DOCSLIB.ORG

Heist Didn’T Come up Again Until the Next Day, When Selina Found Bruce in His Study

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Heist Didn’T Come up Again Until the Next Day, When Selina Found Bruce in His Study CAT-TALES PPEARL CAT-TALES PPEARL By Chris Dee COPYRIGHT © 2018, CHRIS DEE ALL RIGHTS RESERVED. BATMAN, CATWOMAN, GOTHAM CITY, ET AL CREATED BY BOB KANE, PROPERTY OF DC ENTERTAINMENT, USED WITHOUT PERMISSION catwoman-cattales.com facebook.com/cattales.by.chris.dee ISBN: 978-1984988072 PEARL Batman’s lip twitched. He watched as Catwoman walked around a gaping hole cut through the wood and metal of the modest one-story roof. She bit her lip in either amusement or puzzlement, then glanced up at him in a clear attempt to read some clue in his face. Finally she walked to the edge of the roof, looked down, paced back and forth a few times, and returned to the hole. “Well?” he graveled. “When I got here, you said not to take the ladder up, ‘it’s evidence.’ It’s theirs. Metal painted black, about three days ago give or take. We’re obviously meant to think they came up the ladder and cut through the roof, dropped into the vault area of the bank, took the tellers’ cash and safe deposit boxes…” she gestured to the dozens of empty boxes stacked on the roof beside the hole. “Passed them up here to open and stacked the empties there to be out of the way.” “That’s not ‘what we’re meant to think;’ it’s what happened,” Batman said. “No,” she said, dismissing an m.o. that was too absurd to be taken seriously. “It’s the tenth of this kind in five years. All in the outer boroughs, small community branches with less than first rate security.” “A steel door and a wood ceiling I would describe as ‘less than first rate,’ yes,” Catwoman said with quietly emphatic scorn. “Last time they came in through a wall. Scored around three hundred thousand.” “Fine: steel door and a plaster wall. It’s still sad, I don’t care how much they took. I thought you asked me to come out here to, I don’t know, try to figure this out.” “No,” Batman said mildly. “I called because I thought you might find it funny.” “Ah,” she smiled and looked grudgingly back at the hole. “Another night I suppose I might have.” “Rough day?” “No, just… Scottish Fold, I’ll tell you later.” She squatted down and examined one of the safe deposit boxes, running a claw-tip over the edge of the number plate. “The tenth break-in like this?” she said in wonder. “I keep telling you, thieves are like gamblers,” Batman intoned. “They never know when to quit.” “And I keep telling you that’s the kind of thing cops say that you should not repeat because you are not a pinhead.” “Selina, I know it’s a generalization that doesn’t apply to you, but it’s based on expertise, drawing on the observation of hundreds or thousands—” “Of failures. Don’t play science with me, Sherlock. It’s a generalization based on a non-representative group: the failures who get caught. Same reason nobody but Hugo takes Freud seriously. You can’t just go drawing conclusions about all of mankind Cat-Tales based on a dozen people who were so screwed up they were seeing a psychiatrist when the idea was more radical than monkey glands. You can’t go drawing conclusions about everyone who can pick a lock—” “The point is—” “The point is you've got all these tenets about criminals and what they do based on the ones that are known. Look at this bunch. At the very least, you know what they did: hole, empty boxes, there’s a crime to investigate. You know nothing about the most successful specimens because they’re successful. Murders that pass as natural deaths, thefts that are never discovered. You want to pretend this is science? Your criminology buddies have created an incredible evolutionary force on the criminal side of the equation, because all these police mechanisms evolve to catch the injured fawns as if they’re the entire herd.” “Maybe we should agree to disagree on this one,” Batman graveled. “You know I’m right.” “Do you want a ride home?” “You don’t want to admit it, but you know I’m right.” “It’s not an original theory,” Batman said flatly. “Agatha Christie put it forward, so did Alfred Hitchcock and so did ‘Richard Castle.’ All entertainers, one of whom is fictional. Compared to actual police and criminolo—” “Hi,” Selina said, stepping into his personal space and extending her hand until the tips of his claws touched his sternum. “I don’t think we’ve met. Catwoman, cat burglar, theme rogue. I’ll be your criminal adversary this evening. Do I look like an entertainer, jackass?!” He grunted, but he didn’t concede the point. “Come on, I’ve already examined the scene inside. Quick pass through Bayside and I’ll give you that ride home. You can tell me about the Scottish Fold,” he said lightly. The code word for their once secret engagement now denoted the wedding plans, which were much simpler than the ones for Dick and Barbara’s nuptials. Bruce and Selina were significantly older, they’d been living as man and wife for years, and throwing an extravagant party for several hundred guests was not a once in a lifetime experience. So many mechanisms were in place for entertaining on that scale, Selina could hand over nearly all the traditional planning apart from picking the dress. That left her time to tackle the other arrangements a typical bride didn’t need to consider, such as ‘Fifth Dimension Blackout Dates’ when a malevolent trickster was most likely to appear and harass the best man. The subject of the bank heist didn’t come up again until the next day, when Selina found Bruce in his study. “I’ve reconsidered,” she announced. “Your crime scene on top of the bank, it’s funny now.” She spread a newspaper on his desk and, as she leaned over to point to the story… “Right there” …her hair fluttered in Bruce’s face. At first he thought it was the whiff of her shampoo, the first really personal detail he’d noticed about the elusive cat burglar, that flashed him back to early rooftops. Then he realized it was something more substantive: “’Sophisticated burglary, police say,’” she read. “Sophisticated. Do they not know what words mean, or do they think leaning a ladder against the side of a building and cutting a hole is a complex operation that requires a high level of expertise?” 2 Pearl “I—” Bruce began, but Selina rolled over him. “They are pros because they cut the video cameras, Detective Schmidt told GCN,’” she read indignantly. “Pros! Because they cut the video cameras.” “I—” Bruce tried again. “I’ve been nice,” she said emphatically. “Since we got together, for your sake, for Barbara’s, I’ve been polite about the GCPD in general and Gordon in particular. I practically apologized for the things I repeated in Cat-Tales, as if Luthor didn’t have a perfectly fair point about the state of law enforcement in this town sans you. These idiots aren’t meeting me halfway.” “Can I talk now?” Bruce asked mildly. “Go for it.” “If I concede your point that a portion of criminal science is flawed due to imperfect sampling, namely that we can only observe those criminals we know about, usually because they get caught, and that known burglars are not representative of burglars in general, will you agree not to judge the entire Gotham police force because this Detective Schmidt is, admittedly, not the brightest of men?” “Agreed,” she smiled. “Agreed,” he echoed. Bruce glanced at the picture of his parents while Selina folded up the newspaper. “Before you go, there’s something I wanted to talk about,” he said uneasily. “Hm?” Selina said, not noticing the uncharacteristic hesitancy. “It was late when we got back last night, and then I took a while with the logs and that’s a lie. I really just… We were in the cave and it just…wasn’t the right time.” Selina had stopped and was looking at him with concern. He continued stumbling. “I… should have said this when we decided to have the wedding here. I should have said it before then, probably.” “Do you want to change it? I mean, it’s your family home, I love the idea of having it here. And like you said, it gives us complete freedom picking the dates. Barbara knows there’s going to be a certain amount of comparison to her wedding, but she’s fine with that. She cares even less about socialite chatter than I do, I care less than you do. Alfred is the only one in the family who gives a damn, and even he said if we have the ceremony inside instead of the garden, it minimizes the point-for-point—” “It’s not that.” Selina took a step back. It was his roof-of-the-MoMA voice. The first time she ever heard him speak as Bruce inside the mask, it sounded just like that. “The first time I heard that voice, I didn’t even know your name,” she said gently. “Bruce, what is it?” “When Dick and Barbara decided to have their wedding here, I told Alfred that I wanted the planning of this one event to be a Bruce Wayne matter entirely and that absolutely no Batman considerations were to intrude. I didn’t want to give any thought to the public persona or having strangers in the house.
