH AT THE LATIN LANGUAGE 3. For the phrase magnus agricola, give the dative singular. MAGNŌ AGRICOLAE B1: Make that phrase plural. MAGNĪS AGRICOLĪS B2: Make the phrase genitive plural. MAGNORUM AGRICOLORUM 4. What pious king of Rome advanced Roman religious tradition with such deeds as founding the Roman calendar and building the temple of Janus? NUMA POMPILIUS B1: Numa was said to be guided by what nymph? EGERIA B2: Numa originated from what tribe? SABINES 5. -
Aeneid: with Appendix Vergiliana Bks. 7-12 Free Ebook
FREEAENEID: WITH APPENDIX VERGILIANA BKS. 7-12 EBOOK Virgil,G.P. Goold,H.R. Fairclough | 584 pages | 01 Jan 2001 | HARVARD UNIVERSITY PRESS | 9780674995864 | English | Cambridge, Mass, United States Aeneis - Publius Vergilius Maro, Virgil, Publio Virgilio Marón, G. P. Goold - Google Books Slow in speech, shy in manner, thoughtful in mind, weak in health, he went back north for a quiet life. Influenced by the group of poets there, he may have written some of the doubtful poems included in our Virgilian manuscripts. All his undoubted extant work is written in his perfect hexameters. Earliest comes the collection of ten pleasingly artificial bucolic poems, the Eclogueswhich imitated freely Theocritus's idylls. They deal with pastoral life and love. Before 29 BCE came one of the best of all didactic works, the four books of Georgics on tillage, trees, cattle, and bees. Virgil's remaining years were spent in composing his Aeneid: WITH Appendix Vergiliana Bks. 7-12, not wholly finished, epic the Aeneidon the traditional theme of Rome's origins through Aeneas of Troy. Inspired by the Emperor Augustus's rule, the poem is Homeric in metre and method but influenced also by later Greek and Roman literature, philosophy, and learning, and deeply Roman in spirit. He had left in Rome a request that all its twelve books should be destroyed if he were to die then, but they were published by the executors of his will. More Contact Us How to Subscribe. Search Publications Pages Publications Pages. Advanced Search Help. Print Email. The Loeb Classical Library edition of Virgil is in two volumes. -
Orpheus & Eurydice 1St Edition
ORPHEUS & EURYDICE 1ST EDITION PDF, EPUB, EBOOK Gregory Orr | 9781619320659 | | | | | Orpheus & Eurydice 1st edition PDF Book Chapter No trivia or quizzes yet. Sort order. Published July 1st by Barefoot Books first published March 1st Audio Flashcards. Lists with This Book. There are no discussion topics on this book yet. Greek Myths 1 - 10 of 14 books. Because love conquers all; even death. Oh, momma! Facebook Twitter. In Virgil 's classic version of the legend, it completes his Georgics , a poem on the subject of agriculture. His limbs were scattered, but his head and lyre floated on the river Hebrus out to sea, both all the while making lamentations. Hades set one condition, however: upon leaving the land of death, both Orpheus and Eurydice were forbidden to look back. Although every book should be approached with an open mind, and judged on its own merits, I found it difficult while reading this picture-book adaptation of the Greek myth of Orpheus and Eurydice , not to measure it against Charles Mikolaycak's version , which happens to be a personal favorite. Orpheus is unpopular—his poetry has been too successful. BookDB marked it as to-read Sep 18, You see, Orpheus knew full well that no man was ever allowed to visit the Underworld twice and he was now on his way out of it. He later presented himself in front of the god of the Greek underworld, Hades Pluto in Roman mythology , and his wife, Persephone. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree Grace rated it really liked it Jan 18, This message is linked both to Apollo and to Dionysus, gods often antithetical in nature. -
The Staff of Asclepius Or Hermes Eric Vanderhooft, M.D
aduceus Cthe staff of Asclepius or Hermes Eric Vanderhooft, M.D. The author (AΩA, University of Utah, 1988) is clinical assistant professor in the Department of Orthopedics at the University of Utah, and in private practice at the Salt Lake Orthopedic Clinic. He is also the clinical director of the University Orthopedic Rotation and Family Practice Residency Orthopedic Rotation at HCA St. Mark’s Hospital. he staff entwined by a serpent or serpents is ac- cepted as a common symbol of the medical pro- fession and health care industry. Unfortunately, twoT distinct images exist. The staff with a single snake be- longed to Asclepius, father of western medicine. The staff with two entwined snakes belonged to Hermes, the prince of thieves, and is more commonly seen. A review of 527 professional medical academies, asso- ciations, colleges, and societies revealed that 23 organiza- tions use the staff in their symbolism. The staff of Asclepius outnumbered that of Hermes nearly three-fold, 92 versus 3 organizations respectively. Introduction Hippocrates has come to be considered the father of Western medicine, and, in the United States, a modification of the Hippocratic Oath continues to be recited by graduat- ing medical students. It should therefore be no surprise that Roman statue of Asclepius. © Mimmo Jodice/CORBIS. The Pharos/Autumn 2004 our symbol for medicine, the caduceus, similarly is derived from Greek traditions. Greek healers such as Hippocrates be- lieved they were descended from Asclepius, the mythic phy- sician, and came to be known as Asklepiadai or Asclepiads, “sons of Asclepius.”1p6 Represented variously by the snake, cock, dog, and goat,1p28–32, 2, 3p258 the staff entwined by a single snake is the most recognized symbol of Asclepius. -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
A N T I C H I T À
A N T I C H I T À ALBERTO DI CASTRO Late-Mannerist European sculptor Second half 16th century The Three Graces High relief in terracotta, 57.5 x 45.5 x 13.5 cm (22 5/8 x 17 7/8 x 5 3/8 in.) The artistic popularity of the Graces can be traced back to the Charities, minor Ancient Greek goddesses who centuries later in Ancient Rome became known as the Three Graces. Tasked with spreading goodwill, pleasure and mirth, Aglaea, “beauty, splendour or glory”, Euphrosyne, “good cheer or mirth”, and Thalia, “rich banquet or festivity”, were the immortal daughters of Zeus and the sea-nymph Eurynome; they attended banquets and, together with the Muses, danced for the gods. Their principal attributes, an apple, a rose and a sprig of myrtle. Although only Roman copies are to be found today, the earliest portrayals of the three Graces belong to the Hellenistic period. Antichità Alberto Di Castro S.r.l. Socio Unico Piazza di Spagna, 5 – 00187 Roma T. +39 06 6792269 – Fax +39 06 6787410 [email protected] – www.dicastro.com A N T I C H I T À ALBERTO DI CASTRO Fig. 1: The Three Graces: portrayal and sculpture, Roman age The enormous success enjoyed by the Three Graces throughout the years of the Roman Empire (fig. 1) presented itself anew with the advent of the Renaissance thanks to the production of numerous 16th century engravings by Marco Dente (?–1527), Enea Vico (1523–1567), Étienne Delaune (1518/19– 1583) (fig. 2) and other anonymous artists.