OUNCIL I Annual Account~ I F-98 6.87

Total Page:16

File Type:pdf, Size:1020Kb

OUNCIL I Annual Account~ I F-98 6.87 OUNCIL I Annual Account~ I f-98 6.87 NT ' Secretary-General's Preface I Finance Director's Notes 3 Foreword 4 Arts Council of Great Britain Accounts 5 Scottish Arts Council Accounts 29 Welsh Arts Council Accounts 47 South Bank Chairman's Foreword 64 South Bank Board Accounts 65 SECRETARY-GENERAL'S PREFAC E Financially 1986/7 was not an easy year for completed for the hand-over of the the arts . Many arts organisations were Wigmore Hall to Westminster City Council staving off financial disaster, not because o f and the Serpentine Gallery to an lack of demand, but because the essentia l independent trust . core funding was no longer enabling them to fulfill that demand. For the Council itself, Last year's Annual Report referred to th e the responsibility of owning and running the very important and encouraging start we South Bank Centre was perhaps the made on The Glory ofW Garden, a strategy greatest challenge to come from abolition o f for a decade. At the end of its second year, the Greater London Council . the Council can be well pleased with many of the successful activities which have The Council has continued to put the resulted in partnership with local strongest possible case for increased authorities . In November 1987 the Council investment in the arts . The subject wa s reviewed the strategy at a two day meetin g keenly debated by delegates at an and has planned the next phase. international conference in March 198 7 when Lord Goodman passionately defende d In spite of many funding difficulties the the arm's length principle, so long the basi s Council tackles its responsibilities wit h of Britain's arts funding structure . enthusiasm and conviction . In spite of much criticism for almost any decision it takes , Following the publication of The Glory of th e the Council can . I believe, be encourage d Garden in 1984 the Council instigated its by the wealth of creativity and excitemen t own organisational review which had as one that permeates the artistic life of Britain . of its major recommendations the ending o f That is what makes it all worthwhile . Arts Council directly provided activities i .e . those areas, like the Hayward an d Serpentine Galleries and the Wigmore Hall hitherto run by the Council . The Hayward Gallery and touring exhibitions have no w moved to the control of the South Bank Board and negotiations have been Life Luke Rittner FINANCE DIRECTOR'S NOTES I S'I'ATEMEN'I' OF SURPLU S b) Education Hie accounts show that with a turnover of For the first time amounts of subsidie s £1313 million, including direct promotions , offered for educational activities are shown the Arts Council ended the year 1986/87 under education in note 6 to the accounts as with a net deficit of £752,269 . The Scottish opposed to the prior year 's practice of Arts Council showed a deficit of £169,224 , including these subsidies within other art the Welsh Arts Council a surplus of £9,65 9 forms. The total grants and guarantees and the South Bank Board achieved a offered for education purposes is £249,044 surplus of £173,648. in 1986187 as opposed to £203,041 in 1985/86. 2 The accumulated surplus disclosed in the c) Regional Arts Asso6ations Balance Sheet now stands at £2 .5m. This is The subsidies stated in note 6 to the required in part to meet the Council's ne t accounts for Regional Arts Associations , operating assets of £0 .49m and mi part to totalling £24,639,399, are the basic annua l provide £1 .0m towards funding clients an d subsidies . A further £3,302,976 was made operations in 1987/88 . Council has yet to available by the Council for a range an d consider how, if at all, the balance of the variety of schemes and activities and i s surplus should be utilised in future years , shown within the relevant category of having due regard to the severe cash activity in Schedule 1 to the accounts . restraints facing the Council . 3 Specific reserves 5 Ownership of the South Bank Estate was of £0.55m are detailed vested in the ACGB on 1st April 1986 unde in note 14 to the accounts of which the ar r t the 1985 Local Government Act . Include equalisation reserve will he transferred to d k the South Bank Board and the Serpentin in the balance sheet of the South Ban e Board under fixed assets is a calculation of Trust in due course. the depreciated replacement cost of th e Estate at £25m. 4 Schedule 1 to the accounts details th e grants and guarantees offered by the Art s Current statutory limitations on the use o f Council in 198fu87. Asterisks are provide d the estate mean, however, that this amount to indicate where the recipient receive d might not be realised in the event of the subsidy noted elsewhere in the schedule . disposal of the assets concerned . a1 Touring The Minister for the Arts has directed tha t The touring section of schedule 1 lists those depreciated replacement cost should be organisations which received subsidy for used in these