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2013/2014 BOOK COVERS AWARD NOMINEES AND OTHERS Art is copyright by the credited artists, their representatives and/or their respective copyright/trademark holders. THE CHESLEY NOMINEES HARDCOVER - 2013 ! WWW.ASFA-ART.ORG FOR FULL LISTING Jason Chan - Lost Covenant: A Widdershins Adventure by Ari Marmell; Pyr, Dec. 2013 Kekai Kotaki- Quintessence by David Walton; Tor, March 2013 Todd Lockwood - A Natural History of Dragons by Marie Brennan; Tor, Feb. 2013 Maurizio Manzieri - Book of Iron by Elizabeth Bear; Subterranean Press, Sept. 2013 Michael Whelan - A Memory of Light by Robert Jordan & Brandon Sanderson; Tor, Jan. 2013 Allen Williams - Light Reading, Queen Victoria’s Book of Spells, edited by Ellen Datlow and Terri Windling; Tor, March 2013 OTHER BOOK COVERS Kekai Kotaki - The Complete Malazan Book of the Fallen by Steven Erikson; Tor, Jan. 2014 John Harris - Ancillary Justice by Ann Leckie; Orbit, Oct. 2013 Karla Ortiz - The Walking-Stick Forest by Anna Tambour; Tor.com, May 2014 Alexander Jansson- The Cabinet of Curiosities, by Stefan Bachmann, Katherine Catmull, Claire Legrand and Emma Trevayne; Harper Collins, May 2014 Stephan Martiniere - The Waking Engine by David Edison; Tor, Feb. 2014 Didier Graffet - The Liveship Traders by Robin Hobb, next printing Julie Dillon- Long Hidden Edited by Rose Fox & Daniel Jose Older; Crossed Genres Publications, May 2014 Daniel Dociu - Abaddon’s Gate by James S.A. Corey; Orbit, June 2013 Charles Vess - Seven Wild Sisters by Charles DeLint; Little Brown, Feb. 2014 ARTICLES ON BOOK COVERS AND OTHER INTERESTING THINGS… • http://www.tor.com/blogs/2014/06/princess- decomposia-and-count-spatula-cover-reveal • http://muddycolors.blogspot.com/2014/05/so- nude-so-dead.html • Not covers- but Discworld Art by Marc Simonetti http://art.marcsimonetti.com/127814/1270280/ illustration/sir-terry-pratchett-s-discworld.

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To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made.
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Rogerzelazny
the collected $29 stories of “ Roger Zelazny was one of the collected stories of roger the collected stories of SF’s finest storytellers, a zelazny Roger Zelazny poet with an immense and Roger Zelazny 5 volume 5: nine black doves instinctive gift for language. volume five nine black Reading Zelazny is like doves nine black doves WINN Roger Zelazny wrote with a lyrical quality rarely found G dropping into a Mozart in science fiction—creating rousing adventures, intricate H © BETH “what-if?” stories, clever situations, and sweeping vistas in P string quartet as played which to play them out. Leavened with layers of allusion by Thelonious Monk.” PHOTOGRA and imagery, his diverse writing styles and breadth of — GREG BEAR subject matter brought him praise as a prose poet and a Roger Zelazny (1937–1995) reaffirmed his mastery of short Renaissance man. Zelazny’s vivid stories, especially his fiction during the 1980s with his release of a pair of Hugo-winning stories, his completion of the Dilvish series, and his creation of Volume 5: Nine Black Doves covers spectacular novellas, are classics in the field. Croyd Crenson for the Wild Cards shared world. the 1980s, when Zelazny’s mature Although he is best known for his 10-volume Amber During the interval covered by this volume, Zelazny began the second craft produced the Hugo-winning and series, his early novels Lord of Light and Creatures of Light five-book series in the Chronicles of Amber, starting with Trumps of Doom. He continued his serious study of martial arts and he created Nebula-nominated stories, “24 Views of and Darkness, and the Dilvish series, his shorter works a shared world of his own.
