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Home , Albatross (instrumental), Black Magic Woman, Buckingham Nicks, California sound, Christine McVie, Go Your Own Way

Index

Page numbers in italics refer to illustrations.

ABC Dunhill Records, 301–303 fading and ride levels, 330 Agatha’s Pub, 51–52, 56, 85–86 Fat Box, 162, 256, 282 Aguire, Bob, 155 45 rpm records, 320 Ahigrea, Andrea, 140, 158 “found sounds,” 212–213 “” (), 3 front-of-house sound, 180–181 All of You (Colbie Caillat), 215 glass breaking sound effects, Alsbury, Christi, 173–174, 253, 255 317–318 Altec 604 Es, 16–17 “hustlers,” 161, 164 AM/FM radio, music production for, importance of machine 313, 322 maintenance, 248 API (console), 13, 25, 45–46 live recording protocol, 189 Aris, Gabrielle “Gabby” looping, 146–148 overdubs and, 275, 283 MCI consoles, 261 remote recording and, 172, 173, 182, monophonic (mono) sound, 321, 322 183, 255 Neve console, 13 Seedy Management,COPYRIGHTED 162–163, 163 out-of-phase MATERIAL speakers, 268–272 label meetings and, reverberation, 131 165–166 Revox reel-to-reel tape machines, 25 Atlantic Records, 247 “Southern sound,” 45 audio production stereophonic (stereo) sound, 218, 322 Altec 604 E speakers, 16–17 studio aesthetics, 34–35 for AM and FM radio, 313, 322 tape accidents, 80–81 API (console), 13, 25, 45–46 tape degradation, 299–303 echo chambers, 161 tape delay, 251–253 EQ, 64 twenty-four track recording, 225, 327

353

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audio production (continued ) recording schedule of, 137–138, 140 vinyl record production, 292–294, 309, farewell, 156–158, 340–344, 341, 342, 343 158, 160 vocals for live recording, 276–277 songwriting by, 83–85, 144, 149, See also Caillat, Ken; Dashut, Richard; 305–308 individual names of recording violent outbursts by, 219–221, 227, studios and venues; individual names 263–265 of vocals by, 294–296 Austin, Mo, 165–166 Worthington photos of, 44 See also Fleetwood Mac; Beach Boys, 313 (Fleetwood Mac); White Beatles, 150, 225, 274 (Fleetwood Mac); individual names Bella Donna (Nicks), 138 of songs Billboard, 43 (Buckingham, Nicks), “” (Fleetwood 4, 38, 111–112 Mac), 3 “Bulletproof Vest” (Colbie Caillat), 293 Bluesbreakers, 3, 39 Boyd, Jenny, 32–34, 34, 63, 86–88, 246, Caillat, Colbie (daughter), 215, 288, 304 293, 296 Breakthrough (Colbie Caillat), 215 Caillat, Joy (sister), 118 Broms, Bill, 186, 187 Caillat, Ken Brown, Jerry, 284 biographical information, 8, 51, Brown, Kathy, 109–110 132, 150 “Brushes” (“”) cars of, 92–94, 96, 99, 153 (Fleetwood Mac), 144–145, Colbie Caillat songs produced by, 233–240, 243 293, 296 Buckingham, Lindsey “Cutlass” nickname of, 99 Buckingham Nicks, 4, 38, 111–112 early telephone answering machine use Caillat hiring and, 13–14, 15–22, by, 222–224, 225–226 248–250 engineering schedule of, 137–138, 140, characterization of, 31, 37–38, 62, 206, 335–337 72, 233–240, 237, 239, 274, 278–279, family of, 109, 118, 136–137, 142, 299 149–150, 151, 155, 229–230, Conte and, 52–53, 53, 85–86, 91, 142, 337–338 178, 219–221 Geary and, 167, 167–171, 226–227, Fleetwood Mac formation and, 249–250, 337–338, 346 (See also 3–5 Geary, Cheryl) “” lead solo by, Grammy Awards (1977), 346 274–275 hired as engineer, 1–7, 12, 12–14, playing by, 4, 28, 75–76, 79, 108, 15–22 184, 251–252 hired as engineer, Fleetwood Mac Harris and, 326, 332, 336 employee, 203–204 interviews of, 332 hired as producer, 15–16, 248–250 L.A. lifestyle of, 193–194, 208 initial sound set-up for Rumours by, Nicks and, 32, 67, 115–116, 119, 128, 27–31, 34–36, 40–45 214–215, 227 L.A. lifestyle of, 193–194, 205, 206, practical jokes, 283 206–208, 284–285

