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Must See Movies Sponsorship
Must See Movies Sponsorship . skymedia.co.uk @skymediaupdates skymedia Must See Movies The Latest Movies. The Greatest Movies. The Ultimate Cinematic Experience The Lion King Channel Investment Start Platforms Available on Available Now Linear broadcast Clickable VoD request Big Screen VoD Off-air Activation Reach A Hugely Engaged On Quality. Media Value Activate Around 8.8m Individuals Brand New Demand Environment. Sophistication. Premiere Every THE 3.9m Abc1 Ads 53.9m Accessible. Single Day Biggest Movies £2.3m 14% Abc1 Ads impressions World Class. The Opportunity Only the best up coming movies… Partner with this year’s biggest and best blockbusters *This illustrates some of the titles available across 2020 before any other film subscription service - Must See Movies across Sky Cinema Premiere. Spread your brand across multiple platformsincludingBroadcast, On Demand & Sky Go. The home of blockbuster movies, scheduling the biggest Box Office titles before any other movie subscriptionservice. Watch Sky Cinema whenever with whoever and wherever! Making this a truly ‘always on’ opportunity. A Brand New Premiere Everyday: A Brand new premiere every single day! Some blockbuster titles coming to the service only 3 monthsafter cinemarelease. Quality Films With A List Talent The talent list on Sky's portfolio gets bigger and better every year! Brands can become synonymouswith A list and much loved talent: The Ultimate Movies Experience • The latest blockbuster hits closest to cinemarelease! • Brand new premiere each day of the week • Over 1000 of the biggest ever films availableon demand • Premium Environment • Quality and award winning environment The Best Viewer Experience With our innovation in technology, our exclusive relationships with world-class studios and our undeniable passion for movies , We bring the big screen cinematic experience straight into peoples home! Bringing you movies just as the director intended! Opportunity to Activate: A range of activation opportunities can be designed to help a brand TV UHD drive fame and engage with key audiences. -
RTS Scotland Announces Winners of the 2021 Student Television Awards
PRESS RELEASE THE ROYAL TELEVISION SOCIETY SCOTLAND ANNOUNCES WINNERS OF THE 2021 STUDENT TELEVISION AWARDS Glasgow, 1 June 2021 – The Royal Television Society’s (RTS) Scotland Centre last night celebrated the winners of its 2021 Student Television Awards, sponsored by STV. The awards ceremony was hosted by STV Entertainment Reporter Laura Boyd via STV Player last night, with all the outstanding winning entries also showcased in full on the platform. The RTS Scotland Student Television Awards celebrate the best audiovisual work created by students across the region in Animation, Scripted and Non-Scripted categories, with the judges looking for strong storytelling, creativity, innovation, outstanding visual and aural creativity with high-quality craft skills, and a strong emphasis on originality. For 2021, the nominees reflected the work from a range of talented students at Scottish institutions, with the winning teams of students from Glasgow Clyde College, City of Glasgow College and the Royal Conservatoire of Scotland. Simon Pitts, Chief Executive Officer of STV, said: “Supporting and celebrating the creative talent of the future is vital to us at STV, so we’re thrilled to once again be sponsoring the RTS Scotland Student Television Awards. The film-making prowess on display was hugely impressive, especially after the year our students have had, although I’ve come to expect nothing less from the fiercely talented bunch who enter these awards each year.” “I’m pleased that STV Player viewers will be given the opportunity to enjoy these unique short films, and I’m looking forward to continuing to work with RTS on supporting Scotland’s young creatives into the industry as part of our ongoing partnership.” All nominated and winning films are available on STV Player now, and the full ceremony is available to watch here. -
The Impact of Using Youtube in EFL Classroom on Enhancing
Journal of College Teaching & Learning – Second Quarter 2015 Volume 12, Number 2 The Impact Of Using YouTube In EFL Classroom On Enhancing EFL Students' Content Learning Huda Omar Alwehaibi, Princess Noura Bint Abdulrahman University, Saudi Arabia ABSTRACT Information technology has opened up prospects for rich and innovative approaches to tackle educational issues and provide solutions to the increasing demands for learning resources. YouTube, a video-sharing website that allows users to upload, view, and share video clips, offers access to new and dynamic opportunities for effective and non-traditional patterns of teaching and learning. In Saudi Arabia, this technology has not been exploited much for educational purposes. The present study aims at experimenting the impact of integrating YouTube technology into English as a foreign language (EFL) instruction on enhancing EFL college students’ learning