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Comunicado De Novedadesnoviembre 2012
TM & © DC Comics COMUNICADO DE NOVEDADES NOVIEMBRE 2012 lA NOCHE de los búhos TM & © DC Comics lA NOCHE de los búhos Comienza... lA NOCHE de los búhos El Tribunal de los Búhos decidió abandonar las sombras del anonimato no solo para derrotar al Hombre Murciélago, sino también para reclamar un dominio sobre la ciudad que dicen merecer. Para ello, orquestaron un ataque a la Mansión Wayne, mientras un auténtico ejército de Garras se desplegaba por las calles BATMAN núm. 7 de Gotham, con la intención de terminar con la vida de hasta 40 individuos que, • Guion: Judd Winick, Gail Simone, Peter J. Tomasi con su liderazgo y personalidad, dan • Dibujo: Ardian Syaf, Lee Garbett, Marcus To, Andy Clarke forma a la ciudad. Una amenaza que • Edición original: Batwing núm. 9, Batgirl núm. 9, Batman and Robin núm. 9 USA - DC requerirá la intervención de los más Comics cercanos colaboradores del Caballero • Periodicidad: Mensual Oscuro. • Formato: Grapa, 64 págs. Color. 168x257 mm. • PVP: 4,50 € WWW.eccediciones.com 9 7 8 8 4 1 5 6 2 8 8 1 1 lA NOCHE de los búhos TM & © DC Comics lA NOCHE de los búhos El prólogo a la saga más aclamada lA NOCHE de los búhos El misterioso Saiko tiene como objetivo matar a Dick Grayson, a quien acusa de ser “el asesino más fiero de Gotham”. El villano ha liquidado ya a C.C. Haly, el dueño del circo que vio crecer a Dick antes de que se convirtiera en Robin y NIGHTWING núm. 2 donde sus padres murieron. Siguiendo una pista que le proporcionó Haly junto • Guion: Kyle Higgins a las escrituras del circo, Nightwing ha • Dibujo: Eddy Barrows, Eduardo Pansica, Geraldo Borges encontrado un antiguo y enigmático • Edición original: Nightwing núms.
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LCCC Thematic List
LONDON CIGARETTE CARD COMPANY LIMITED Last Updated: 11th June 2021 Sutton Road, Somerton, Somerset TA11 6QP, England. Website: www.londoncigcard.co.uk Telephone: 01458 273452 Fax: 01458 273515 E-Mail: [email protected] Please tick items required. Prices, which include VAT (UK tax), are for very good condition unless otherwise stated. Orders for cards and albums dispatched to outside the United Kingdom will have 15% deducted. Size abbreviations: EL = Extra Large; LT = Large Trade (Size 89 x 64mm); L = Large; M = Medium; K = Miniature. Please see our catalogue for details of our stocks of 17,000 different series. 24-hour credit/debit card ordering 01458 273452. Why not sign up to our Free Newsletter giving you up to date special offers and Discounts not to mention new additions to stock and information on our current auctions. To sign up enter your e-mail address below and tick here _____ Please Note: Orders are sent post free to UK addresses, but for orders under £25.00 (or £15.00 for LCCC's Card Collectors Club members) please add a handling fee of £2.00. Overseas postage will be charged at cost with no handling fee. Please send items marked on enclosed pages. I enclose remittance of £ or we can accept Visa, Mastercard, Maestro, Visa Delta, Electron, JCB & American Express, credit/debit cards. Please quote Credit/Debit Expiry Valid From CVC Number Card Number...................................................................... Date .................... (if stated).................... (last 3 on back) .................. Name (capital
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Sandman, Aesthetics and Canonisation Today I Want To
Sandman, Aesthetics and Canonisation Today I want to examine the ways in which Neil Gaiman’s Sandman has used narrative, format and aesthetic to move ever closer to the notion of the literary text. Particularly going to consider how it exploits the author function and enacts the struggle for cultural worth that comics seem consistently engaged in. Sandman is an epic series rewriting a golden-age superhero into an immortal deity. It is best remembered for its mythological content and literary references, and these elements have allowed it to claim its place as a canonised graphic novel (despite not actually being a singular GN but a maxi-series across multiple trade paperbacks!). Neil Gaiman’s authorship and authority dominate the text and epitomise Michel Foucault’s author function. But Sandman also draws heavily on mixed media and artistic variation and these aspects are less often discussed. Far from supporting a singular author function, Sandman’s visual style is multiple and varied. But despite this, in paratexts the artistic contributions are frequently subsumed into Gaiman’s authorship. However, a closer reading demonstrates that in fact this artistic variety destabilises clear-cut authorship and enacts the particular status struggles of comics as a collaborative medium struggling against the graphic novel branding. SLIDE: literary pix Sandman was launched in 1989 and became the flagship title for DC’s new Vertigo imprint. Vertigo’s publications contributed heavily to the mainstream cultural revaluation of comics as graphic novels, and critics such as Candace West have argued that Sandman in particular was instrumental here due to the attention the series received from mainstream media such as Rolling Stone magazine.
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The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine.
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Free Catalog
Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come.
