AMS/SMT San Antonio 2018 Program
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Computational Attitude in Music Theory
The Computational Attitude in Music Theory Eamonn Bell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Eamonn Bell All rights reserved ABSTRACT The Computational Attitude in Music Theory Eamonn Bell Music studies’s turn to computation during the twentieth century has engendered particular habits of thought about music, habits that remain in operation long after the music scholar has stepped away from the computer. The computational attitude is a way of thinking about music that is learned at the computer but can be applied away from it. It may be manifest in actual computer use, or in invocations of computationalism, a theory of mind whose influence on twentieth-century music theory is palpable. It may also be manifest in more informal discussions about music, which make liberal use of computational metaphors. In Chapter 1, I describe this attitude, the stakes for considering the computer as one of its instruments, and the kinds of historical sources and methodologies we might draw on to chart its ascendance. The remainder of this dissertation considers distinct and varied cases from the mid-twentieth century in which computers or computationalist musical ideas were used to pursue new musical objects, to quantify and classify musical scores as data, and to instantiate a generally music-structuralist mode of analysis. I present an account of the decades-long effort to prepare an exhaustive and accurate catalog of the all-interval twelve-tone series (Chapter 2). This problem was first posed in the 1920s but was not solved until 1959, when the composer Hanns Jelinek collaborated with the computer engineer Heinz Zemanek to jointly develop and run a computer program. -
To Allen Forte from His Former Advisees: Tributes and Reminiscences
Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 6 Issue 2 Article 9 December 2013 To Allen Forte from His Former Advisees: Tributes and Reminiscences David Carson Berry University of Cincinnati, College-Conservatory of Music Follow this and additional works at: https://trace.tennessee.edu/gamut Recommended Citation Berry, David Carson (2013) "To Allen Forte from His Former Advisees: Tributes and Reminiscences," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 6 : Iss. 2 , Article 9. Available at: https://trace.tennessee.edu/gamut/vol6/iss2/9 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part V), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. TO ALLEN FORTE FROM HIS FORMER ADVISEES: TRIBUTES AND REMINISCENCES Festschriften have often included a tabula gratulatoria, that is, a listing of names of colleagues, former students, and friends who are sending compliments and felicitations to the honoree. Less often, the gratulationes have transcended the tabula to become full-fledged trib- utes and reminiscences. Perhaps the latter are not as common because Festschriften (of the particular kind that circulates in academe) are viewed as repositories of scholarship and not personal reflections—that is, a place for contributions to the broader field and not remembrances pertinent to the few. -
MTO 3.4: Meeus, Music Theory and Analysis in France and Belgium
Volume 3, Number 4, July 1997 Copyright © 1997 Society for Music Theory Nicolas Meeus KEYWORDS: theory, analysis, France, Belgium, Europe, conservatory, university, Schenker ABSTRACT: The organizers of the forthcoming Fourth European Congress for Music Analysis decided to devote one of its sessions to European traditions and usages concerning theory and analysis. Some of my ideas on this topic are developed, with special reference to societies for analysis, journals, music education, and the reception of Schenker in France. 1. Introduction 2. European Societies and the European Congresses for Music Analysis 3. Journals 4. Music Education 5. The Reception of Schenker 6. Semiology 7. Conclusion 1. Introduction [1.1] Theory and analysis have known a fast development in Continental Europe during the last twenty years. Yet, for many reasons, the situation here remains quite different from what it is in English speaking countries. After the Third European Congress for Music Analysis in Montpellier in 1995, Jonathan Cross commented on this situation in the Bulletin of the SMA (the British Society for Music Analysis) for May 1995. His comments led the organizers of the forthcoming Fourth European Congress (see below) to devote one of its sessions to discussing European traditions and usages. The present note stems from my own reflection in this context—and I claim sole responsibility for what follows. I will begin with considerations of the recent history of analysis and musicology, before turning to more fundamental matters. [1.2] The recent development of analytical studies in Continental Europe owes much to the personality of Celestin Deliege, who founded the class of analysis in the Royal Conservatoire in Liege (Belgium). -
