Shorin Ryu Karate-Do
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T Oshiro Yamanni
An Interview with Sensei Toshihiro Oshiro Oshiro Toshihiro: The Way of Yamanni-ryu by Dong Tran Dong Tran: When and where were you born? Toshihiro Oshiro: I was born May 1st, 1949 in Haneji, Okinawa, Japan. DT: When did you begin training in karate? Did your youth revolve around martial arts? TO: I started when I was sixteen. But in actuality, when I was eight or nine in elementary school my sempai already taught me karate and bojutsu. So you can say I already began at age eight. But it's not similar to the way you practice in the dojo today; it's more like kids playing baseball or basketball, that kind of thing. DT: Was it called Shorin-ryu then? TO: No. I wish I could remember the kata they taught me. It was a mixture of Pinan and Naihanchi katas but I don't know who made that kata. After WWII many Okinawan karate practitioners were prisoners of war and one of the stockades was near Haneji so I guess one of them taught karate to our town people. DT: Who was your first karate sensei? Did you also train with Nagamine Shoshin sensei? Did you teach at his dojo? TO: My first and main karate sensei was Shima Masao sensei. One year after I joined his dojo, he recommended that I go train at the hombu (HQ) dojo. When I made shodan I became assistant instructor and then instructor. But leading a class is not the same thing as teaching. They are two entirely different things! Shima sensei taught me from the Fukyu gata to Chinto. -
Kobudo Weapons Rules
KBC Kobudo Competition Rules & Divisions ARTICLE 1: KOBUDO COMPETITION AREA 1. Must be of suitable size to allow Kata to be performed without restriction. 2. Kumite tatami flooring is acceptable but hardwood flooring is preferred. ARTICLE 2: OFFICIAL DRESS REFEREES 1. Referees and Judges must wear the official uniform designated by the Referee Council. This uniform must be worn at all tournaments and courses. 2. The official uniform will be usually be the same as described in the WKF rules. COMPETITORS 1. Competitors may wear a traditional white uniform as in Karate competition or traditional black uniform or a combination of black top-white bottom or black bottom-white top. 2. Hakama may not be worn except in the Kobudo Demo Division. 3. Sleeves may be rolled up for Sai performance. ARTICLE 3: JUDGING PANEL 1. A judging panel of specifically trained Kobudo Judges will be appointed by the KBC Officials Committee. 2. Competitors will perform Kata chosen from the list of recognized Kobudo Kata as referenced in Article 8. 3. Preferably, the panel of Judges will include those representing the different Kobudo Ryuha 4. The Judging Panel will consist of one Head Judge and either four or two corner judges (depending on availability). ARTICLE 4: ORGANIZATION OF THE COMPETITION AND DIVISIONS 1. Kobudo competitors shall compete in the age and skill divisions as described below for Regular Weapons (Bo, Eku, Sai, Tonfa): 9 & Under Novice / Intermediate / Advanced 10-13 Novice / Intermediate / Advanced 14-17 Novice / Intermediate 14-17 Advanced 18 & Over Novice / Intermediate 18 & Over Advanced 17 & Under Black 18 & Over Black. -
©Northern Karate Schools 2017
©Northern Karate Schools 2017 NORTHERN KARATE SCHOOLS MASTERS GUIDE – CONTENTS Overview Essay: Four Black Belt Levels and the Title “Sensei” (Hanshi Cezar Borkowski, Founder, Northern Karate Schools) Book Excerpt: History and Traditions of Okinawan Martial Arts (Master Hokama Tetsuhiro) Essay: What is Kata (Kyoshi Michael Walsh) Northern Karate Schools’ Black Belt Kata Requirements Northern Karate Schools’ Kamisa (Martial Family Tree) Article: The Evolution of Ryu Kyu Kobudo (Hanshi Cezar Borkowski, ed. Kyoshi Marion Manzo) Northern Karate Schools’ Black Belt Kobudo Requirements Northern Karate Schools’ Additional Black Belt Requirements ©Northern Karate Schools 2017 NORTHERN KARATE SCHOOLS’ MASTERS CLUB - OVERVIEW In response to unprecedented demand and high retention rates among senior students, Northern Karate Schools Masters Club, an advanced, evolving program, was launched in 1993 by Hanshi Borkowski. Your enrolment in this unique program is a