DOCSLIB.ORG

Orpheus & Eurydice 1St Edition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Orpheus & Eurydice 1St Edition ORPHEUS & EURYDICE 1ST EDITION PDF, EPUB, EBOOK Gregory Orr | 9781619320659 | | | | | Orpheus & Eurydice 1st edition PDF Book Chapter No trivia or quizzes yet. Sort order. Published July 1st by Barefoot Books first published March 1st Audio Flashcards. Lists with This Book. There are no discussion topics on this book yet. Greek Myths 1 - 10 of 14 books. Because love conquers all; even death. Oh, momma! Facebook Twitter. In Virgil 's classic version of the legend, it completes his Georgics , a poem on the subject of agriculture. His limbs were scattered, but his head and lyre floated on the river Hebrus out to sea, both all the while making lamentations. Hades set one condition, however: upon leaving the land of death, both Orpheus and Eurydice were forbidden to look back. Although every book should be approached with an open mind, and judged on its own merits, I found it difficult while reading this picture-book adaptation of the Greek myth of Orpheus and Eurydice , not to measure it against Charles Mikolaycak's version , which happens to be a personal favorite. Orpheus is unpopular—his poetry has been too successful. BookDB marked it as to-read Sep 18, You see, Orpheus knew full well that no man was ever allowed to visit the Underworld twice and he was now on his way out of it. He later presented himself in front of the god of the Greek underworld, Hades Pluto in Roman mythology , and his wife, Persephone. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree Grace rated it really liked it Jan 18, This message is linked both to Apollo and to Dionysus, gods often antithetical in nature. But if the fates deny to me this prayer, then I do not want to go back, and may you triumph in the death of two! Orpheus & Eurydice 1st edition Writer The motive and manner of his death vary in different accounts, but the earliest known, that of Aeschylus , says that they were Maenads urged by Dionysus to tear him to pieces in a Bacchic orgy because he preferred the worship of the rival god Apollo. Orpheus and Eurydice. After the funeral he decides to look for Eurydice in the Land of the Dead. Sie lebt und arbeitet in Hamburg-Winterhude. Gory details were there, but artfully obfuscated with rhythmic language, woven with the silver thread of sorrow Orpheus experiences during this epic. By means of his lyre playing and singing he is able to win over even the god of death, so that Eurydice is allowed to leave…. With its myth of creation, the Orphic bible was linked in some of its details to the Hesiodic account but differed radically in its spiritual content. According to some legends , Apollo gave Orpheus his first lyre. Eurydice Orpheus. Little did he — or anyone else, for that matter — knew that this was an ominous foreboding. Michael Fitzgerald added it Aug 08, Learning Objectives. A beautifully illustrated retelling of one of my favorite myths. The couple climbed up toward the opening into the land of the living, and Orpheus, seeing the Sun again, turned back to share his delight with Eurydice. Be that as it may, we know for sure that Orpheus got a golden lyre as a gift from Apollo when just a child, and that it was the god who taught him how to play it in such a beautiful manner. In that moment, she disappeared. A strong sense of virtue and sin and reward and punishment in an afterlife was fundamental, embracing various concepts of immortality, involving the transmigration of souls, rebirth, reincarnation, resurrection, and redemption. According to another version, Zeus decided to strike him with lightning knowing Orpheus may reveal the secrets of the underworld to humans. Audio Flashcards. Part of the Orphic ritual is thought to have involved the mimed or actual dismemberment of an individual representing the god Dionysus, who was then seen to be reborn. Categories : Orpheus Thraco-Macedonian mythology Mythological lovers. Wikimedia Commons. Representations in Art. Moreover, his mother showed him how to add verses to the music, and his eight aunts how to polish them to perfection, in every style known to man. Bookewyfe rated it it was amazing Oct 20, Orpheus & Eurydice 1st edition Reviews Rating details. Wikimedia Commons. He was given permission to take her if he did not look back at her but this is Greek Mythology so what do you expect. But if the fates deny to me this prayer, then I do not want to go back, and may you triumph in the death of two! Learning