SMTNL 805 Final
VOLUME 28, M NUMBER 2 newsletter August 2005 ST A PUBLICATION OF THE SOCIETY FOR MUSIC THEORY IN THIS ISSUE… SMT Boston/Cambridge 2005 The 2005 annual meeting of the Society for Music Theory will be held November 10–13 at the Hyatt Regency ANNUAL Cambridge, located at 575 Memorial Drive in Cambridge, Massachusetts. The Hyatt, a mid-sized atrium-style MEETING hotel catering to both business and tourist clientele and having a spectacular view of Boston and the Charles River, will provide a splendid venue for the conference. We will be the only large group at the hotel during this time, Pages 1–2 guaranteeing an intimate and convivial atmosphere appropriate to a solo SMT meeting. Along with the offerings at its excellent restaurant, each day the Hyatt will provide breakfast and lunch concessions featuring appealing, SMT OFFICERS attractively priced meals for our convenience. In the evenings, a shuttle loop will operate between the hotel and AND local areas containing dozens of excellent restaurants offering an immense variety of cuisines in surroundings from COMMITTEES the simplest to the most elegant, along with direct connections to greater Boston’s public transportation system. Sidebars, The Boston region is home to a wealth of cultural attractions, from premier institutions like the Boston Symphony Pages 2–5 and the Museum of Fine Arts to its numerous museums, concert venues, theaters, and exhibition spaces, both independent and affi liated with the many local universities and conservatories. As the conference date approaches, NEWS FROM more detailed information on events of note will be available on the conference Web site linked to the SMT home THE SOCIETY page <www.societymusictheory.org/conferences/2005>. -
Fanfarefall 2019 Department of Music & Dance
Fall 2019 FanfareDepartment of Music & Dance College of Humanities & Fine Arts T IS WITH a great deal of pleasure and an even greater sense of responsibility that I send out my first letter as chair of the Department of Music and Dance at the University of Massachusetts Amherst. I I am completely aware of the tremendous charge that I am assuming, and am quite humbled by it. I am equally aware of the remarkably high standards set by my predecessors. The development of our department, starting with Philip Bezanson in the late 1960s through Charles Bestor in the ’70s, continuing in a direct line through Jeff Cox and Roberta Marvin, has been an extraordinary one. I consider myself lucky to have been able to learn from the chairs with whom I have worked, and I am grateful to have had such outstanding mentors to follow. I am also grateful to my music and dance department colleagues for their show of support and trust in recommending me for my new role. I hope to live up to their belief in me and will do my best to continue and enrich a supportive and creative learning environment. As we all know, the Department of Music and Dance is a vibrant and exciting place to study and to teach. There is an extraordinary amount of scholarship, pedagogy, and performance taking place here, literally on a daily basis. One of the goals of my tenure will be to continue to explore meaningful ways for our students and faculty to share their work not only with one another, but with the university and the larger community as well. -
Fonds Alexander Brott (R12803) Page 1 Finding Aid No