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mentored by Heider, 2–3, 7–12, 10, album production and, 87, 91–92, 112, 17, 272, 273 (See also 163, 260 Studios) on tour/remote recording with on music business and album sales, Fleetwood Mac, 173, 187, 189, 255, 146, 194 257, 269, 271, 289 other bands recorded by, 45, 56, Crawdaddy, 319–320 81, 116 , 247–248, 260–266 Record Plant farewell, 155–159, Crosby, David, 255 158 Crosby, Stills, and Nash, 10–11, 273 thirtieth birthday celebration, 282–283, Crystal Sound Studios, 7 284–285 Crystal Visions (Nicks), 252 on Tusk album cover, 333–334 Urban and, 89–90, 93, 127, 128–129, Dance, The (Fleetwood Mac), 142, 276 137, 144, 149, 151–152, 153, Darrel (Cheryl Geary’s stepbrother), 157–158, 267–268, 346 (See also 245–246 Urban, Nina) Dashut, Richard at , 202 biographical information, 111–112 at Warner Records label meetings, characterization of, 123–124, 128 164–166, 287 Courage and, 91–92 See also audio production; Rumours drug use by, 217 (Fleetwood Mac); individual names Harris and, 326, 331 of songs hired as engineer, 4, 6, 7, 12, 13 Callon, Cathy, 57–58, 120–121, 158 hired as producer, 15–16, 248–250 Candlestick Park, 150 initial sound set-up for Rumours by, Capital Records’ Mastering Studio, 27–31, 33, 34–36, 40–45 340–344 L.A. lifestyle of, 193–194, 208, capo, 210 284–285 Carlin, George, 144 practical jokes, 123–124, 281, 283 “Chain, The” (“Keep Me There”) Record Plant farewell, 158 (Fleetwood Mac), 45–49, 50, 53–56, at Wally Heider Studios, 202 113, 305–308 at Warner Records label meetings, , 56 164–166 Chigaridas, Chris “Chiggy,” 17, 224, See also Rumours (Fleetwood Mac); 339–340 White Album (Fleetwood Mac); Christine Perfect (Christine McVie), 56 individual names of songs Clapton, Eric, 3 Davis, Clifford, 25 Class Clown (Carlin), 144 Davlin, 285–286 Clinton, Bill, 142 Dawes, Biff, 4, 5, 6, 118, 166–167 Collins, Judy, 82–83 “Day on the Green” festival, 172–183, Collins, Michael, 153, 186, 194, 197, 176, 177, 178, 179, 180, 181 275–276 Déjà Vu (Crosby, Stills, and Nash), 273 Comara, Larry, 162, 285 Delsandro, Kenny, 196 Conte, Christina, 52–53, 53, 85–86, 91, Digirolamo, Don, 158 142, 178, 219–221 Dobro, 206–208, 215 “Contento, El” (Nicks’ home), 201 “Doesn’t Anything Last” (Fleetwood “Country Girl” (Young), 273 Mac), 149 Courage, John “JC” Dolby Noise Reduction, 327