testament to your continued commitment to achieving Black Belt excellence and your devotion to realising personal best through martial arts study. This Masters Club Student Guide details requirements for Shodan to Rokudan students. It contains select articles, essays and book excerpts as well as other information aimed at broadening your understanding of the history, culture and philosophy of the martial arts. Tradition is not to preserve the ashes but to pass on the flame. Gustav Mahler ©Northern Karate Schools 2017 FOUR BLACK BELT LEVELS AND THE TITLE “SENSEI” by Hanshi Cezar Borkowski Karate students and instructors often confuse the terms Black Belt and Sensei. Sensei is commonly used to mean teacher however, the literal translation of the word is one who has gone before. Quite simply, that means an instructor who has experienced certain things and shares what he/she has learned with others - a tour guide along the road of martial arts life. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Uechi-Ryu History
Welcome to Rooke School of Karate! Congratulations on your decision to take the challenge towards personal growth and development! Sensei Steven Rooke and the fellow students at the Rooke School of Karate take great pleasure in welcoming you to our school. By becoming a member of our karate school, you will join an organization that takes great pride in our students and the martial arts that we learn. Since the Rooke School of Karate opened in 2006, we have been committed to building and developing our students into the best that they can be. As a student works and trains towards becoming a Black Belt, they will experience challenges, growth, progress and change within our school, as in many other aspects of their lives. We hope that you will find our karate school to be a positive experience that will influence your life and/or that of your child. Our objective here at the Rooke School of Karate is to provide you with a well structured martial arts program in a safe, positive and non-intimidating learning environment that promotes a positive attitude where students will develop their mental strength and physical endurance that will lead to greater confidence and self discipline. We offer a positive approach to a student’s success, creating attainable goals for the students in an environment that makes learning fun. In the beginning, it is always best to focus on developing a strong foundation of skill and understanding of the basic maneuvers and techniques we practice. In addition to getting your body in better shape, you should notice an increase in strength and flexibility along with greater energy and endurance within the first few months. -
Japanese Reflections on World War II and the American Occupation Japanese Reflections on World War II and the American Occupation Asian History
3 ASIAN HISTORY Porter & Porter and the American Occupation II War World on Reflections Japanese Edgar A. Porter and Ran Ying Porter Japanese Reflections on World War II and the American Occupation Japanese Reflections on World War II and the American Occupation Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The Asian History series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hägerdal, Linnaeus University, Sweden Editorial Board Members Roger Greatrex, Lund University Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University David Henley, Leiden University Japanese Reflections on World War II and the American Occupation Edgar A. Porter and Ran Ying Porter Amsterdam University Press Cover illustration: 1938 Propaganda poster “Good Friends in Three Countries” celebrating the Anti-Comintern Pact Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 259 8 e-isbn 978 90 4853 263 6 doi 10.5117/9789462982598 nur 692 © Edgar A. Porter & Ran Ying Porter / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. -
International Ryukyu Kobudo Federation