Objectives. Download as PDF Printable version. Worthreading rated it really liked it Jul 04, Eurydice Orpheus. Note: ISBN, title, and image are not correctly matched. At some point, Orpheus decided to descend to Hades to see his wife. In many depictions of Orpheus and Eurydice, Eurydice just stands there, passively, looking like, well, a muse. Gory details were there, but artfully obfuscated with rhythmic language, woven with the silver thread of sorrow Orpheus experiences during this epic. Film by Jean Cocteau. In any case, Orpheus dies, but the Muses decided to save his head and keep it among the living people to sing forever, enchanting everyone with his melodies and tones. Primary Source Abbrevations. The new book, which includes the work of writers like Maile Meloy, Sheila Heti, and Heidi Julavits, gets its title from one of the great figures of ancient Greek mythology. Higher Education Comment Card. In that case, we can't It relates that Eurydice's death was not caused by fleeing from Aristaeus, but by dancing with naiads on her wedding day. Give Feedback External Websites. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree The scene in which Charon rows Orpheus across the River Styx is especially powerful, perhaps because all the figures are facing away from the reader, creating a sense of motion. Almost immediately she slipped away, and the air was all Orpheus could feel between his arms as he stretched them out, eager to embrace and rescue the love of his life. And as soon as he got there, he began to sing this song:. Molly rated it really liked it Apr 03, Community Reviews. Orphic eschatology laid great stress on rewards and punishment after bodily death, the soul then being freed to achieve its true life. This story is about a man named Orpheus who loses his wife on their wedding day. More filters. A strong sense of virtue and sin and reward and punishment in an afterlife was fundamental, embracing various concepts of immortality, involving the transmigration of souls, rebirth, reincarnation, resurrection, and redemption. I love this Greek Mythology story of Orpheus , son of Calliope one of the nine muses , and the love that he had for Eurydice. Grace Gordon rated it liked it Jul 06, Rating details. You may not know Love down here, but I do: by this Place of Fear, this huge void and these vast and silent realms, renew the life-thread of my loving Eurydice! Only a few feet away from the exit, Orpheus lost his faith and turns to see Eurydice behind him, but her shade was whisked back among the dead, now trapped with Hades forever. Kathy rated it liked it Nov 08, Aug 09, Faye rated it liked it Shelves: children-young-adult. In some versions of the story, Aristaeus , a shepherd, then saw her, was beguiled by her beauty, made advances towards her and began to chase her. Plato's representation of Orpheus is in fact that of a coward; instead of choosing to die in order to be with his love, he mocked the deities in an attempt to visit Hades , to get her back alive. Orpheus joined the expedition of the Argonauts, saving them from the music of the Sirens by playing his own, more powerful music. Shanshad Whelan rated it liked it May 01, JB Cook Library added it Jan 12, Other versions of the story relate that Eurydice is merely dancing with the Nymphs. You know the saying: There's no time like the present Orpheus & Eurydice 1st edition Read Online Sandra Kaye rated it it was amazing Feb 28, Megan Sauder added it Jan 04, After the funeral Orpheus and Eurydice retells a classical story from Greek mythology. He fell in love with a tree nymph and she perished by an adders bite before hymen could bless the wedding died on her wedding day. Community Reviews. Other versions of the story relate that Eurydice is merely dancing with the Nymphs. But the story itself has been a source of inspiration for many artists, and the myth of Orpheus has been retold and reimagined numerous times in art, music, dance, and literature. If Orpheus is patient, he might have Eurydice as a normal woman again by his side. Britannica Quiz. Bookewyfe rated it it was amazing Oct 20, Orpheus is unpopular—his poetry has been too successful. Ancient Greek legend. Open Preview See a Problem? His head, still singing, with his lyre, floated to Lesbos , where an oracle of Orpheus was established. Other editions. Error rating book. Goodreads helps you keep track of books you want to read. Orpheus fell in love with a wood nymph," etc. The 3rd graders thought it somewhat boring till we discussed it.