Load more

Recommended publications
  • Earth-11 Jumpchain Yes, This Is Just for Waifus
    Earth-11 Jumpchain Yes, this is just for waifus This is a world of superhumans and aliens, one that may seem very familiar at first. However, this isn’t the normal world of DC Comics. No, this is one of its parallel dimensions, one where everybody is an opposite-gender reflection of their mainline counterparts. It’s largely the same besides that one difference, so the events that happened in the primary universe are likely to have happened here as well. The battle between good and evil continues on as it always does, on Earth, in space, and in other dimensions. Superwoman, Batwoman, Wonder Man, and the rest of the Justice League fight to protect the Earth from both from it’s own internal crime and corruption and from extraterrestrial threats. The Guardians of the Universe head the Green Lantern Corps to police the 3800 sectors of outer space, of which Kylie Rayner is one of the premier members. On New Genesis and Apokolips in the Fourth World, Highmother and Darkseid, the Black Queen vie for power, never quite breaking from their ancient stalemate. You receive 1000 CP to make your place in this world. You can purchase special ​ ​ abilities, equipment, superpowers, and friends to help you out on your adventures. Continuity You can start at any date within your chosen continuity. Golden Age The original timeline, beginning in 1938 with the first adventure of Superwoman. Before long she was joined by Batwoman, Wonder Man, and the Justice Society of America. The JSA is the primary superhero team of this Earth, comprised of the Flash, Green Lantern, Hawkwoman, Dr.
    [Show full text]
  • Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
    “INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing.
    [Show full text]
  • Why No Wonder Woman?
    Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends.
    [Show full text]
  • Jack London's Superman: the Objectification of His Life and Times
    Jack London's superman: the objectification of his life and times Item Type text; Thesis-Reproduction (electronic) Authors Kerstiens, Eugene J. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 19:49:44 Link to Item http://hdl.handle.net/10150/319012 JACK LONDON'S SUPERMAN: THE OBJECTIFICATION OF HIS LIFE AND TIMES by Eugene J. Kerstiens A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of MASTER OF ARTS in the Graduate College, University of Arizona 1952 Approved: 7 / ^ ^ Director of Thesis date r TABLE OF OOHTEHTB - : ; : ■ ; ; : . ' . : ' _ pag® IHfRODUOTIOS a » 0 0 o o o » , » » * o a c o 0 0 * * o I FiRT I : PHYSICAL FORGES Section I 2 T M Fzontiez Spirit in- Amerioa 0 - <, 4 Section II s The lew Territories „,< . > = 0,> «, o< 11 Section III? The lew Front!@3?s Romance and ' Individualism * 0.00 0 0 = 0 0 0 13 ; Section IV g Jack London? Ohild of the lew ■ ■ '■ Frontier * . , o » ' <, . * , . * , 15 PART II: IDE0DY1AMI0S Section I : Darwinian Survival Values 0 0 0<, 0 33 Section II : Materialistic Monism . , <, » „= „ 0 41 Section III: Racism 0« « „ , * , . » , « , o 54 Section IV % Bietsschean Power Values = = <, , » 60 eoiOLDsioi o 0 , •0 o 0 0. 0o oa. = oo v 0o0 . ?e BiBLIOSRAPHY 0 0 0 o © © © ©© ©© 0 © © © ©© © ©© © S3 li: fi% O A €> Ft .
    [Show full text]
  • Smallville: the Guardian Volume 1, Season 11 Pdf, Epub, Ebook
    SMALLVILLE: THE GUARDIAN VOLUME 1, SEASON 11 PDF, EPUB, EBOOK Pere Perez,Bryan Q. Miller | 144 pages | 30 Apr 2013 | DC Comics | 9781401238247 | English | United States Smallville: The Guardian Volume 1, Season 11 PDF Book During takeoff, Lois tells Clark that she has a bad feeling about the Guardian platforms, but Clark claims it might be a good thing, as Superman can't be everywhere at once; Lois, however, isn't convinced. Chasing The Dream by Ashlee Winston. Shelve Spider-Man: Life Story. Emil asks Terri to come into the operating room as her husband wants her, but is kicked out by Lex's security guards. The writing doesn't feel remotely like Smallville to me. Lex explains that the country needs to defend itself just as the Russians have now done by placing the Korolyov in orbit, that Lane needs to push through contracts with the Secretary of Defense to get the LexCorp Guardian orbital weapons platforms built. Lois is written as a parody of herself, and Clark seems very off. Jul 11, M. Oliver and Chloe are starting a new life, moving to another city, though Chloe and Oliver are continuing their lives as The Watchtower and Green Arrow. That's a kind 4 stars. Hank then makes a passionate quote about piloting and how it helps him appreciate what he has on Earth, then says Lex has given him a greater purpose, allowing him to pilot the Guardian platforms into space. A continuation of the series that meant so much to me, and BQM was the writer! Share: Share on Facebook opens in a new tab Share on Twitter opens in a new tab Share on Linkedin opens in a new tab Share on email opens in a new tab Comment: Comments count: 0.