International Ryukyu Kobudo Federation N A T I O E R N T A N L I RYUKYU F E KOBUDO N D O E R A T I Ryukyu Kobudo is the practice of martial arts weapons that developed in the Ryukyu Islands. The Ryukyu Islands are a chain of islands extending southwest from the southern end of Kyushu Island in Japan. Notable islands include Okinawa and Hama Higa Islands. The kata names originate from the Kyushu island or village where they s nd developed, or from the master that is sla u I ky credited with the kata. yu R Okinawa Short History Okinawa is the largest island in the Ryukyu Island chain. Both Japanese and Chinese settlers have been there since around 300 BC. By 1340 AD. three kingdoms exist in the Ryukyu Islands, Hokuzan, Chuzan, and Nazan. These three kingdoms are at war with each other for dominance of the island chain. It is at this time that trade begins with China. In 1393 AD. China sends a large group of people to Okinawa as part of the cultural exchange. Included in this group are monks from the Shaolin Temple. This begins the combination of Shaolin Kung Fu with Okinawan Te. In 1429 AD. The Ryukyu Islands are united under one king. The kingdom prospers due to the trade with all of Asia. In 1447 AD. King Sho Shin bans all weapons from civilians to keep the peace. This is the first “Weaponless Period”. In 1609 AD. the Satsuma clan invades the Ryukyu Islands and captures the King. -
Matayoshi Kobudo, a Brief History and Overview
Creating chances for Matayoshi Kobudo experience A Brief History and Overview Several weeks ago I organised a workout While there are a number of books and numerous articles about reunion for my former and present karate the various unarmed systems of Okinawan martial arts, there is students and the focus of this special workout little quality written material in English about the various armed was on close combat mass attacks. During the workout I slowly worked towards arts of the island. There are a small number of sources looking at a fighting scenario where we ultimately had the performance of various kata, and some on application of these hardly any space to manoeuvre, often standing kata, but there are a dearth of sources that clearly examine the shoulder to shoulder as in a huge packed content and history of any of the island's major weapons systems. crowd of hundreds and where everybody was This article is an attempt to begin to fill some of that gap in the fighting everybody. At its climax people were pushed back in the fighting crowd when they literature by more carefully examining the history and content of escaped the centre of fighting and medicine the Matayoshi kobudo. balls were constantly being thrown in to add another dimension. A scenario with an extre- - Frederick W. Lohse III - mely chaotic and uncontrollable nature. Some of my former students were not familiar with this type of mass attack training where all attacks can be initiated at any time, totally The armed arts of Okinawa have always communal impact. -
The Literary Landscape of Murakami Haruki
Akins, Midori Tanaka (2012) Time and space reconsidered: the literary landscape of Murakami Haruki. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/15631 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Time and Space Reconsidered: The Literary Landscape of Murakami Haruki Midori Tanaka Atkins Thesis submitted for the degree of PhD in Japanese Literature 2012 Department of Languages & Cultures School of Oriental and African Studies University of London Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
WUKF Official Kobudo Kata List
OFFICIAL KOBUDO KATA LIST Kobudo Katas not listed may be used. They must be traditional Okinawa or Japanese based. To be considered they must be submitted prior to the commencement of the completion. This submission must be in writing and will be considered during kobudo seminar. Bo (Kun/Kon) / Nunti Bo Ekku / Eku Nunchaku Sai Kama Tonfa Tinbe Kubo no kun Ekku Kina no Nunchaku Sai Ichi No Dan Kama Hama Higa no Tonfa Tinbe Maezato (Miyazato/Taira) Kingawa (Kanegawa) no Katin no kun Matsumura no Ekubo no Nunchaku Sai Ni No Dan Nicho Gama Sho/Dai Matayoshi no Tonfa 1, 2 Kuniyoshi no Tinbe Ogusuku Matayoshi (Gushikawa Chikin Sunakake (Uhugushiku/Kihon) no Tawada no Sai Sho (Mabuni no Tairagua no Nichogama)no Ruru no kun (Tsukensunakake) no Ekkubo Nunchaku Sai) Nichogama 1, 2 Yakaa no Tonfa Kanegawa no Tinbe Tokumine no Kon/Chatanyara- Chikinshitahaku Sho no kon Ufuchiku