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“Don’t Stop” (Fleetwood Mac), 141–142, Fleetwood Mac management and, 146, 280–282, 314, 334–335, 335 162–163 Dowd, Tom, 247 keyboard played by, 315–316 “Dreams” (Fleetwood Mac) L.A. lifestyle of, 201 live performance, 183, 188, 195 marriage to Jenny Boyd, 32–34, 34, 63, mixing, 148–149, 312–314 86–88, 246, 288, 304 overdubs, 217–218, 265, 286, 304 Nicks and, 253, 288–289 songwriting, 32, 119, 130–131 practical jokes, 123–124, 281, 282 studio recording, 146–148 on recording schedule, 137–138, 140 drug use Record Plant farewell, 156–158, 158 angel dust, 119–120 on “transcensions,” 71 cocaine, 70–72, 97–98, 105–107, See also Fleetwood Mac; Rumours 217, 261 (Fleetwood Mac); White Album NyQuil, 143 (Fleetwood Mac); individual names opium, 116–117 of songs pot (marijuana), 41, 77, 139–140 Fleetwood, Sally (sister), 176–177 Duster (dog), 36, 58, 108, 110–111, Fleetwood, Susan (sister), 176–177 205, 207 Fleetwood Mac comeback tour (1997), 142 Eagles, 44–45, 277, 284 The Dance, 142 Earl, Steve, 158 “fake” Fleetwood Mac controversy, 25 Emerman, Mack, 247 fi rst cocaine use by, 70–72 (See also Emerson, Sam, 191 drug use) EQ (equalization), 64 Fleetwood Mac, 3, 25, 333 (See also White Album Fat Box, 162, 256, 282 (Fleetwood Mac)) Fifth Dimension, 114 formation of band, 1–5, 70 fi lm, video vs., 195 Live, 237 Filmways, 199 Mirage, 237, 277 Fleetwood, Amy (daughter), 288 naming of, 3 Fleetwood, Brigit “Bitty” (mother), romantic relationships among 175–177 members, 31–34, 253, 288–289 Fleetwood, Jenny (wife). See Boyd, Jenny (See also individual band members’ Fleetwood, John Joseph Kells (father), names) 175–177 Say You Will, 206 Fleetwood, Lucy (daughter), 288 smoking and drinking preferences, Fleetwood, Mick 69–70 Buckingham and, 233–240 Tusk, 237, 277, 333–334 Caillat hiring, as engineer, and, 12–14, wardrobe, 254–255, 256, 333 15–22 See also Buckingham, Lindsey; Caillat hiring, as producer, and, Fleetwood, Mick; McVie, Christine; 248–250 McVie, John; Nicks, Stevie; Rumours characterization of, 63, 123–124 (Fleetwood Mac); White Album drinking by, 29, 39 (Fleetwood Mac); individual names drumming by, 38–41, 40, 41 of songs family of, 175–177, 288 Fleetwood Mac (Fleetwood Mac), 3, 25, Fleetwood Mac formation and, 3–5 333. See also Rumours (Fleetwood