Date: 2012-04-12 Alexander Brott fonds (R12803) / Fonds Alexander Brott (R12803) Page 1 Finding Aid No. R12803 / Instrument de recherche no R12803 Report: Y:\APP\Impromptu\Mikan\Reports\Description_Reports\finding_aids_&_subcontainers.imr MIKAN Container File/Item Cr. file/item Hierarchy Title, etc Date of/de Extent or Media / Dim. / Access # Contenant Dos./PièceDos./item cr. Hiérarchie Titre, etc création Support ou Média / Dim. / Accès 3985646 Series Correspondence [textual record, graphic 1931-2004 material] 4014008 1 1 File Lotte Brott [194-?]-1997 2 cm of textual records. / 90 S&C : File containing correspondence with Lotte Brott. Several letters also includes other family members. 3987168 1 2 File Boris Brott [ca. 1956]-1962 1.5 cm of textual records. / 90 S&C : File containing correspondence from Boris Brott. 4013971 1 3 File Boris Brott 1963-2004 1.5 cm of textual records. / 90 S&C : File containing correspondence from Boris Brott. 3986023 1 4 File Denis Brott 1962-1969 1.5 cm of textual records. / 90 S&C : File containing correspondence from Denis Brott. 3986031 1 5 File Denis Brott 1970-1996 1 cm of textual records. / 90 S&C : File containing correspondence from Denis Brott. 4064182 1 6 File Other family members 1935-1962 0.5 cm of textual records. / 90 S&C : File containing correspondence with his mother, Annie Fixman, and Aby Lenson and Saul Brott. 3986019 1 7 File Canadian League of Composers 1952-1956 1.5 cm of textual records. / 90 4002344 1 8 File Canadian League of Composers 1957-1990 1 cm of textual records. / 90 3988428 1 9 File Canadian Music Centre 1959-1963 2 cm of textual records. -
Anna Maria Busse Berger Department of Music University of California Davis, CA 95616 (916) 752-3999 Or (916) 752-5537 Email: [email protected]
Anna Maria Busse Berger Department of Music University of California Davis, CA 95616 (916) 752-3999 or (916) 752-5537 email: [email protected] EDUCATION 1986 Ph.D. in Musicology, Boston University. 1974 Mellomfag (equivalent to M.A.) in German Studies, Trondheim University, Norway 1971 Staatsexamen für das Lehramt an Gymnasien (equivalent to M.A.) in Music, Musikhochschule Detmold, Germany AREAS OF SPECIALIZATION History of the medieval and renaissance music and theory Music in colonies, mission and trade stations Theories about the evolution of music PROFESSIONAL EXPERIENCE 2020 Distinguished Professor Emerita, University of California, Davis 2015- Distinguished Professor of Music, University of California, Davis 1996- Professor of Music, University of California, Davis 1991-96 Associate Professor of Music, University of California, Davis 1989-91 Assistant Professor of Music, University of California, Davis 1988 Lecturer, Department of Music, University of California, Davis 1985-86 National Public Radio 2 Selecting programs and writing texts for the weekly broadcast of "Music of the Italian Masters," produced by the Frank V. De Bellis Collection at San Francisco State University 1981 Lecturer, Department of Music, Trondheim University, Norway 1975-76 Flutist, Trondheim Symphony Orchestra, Norway 1974-76 Lecturer, Department of Music, Trondheim University, Norway 1973-76 Lecturer, Trondheim Conservatory, Norway 1973-76 Member of Ringve Kammerensemble (Early Music Group), Trondheim Norway VISITING APPOINTMENTS 2011-12 Lise-Meitner Fellow and Visiting Professor, University of Vienna 2005-06 Lehman Visiting Professor, The Harvard University Center for the Study of the Italian Renaissance, Villa I Tatti, Florence. March 1999 Astor Visiting Lecturer, Oxford University. ORGANIZATION OF CONFERENCES “Captured Sounds – Collecting, Storing, Sharing,” co-organized with Sebastian Klotz and Lars-Christian Koch, Humboldt Forum, Berlin, May 15-16, 2018. -
Middle Power Music: Modernism, Ideology, and Compromise in English Canadian Cold War Composition
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Middle Power Music: Modernism, Ideology, and Compromise in English Canadian Cold War Composition A Dissertation Presented by Sarah Christine Emily Hope Feltham to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Music History and Theory Stony Brook University December 2015 Stony Brook University The Graduate School Sarah Christine Emily Hope Feltham We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Dr. Ryan Minor - Dissertation Advisor Associate Professor, Department of Music, Stony Brook University Dr. Sarah Fuller - Chairperson of Defense Professor Emerita, Department of Music, Stony Brook University Dr. Margarethe Adams Assistant Professor, Department of Music, Stony Brook University Dr. Robin Elliott—Outside Reader Professor (Musicology), Jean A. Chalmers Chair in Canadian Music Faculty of Music, University of Toronto This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii ABSTRACT OF THE DISSERTATION Middle Power Music: Modernism, Ideology, and Compromise in English Canadian Cold War Composition by Sarah Feltham Doctor of Philosophy in Music History and Theory Stony Brook University December 2015 This dissertation argues that English Canadian composers of the Cold War period produced works that function as “middle power music.” The concept of middlepowerhood, central to Canadian policy and foreign relations in this period, has been characterized by John W. -