accounts . touring only. Touring activities which are a part of a total annual programme of many music, dance and drama organisations ar e included in figures shown in those section s of Schedule 1 . FOREWORD 31 MARCH 1987 History and Review of activitie s The Council produces an internal staff The Secretary-General's preface includes a bulletin containing current news of interes t short review of the major events during th e to staff . t year. The Arts Council's Annual Repor A joint Negotiating Committee meet s containing an introduction from the regularly to discuss matters relating t o Chairman, a full preface from the Secretary - terms and conditions of employment an d General, departmental reports, articles on there are frequent informal managemen u current issues and full lists of Panels , union meetings at which similar matters ar e Boards, and Committees is published pursued. Union representatives may attend separately, and is available as a companio n for part of Directors' and Council volume free of charge. discussions on relevant matters and all staff are entitled to sit as observers at Counci l Employee communication s meetings (attendance regulated by ballot) . During; the year, arrangements have been continued to promote effective Employment polic y communications with all staff. All The Arts Council is committed to a policy of departments have regular staff meetings a t equality of opportunity in its employmen t which niatters relating to the Council' s practices. activities are discussed and staff are regularly briefed on the matters discussed In particular the Council aims to ensure that at Directors' meetings and Council . no potential or actual employee receive s Meetings of all staff are held periodically . more or less favourable treatment on th e grounds of race, colour, ethnic or nationa l origins, marital status, sex, sexua l orientation. disability or religious beliefs . The Arts Council of Great Britain INCOME AND EXPENDITURE ACCOUN T FOR THE YEAR ENDED 31 MARCH 1987 1987 I Income Parbarnentan grant iri a 2 135,600.000 Other income Vok 3 21,006 11355.0,0W6 Grants and guarantees accrued in previous year, not now required 223,221 135,844,227 Expenditure Administration of subsidies and services Staff costs Note 4 2,703,427 Depreciation Note 9 163.162 Operational costs Nob-, 5 LM. 1:t, - A 4,W,4% Grants and guarantees Note 6 128,105,w Other activities Note 6 487,067 "'2i 1"+' l Direct promotions - net deficit M* 7 IL 201,841M323 220 1 General expenditure on the arts in Britain 131,440.030 136,035,529 Operating surplu-si(defirit) (191.302) Interest receivable 323,565 Surplus for the financial year 132,263 Transfers (toWroin reserves Note 14 (347,019) Extraordinary item Note 15 (37 ,513) Net surplus/(deficit) Note 8 (252,269) Accumulated surplus brought forward 1713,9186 Accumulated surplus carried forward 2,461,71 7 The arts Council of Great Britain BALANCE SHEET AS AT 31 MARCH 198 7 1987 Y Fixed assets Tan~blea rtti ~rle 9 1'-2 .98 9 investments Note 1 0 3 .72 9 Loans to ciients .Vote 1 1 11j,wi 436,71 8 14 Current assets 5tocks :Gote1 2 417 .094 Debtors and prepayments Grant in aid receivable Note 2 11,874,08 4 Other 1,060,808 Grants and guarantees paid in advanc e 1,517,250 Cash at bank and in hand 237,25 1 15,1116,477 Current liabilities Grants and guarantees outstanding 8,384,730 Creditors : amount falling due within one year 1,647,829 Bank overdraft Scottish Arts Council, Welsh Arts Counci l and South Bank Board 2,467 .1x)0 12,499,559 Net current assets 2,606,91 8 Total assets less current liabilities 3,043,636 Financed by Provisions for iiabilJbes and charges : Indemnity pro%isions Note 13 33,900 Income and expenditure account 2,461,71 7 Reserves ;Vole 1 4 Art Equalisation Reserve 5f11,000 Othe r 47 .019 548,01 9 3 .1)43.636 William Rees-Mogg Chairma n Luke Rittne r Secretary-General 28 March 1988 The Arts Council of Great Britain SOURCE AND APPLICATION OF FUND S FOR THE YEAR ENDED 31 MARCH 198 7 1987 1986 V. Source of funds Surplus on ordinary activities 132,263 Adjustment for items not involving the movement of funds Transfers to provisions 7,650 Depreciation 251,40 9 (Profiull,oss on sale of fixed assets 8,901 Total generated from operations 399,823 Funds from other source s Proceeds of sale of fixed assets 13,580 Proceeds from extraordinary item 90,000 Repayment of loans by clients 10,000 10,W Application of funds Purchase of tangible fixed assets _ (176.603) Increase in working capital (36 .800 769.931 Components of mcrease in working capital Stocks (98,124) Debtors _ 514,836 Creditors (745.724) Movement in net liquid funds Cash at bank and in hand 665,812 336,800 NOTES TO THE ACCOUNTS AS AT 31 MARCH 1987 Y Accounting Policies b) Accruals conventio n c) Depreciation and fixed assets (i)All income and expenditure is taken int o Depreciation is provided on all tangible fixe d a) The financial statements are prepared account in the financial vear to which it assets at rates calculated to write off th e under the historical cost convention .