of the content of the course: “Observation in Schools 2”. This course is one of five courses taught in the program “Elementary School Teacher of English” which aims at developing certain observation skills for effective teaching in elementary school. Such skills could include using particular frames or lenses to gain insight about the classroom and teaching and learning, and developing methods of observing and recording. For the purpose of the study, a quasi experimental design was adopted. Based on such design, two groups of second year college students at the Department of Curriculum and Instruction in the Faculty of Education at Princess Noura University in Riyadh, Saudi Arabia, were randomly assigned to the experimental and the control groups of the study. There were forty- five students in the control group and fifty-one in the experimental group. -
Sky's Response to Ofcom's Strategic Review Of
SKY’S RESPONSE TO OFCOM’S STRATEGIC REVIEW OF SATELLITE AND SPACE SCIENCE USE OF SPECTRUM: CALL FOR INPUT 1.1 Sky welcomes the opportunity to comment on Ofcom’s call for input on its strategic review of satellite and space science use of spectrum (“the call for input”). 1.2 Sky is a heavy spectrum user, with activities ranging across many frequency bands. We use spectrum to deliver our services (via satellite, DTT, Wi-Fi and mobile), to create our content (using wireless microphones and cameras and programme links) and to connect our customers (through in-home and public Wi-Fi). 1.3 Our varied use of spectrum makes us well placed to appreciate the tensions between competing applications which make use of scarce spectrum, and the challenges that policymakers may face when considering spectrum allocation in the medium- to long-term. 1.4 Sky strongly supports moves that ensures more efficient use of spectrum, through (for example) the use of newer more advanced and efficient technologies, the application of market forces wherever practical and innovative approaches to allocation and access such as spectrum sharing. This approach is consistent with Ofcom’s general duties as set out in statute, including securing the optimal use of the spectrum and encouraging investment and innovation. 1.5 Sections 2 and 3 of this response provide brief and high level comments on the call for input. In section 4, we provide specific answers to questions that are relevant to Sky. 2. The motivation for Ofcom’s review is unclear 2.1 Ofcom states that the reason for issuing the call for input is “to understand potential demand and supply trends, as well as trends in technology that might mitigate additional demand”1. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
Vol. 47, No. 2 June 2018 a New Star Appears in Europe Page 14 Journal
Online PDF: ISSN 233333-9063 Vol. 47, No. 2 June 2018 Journal of the International Planetarium Society A New Star Appears in Europe Page 14 Reach for the stars... and beyond. ZEISS powerdome IV // INSPIRATION MADE BY ZEISS True Hybrid with brilliant stars and perfect renderings from a single source ZEISS powerdome IV brings many new features to your star theater: an integrated planetarium for earthbound and extraterrestrial astronomy with seamless transitions between optical and digital star fields (True Hybrid) | The universe from Earth via the solar system and Milky Way galaxy to the very edge of the observable space | Stereo projection | 8k performance | 10 bit color depth for smooth gradients | HEVC codec for efficient video renderings free of artifacts | All constellation figures, individually and in groups without any mutual overlapping | Telescope function for deep-sky imagery applying Astronomy Visualization Metadata | Complete image set of all Messier objects | Customizable polar lights, comets with gas and dust tails, and shooting stars with a great variety of parameters for location, brightness, colors and appearance | Simulation of day and night with dusk and dawn coloring of sky and panorama images | Customizable weather effects such as clouds, rain, fog, snow, rainbow, halos, air and light pollution effects | Digital rights management to secure your productions | Remote service for quick help, and much more from the only company serving planetariums for nearly a century. www.zeiss.com/planetariums zeiss-ad_pdIV_letter_x3.indd -
A Personal Touch for Millions of Customers. Sky UK Embraces Customer Data to Deliver Superior Cross-Channel Experiences with Adobe Experience Cloud