Load more

Recommended publications
  • Zeus *God of the Sky and Ruler of the Olympian Gods. He Is Lord of the Sky, the Rain God
    Greek Mythology *Myths - Traditional stories about god and heroes. *The Greek people believed in many gods and goddesses. They were thought to have affected people's lives and also thought to shape events. *The gods and goddesses were thought to control nature. Some examples of the control over nature are: Zeus ruled the sky and threw lighting bolts, Demeter made the crops grow, and Poseidon caused earthquakes. *The 12 most important gods and goddesses lived on Mt. Olympus. Mt. Olympus was the highest mountain in Greece. Zeus *God of the Sky and Ruler of the Olympian gods. He is lord of the sky, the rain god. *He is represented as the god of justice and mercy, the protector of the weak, and the punisher of the wicked. Poseidon *God of the sea and protector of all the water. *Widely worshiped by seamen. *His weapon is a trident, which can shake the earth, and shatter any object. *He is second only to Zeus in power amongst the gods. *He was greedy. He had a series of disputes with other gods when he tried to take over their cities. Hades *Hades is the god of the undedrworld and ruler of the dead. *He is also the god of wealth, due to the precious metals mined from the earth. *He is a greedy god who is greatly concerned with increasing his subjects. Hestia *She plays no part in myths. *She is the Goddess of the Hearth, the symbol of the house around which a new born child is carried before it is received into the family.
    [Show full text]
  • Case Study: Multiverse Wireless DMX at Hadestown on Broadway
    CASE STUDY: Multiverse Wireless DMX Jewelle Blackman, Kay Trinidad, and Yvette Gonzalez-Nacer in Hadestown (Matthew Murphy) PROJECT SNAPSHOT Project Name: Hadestown on Broadway Location: Walter Kerr Theatre, NY, NY Hadestown is an exciting Opening Night: April 17, 2019 new Broadway musical Scenic Design: Rachel Hauck (Tony Award) that takes the audience Lighting Design: Bradley King (Tony Award) on a journey to Hell Associate/Assistant LD: John Viesta, Alex Mannix and back. Winner of eight 2019 Tony Awards, the show Lighting Programmer: Bridget Chervenka Production Electrician: James Maloney, Jr. presents the myth of Orpheus and Eurydice set to its very Associate PE: Justin Freeman own distinctive blues stomp in the setting of a low-down Head Electrician: Patrick Medlock-Turek New Orleans juke joint. For more information, read the House Electrician: Vincent Valvo Hadestown Review in Lighting & Sound America. Follow Spot Operators: Paul Valvo, Mitchell Ker Lighting Package: Christie Lites City Theatrical Solutions: Multiverse® 900MHz/2.4GHz Transmitter (5910), QolorFLEX® 2x0.9A 2.4GHz Multiverse Dimmers (5716), QolorFLEX SHoW DMX Neo® 2x5A Dimmers, DMXcat® CHALLENGES SOLUTION One of the biggest challenges for shows in Midtown Manhattan City Theatrical’s Multiverse Transmitter operating in the 900MHz looking to use wireless DMX is the crowded spectrum. With every band was selected to meet this challenge. The Multiverse lighting cue on stage being mission critical, a wireless DMX system – Transmitter provided DMX data to battery powered headlamps. especially one requiring a wide range of use, compatibility with other A Multiverse Node used as a transmitter and operating on a wireless and dimming control systems, and size restraints – needs SHoW DMX Neo SHoW ID also broadcast to QolorFlex Dimmers to work despite its high traffic surroundings.
    [Show full text]
  • The Death of Eurydice Orpheus' Descent Into Hades
    Myth #4 Orpheus and Eurydice Name _____________________________________ READ CLOSELY AND SHOW EVIDENCE OF THINKING BY ANNOTATING. Annotate ​ all readings by highlighting the main idea in ​yellow​; the best evidence supporting in​ blue​, and any interesting phrases in ​green. As it is only fitting, Orpheus, “the father of songs” and the supreme musician in Greek mythology, ​ ​ was the son of one of the Muses, generally said to be Calliope, by either Apollo or the Thracian king ​ Oeagrus. Be that as it may, we know for sure that Orpheus got a golden lyre as a gift from Apollo ​ ​ when just a child, and that it was the god who taught him how to play it in such a beautiful manner. Moreover, his mother showed him how to add verses to the music, and his eight aunts how to polish them to perfection, in every style known to man. So, when Orpheus was a young man, as ​ Shakespeare writes, his “golden touch could soften steel and stones, make tigers tame, and huge leviathans forsake unsounded deeps to dance on sands.” Loved by many, this young man loved only the beautiful Eurydice; and she loved him back. This is the story of their tragic love. ​ ​ The Death of Eurydice Soon after the marriage of Orpheus and Eurydice, Eurydice died of a snake bite. Different authors ​ tell different stories as to what led to the fatal encounter. According to the most repeated story, Eurydice fell into a serpent nest after trying to escape from a certain Aristaeus, a shepherd who ​ ​ began to chase her through the forest as soon as he laid his eyes upon her otherworldly beauty.