    [Show full text]
  • DC Comics Jumpchain CYOA
    DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe.
    [Show full text]
  • Low a Loner’S Kit to Become Their Most Special Rank
    PARTNERS Twist Fate This book was made possible through a partnership between the Connected Learning Alliance, Wattpad, DeviantArt, the National Writing Project, and the Young Adult Library Services Association. About the Partners Connected Learning Alliance The Connected Learning Alliance supports the expansion and influence of a network of educators, experts, and youth-serving organizations, mobilizing new technology in the service of equity, access, and opportunity for all young people. The Alliance is coordinated by the Digital Media and Learning Research Hub at UC Irvine. Learn more at clalliance.org. Wattpad Wattpad, the global multiplatform entertainment company for original stories, transforms how the world discovers, creates, and engages with stories. Since 2006, it has offered a completely social experience in which people everywhere can participate and collaborate on content through comments, messages, and multimedia. Today, Wattpad connects a community of more than 45 million people around the world through serialized stories about the things they love. As home to millions of fresh voices and fans who share culturally relevant stories based on local trends and current events, Wattpad has unique pop culture insights in virtually every market around the world. Wattpad Studios coproduces stories for film, television, digital, and print to radically transform the way the entertainment industry sources and produces content. Wattpad Brand Solutions offers new and integrated ways for brands to build deep engagement with consumers. The company is proudly based in Toronto, Canada. Learn more at wattpad.com/about. PARTNERS DeviantArt Founded in 2000, DeviantArt is an online social network for artists and art enthusiasts and a platform for emerging and established artists to exhibit, promote, and share their works with an enthusiastic, art-centric community.
    [Show full text]
  • Batman Miniature Game Standard List
    BATMANMINIATURE GAME STANDARD DATE VER. MODELS LIST 2020.03.06 35DC176 BATGIRL REBIRTH (MV) STARTERS & BAT-BOXES BATBOX001 SUICIDE SQUAD 35DC177 TWO-FACE STARTER SET BATBOX002 THE JOKER: CLOWNS PARTY 35DC178 JOHN CONSTANTINE (MV) BATBOX003 THE RIDDLER: QUIZMASTERS 35DC179 ZATANNA (MV) BATBOX004 MILITIA: INVASION FORCE 35DC181 JASON BLOOD & DEMON (MV) BATBOX005 THE PENGUIN: CRIMELORD 35DC182 KNIGHTFALL BATMAN BATBOX006 THE COURT OF OWLS: TALON’S NIGHT 35DC183 BATMAN FLASHPOINT BATBOX007 BANE: VENOM OVERDRIVE 35DC185 KILLER CROC (MV) BATBOX008 LEAGUE OF ASSASSINS: DEMON’S HEIR 35DC188 DYNAMIC DUO, BATMAN AND ROBIN BATBOX009 KOBRA: KALI YUGA 35DC189 THE PARLIAMENT OF OWLS BATBOX010 TEEN TITANS 35DC191 GREEN ARROW TV SHOW (MV) BATBOX011 WATCHMEN 35DC192 HARLEY QUINN REBIRTH (MV) BATBOX012 DOOM PATROL 35DC194 CATWOMAN MODERN AGE (MV) BATBOX013 BIRDS OF PREY 35DC195 JUSTICE LEAGUE DARK (MV) BMG009 BMG THE DARK KNIGHT RISES GAME BOX 35DC198 THE BATMAN WHO LAUGHS (MV) BMG010 BMG BACK TO GOTHAM BOX 35DC199 VENTRILOQUIST & MOBSTERS 35DC200 L. LUTHOR ARMOR & HVY. TROOPER (MV) MODELS 35DC201 LEX LUTHOR & LEXCORP TROOPERS (MV) ¨¨¨¨¨¨¨¨ ALFRED (DKR PROMO) 35DC205 PENGUINS “““““““““ JOE CHILL 35DC211 FALCONE CRIME FAMILY 35DC170 BLACKGATE PRISONERS SET 35DC212 BATMAN (MV) 35DC171 NIGHTWING 35DC213 LEGION OF DOOM 35DC172 RED HOOD (MV) 35DC214 ROBIN & GOLIATH 35DC173 DEATHSTROKE (MV) 35DC215 CLAYFACE (MV) 1 BATMANMINIATURE GAME 35DC216 THE COURT OWLS CREW 35DC260 ROBIN (JASON TODD) 35DC217 OWLMAN (MV) 35DC262 BANE THE BAT 35DC218 JOHNNY QUICK (MV) 35DC263
