The Sound Engineering Magazine March 1982 81.95
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The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Education Contents
TECHNOLOGY Audio Case Studies & Product Guide Education Contents About HARMAN About Sound Technology Ltd Case Studies • Exeter University • Manchester Metropolitan Business School • University of Leicester • MMU Students’ Union • Oxford Union Debating Chamber • Athlone Institute of Technology • Springfield Community Centre Product Guides • Loudspeakers • Signal Processing and Distribution • Amplificiation • Mixing • Microphones About HARMAN HARMAN Professional Solutions is the world’s largest professional audio, video, lighting, and control products and systems company. It serves the entertainment and enterprise markets with comprehensive systems, including enterprise automation and complete IT solutions for a broad range of applications. HARMAN Professional Solutions brands comprise AKG Acoustics®, AMX®, BSS Audio®, Crown International®, dbx Professional®, DigiTech®, JBL Professional®, Lexicon®, Martin®, Soundcraft® and Studer®. These best- in-class products are designed, manufactured and delivered to a variety of customers, including tour, cinema, retail, corporate, government, education, large venue and hospitality. In addition, HARMAN’s world-class product development team continues to innovate and deliver groundbreaking technologies to meet its customers’ growing needs. For scalable, high-impact communication and entertainment systems, HARMAN Professional Solutions is your single point of contact. About Sound Technology Ltd Sound Technology Ltd is the specialist audio distributor of HARMAN Professional Solutions in the UK and Republic of Ireland. We provide system design, demonstration facilities and servicing of all HARMAN audio products. In this document you’ll find some relevant case studies. For any further information, to speak to our system designers, or to arrange a demo, please call us on 01462 480000. Exeter University The University of Exeter’s stunning multi-million pound Forum project has transformed the heart of the Streatham Campus and provided it with a vi- brant new centrepiece. -
Si1+ Si+ Series Brochure
Soundcraft, Harman International Industries Ltd., Cranborne House, Cranborne Road, Potters Bar, Hertfordshire EN6 3JN, UK T: +44 (0)1707 665000 F: +44 (0)1707 660742 E: soundcraft.info@harmancom Soundcraft USA, 8500 Balboa Boulevard, Northridge, CA 91329, USA T: +1-818-920-3212 F: +1-818-920-3208 E: [email protected] www.soundcraft.com Part No: BD10.520301 04/12 Best new product Most innovative audio console for commercial installation When going digital is this easy, why stay analogue? When you need massive mixing power in a compact footprint, you need a Soundcraft Si Series console – the multi award-winning ‘one box’ digital mixing system that feels like an analogue mixer. • 80 inputs to mix (Si3+, Si2+) / 72 inputs to mix (Si1+) • 64 mono mic inputs as standard (Si3+, Si2+) / 48 mono mic inputs as standard (Si1+) • 4 stereo inputs and 4 dedicated FX returns, plus 8 assignable external inserts Maximum power, minimum footprint • Remote Stagebox options with MADI connection • 24 Group/Aux/FX outputs • 8 Matrix outputs with sends from all Group, Aux, FX and Main L/R/C busses • 12 VCA Groups and 8 independent Mute Groups • 4-band fully parametric EQ on every input and output, with HPF on every input • 35 full 30-band BSS Audio graphic equalisers • 4 independent stereo Lexicon FX processors • Compressor and gate on every input, compressor on every output • Delay adjustable on every input and output • Metering for every Group/Aux/FX, Masters and Monitors/Solo • Full DSP horsepower to handle all functions at any time. PAGE 4/5 Si2+ rear panel view With no external processing rack, an Si Series console For remote connections, an optional Compact Stagebox Just plug it in simply plugs in where your analogue console used to be, with 32 inputs and 8 outputs is available (configurable), immediately delivering the full power of a sophisticated which connects via MADI (optional MADI card required). -
Soundcraft Extends World-Class Vi Series with Vi5000 and Vi7000 Digital Mixing Consoles