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Mac); White Album (Fleetwood drug use by, 217 Mac) L.A. lifestyle of, 207 Frampton, Peter, 175, 177–178, 183 live recording/performance and, 182, Frampton Comes Alive! (Frampton), 175 183, 184, 191, 256 Fritz, 68, 201 Green, Peter “Green God,” 3, 56 Grey, Glenn, 44–45 Geary, Cheryl Grissim, Jim, 319–320 Caillat and, 167, 167–171, 226–227, groupies, 143 249–250, 337–338, 346 family of, 244–246, 277–279 Halverson, Bill, 273 L.A. lifestyle of, 205, 208, 220, 228, Hammond Company, 124–125 284–285, 304 Harris, Carol, 265, 325, 326, 331–332, mixing of Rumours and, 336 336 on tour/remote recording with Harrison, George, 32 Fleetwood Mac, 172, 184, 186–187, Harrison, Patty, 32 190–192, 191, 255–258, 288–292 Hasten Down the Wind (Ronstadt), 284 Geary, Garney, 245–246, 277–279 Heider, Wally, 2–3, 9–11, 10, 17, 272, 273. Geary, Grace, 168, 244–246, 277–279 See also Wally Heider Studios Ginger (Dashut’s girlfriend), 52, 85–86, Hendrix, Jimi, 35, 305 180 Henley, Don, 44–45 Ginny (dog), 36, 58, 97, 122 Hotel California (Eagles), 44–45, 277 “” (Fleetwood Mac) Howe, Bones, 114, 273–274 mixing, 314, 339 Hudson Brothers, 11 overdubs, 215 “hustlers” (audio production), 161, 164 recording, 122 songwriting, 128 “I Don’t Want to Know” (Fleetwood studio recording, 67–72, 126–128 Mac), 294–296, 304, 338 vocals, 317–318 “I’d Rather Go Blind” (Chicken Warner Bros. Records review of, Shack), 56 165–166 “Go Your Own Way” (Fleetwood Mac) Jane (Record Plant), 305, 318 lead solo in, 274–275 , 81 live recording/performance, 183, 188, 190, 195, 198–199 Kaukonen, Jorma, 81 mixing and, 338 “Keep Me There” (“”) overdubs, 255, 262 (Fleetwood Mac), 45–49, 50, 53–56, recording, 58–66, 97–100 113, 305–308 single release, 293–294, 308, 320 Kellgren, Gary, 35, 305 tracksheet, 321 Ken’s Fine Chili, 272 Warner Bros. Records review of, King Biscuit Flour Hour, 5–6, 12 165–166 Kotera, Kelly, 15, 330 Graham, Bill, 172, 175, 183 Kowloon, 218–220 Grammy Awards (1977), 346 Grant, Curry Lambert, Denis, 57 album production and, 200–201, 260 lathe, for vinyl record production, 341 Christine McVie and, 54–55, 108, 110, Lebarre, Dave, 325, 326 124–126, 155 Len (Davlin owner), 286

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Lindsey, Ray Buckingham and, 233–240, 237 album production and, 59, 66, 67, Caillat hiring, as producer, and, 70–72, 103, 106, 121, 155, 158, 200, 248–250 230–231, 248, 260 characterization of, 28, 37, 39, 72, 83 characterization of, 101–102 drinking by, 31–32, 37, 42, 55, 103–104 Courage and, 92 Fleetwood Mac formation and, 3–5 job of, 36, 41 Fleetwood Mac management and, tour/remote recording and, 186, 269 162–163 Live (Fleetwood Mac), 237 L.A. lifestyle of, 201, 284–285 Loggins, Kenny, 56, 289 marriage to Christine McVie, Loggins and Messina, 56, 185, 188–189 31–32, 37, 54–56, 108, 124–125, 141–142 Marley, Bob, 261 marriage to Julie McVie, 206 Martin, George, 274 at Oakland Coliseum, 177 Martoni, Sal, 216 practical jokes, 137, 138, 154–155 Martoni’s Bar and Restaurant, 202, 216, recording schedule of, 137–138, 140 217, 235 Record Plant farewell, 156–158, 158 Mayall, John, 3, 39 Vigon and, 54–56, 55, 155, 158, Mays, Dennis, 5, 7 203, 207 McCartney, Paul, 11, 39, 276 vocals by, 135 McClune, Anne, 155 See also Fleetwood Mac; Rumours McVie, Christine (Fleetwood Mac); White Album on album production duration, 337 (Fleetwood Mac); individual names Brown and, 284 of songs characterization of, 30, 37, 63 McVie, Julie, 206 Fleetwood Mac formation and, 4–5 Messina, Jim, 56 Grant and, 54–55, 108, 110, 124–126, metal stampers, 342 155 Miles of Aisles (Mitchell), 30 instruments played by, 63, 121, Mirage (Fleetwood Mac), 237, 277 280–282 Miramar, 183 L.A. lifestyle of, 200–201, 204, 206, Mitchell, Joni, 11, 30, 116, 255 206–208, 219, 284–285 mixing marriage to John McVie, 31–32, 37, importance of, 328–332 54–55, 108, 124–126, 141–142 Rumours schedule for, 335–337 Nicks and, 13 See also individual names of songs “Oh, Daddy” recording, 74–83 Moncrief, Tom, 155, 201, 205–206, 255 practical jokes, 154–155 “Monday Morning” (Fleetwood Record Plant farewell, 156–158, 158 Mac), 189 songwriting by, 45, 47, 74–75, 102–103, monophonic (mono) sound production, 116–117, 141–142 321, 322 vocals by, 46, 56, 113, 119, 132–135 Morris, Cris See also Fleetwood Mac; Rumours audio machines maintained by, 248 (Fleetwood Mac); White Album live recording and, 178, 196 (Fleetwood Mac); individual names mixing and, 112, 312, 321–323, 325, of songs 327, 328, 331, 338 McVie, John overdubs and, 199–200, 202, 205, 209, bass playing by, 39, 314 211, 213, 220–221, 224, 226, 230,