    [Show full text]
  • Justice League: Rise of the Manhunters
    JUSTICE LEAGUE: RISE OF THE MANHUNTERS ABDULNASIR IMAM E-mail: [email protected] Twitter: @trapoet DISCLAIMER: I DON’T OWN THE RIGHTS TO THE MAJORITY, IF NOT ALL THE CHARACTERS USED IN THIS SCRIPT. COMMENT: Although not initially intended to, this script is also a response to David Goyer who believed you couldn’t use the character of the Martian Manhunter in a Justice League movie, because he wouldn’t fit. SUCK IT, GOYER! LOL! EXT. SPACE TOMAR-RE (V.O) Billions of years ago, when the Martians refused to serve as the Guardians’ intergalactic police force, the elders of Oa created a sentinel army based on the Martian race… they named them Manhunters. INSERT: MANHUNTERS TOMAR-RE (V.O) At first the Manhunters served diligently, maintaining law and order across the universe, until one day they began to resent their masters. A war broke out between the two forces with the Guardians winning and banishing the Manhunters across the universe, stripping them of whatever power they had left. Some of the Manhunters found their way to earth upon which entering our atmosphere they lost any and all remaining power. As centuries went by man began to unearth some of these sentinels, using their advance technology to build empires on land… and even in the sea. INSERT: ATLANTIS EXT. THE HIMALAYANS SUPERIMPOSED: PRESENT INT. A TEMPLE DESMOND SHAW walks in. Like the other occupants of the temple he’s dressed in a red and blue robe. He walks to a shadowy figure. THE GRANDMASTER (O.S) It is time… prepare the awakening! Desmond Shaw bows.
    [Show full text]
  • Rourke, Daniel. 2019. the Practice of Posthumanism: Five Paradigmatic Figures for Human Mutation
    Rourke, Daniel. 2019. The Practice of Posthumanism: Five Paradigmatic Figures for Human Mutation. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/26601/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] The Practice of Posthumanism: Five Paradigmatic Figures for Human Mutation Daniel Rourke Goldsmiths, University of London Submitted in fulfilment of a PhD in Art 2019 0 Declaration of Authorship I, Daniel Rourke, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. 14th January 2019 1 Acknowledgements With special thanks to Edgar Schmitz for being a great mentor and friend. Thanks also to Andrea Phillips, Yve Lomax, John Chilver, Kristen Kreider, and Michael Newman for their support and guidance, as well as Sarah Kember and John Russell for their thorough examination of the thesis in December 2017. Love to Holly Pester and my family for their unwavering generosity and understanding. This thesis would not have been possible without the minds of Holly Pester, Kyoung Kim, Zara Dinnen, Rob Gallagher, Morehshin Allahyari, Maria Fusco, Adrian Rifkin, Rosa Menkman, Nick Briz, Linda Stupart, Michael Connor and countless others who have enriched my intellectual and creative life over the past years.