no Ekubo Akamine no Nunchaku (Tsukenshitahaku) no Sai Kishaba no Nichogama Yara Gua no Tonfa Daijo (Kama) no Tinbe Kuniyoshi no Nunchaku 1, Tóyama (Tozan) no Nicho Shushi no Kon Sho/Dai Tsukenakachu no Ekubo 2 Toyei (Chatanyara Sho) no Sai Gama Matsuhiga no Tonfa Matayoshi no Tinbe Yunigawa (Yonekawa) no Kon Irei no Ekubo San bon Nunchaku Matsumura no Sai Kina no Nichogama Kuniba no Tonfa Kuzushi Sho/Dai no Kuzushi Sho/Dai no Sakugawa no Kon Akahachi no Ekubo Nichonunchaku Chatanyara no Sai Nichogama Tonfa Ogusuku (Uhugushiku) no Sakugawa no Kon Sho/Dai Yabiku-nago no Ekubo Denko Nunchaku Ananku no Sai Nichogama Kina no Tonfa Arakaki no Kon Hato no Ekubo Shihohai no Nunchaku -
Karate Rank Requirements
Karate Rank Requirements YOUTH RANK: KYUKYU - 9TH KYU (1 YELLOW TAG) (5-7 year olds) HAKKYU - 8TH KYU (2 YELLOW TAGS) YOUTH & ADULT RANKS NANAKYU - 7TH KYU (YELLOW BELT) ROKKYU - 6TH KYU (GREEN TAG) GOKYU - 5TH KYU (GREEN BELT) YONKYU - 4TH KYU (GREEN BELT / RED TAG) SANKYU - 3RD KYU (BROWN BELT) NIKYU - 2ND KYU IKKYU - 1ST KYU SHODAN 1 / 21 Karate Rank Requirements NIDAN SANDAN YONDAN YOUTH - KYUKYU - 9TH KYU (YELLOW TAG) (5-7 yr. olds) HOJO UNDO SHORIN KATA Punching None Blocks Front Kick Three Basic Stances: Front Stance Cat Stance Horse Stance YOUTH - HAKKYU - 8TH KYU (2 YELLOW TAGS) HOJO UNDO SHORIN KATA Punching Drill None Blocking Drill 2 / 21 Karate Rank Requirements Front Kick Three Basic Stances: Front Stance Cat Stance Horse Stance NANAKYU - 7TH KYU (YELLOW BELT) HOJO UNDO SHORIN KATA SHUDOKAN KATA Punching Drill None Taikyoku Shodan Blocking Drill Front Kick Three Basic Stances Front Stance Cat Stance Horse Stance IPPON KUMITE (ONE PERSON) Upper Series - Upper block-punch - Circle block-punch - Cross block-punch 3 / 21 Karate Rank Requirements Middle Series - Outer block-punch - Circle block-punch - Cross block-punch Lower Series - Lower block-punch OTHER TWO PERSON MATERIAL - Arm conditioning ROKKYU - 6TH KYU (YELLOW BELT /GREEN TAG) HOJO UNDO SHORIN KATA SHUDOKAN KATA Kyan Lines 1-3 None Taikyokyu Nidan Taikyokyu Sandan 4 / 21 Karate Rank Requirements IPPON KUMITE (ONE PERSON) Upper Series - Upper block-punch - Circle block-punch - Cross block-punch Middle Series - Outer block-punch - Circle block-punch - Cross block-punch -
琉球古武道保存振興会 Ryukyu Kobudo Sensei HIROSHI AKAMINE
琉球古武道保存振興会琉球古武道保存振興会 ヨーロッパ Ryukyu Kobudo Hozon Shinko Kai - Europe Seminar October 1st - 3rd, 2011 Erlangen / Germany RyukyuRyukyu KobudoKobudo SenseiSensei HIROSHIHIROSHI AKAMINEAKAMINE 3rd Kaicho Ryukyu Kobudo Hozon Shinko Kai assisted by Sensei DELL HAMBY 4th Dan (Switzerland) www.ki-shin-tai.de Dear Karateka and Kobudoka, we are glad to welcome Hiroshi Akamine Sensei from Okinawa - the homeland of karate and kobudo - in Germany for the first time. Hiroshi Akamine Sensei is the grandson of Raisuke Higa, a Yamaniryu bo-jutsu legend, and son of the distinguished Master Eisuke Akamine. He started training under his father in 1960 as a child at the age of 6. Eight years later he studied tinbé (halberd and shield) kata under Shinken Taira Sensei. In 1970, his father sent him to study karate under the late Shijin Gushiken (1944-1994). Akamine Sensei was awarded teacher's license in karate by Eisuke Akamine Sensei (1987) and by Gushiken Sensei (1994). 1999 he was awarded teacher's license in kobudo by Eisuke Akamine Sensei. He is the 3rd president (kaicho) in the lineage of the Ryukyu Kobudo Hozon Shinko Kai after Shinken Taira Sensei and Eisuke Akamine Sensei. Highly ranked in both kobudo and karate with more than 50 years of practice he is renowned for his expertise in speed and development of tanden energy. The seminar is open to everybody regardless of style, affiliation or rank. ORGANIZER / PLACE / ACCOMODATION: KI-SHIN-TAI DOJO, Thomas Podzelny, +49-9131-55117 (home), +49-177-7755117 (mobile), [email protected] Attention! Two different locations! arrival friday, welcome party, overnight accomodation friday/saturday: DOJO 1: Ki-Shin-Tai Dojo, Am Schwabachgrund 22, 91054 Buckenhof (close to Erlangen) seminar from saturday morning, overnight accomodation saturday/sunday/monday/tuesday: DOJO 2: Aikido-Dojo of TB Erlangen, Helene-Richter-Str.