    [Show full text]
  • The Copa: an Introduction and Commentary
    THE COPA: AN INTRODUCTION AND COMMENTARY by FRANCES J. GRUENEWALD B.A., University of British Columbia, 1972 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1975 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date AlfJL 3L<\t /<?7S. ABSTRACT The purpose of this thesis is two-fold: firstly, to make a general study of the Copa with a view to determining, as far as is possible, its authorship and date, and,secondly, to attempt a detailed exegesis of its contents. The first Chapter contains an introduction to the MSS tradi• tion of the Appendix Vergiliana, and a brief discussion of the statements of Donatus and Servius concerning Vergilian authorship of the poems. In Chapter 2 the question of the authorship of the Copa is considered. The views of various scholars, who use as tests of authenticity studies of content and style, vocabulary, metre and parallel passages, are discussed.
    [Show full text]
  • 7Th Grade Lesson Plan: It's Greek to Me: Greek Mythology
    7th grade Lesson Plan: It’s Greek to me: Greek Mythology Overview This series of lessons was designed to meet the needs of gifted children for extension beyond the standard curriculum with the greatest ease of use for the edu- cator. The lessons may be given to the students for individual self-guided work, or they may be taught in a classroom or a home-school setting. This particular lesson plan is primarily effective in a classroom setting. Assessment strategies and rubrics are included. The lessons were developed by Lisa Van Gemert, M.Ed.T., the Mensa Foundation’s Gifted Children Specialist. Introduction Greek mythology is not only interesting, but it is also the foundation of allusion and character genesis in literature. In this lesson plan, students will gain an understanding of Greek mythology and the Olympian gods and goddesses. Learning Objectives Materials After completing the lessons in this unit, students l D’Aulaires’ Book of Greek Myths by Ingri and will be able to: Edgar Parin D’Aulaire l Understand the Greek view of creation. l The Gods and Goddesses of Olympus by Aliki l Understand the terms Chaos, Gaia, Uranus, Cro- l The Mighty 12: Superheroes of Greek Myths by nus, Zeus, Rhea, Hyperboreans, Ethiopia, Mediter- Charles Smith ranean, and Elysian Fields. l Greek Myths and Legends by Cheryl Evans l Describe the Greek view of the world’s geogra- l Mythology by Edith Hamilton (which served as a phy. source for this lesson plan) l Identify the names and key features of the l A paper plate for each student Olympian gods/goddesses.
    [Show full text]
  • MYTHOLOGY MAY 2018 Detail of Copy After Arpino's Perseus and Andromeda
    HOMESCHOOL THIRD THURSDAYS MYTHOLOGY MAY 2018 Detail of Copy after Arpino's Perseus and Andromeda Workshop of Giuseppe Cesari (Italian), 1602-03. Oil on canvas. Bequest of John Ringling, 1936. Creature Creation Today, we challenge you to create your own mythological creature out of Crayola’s Model Magic! Open your packet of Model Magic and begin creating. If you need inspiration, take a look at the back of this sheet. MYTHOLOGICAL Try to incorporate basic features of animals – eyes, mouths, legs, etc.- while also combining part of CREATURES different creatures. Some works of art that we are featuring for Once you’ve finished sculpting, today’s Homeschool Third Thursday include come up with a unique name for creatures like the sea monster. Many of these your creature. Does your creature mythological creatures consist of various human have any special powers or and animal parts combined into a single creature- abilities? for example, a centaur has the body of a horse and the torso of a man. Other times the creatures come entirely from the imagination, like the sea monster shown above. Some of these creatures also have supernatural powers, some good and some evil. Mythological Creatures: Continued Greco-Roman mythology features many types of mythological creatures. Here are some ideas to get your project started! Sphinxes are wise, riddle- loving creatures with bodies of lions and heads of women. Greek hero Perseus rides a flying horse named Pegasus. Sphinx Centaurs are Greco- Pegasus Roman mythological creatures with torsos of men and legs of horses. Satyrs are creatures with the torsos of men and the legs of goats.