    [Show full text]
  • Aiken Weiss, SOC - Camera/Steadicam Operator- +1 (310) 874-5717, [email protected]
    Aiken Weiss, SOC - Camera/Steadicam Operator- +1 (310) 874-5717, [email protected] Film & Television Title Director of Photography Director "Evil" Fred Murphy ASC, Tim Guinness Ron Underwood, Peter Sollett "The Naked Singularity" Andrij Parekh ASC Chase Palmer "The Affair" Steve Fierberg ASC, Manuel Billeter Colin Bucksey, Sara Treem "Evil" (P) Fred Murphy ASC Robert King "Star Season 3" Jesse M. Feldman, Jim "Gouch" Gucciardo Scott Peters, Mario van Peebles "The Code" (P) Jimmy Lindsey ASC Marc Webb "Star Season 2" Rodney Taylor ASC, Joachin Sedillo ASC Paul MacCrane, Tamra Davis, etc. "Looming Tower" Jim Denault ASC, Fred Elmes ASC John Dahl, Craig Zisk, etc. "Shelter" (P) Frankie DeMarco Charles McDougall "Gypsy" (D) Bobby Bukowski Coky Giedroyc "Quantico" (D) David Waterston Constantine Makris "Gotham" (D) Crescenzo Notarile Maja Vrvilo "Billions Season 2" Jake Polonsky BSC, Radium Cheung HKSC John Singleton, Ed Bianchi, etc. "Limitless" Jimmy Lindsey ASC, Derick Underschultz Guy Ferland, Peter Werner, etc. "Billions Season 1" Jake Polonsky BSC Neil Burger, Neil LeBute, etc. "Graceland" James L Cater ASC Larry Teng, Scott Peters, etc. "Ballers" Jaime Reynoso AMC Julian Farino, Seith Mann, etc. "Sleepy Hollow" (D) Tod Campbell,Glen Keenan John Leonetti, Doug Aarniokoski, etc. "Manhattan Love Story" Brian Reynolds John Fortenberry, Michael Fresco, etc. "PAPA" Enesto Melara Bob Yari "The Driftless Area" Daniel Voldheim Zachary Sluser "Killer Women" Ed Pei ASC David Grossmann, Colin Bucksey, etc. "Staten Island Summer" Anthony Wolberg Rhys Thomas "Graceland" (D) Bart Tau Russell Fine "Burn Notice 7" Bart Tau Scott Peters, Stephen Surjic, etc. "No Clue" Jan Kiesser ASC CSC Carl Bessai "Revolution" (D) David Moxness, David Stockton Guy Bee, Charles Beeson, etc.
    [Show full text]
  • SUPERMAN FAST FORCES CHARACTER CARDS Original Text
    SUPERMAN FAST FORCES CHARACTER CARDS Original Text ©2011 WizKids/NECA LLC. TM & © 2011 DC Comics (s11) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2011 WizKids/NECA LLC. TM & © 2011 DC Comics (s11) TABLE OF CONTENTS Bizarro, 9 Kryptonian Renegade, 8 Lex Luthor, 7 Steel, 6 Supergirl, 5 Superman, 4 ©2011 WizKids/NECA LLC. TM & © 2011 DC Comics (s11) 001 SUPERMAN JLA, Justice League, Justice League of America, Kryptonian, FASTER THAN A SPEEDING BULLET (Super Senses) Legion of Super Heroes, Metropolis, Reporter Champion of the Oppressed Superman can use MIRACLE MONDAY (Invulnerability) Defend, but only characters 100 points or less can replace their defense values through this use of Defend. LUTHOR’S ESCAPED? BETTER CHECK THIS OUT I FIGHT FOR EVERYONE (Willpower) (Running Shot) DISGUISED AS MILD-MANNERED REPORTER HAVE TO END THIS QUICKLY (Hypersonic Speed) (Shape Change) For Tomorrow Superman can use Super Strength and THE NEVER-ENDING BATTLE (Flurry) Willpower. Arctic Breath Superman can use Incapacitate. When he uses it and hits, he may also give an action token to each opposing TURN BACK TIME (Probability Control) character adjacent to the hit target.
    [Show full text]