Adobe Customer Story A personal touch for millions of customers. Sky UK embraces customer data to deliver superior cross-channel experiences with Adobe Experience Cloud. “We selected Adobe Experience Cloud because it integrates the best solutions in the market for analytics, campaign management, optimization, and personalization.” Robert McLaughlin, Head of Digital Analytics, Sky UK SOLUTION Adobe Experience Cloud, including the Adobe Analytics and Adobe Audience Manager solutions within Adobe Analytics Cloud and the Adobe Campaign and Adobe Target solutions within Adobe Marketing Cloud RESULTS INTEGRATE tools for actionable customer data Improve RETURNS with personalization UNDERSTAND customers on an individual level Use customer intelligence across CHANNELS Adobe Customer Story Sky UK Limited Connecting people to a better life Established in 1990 Telecommunications are an essential part of many aspects of everyday living. People may spend their days Employees: 30,000 at work doing research at their computers and calling customers, then go home and relax while texting friends on their mobiles and catching up on their favorite television dramas. For millions of customers in London, United Kingdom the United Kingdom, Germany, Austria, and Italy, Sky is the go-to company for all of these services. Sky is www.sky.com Europe’s leading entertainment and communications business, connecting 22 million customers and 11 million households through its telecommunications brands. In a competitive market, Sky UK aims to increase market share while maintaining customer loyalty. CHALLENGES Accomplishing this means providing the best content, messaging, and experiences to both existing and • Understand behaviors in an environment prospective customers. where customers reach out via multiple devices and channels “To achieve our goals, we need to clearly understand who our customers are and what they want,” says Robert McLaughlin, Head of Digital Analytics at Sky UK. -
SUBDOC-034 Self Assessment of Soundness.Pdf
Local Development Plan Draft Plan Strategy Self-Assessment of Soundness December 2020 0 Contents Page 1.0 Introduction 3 2.0 Tests of Soundness 4 3.0 Procedural Tests 5 4.0 Consistency Tests 20 5.0 Coherence and Effectiveness Tests 31 6.0 Conclusion 38 1 Appendices Page Appendix 1 Test of Soundness 40 Appendix 2 LDP Timetable 41 Appendix 3 LDP Timetable Approval from DfI 45 Appendix 4 LDP Timetable Consultee Notification 49 Appendix 5 LDP Statutory Consultees 53 Appendix 6 LDP Non-Statutory Consultees 58 Appendix 7 LDP Stakeholder Group 59 Appendix 8 LDP Community / Voluntary Groups Consultees 60 Appendix 9 LDP Section 75 Groups Consultees 62 Appendix 10 POP Public Notice 64 Appendix 11 DPS Local Advertisement 66 Appendix 12 DPS Public Notice in the Belfast Gazette 70 Appendix 13 DPS Documents Available on Council’s Website 74 Appendix 14 PAC response to LDP Timetable 76 Appendix 15 LDP Timetable Public Notice 79 Appendix 16 LDP Timetable published on Council Website 84 Appendix 17 Meetings with Consultation Bodies 86 Appendix 18 Pre-POP Publication Consultation Notification 89 Appendix 19 POP Notification of Publication letter (Consultees) 90 Appendix 20 POP Publication on Council’s Website 92 Appendix 21 DPS Publication Notification Letter 94 Appendix 22 DPS Publication on Council’s Website 96 Appendix 23 Publication of Reps & Counter Reps Period Public Notice in Belfast Gazette 98 Appendix 24 Publication of Reps & Counter Reps Period Local Advertisement 99 Appendix 25 Notification to Consultees that Reps have been published 101 Appendix -
Case M.8861 - COMCAST / SKY
EUROPEAN COMMISSION DG Competition Case M.8861 - COMCAST / SKY Only the English text is available and authentic. REGULATION (EC) No 139/2004 MERGER PROCEDURE Article 6(1)(b) NON-OPPOSITION Date: 15/06/2018 In electronic form on the EUR-Lex website under document number 32018M8861 EUROPEAN COMMISSION Brussels, 15.6.2018 C(2018) 3923 final In the published version of this decision, some information has been omitted pursuant to Article 17(2) of Council Regulation (EC) No 139/2004 concerning non-disclosure of business secrets and PUBLIC VERSION other confidential information. The omissions are shown thus […]. Where possible the information omitted has been replaced by ranges of figures or a general description. To the notifying party Subject: Case M.8861 - Comcast/Sky Commission decision pursuant to Article 6(1)(b) of Council Regulation No 139/20041 and Article 57 of the Agreement on the European Economic Area2 Dear Sir or Madam, (1) On 7 May 2018, the European Commission received notification of a proposed concentration pursuant to Article 4 of the Merger Regulation by which Comcast Corporation ("Comcast" or the "Notifying Party", United States) proposes to acquire within the meaning of Article 3(1)(b) of the Merger Regulation sole control of the whole of Sky plc ("Sky", United Kingdom and the "Proposed Transaction"). Comcast and Sky are collectively referred to as the "Parties".3 1. THE OPERATION (2) Comcast is a US listed global media, technology and entertainment company, with two primary businesses: Comcast Cable and NBCUniversal ("NBCU"). Comcast is present in Europe almost entirely through NBCU, which is active in Europe in: (i) production, sales and distribution of film and television content; (ii) wholesale supply of TV channels and on-demand services; (iii) CNBC, a business news service, as well as NBC News; (iv) the provision of television content to end users through NBCU’s video on demand service; (v) the licensing of its 1 OJ L 24, 29.1.2004, p. -