® TECH NOLOGY PROFESSIONAL AUDIO NEWS MAY 2015 Soundcraft extends world-class Vi Series with Vi5000 and Vi7000 digital mixing consoles Soundcraft has launched the Vi5000 and Vi7000 consoles, replacing the popular Vi4 and Vi6 consoles, and which offer ® 96kHz processing, upgraded channel counts and even more Native monitoring and control of reliable hardware. Shure digital wireless systems The consoles provide a choice of compact control surfaces with new local With the introduction of the new Vi rack and active breakout box hardware, delivering simultaneous mixing of consoles comes an extension to the up to 128 inputs and 32 mono/stereo busses with up to 384 inputs and VM2 radio microphone monitoring outputs in the I/O system. feature, with Shure’s digital wireless systems now recognised alongside Pristine sound quality is assured with ultra-low noise microphone amplifier AKG systems. designs and enhanced 96kHz 40-bit floating point digital audio processing, with the first ever digital implementation of the classic BSS DPR901ii VM2 enables automatic device Dynamic EQ adding to the channel processing armoury. Both consoles also discovery, identification, and feature an additional dedicated 64ch MADI interface for Realtime Rack; a mapping of each wireless system to collaboration with Universal Audio that gives users access to industry- the appropriate mixer channel. standard UA studio plugins. All essential wireless parameters The Vi5000 and 7000 consoles boast the most configurable local and are displayed including battery life Stagebox I/O hardware in their class, with extensive I/O expansion options status, RF and audio metering, with available plus a choice of Cat 5e or Optical fibre Stagebox connection to suit the ability to adjust receiver gain budget and cable length. -
22 Years of Crown 'Mic Memos'
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright. -
Engineer Jim Scott
Engineer Jim Scott BUILDING SUCCESS THE OLD-FASHIONED WAY By Mr. Bonzai Engineer Jim Scott may be one of the best examples of a what I wanted to do.” disappearing breed. He started his career in the analog At that point, Scott began pursuing his dream. days as a gofer at Los Angeles’ Record Plant and worked “I had a friend who worked at the Record Plant re- his way up through the traditional tiers from janitor to cording studio as a temporary bookkeeper and she assistant engineer, and eventually “super-assistant.” His said that kids come in and intern, and they learn first gig as a fledgling solo engineer was for Sting’s The how to engineer, record, and make records. I was Dream of the Blue Turtles, an album that earned him a 28 years old, and was hired to be a gofer—with a Grammy nomination for Best Engineered Album. Over college degree and six years as a professional ge- the past 25 years, Scott has distinguished himself with ologist. Then I became the nighttime guy who stunning work for the likes of the Red Hot Chili Peppers, answered the phone. Then I moved up to being a Wilco, Johnny Cash, Lucinda Williams, Tom Petty, and janitor, and along the way I was actually trained to the Rolling Stones. Along the way he has continued to do what you need to do in a recording studio.” work with debut artists and has earned a worldwide fan Scott’s training at the Record Plant paved the club for his direct approach to making records. -
Explore Local
Eat & Drink Stop & SHOP ¡CHECK it out! EXXPPLLOO RR EATERY • Fitness & Recreation % History/Architecture EE o Cafe Z Clothing & Accessories ARt/design/Craft ! ! A Grocer/Bodega c Health/Beauty The Q D natural/open space z Producer 1 Home & Garden 9 community resource Bars, BREWs & barrels • Professional Services All Star Donuts ConfiDental Smile 826 Valencia (TL) and Burgers 735 Larkin St 180 Golden Gate Ave 1 42 • Q 53 9 The Tenderloin got its name because police once bragged that the price of bribes afforded 290 Golden Gate Ave (415) 589-7353 (415) 642-5905, ext 201 (415) 921-5541 them the highest grade of beef. The Em's Barber Shop Asian Art Museum Amigo's Market TenderloinTenderloin 43 342 Jones St Q 54 200 Larkin St 2 500 Ellis St A (415) 926-0552 (415) 581-3500 c % (415) 674-4145 Chico's Pizza Get High on Mountains Boeddeker Park 44 55 3 468 Ellis St 276 Golden Gate Ave Z 246 Eddy St D The neighborhood played a huge role in San Francisco's golden age of vice, with gambling (415) 776-2222 dens, speakeasies, bordellos, and a historic sex worker protest of 1917. GoodLife RX Pharmacy Center for New Music Dispensa 731 Larkin St 55 Taylor St 39 Taylor St 45 Q 56 4 (415) 922-0777 (415) 275-2466 (415) 896-4021 c % Karry's Auto Body Civic Center Campus, CCSF Downtown Grocery 46 265 Eddy St • 57 1170 Market St 5 289 Eddy St A 9 At legendary venue Blackhawk Jazz Club, greats like Miles Davis, Billie Holiday, Charlie (415) 531-2754 (415) 655-3262 (415) 561-1020 Parker, Dave Brubeck, and Thelonious Monk played and recorded. -