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232, 233, 236, 242–244, 261, 264, inspiration of, 68 282–283 instruments played by, 28–29, 60 Record Plant farewell and, 155, L.A. lifestyle of, 201, 219 157–158, 158 live recording/performance, 184, 198 studio recording and, 25–27, 26, 29, McVie and, 13–14 47, 48, 58, 62, 64, 65, 98, 126, 128, recording schedule of, 137–138 146–148 Record Plant farewell, 156–158, 158 Morris, Mark, 158 solo career of, 279–280 Morris, Wendy, 155, 158, 244 songwriting by, 32, 36, 63, 67–68, 119, musical instruments 128, 130–131, 137–138, 205–206, capo for , 210 279–280, 292–294, 307 , 313–314 Trouble in Shangri-La, 149 cowbell, 127 vocals by, 95, 137–138, 147–148, Dobro, 206–208, 215 227–228, 294–296 electric harpischord, 315 wardrobe of, 254–255, 256 glass breaking sound effect, 317–318 “Whenever I Call You Friend,” 289 grand piano, 285 witchcraft references by, 14 guiro, 197 See also Fleetwood Mac; Rumours Hammond organ, 124–125 (Fleetwood Mac); White Album Jet phaser, 315 (Fleetwood Mac); individual names Leslie organ speaker and guitar, 108 of songs mixing, 330 Rhodes keyboard, 103 Oakland Coliseum, 172–183, 176, 177, tack piano, 280–282 178, 179, 180, 181 Vibraphone, 312 “Oh, Daddy” (Fleetwood Mac), 74–83, walking bass line, defi ned, 226 122, 142–143 See also individual names of Fleetwood “Oh, Well” (Fleetwood Mac), 3 Mac band members Olsen, Keith, 4, 16, 42, 44, 70, 94, 111 opium, 116–117 Neve, 13 Outwater, Ed, 343–344 “Never Going Back Again” (“Brushes”) overdubs. See audio production; (Fleetwood Mac), 144–145, individual names of songs 233–240, 243 “Over My Head” (Fleetwood Mac), 3, 43 Nicks, Chris (brother), 339–340 Nicks, Stevie Page, Jimmy, 314 Bella Donna, 138 Pear Garden, 228 Buckingham and, 32, 67, 115–116, 119, Penguin Promotions, 162, 283 128, 214–215, 227 Penny, Ron “Rhino” Buckingham Nicks, 4, 38, 111–112 album production and, 66, 103, 106, Caillat hired as producer, 253–254 200, 209, 234, 260 characterization of, 36, 63, 94 characterization of, 101–102 Crawdaddy interview, 319–320 Courage and, 92 Crystal Visions, 252 job of, 36, 40, 48 dog of, 36, 58, 97, 122 Record Plant farewell, 158 Fleetwood and, 253, 288–289 tour/remote recording and, 186 Fleetwood Mac formation and, 3–5 Perry, Ken, 340, 342 Fritz, 68, 201 Pete (ABC Dunhill Records), 302–303