    [Show full text]
  • THE MYTH of ORPHEUS and EURYDICE in WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., Universi
    THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., University of Toronto, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OP PHILOSOPHY in the Department of- Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, i960 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada. ©he Pttttrerstt^ of ^riitsl} (Eolimtbta FACULTY OF GRADUATE STUDIES PROGRAMME OF THE FINAL ORAL EXAMINATION FOR THE DEGREE OF DOCTOR OF PHILOSOPHY of MARK OWEN LEE, C.S.B. B.A. University of Toronto, 1953 M.A. University of Toronto, 1957 S.T.B. University of Toronto, 1957 WEDNESDAY, SEPTEMBER 21, 1960 AT 3:00 P.M. IN ROOM 256, BUCHANAN BUILDING COMMITTEE IN CHARGE DEAN G. M. SHRUM, Chairman M. F. MCGREGOR G. B. RIDDEHOUGH W. L. GRANT P. C. F. GUTHRIE C. W. J. ELIOT B. SAVERY G. W. MARQUIS A. E. BIRNEY External Examiner: T. G. ROSENMEYER University of Washington THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN Myth sometimes evolves art-forms in which to express itself: LITERATURE Politian's Orfeo, a secular subject, which used music to tell its story, is seen to be the forerunner of the opera (Chapter IV); later, the ABSTRACT myth of Orpheus and Eurydice evolved the opera, in the works of the Florentine Camerata and Monteverdi, and served as the pattern This dissertion traces the course of the myth of Orpheus and for its reform, in Gluck (Chapter V).
    [Show full text]
  • THE ARGONAUTIKA He'd Gone on His Vain Quest with Peirithoos: That Couple Would Have Made Their Task's Fulfillment Far Easier for Them All
    Book I Starting from you, Phoibos, the deeds ofthose old-time mortals I shall relute, who by way ofthe Black Sea's mouth and through the cobalt-dark rocks, at King Pelias 's commandment, in search of the Golden Fleece drove tight-thwarted Argo. For Pelias heard it voiced that in time thereafter a grim fate would await him, death at the prompting of the man he saw come, one-sandaled, from folk in the country: and not much later-in accordance with your word-Jason, fording on foot the Anauros's wintry waters, saved from the mud one sandal, but left the other stuck fast in the flooded estuary, pressed straight on to have his share in the sacred feast that Pelias was preparing for Poseidon his father, and the rest of the gods, though paying no heed to Pelasgian Hera. The moment Pelias saw him, he knew, and devised him a trial of most perilous seamanship, that in deep waters or away among foreign folk he might lose his homecoming. ,\row singers before 7ny time have recounted how the vessel was fashioned 4 Argos with the guidance of Athena. IW~cctIplan to do now is tell the name and farnib of each hero, describe their long voyage, all they accomplished in their wanderings: may the Muses inspire mnj sinpng! First in our record be Orpheus, whom famous Kalliope, after bedding Thracian Oikgros, bore, they tell us, 44 THE XRGONAUTIKA hard by Pimpleia's high rocky lookout: Orpheus, who's said to have charmed unshiftable upland boulders and the flow of rivers with the sound of his music.
    [Show full text]
  • Golden Aphrodite
    Receiving Aphrodite At first glance Aphrodite seems to be a strange paradox. She is laughter-loving Aphrodite, always keen to promote fun and romantic intrigue, the owner of a special belt full of desire and distractions (Il. 14.215-7) And yet she, often working with her son Eros, is a powerful goddess, the life force essential for the generation of all beings, and also single-mindedly destructive when her will is thwarted, maddening (S. Ant. 790) and terrible (E. Hipp. 563). Sophocles sums her mixture of playful and powerful effectively: Aphrodite is an “irresistible” goddess who “plays games” (S. Ant. 800). Of course, the paradox is not so strange. Love can indeed be a joyous or agonizing human experience, while anyone who knows the gods of Greek literature, especially of Homer, is aware that they can behave like human beings at their worst while simultaneously wielding an extreme and violent power, especially in what they can do to any mortal who challenges their supremacy. The gods are both supremely powerful over humans yet also vulnerable to any perceived human disrespect and need us almost as much as we need them. Aphrodite’s love of intrigue in human lives and insistence on her own supremacy even at some cost to the humans in whose lives she must intervene shape her portrayal in three contemporary novels in which she (and her son as assistant) is a character: sometimes her darker side is emphasized and sometimes she is more of a “laughter-lover”. The best known of these is Phillips (2007), but equally interesting are the Aphrodites of Cobbold (2009) and of Weiss (1999).