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Nominations1
Section of the WSFS Constitution says The complete numerical vote totals including all preliminary tallies for rst second places shall b e made public by the Worldcon Committee within ninety days after the Worldcon During the same p erio d the nomination voting totals shall also b e published including in each category the vote counts for at least the fteen highest votegetters and any other candidate receiving a numb er of votes equal to at least ve p ercent of the nomination ballots cast in that category The Hugo Administrator reports There were valid nominating ballots and invalid nominating ballots There were nal ballots received of which were valid Most of the invalid nal ballots were electronic ballots with errors in voting which were corrected by later resubmission by the memb ers only the last received ballot for each memb er was counted Best Novel 382 nominating ballots cast 65 Brasyl by Ian McDonald 58 The Yiddish Policemens Union by Michael Chab on 58 Rol lback by Rob ert J Sawyer 41 The Last Colony by John Scalzi 40 Halting State by Charles Stross 30 Harry Potter and the Deathly Hal lows by J K Rowling 29 Making Money by Terry Pratchett 29 Axis by Rob ert Charles Wilson 26 Queen of Candesce Book Two of Virga by Karl Schro eder 25 Accidental Time Machine by Jo e Haldeman 25 Mainspring by Jay Lake 25 Hapenny by Jo Walton 21 Ragamun by Tobias Buckell 20 The Prefect by Alastair Reynolds 19 The Name of the Wind by Patrick Rothfuss Best Novella 220 nominating ballots cast 52 Memorare by Gene Wolfe 50 Recovering Ap ollo
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Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC.
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Locus Awards Schedule
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SFSFS Shuttle #136 Sept./Oct, 1998
SfSfS Shuttk #136 September/October yVsju 1998 SFSFS Shuttle #136 Sept./Oct, 1998 South Florida Science Fiction P.O. Box 7O14S Fort Lauderdale, FL 55507 Ye Olde Shuttle Manifest 1...Cover 2...Legalese stuff 3...Upoming SFSFS Events 4...SFSFS Meeting Summaries 7...Magpi’s Editorial, Part 1 7...Marriage Annoucement! 7...Relocated Members 8...Tropicon XVII Flyer Contributors: 9.. .A WorldCon Trip Report Shirlene “Magpi” Ananayo-Rawlik 11...A Current Ongoing SFSFS Survey Peter “Mai” Barker 13...Member Fiction “Fashion Thing” Robert “Buck” Coulson 15...Letters of Comment 17...Tropicon XVII’s TENTATIVE Peggy Ann Dolan Programming Schedule George Flynn 23...Book Review on Krondor the Betrayal Elizabeth Osborne 24...Magpi Editorial, Part 2 George Peterson 25...SFSFS Membership Flyer Pete Rawlik 26...Back Heads SFSFS Board of Directors Audio/Video Archivist: Judi Goodman Chair: Judi Goodman, Book Division: Peggy Ann Dolan, 305-382-1793 305-532-8008, [email protected] Vice Chair: Carlos Perez, Jr. Book Discussion: Joe Siclari & Edie Stem 305-448-5152, [email protected] [email protected] Secretary: Peter 'Mai' Barker Creative Writers’ Group: Adam Castro 561-883-5126, [email protected] 954-418-0832, [email protected] Treasurer: Cindy Warmuth Filking: Dina Pearlman 954-983-0749, [email protected] Tropicon XVII: Pete & Shirlene Rawlik 954-252-0669, [email protected] 561-844-6336, [email protected] Library: Cindy Warmuth Tropicon XVIII: George Peterson Media: Adam Castro 954-739-4676, z004406b.bc.seflin.org Mailing List Compiler: Bill Wilson 954-983-0749, [email protected] Shuttle Editor: November-December 1998, Peter Barker The SFSFS SHUTTLE #136 September - October 1998 The SFSFS SHUTTLE is published by the South Florida Science Fiction Society, a Florida non profit educational organization recognized by the IRS under Section 501(cX3).
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Press Release
NESFA New England Science Fiction Association, Inc. Post Office Box 809 Framingham, MA 01701 United States of America Press Release For Immediate Release Contact: Elisabeth Carey Press Liaison 978-502-2721 [email protected] 47° Boskone Convention Announces Guest of Honor, Official Artist, and Special Guest Boston, MA (October 2009) -- The New England Science Fiction Association, Inc. (NESFA) will hold its 47th Boskone science fiction convention at the Westin Waterfront Hotel in South Boston, MA on February 12-14, 2010. Boskone isa regional science fiction convention focusing on literature, and including many program items on art, science, music, media topics, and gaming. Detailed information is available at www.Boskone.org. The Guest of Honor at Boskone 47 is Alastair Reynolds. A native of Wales, he is one of the key contributors to the new space opera, a part of the field that also includes writers like Iain Banks, Stephen Baxter, and others. He recently second received a one million pound advance from Gollancz for ten books. His novel, Chasm City, won the British Science Fiction Association award in 2002. He was a scientist within the European Space Agency, and spent much of his time working on S-Cam, the world's most advanced optical camera. He is now a full-time writer. In 2005, he was the Hal Clement Science Speaker at Boskone 42, and Boskoue 47 is pleased to welcome him as Cucst of Honor. The Official Artist is John Picacio. He has created covers for works by Harlan Ellison, Michael Moorcock, Robert Silverberg, Neil Gaiman, Hal Clement, and many others.
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