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“” (Nicks), 149 Record Plant lodging, 21, 21–22, 36 Polydor, 4 release, 345–347 Producer’s Workshop, 324–326 remaster (2004), 149 “Putney House,” 193 running order of, 308–312 spreads between songs, 339 Rainbow, 220 tape degradation issues of, 299–303 Recor, Jim, 289 Warner Bros. Records review of, Recor, Sara, 289 164–166, 287 recording. See audio production; See also individual names of songs individual names of songs Record Plant Sausalito (California), description of, band farewell from, 156–159, 158 73–74, 111. See also Record Plant control room, 59 “Say You Love Me” (Fleetwood Mac), Hotel California (Eagles) and, 44–45 257 houses owned by, 21, 21–22, 36 Say You Will (Fleetwood Mac), 206 L.A. location, 304–308 Scoma’s Fish House, 90, 157 location of, 3 Scooter (dog) ownership of, 119, 305 Caillat’s adoption of, 109–110 physical description of, 18, 18–21, 19, characterization of, 58–59, 120–121 20, 23–25 death of, 334 studio A, 27, 35 in L.A., 169–170, 170, 207, wrap, 160–161 240–242, 241 Revox reel-to-reel tape machines, 25 at Record Plant, 1–2, 2, 5, 23, 36, 44, “Rhiannon” (Fleetwood Mac) 57–59, 158 live performance/recording, 164, 182, on Tusk album cover, 333–334 183–184, 192, 195, 289 “” (“Strummer”) mixing, 4–7, 13–14, 16, 43–44 (Fleetwood Mac) promotion, 152–153 overdubs, 142–143, 210, 211, ratings, 3, 287 211–215, 212, 214, 224–226, 242, Rhino Records, 149 278–279, 304 Robinson, Jimmy, 119–120 recording, 83–85, 88–89, 93–96, 122 Ronstadt, Linda, 284 Seedy Management, 162–163, 163 Rose (Record Plant), 305, 318 Shapiro, Mickey, 81–82, 86, 154–155, Rossi, Leo, 260 165–166, 256, 283–284 Rumours (Fleetwood Mac) shuffl e (music style), 141 album cover, 332–334 “Silver Springs” (Fleetwood Mac) album name, 297–298 as B side of “Go Your Own Way,” 320 band’s L.A. lifestyle during, 193–194, cut from Rumours, 292–294, 297, 304, 205, 206, 206–208 310–312 Caillat and Dashut hired as producers mixing, 323, 328–332 of, 248–250 overdubs, 250–253, 254, 261–262 Caillat hired as engineer of, 1–7, 12, recording, 122, 124–126 12–14, 15–22 songwriting, 119 end-of-album party, 339–340 tracksheet, 329 Grammy Awards (1977), 346 “Smile at You” (Fleetwood Mac), initial sound set-up for, 23–31, 27, 205–206 34–36, 35, 40, 40–45, 41 Snyder, Robin, 173–174, 253, 255