Herbie Hancock Man-Child Mp3, Flac, Wma
Herbie Hancock Man-Child mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Man-Child Country: Germany Released: 2013 Style: Jazz-Funk MP3 version RAR size: 1786 mb FLAC version RAR size: 1873 mb WMA version RAR size: 1545 mb Rating: 4.8 Votes: 953 Other Formats: AC3 MP2 AAC DMF DXD WMA WAV Tracklist A1 Hang Up Your Hang Ups 7:28 A2 Sun Touch 5:10 A3 The Traitor 9:37 B1 Bubbles 9:01 B2 Steppin' In It 8:41 B3 Heartbeat 5:16 Companies, etc. Recorded At – Wally Heider Studios Recorded At – The Village Recorder Recorded At – Funky Features Recorded At – Crystal Sound Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Manufactured By – Columbia Records Pressed By – Columbia Records Pressing Plant, Terre Haute Credits Art Direction – Ren Deaton Productions* Artwork [Cover] – Dario Campanile Bass – Henry Davis, Louis Johnson, Paul Jackson Drums – Harvey Mason, James Gadson, Mike Clark Engineer – David Rubinson, Fred Catero, Jack Leahy Guitar – David T. Walker, Blackbird McKnight* Harmonica – Stevie Wonder Management [Artist] – Adamsdad Management Co.* Mastered By – George Horn, Phil Brown Percussion – Bill Summers Piano [Acoustic], Electric Piano [Fender Rhodes], Synthesizer [Arp Odyssey, Pro Soloist, 2600, String Ensemble, Oberheim Polyphonic], Clavinet [Hohner D6] – Herbie Hancock Producer – David Rubinson & Friends, Inc., Herbie Hancock Saxophone, Flute – Ernie Watts, Jim Horn Soprano Saxophone – Wayne Shorter Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Bass Flute, Alto Flute – Bennie Maupin Trombone – Garnett Brown Trumpet – Bud Brisbois, Jay DaVersa Tuba, Bass Trombone – Dick Hyde Notes Misprinted release: Columbia red-label on side A has no text. Recorded at Wally Heider Studios, San Francisco; Village Recorders, Los Angeles; Funky Features, San Francisco; and Crystal Studios, Los Angeles. -
Aes 141St Convention Program September 29–October 2, 2016
AES 141ST CONVENTION PROGRAM SEPTEMBER 29–OCTOBER 2, 2016 LOS ANGELES CONVENTION CENTER, CA, USA The Winner of the 141st AES Convention Session P1 Thursday, September 29 Best Peer-Reviewed Paper Award is: 9:00 am – 10:30 am Room 403A The Relationship between the Bandlimited Step Method (BLEP), Gibbs Phenomenon, and Lanczos Sigma Correction— TRANSDUCERS—PART 1 Akhil Singh, Will Pirkle, University of Miami, Coral Gables, FL, USA Chair: Alex Voishvillo, JBL/Harman Professional, Northridge, CA, USA Convention Paper 9670 9:00 am To be presented on Saturday, October 1, P1-1 Holographic Nearfield Measurement of Loudspeaker in Session 22—Signal Processing—Part 3 Directivity—Wolfgang Klippel, Christian Bellmann, * * * * * Klippel GmbH, Dresden, Germany The AES has launched an opportunity to recognize student members who The acoustical output of loudspeaker systems is usual- author technical papers. The Student Paper Award Competition is based on ly measured in the far field under anechoic conditions the preprint manuscripts accepted for the AES convention. requiring a large measurement distance and special A number of student-authored papers were nominated. The treatment of the room (absorbing room boundaries, air excellent quality of the submissions has made the selection process condition). Also the measurements of directivity char- both challenging and exhilarating. acteristics at sufficient angular resolution are also very The award-winning student paper will be honored during the time consuming. The measurement in the near field of Convention, and the student-authored manuscript will be consid- the sound source provides significant benefits (dominant ered for publication in a timely manner for the Journal of the Audio direct sound, higher SNR, less climate impact) but Engineering Society. -
//1/P0rcf/11Fa