Recommended publications
  • 0-208 Artwork
    The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 208 Pick up your own FREE copy and find out what’s really happening in the arts May - June 2019 Shedding Old Coats – one of the haunting works by Karólína Lárusdóttir from a recent exhibition of her work at the Castle Gallery, Inverness. In- side: Denise Wilson tells the story of this Anglo-Icelandic artist. INSIDE: Cultivating Patrick Geddes :: Tapestry Now Victoria Crowe at City Arts :: A northern take on Turner artWORK 208 May/June 2019 Page 2 artWORK 208 May/June 2019 Page 3 CASTLE GALLERY KELSO POTTERY 100 metresmetres behind behind the Kelso Kelso Abbey in the Knowes Car Park. Abbey in The Knowes Car Park. Mugs, jugs, bowls and “TimePorridge Tablets” and Soup fired Bowls, in Piggy theBanks Kelso and Goblets,Pit Kiln. Ovenproof OpenGratin DishesTuesday & Pit-fi to Saturday red Pieces. Open Mon, 10 Braemar Road, 10am-1pm and 2pm-5pm Ballater Thurs, Fri and TelephoneOpen Tues -(01573) Sat 10 to224027 1 - 2 to 5 Sat 10.00 -5.00 AB35 5RL NEWTelephone: SHOP, (01573) DISABLED 224027 ACCESS larksgallery.com facebook/Larks Gallery 013397 55888 CHECK OUT OUR ROBERT GREENHALF OTHER TITLES opening 17th may Jane B. Gibson RMS Wild Wings Over Lonely Shores Scotland’s Premier artWORK kirsty lorenz richard bracken 7th - 29th June www.artwork.co.uk Miniture Portrait Oils and woodcuts inspired by the birds of our jim wright kirstie cohen Painter coast and wetlands by Robert Greenhalf SWLA with hand-carved birds by Michael Lythgoe. West Highland www.resipolestudios.co.uk Open Studio/Gallery Castle Gallery, 43 Castle St, Inverness, IV2 3DU 01463 729512 Wayfarer loch sunart | acharacle | argyll | scotland | ph36 4hx EVERY FRIDAY [email protected] www.westhighlandwayfarer.co.uk or by appointment any www.castlegallery.co.uk THE other time.