    [Show full text]
  • 3. Monody and Opera
    Monody & Opera Florence Grand Duchy of Florence Italian Peninsula Monody & Opera FLORENCE Monody & Opera The CAMERATA Monody & Opera The CAMERATA Giovanni de’ BARDI, patron Jacopo CORSI, patron Girolamo MEI, historian Vincenzo GALILEI, musician Monody & Opera Polyphony = “Many Voices” Monody = “One Voice” Monody & Opera Reaction Against the Madrigal… The Madrigal The most important secular genre of the sixteenth century The Madrigal Composers enriched the meaning and impact of the text through musical setting. The genre became an experimental vehicle for dramatic characterization, inspiring new compositional devices. The Madrigal First Practice “Music is the mistress of the Text” Second Practice “The Text is the mistress of the Music” The Madrigal Claudio Monteverdi Cruda Amarilli (pub. 1605) The Madrigal The Madrigal Artusi / Monteverdi Controversy Giovanni Maria Artusi L’Artusi (pub. 1600) Monody & Opera The CAMERATA Musicians Jacopo PERI Giulio CACCINI Emilio de’ CAVALIERI Monody & Opera Speech song of Greek and Roman Theatrical Tragedies & Epic “GREEKS and ROMANS” Monody & Opera “[The Camerata] having repeatedly discoursed on the manner in which the ancients used to represent their tragedies, and whether they employed song, and of what kind, Signor Rinuccini took to writing the play Dafne, and Signor Corsi composed some airs to parts of it… and shared his thoughts with Signor Peri. The latter, having listened to their purpose and approving of the airs already composed, took to composing the rest… “The pleasure and amazement produced
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • TSJCL 2006 Upper Rd 1 Pg 1 2006 Texas State JCL Certamen Upper
    2006 Texas State JCL Certamen Upper Round 1 TU # 1: As she was crossing a body of water, what did Helle fall off of? A GOLDEN RAM B1: Whose threats were Phrixus and Helle escaping? INO, THEIR STEP-MOTHER B2: What did Phrixus do when he safely landed in Colchis? SACRIFICED THE RAM TU # 2: Where did Antony win a battle and, three weeks later, win another, bringing to an end a civil war in 42 BC? PHILIPPI B1: Soon after this battle, Antony and Octavian removed themselves from their partner in the triumvirate. Who was this partner? LEPIDUS B2: What two relatives of Antony caused trouble the following year by trying to stir up hostility against Octavian? HIS WIFE FULVIA AND HIS BROTHER LUCIUS TU # 3: Which Roman author is described by the following: Caesar seems to have been a guest in his house at one point; he was about 15 years younger than Caesar and seems to have died at age thirty; we have 113 of his poems, many of which mention his affair with a married woman. CATULLUS B1: To whom did Catullus dedicate his book of poems, according to poem 1 in the collection? CORNELIUS NEPOS B2: Translate this line from Catullus: “passer mortuus est meae puellae.” MY GIRL’S SPARROW / DOVE IS DEAD TU # 4: Give all the participles of the verb ferÇ, ferre. FERNS, L}TUS, L}TâRUS, FERENDUS B1: Give all the participles for the verb arbitror. ARBITR}NS, ARBITR}TUS, ARBITR}TâRUS, ARBITRANDUS B2: Give all the infinitives for arbitror. ARBITR}R¦, ARBITR}TUS ESSE, ARBITR}TâRUS ESSE TU # 5: What king of Elis remained young forever by choosing perpetual sleep as
    [Show full text]