$2.50 April 1979 Volume 10 - Number 2 C ONCFA SOUNO ;//1/P0RCF/11FA/ -1 o `. 4 -- STUDIO DESIGN Rudi Breuer - 45 Michael Rettinger - 62 Kent Duncan - 68 Rich Houston - 80 RELATING ftfCORDING SCIENCE TO RECORDING ART TO RECORDING EQUIPMENT www.americanradiohistory.com versatile.. is the word for Everything Audio. We have a wide range of clientele because we satisfy a wide range of needs. From the most elaborate studio design and installation to the smallest equipment need, we are ready to serve you. Pictured at left is one of our installations, Spectrum Recording Studios in Venice, California. Our involvement in this project was limited to that of design -to maximize their avail- able funds, the owners had their own builders handle construction. Pictured at right is Compact Video Systems in Burbank, California, an advanced audio /video facility utilizing computer assistance in the post production audio room. It is one of our newest and most elaborate installations. We designed this facility in an existing structure, supplied the audio equipment, and assisted their crew during construction, clarifying and modifying the plans as the work progressed. The combined effort of the Compact Video crew and the Everything supplied the plans in metric measure- Audio staff result- ments and, through local representa- ed in an installa- tion, kept involved in the project tion that is inno- until its completion. In all of our pro- vative in its tech- jects- anywhere in the world -the nology as well as home office keeps abreast of every- its finish and thing with on -site inspections. materials. -
TWO LOUIES, July 1999 - Page 3 Bodybag; Together Again at the Tonic Lounge July 24Th
Y 1999 OREGON MUSIC / JUL SUNN BACK CONFESSION NO FERNANDO LIVE ARTHUR o k u B o t o TIM ELLIS ph STUDIO/MASTERING GUIDE In celebration of one hundred years of advocating for musicians’ rights in this business that we call MUSIC, the American Federation of Musicians, Local #99 and AT&T have put together some of the greatest minds and organizations to present to YOU the most up-to- the-minute information on MUSIC AND THE INTERNET What: A two-day intensive that deals with issues that affect a musician and sales of musical product on the Internet. Day 1 Topics Include: *Intellectual Property and Copyrights *Performance Issues and Protections *Are Big Labels Relevant in the Internet Era *Distribution, PR and Marketing on the Net Day 2: *In-depth, hands-on opportunities in the areas of net technology with the leading tech. experts! Cost: Free to Local #99 members! (make the best investment of the year, join today!) Information on Local #99 and on the Music and the Internet Seminar, contact us at 235-8791 or via e-mail ROSE GARDEN at www.afm99.org Friday, July 2nd vs Arizona Rattlers 7:00PM Friday, July 15th vs Buffalo Destroyers 7:00PM AFM, LOCAL #99 Celebrating a Centennial of Advocacy in the Arts AFM, LOCAL #99 ready to work for today’s musicians. (If we don’t do it, who else will?) Guitarist Chris Newman’s catchy-tunes and Jimi- tones made him an underground favorite in the local club scene of the late 70’s, early 80’s A regular at the Club Long Goodbye, Newman’s break came at an opening slot for X at the Euphoria Tavern in 1981. -
Av Control Systems Mixing Consoles Iphone Apps
ONLINE FCC FREQUENTLY ASKED QUESTIONS svconline.com/ microphones/features !RE9OU.ETWORKED Associations, Certifi cation, and Social Media PLUS AV CONTROL SYSTEMS MIXING CONSOLES IPHONE APPS A PENTON MEDIA PUBLICATION . REVIEWS: AUDIO-TECHNICA SPECTRAPULSE MARKETING MIX: LINKEDIN 03 10 DIGITAL ZONE PROCESSORS Need more microphone inputs? With up to six microphone inputs and Ambient Noise Compensation, the four new ZonePRO devices extend the family even further. The four new ZonePRO devices extend the reach Four new ZonePRO devices of ZonePRO into applications requiring additional – 1260m, 1261m, 640m and 641m microphone inputs. Ambient Noise Compensation More microphone inputs (ANC), added as an output insert option, complements – 6 total - 1260m and 1261m the highly acclaimed Advanced Feedback Suppression – 4 total - 640m and 641m (AFS™) and AutoWarmth® algorithms available on all Ambient Noise Compensation (ANC) as Output Insert eight members of the ZonePRO family. Ethernet and RS-232 control All eight ZonePRO devices Four additional microphone inputs on the ZonePRO 1260m and 1261m dbxpro.com !" !" "#$% !" & ' & ()* & +& , & ' & - & & ) & *% ./, & / 0 & & & 1 2.+ !" & (& 3 / !" /, 4& 5 " ! 3 6 ,% ,%7 + 8 !9%7$: ; 6 : 8 ( < 3/ ( " 2 = > + #' %%77 # > ( ?7%,7%%77 @,7$7 ( " 2 VOL 28r NO 3 28 54 TECHNOLOGY SHOWCASES 28 DIGITAL