    [Show full text]
  • Glasgow City Region City Deal Cabinet Register Of
    GLASGOW CITY REGION CITY DEAL CABINET REGISTER OF MEMBERS’ INTERESTS 2018/19 Name Organisation / Project / Trust / Company etc Nature of Interest Councillor Vaughan Moody, Association of Scottish Liberal Democrat Councillors Member East Dunbartonshire Council COSLA Convention Member COSLA Leaders Member National Milk Records PLC Shareholder Park Group Shareholder Scottish Association of Landlords Member Councillor Andrew Polson Burnside Parish Church Director of Music East Dunbartonshire Council Daystar Records Self-Employed Musician Revival Radio Ltd Director Westerton Productions LLP Partnership – Television Production Councillor Tony Buchanan, Business Loans Scotland (BLS) Director/Chair East Renfrewshire Council Committee of the Regions Member COSLA Convention Member Department of Work And Pensions Employer Supplier Development Programme (SDP) Director/Chair West of Scotland Loan Fund Director/Chair West of Scotland Management Services Director/Chair Councillor Paul O’Kane, East Enable Scotland, Campaigns and Parliamentary Officer (21 Remuneration Renfrewshire Council hours) Eastwood Labour Party Election Expenses GMB Union Election Expenses Scottish Co-operative Party Election Expenses Association of Public Sector Excellence (APSE) Non-financial interest Clyde and Loch Lomond Local Plan District Joint Committee Non-financial interest East Renfrewshire Culture & Leisure Trust Board Non-financial interest East Renfrewshire Renewable Energy Fund Non-financial interest East Renfrewshire Integration Joint Board Non-financial interest
    [Show full text]
  • Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
    [Show full text]
  • Edinburgh International Festival Society Papers
    Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62.
    [Show full text]
  • Janice Mcnab — Curriculum Vitae
    Janice McNab — Curriculum vitae Born in Aberfeldy, Scotland. Lives and works in The Hague. EDUCATION 2019 PhD, Amsterdam School for Cultural Analysis, University of Amsterdam 1997 MFA, Glasgow School of Art. Exchange to Hunter College of the Arts, New York 1986 BA, Edinburgh College of Art EMPLOYMENT 2020–2022 Post-doc researcher, ACPA, University of the Arts, The Hague and Leiden University 2015–ongoing Head, MA Artistic Research, The Royal Academy of Art, The Hague Previous teaching experience includes: 2013–2015 Thesis supervisor, Piet Zwart Masters Institute, Rotterdam 2011–2015 Thesis supervisor, Gerrit Rietveld Academy, Amsterdam 2009–2015 Studio tutor, The Royal Academy of Art, The Hague 2006–2008 Thesis supervisor, Piet Zwart Masters Institute, Rotterdam 1997–1999 Studio tutor, Glasgow School of Art External examiner, visiting artist and guest lecturer at various art schools across Britain and Europe, including, in 2020, lectures for DutchCulture.nl Brexit debates and ASCA, University of Amsterdam 30th anniversary conference. OTHER PROFESSIONAL EXPERIENCE 2018–ongoing Chair, Board of 1646 Experimental Art Space, The Hague 2009–2015 Co-editor, If I Can’t Dance Publications, Amsterdam 2008–2009 Mentor, My Miyagi Young Curator programme, Stichting Mama, Rotterdam 2006–2009 Co-curator, Artis Den Bosch, Art Space, ‘s Hertogenbosch 1/4 SELECTED EXHIBITIONS AND PROJECTS 2020 Slits and a Skull, Bradwolff Projects, Amsterdam A New World, Stroom, The Hague 2016 Hollandaise, The Dutch Embassy and New Art Projects, London 2015 Undone, Bradwolff
    [Show full text]
  • Download Publication
    CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts.
    [Show full text]
  • An Talla Solais
    engage Scotland – Go & See funding report An Talla Solais An Talla Solais, Ullapool An Talla Solais is a community-led art centre in Ullapool on the northwest coast of Scotland. It hosts a wide range of exhibitions of contemporary art; runs classes, courses and events to enable people to connect with art; and offers studio space to artists and groups. Summary Sara Garnett (Events and Audience Development Coordinator), Sian Curley (Marketing Coordinator), Rachel Grant (Exhibitions Coordinator) and Joanna Wright (Manager) from An Talla Solais, (ATS), used the Go & See Grant to visit four arts organisations in the North East of Scotland: Northlands Glass (Lybster), Timespan (Helmsdale), Scottish Sculpture Workshop and Deveron Arts (Huntly). As An Talla Solais approached its tenth year, the organisation felt that it was important to review its practice relating to issues of access, equality and diversity, and that it would be useful to see how other practitioners in the North of Scotland address these issues. The four places visited have very different remits. Northlands Glass is a centre of excellence for glass making with regular artist residencies, masterclasses and symposia. Timespan is a heritage and arts centre with regular contemporary art exhibitions. The Scottish Sculpture Workshop has a range of sculpture facilities including a bronze foundry, iron foundry, ceramics studio and wood studio. Deveron Arts is a gallery without walls which uses Huntly as a site for a range of socially-engaged art practice. The group visited with the intention of finding out more about how this wide range of organisations deal with practical access issues of language and disabilities, and how interpretational methods engage visitors with exhibitions and events.