Annex 4: Report from the States of the European Free Trade Association Participating in the European Economic Area
ANNEX 4: REPORT FROM THE STATES OF THE EUROPEAN FREE TRADE ASSOCIATION PARTICIPATING IN THE EUROPEAN ECONOMIC AREA 1. Application by the EFTA States participating in the EEA 1.1 Iceland European works The seven covered channels broadcast an average of 39.6% European works in 2007 and 42.2% in 2008. This represents a 2.6 percentage point increase over the reference period. For 2007 and 2008, of the total of seven covered channels, three channels achieved the majority proportion specified in Article 4 of the Directive (Omega Television, RUV and Syn - Vision TV), while four channels didn't meet this target (Sirkus, Skjár 1, Stöð 2 and Stöð 2 Bio). The compliance rate, in terms of numbers of channels, was 42.9%. European works made by independent producers The average proportion of European works by independent producers on all reported channels was 10.7% in 2007 and 12.6% in 2008, representing a 1.9 percentage points increase over the reference period. In 2007, of the total of seven identified channels, two channels exceeded the minimum proportion under Article 5 of the Directive, while three channels remained below the target. One channel was exempted (Syn - Vision TV) and no data was communicated for another one (Omega Television). The compliance rate, in terms of number of channels, was 33.3%. For 2008, of the total of seven covered channels, three exceeded the minimum proportion specified in Article 5 of the Directive, while two channels were below the target (Skjár 1 and Stöð 2 Bio). No data were communicated for two channels. -
Felix Baumgartner & Red Bull Media
Issue No. 14 MediaTainmentFINANCEd Appreciate the Value to Business MIPCube fever is back For Decision-Makers and StrategistsmentMT; @JayKayMed Creativity Brings The second edition of the Who Value Creativity an Expendables producer in WWII drama future-of-TV event heats up www.mediatainmentfinance.com Head to Cannes Facebook: MediaTainment Finance; during MIPTV 8-11 April 2013 Twitter: @Mediatain or Tune into www.mipcube.com nvestors spin new Carmaggedon … 3-14 quin romances e-books NEWS Toast & Jam goes sweet on film ; film: Print mediaNitin Sawhneytune into TV;in direct-to-disc Goldman Sachs history sells 50% of CSI page 15 tv: UK tax relief delayed; I Qatar fund 3D printer escalates revolutionises stake in Tiffany’s home building music: Time Warner; Harle games: Stephen King’s novel digital campaign stuck right in the middle of fashion: dia collaborations architecture: India backs theme-park tourism books/prints:Europe’s Illegal richest to retransmit soccerPhotographer players live broadcastin censorship lawsuit country has spawned some of the world’s ads/marketing: sport: page 26 page 34 copyright: investors are lining up for Sports, a share brand … and me Europe’s biggest economy is live entertainment: r jumped from the edge of space and became photography/art: have denounced it as “the FEATURES & REPORTS Don’t turn your nose GERMANY: just text and be key to the never-ending fiscal euro crisis; but this of America’s most respected TV channels; biggest media empires, and foreign s its country of origin, Qatar, fit in? … MIPCube Feature: FELIX The USBAUMGARTNER Administration is said to &page 39 RED BULL MEDIA HOUSE flew to new heights when skydiver Baumgartne the first human to break the speed of sound in free fall; ngfind devices out how might Red hold Bull more and Red than Bull Media House used new technology to give him wings - literally .. -
Lineup for LG Channels International
Lineup for LG Channels International LG Channels is a unique, intuitive streaming service integrated into 2019+ LG UHD smart TVs running webOS 4.5+ in the UK, France, Germany, Italy, Spain, Brazil and Mexico. XUMO powers 45+ live and on-demand streaming channels for LG Channels internationally. Channel Description UK FR DE IT ES BR MEX Number Adventure Sports Network IP-726 X The worldwide leader in Adventure Sports, Outdoor, Lifestyle and Travel. American Classics IP-324 X X X X X X X Classic American movies & TV shows starring the top American actors from the golden age of Hollywood – from World War II until the 1980s. Baeble Music IP-286 X X X X X X X Exclusive videos and coverage of bands and artists you should know. batteryPOP IP-603 batteryPOP is vids for kids! Featuring our most POPular short form X X X X X X X content including cartoons, comedy, YouTubers, Minecraft, DIY/slime, music and more, there’s something for EVERY KID! Billboard IP-322 X X X X X X X Your destination for the world’s most popular music charts, news, videos, analysis, events and more. Buen Viaje IP-207 X X Viaja por el mundo y descubre lugares increíbles. CHIVE TV IP-325 X X X X X X X From the creators of theCHIVE, CHIVE TV is probably the best streaming channel in the world CONtv IP-262 X X X X X X X Your destination for free sci-fi, horror, anime, fantasy & retro film & TV series! Cooking Light IP-407 X X X X X X X Make smart choices for a healthy lifestyle with Cooking Light.