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“So Afraid” (Fleetwood Mac), 182, Universal Amphitheater, 255–257 184, 274 University of California–Santa Barbara “Songbird” (Fleetwood Mac), 116–117, remote, 162–164, 166, 188–192, 190 118–119, 131–135, 287, 337 Urban, Nina songwriting Caillat and, 66–67, 89–90, 93, 127, by Buckingham, 83–85, 144, 149, 128–129, 137, 144, 149, 151–152, 305–308 153, 157–158, 267–268, 346 by Christine McVie, 45, 47, 74–75, at live performance/recording, 102–103, 116–117, 141–142 179–180, 182, 183 by Nicks, 32, 36, 63, 67–68, 119, 128, Record Plant farewell and, 158, 130–131, 137–138, 205–206, 158–159 279–280, 292–294, 307 Record Plant studio manager Sound City, 4, 308, 320 responsibilities, 19–20, 21, 24, “ sound,” 45 24–25, 44, 86, 110, 112, 120, speakers 121, 301 Altec 604 Es, 16–17 out-of-phase, 268–272 vari-speed oscillator (VSO), 302–303 “Spinners” (Fleetwood Mac), 130, 148 Venus and Mars (McCartney), 11 Stanford, Sally, 111 Vigon, Sandra, 54–56, 55, 155, 158, 203, Stark, Terry, 162 207 Steinberg, Steven, 283–284 vinyl record production, 292–294, 309, Steiner Ranch, 288–292 340–344, 341, 342, 343. See also Stern, Andy, 158 audio production Stoll, Susan, 162 Stone, Chris, 119, 305 walking bass line, defi ned, 226 “Strummer.” See “Second Hand News” Wally Heider Studios (“Strummer”) (Fleetwood Mac) Collins recorded by, 82–83 Stuart, Karen, 162 description, 2–3, 7–12, 16–17 studio aesthetics, 34–35 Fifth Dimension recorded by, 114 Studio Instrument Rental (SIR), 194, Jefferson Airplane recorded by, 81 275–276, 280–282 Loggins and Messina recorded by, 56 Sunday Break II, 288–292 ownership, 2–3, 9–11, 10, 17, 272, 273 Rumours master tapes stored at, 301 telephone answering machine, advent of, Rumours overdubs and mixing at, 222–224, 225–226 161–162, 320–323 “Think About It (Before You Go)” Rumours production at, 152–154, (Nicks), 137–138, 142–143, 279 199–204, 202, 206 Three Rivers Stadium, 268–272 Rumours remote recording by, Thyret, Russ, 165–166 118–119, 166–167, 185–192, Torrey, Mary, 173–174, 184, 190–192, 194–199 191, 228 Warner Bros. Records “transcensions,” 71 Quality Control, 343–344 Trident Restaurant, 51 Rumours label meetings, 164–166, 287 Trouble in Shangri-La (Nicks), 149 (See also Rumours (Fleetwood Mac)) Turner, Rick, 66, 75–76, 158 on White Album ratings, 82 Tusk (Fleetwood Mac), 237, 277, See also individual names of 333–334 Waronker, Lenny, 165–166

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Welch, Bob, 155–156, 158, 163 overdubs and, 163, 163, 172–173, 182, Weston, Bob, 88 201, 203, 283 Whales and Nightingales (Collins), on Rumours running order, 310–312 82–83 Worthington, Herbie “Whenever I Call You Friend” (Loggins, Buckingham photo by, 44 Nicks), 289 The Dance album cover by, 276 White Album (Fleetwood Mac) at Oakland Coliseum, 183 engineering of, 42, 112 overdubs and, 203 Fleetwood Mac as, 3, 25, 333 Record Plant farewell and, 155, 160 Oakland Coliseum performance, Record Plant farewell photo by, 158 172–183, 176, 177, 178, 179, Rumours album cover by, 332–334 180, 181 Tusk album cover by, 333–334 promotion, 152–153 Wright, Gary, 177 ratings, 81–82, 287 release of, 3, 4, 5 Yamasaki, Freddie, 228 Sound City and, 308 Youdelman, Billy, 301, 324 tour, 145, 205, 247, 268–272, 288–292 “You Make Lovin’ Fun” (Fleetwood Mac) tour, locations and dates, 259 live performance/recording, 183, 188, tour, set list, 258 195–198 UC Santa Barbara performance, studio recording, 101–109, 114–117, 162–164, 166, 188–192, 190 263–265 Universal Ampitheater performance, tape degradation issues of, 300 255–257 Young, Neil, 273, 276 See also individual names of songs Wilson, Brian, 313 Zarin, Michelle, 158 Wong, Judy “Wongie” Zellerbach Auditorium, 118–119, L.A. lifestyle and, 268 131–135 live performance/recording and, 183 Zinki, Gabby, 163

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