    [Show full text]
  • LORRAINE ROBSON Curriculum Vitae Phone
    LORRAINE ROBSON Curriculum Vitae Phone: mobile 07939 301721 Email:[email protected] EDUCATION Bachelor of Arts (hons) degree in Sculpture, Heriot Watt, Edinburgh College of Art (1988) AWARDS:- Creative Scotland Bursary towards Creative Development 2014 Vasefinder, awarded 1st prize, Vasefinder 7th International 2012, USA Vasefinder, awarded 3rd prize, Vasefinder 6th International 2011, USA Forth Valley Craft Makers Award towards Professional Development research trip - 2009 Scottish Arts Council Creative Development Grant - 2009 Awarded Arts Council Grant towards commissioned installation - 1991 Selina Goodenough Memorial Prize for Sculpture - 1988 INTERNATIONAL COMPETITIONS: Taiwan Ceramics Biennale, Yingge Ceramics Museum. 2016 4rd International Triennial of Silicate Arts, Hungary. 2014 8th International Biannual of Ceramics Kapfenberg Austria, 2013 Invited artist. The IV International Festival of Postmodern Ceramics, KERAMEIKON, Croatian Ceramic Association, Varazdin , 2012 Taiwan Ceramics Biennale. Yingge Ceramics Museum, Taiwan. 2012 3rd International Triennial of Silicate Arts, Hungary. 2011 7th International Biannual of Ceramics presented by the City of Kapfenberg, Austria. 2011 SELECTION OF EXHIBITIONS 1987 Dunkeld and Birnam Arts Festival 1988 SSWA 64th Annual Exhibition, RSA, Edinburgh. (Awarded Sculpture Prize.) 1989 Fruitmarket Gallery Open Exhibition, Edinburgh 1991 Collective Gallery Festival Exhibition, Edinburgh 1991 SSA Centenary Exhibition, RSA, Edinburgh. Commissioned installation work. 1993 SSA Annual
    [Show full text]
  • The Findings at a Glance
    Act 2 Findings At A Glance 62K 232 Audience responses Organisations Booking Only 17% Half NOW for of those booking are for events of respondents are from NOVEMBER events booking for events Returning 67% 70% would consider attending would not consider booking for to events events if venues re-opened events for at least 3 months with social distancing Covid-safe ‘kite mark’ Masks for audiences Households seated together Safety & Unallocated seating Limited numbers Restricted facilities ü Seat spacing û Comfort Digital 83% >½ Culture interested in culture online would pay for it Outdoor 94% >¾ Culture Are interested in culture outdoors would pay for it Audiences expect to Economic 81% Concern for survival of spend 4% more on Viability cultural organisations culture Act 2 Wave 1 Report June 2020 © Indigo-Ltd 3 Appendix 2: Participating Organisations England Ipswich Regent Theatre Strode Theatre YMCA Theatre Scarborough a space arts Jacksons Lane Sunderland Culture Arts Centre York Concerts ADC Theatre Jersey Arts Centre Washington Alnwick Playhouse Jumped Up Theatre Take Art Scotland AMATA, Falmouth University Junction Goole Tetbury Music Festival Aberdeen Performing Arts Arts In Rural Gloucestershire Kenton Theatre Tete a Tete Productions Ayr Gaiety Partnership Artsadmin Kings Theatre Portsmouth The Albany Byre Theatre artsdepot Kirkgate Arts The Albany Theatre Cranleigh Arts Artsreach Kneehigh The Apex Edinburgh Festival Fringe Assembly Hall Lakeside Arts, Uni of Nott. The Atkinson Edinburgh International Attenborough Centre for the Leeds
    [Show full text]
  • There's a Little Theatre in Us All!
    THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844
    [Show full text]
  • To See Full CV Click Here
    Pauline McGee BA (Hons) Fine Art [email protected] www.paulinemcgee.com Born Greenock, Inverclyde, Scotland Education 1978 – 1982 Glasgow School of Art B.A. Hons. Fine Art (Drawing and Painting) 1986 – 1987 Hertfordshire College of Art. Post Graduate Diploma. Art Therapy St. Albans 1993 – 1995 Strathclyde University, Post Graduate Diploma. Person– Glasgow Centered Counselling 1998 – 1999 Dundee University Certificate in Child Protection Studies 2002 – 2004 BACP Counsellor Accreditation Employment 2014 – Present Self-employed artist 2008 – 2014 Manager, Safe Space Support Service Dunfermline, Fife 2006 – 2008 Coordinator for young people, Fife Fife Domestic & Sexual Abuse Partnership 2004 – 2006 Lecturer, MSc Art Therapy, Queen Margaret Edinburgh University 2003 – 2004 Assistant Animator, West Highland Animation Balquidder 1998 – 2003 Development Officer, Open Secret Falkirk 1999 – 2001 Course Co-ordinator, Art Therapy Certificate Glasgow (part-time) Course, Glasgow University 1994 – 1998 Development Worker, Parent Support Project, Falkirk Social Work Services 1996 – 1997 Art Therapist, Dunblane Support Service, Dunblane (sessional) Stirling Council 1990 – 1994 Art Therapist, Aberlour Childcare Trust Stirling 1987 – 1990 Project Worker, Langlees Family Centre Falkirk 1985 – 1986 Support Worker, West Lambeth Health London Authority Solo Exhibitions 2020 100 Four Letter Words, St Martins Community Centre, Guernsey, CI 2019 Stories of Pitlochry, Melt Gallery, Pitlochry, Perthshire 2018 Stories of Pitlochry, Melt Gallery, Pitlochry, Perthshire
    [Show full text]
  • Charities Report
    REGISTERED COMPANY NUMBER: SC024805 (Scotland) REGISTERED CHARITY NUMBER: SC003030 Greenock Arts Guild Limited (A Company Limited by Guarantee) Report of the Trustees and Audited Financial Statements for the Year Ended 31 March 2019 73 Union Street Greenock PA16 8BG Greenock Arts Guild Limited Contents of the Financial Statements for the Year Ended 31 March 2019 Page Reference and Administrative Details 1 Strategic and Trustees Report 2 to 16 Report of the Independent Auditors 17 to 18 Statement of Financial Activities 19 Statement of Financial Position 20 Statement of Cash Flows 21 Notes to the Financial Statements 22 to 34 Greenock Arts Guild Limited Reference and Administrative Details for the Year Ended 31 March 2019 TRUSTEES Mr G W Armour (resigned 8.3.19) Mr R Jack (resigned 7.3.19) Mr S J McCabe (resigned 15.8.18) Mrs E L Robertson Mrs C Paterson (resigned 17.12.18) L D Currie (resigned 18.3.19) I Lind (resigned 18.3.19) D Brands (resigned 18.3.19) Mr P Gupta (appointed 12.9.18) Mr J J Clocherty (appointed 6.11.18) Mr G F Maguire (appointed 12.9.18) (resigned 18.3.19) Mr M J McCluskey (appointed 12.9.18) Mr A Reedijk (appointed 18.3.19) J M Walmsley (appointed 12.9.18) Mr J W Haworth (appointed 2.9.19) Mr M J Hughes (appointed 27.8.19) REGISTERED OFFICE The Beacon Arts Centre Custom House Quay Greenock Renfrewshire PA15 1HJ REGISTERED COMPANY SC024805 (Scotland) NUMBER REGISTERED CHARITY SC003030 NUMBER AUDITORS Henderson & Company 73 Union Street Greenock Renfrewshire PA16 8BG SOLICITORS BTO 48 St Vincent Street Glasgow G2 5HS Page 1 Greenock Arts Guild Limited Strategic and Trustees Report for the Year Ended 31 March 2019 The trustees, who are also directors of the charity for the purposes of the Companies Act 2006, present their report with the financial statements of the charity for the year ended 31 March 2019.
    [Show full text]