Annual Meeting Program Guide Virtual • 7-8 & 14-15 November 2020 1 the American Musicological Society & the Society for Music Theory
Annual Meeting Program Guide Virtual • 7-8 & 14-15 November 2020 1 The American Musicological Society & The Society for Music Theory 2020 Annual Meeting Program Guide 2 Table of Contents Welcome from AMS 4 Welcome From SMT 6 Committees & Staff 7 Featured 9 AMS Schedule of Sessions & Events Saturday, 7 November 2020 52 Sunday, 8 November 2020 58 Saturday, 14 November 2020 65 Sunday, 15 November 2020 75 SMT Schedule Grid Saturday, 7 November 2020 83 Sunday, 8 November 2020 86 Saturday, 14 November 2020 91 Sunday, 15 November 2020 96 3 Welcome from AMS Welcome to the 86th annual meeting of conference—in the form of university- the American Musicological Society—a and press-sponsored parties ('networking meeting which is also the 23rd meeting events'), coffee breaks, and DJ-curated we have held jointly with the Society for "Listen and Unwind" events. Feel free to Music Theory (SMT) and the first that either make yourself one of the music/ology- society has held virtually! I have written themed drinks at the end of the day and this message in Augusta, Maine, where I hang out with your friends and colleagues. reside on land that was the ancestral home of the Cushnoc clan of the Penoboscot And we are delighted to offer this Nation, an Algonquian-speaking people conference as the pilot project for future who were and are part of the Wabanaki virtual conferences that will enable Confederation. us to reduce dramatically the carbon footprint of North America’s largest We in the AMS are delighted to offer you an musicology community while increasing intellectually and musically rich program, its accessibility to a wider community the first to be chosen by an expanded crew of scholars of and thinkers about music of volunteer proposal readers drawn from and sound. -
OBITUARY UOC-KP Appeals for Church Unity Vasyl Barka, Writer, Literary Critic and Translator, 95 Religious Information Service of Ukraine LIBERTY, N.Y
ïêàëíéë ÇéëäêÖë! CHRIST IS RISEN! Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXI HE KRAINIANNo. 17 THE UKRAINIAN WEEKLY SUNDAY, APRIL 27, 2003 EEKLY$1/$2 in Ukraine Fire in Kamianets-Podilskyi destroys PrisonT officials allowU a unique look W 18th-19th century historical archives inside Kharkiv corrections facilities by Andrew Nynka always be made, in an interview with The by Roman Woronowycz water damage. The director of the State Ukrainian Weekly he seemed to strongly Kyiv Press Bureau Comittee of National Archives, Hennadii KHARKIV, Ukraine – In a very rare suggest that any major reform would be Buriak, called the fire a tragedy. move, high-ranking prison officials here, unnecessary. KYIV – Officials are blaming an unau- “April 10 will go down in our history as usually known for their strident secrecy, Indeed, a rather comprehensive tour of thorized printing operation for a fire in a Black Thursday,” stated Dr. Buriak. opened their doors to journalists, aca- two prisons on April 12 revealed bright, 16th century Franciscan cathedral in Kamianets-Podilskyi Mayor Oleksander demics and a local theater troupe for a clean and very well kept facilities that, Kamianets-Podilskyi on April 10 that Mazurchak stated on April 23 during a look inside correctional facilities in the compared to much of the surrounding destroyed 70 percent of the historical report before a hearing of the State Kharkiv Oblast and a unique interaction neighborhood, would appear to provide a archives stored there. The upper floors of Committee of National Archives held to with prisoners incarcerated there. -
Proceedings, the 75Th Annual Meeting, 1999
PROCEEDINGS The 75th Annual Meeting 1999 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC NUMBER 88 JUNE 2000 PROCEEDINGS The 75th Annual Meeting 1999 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC © 2000 by the National Association of Schools of Music. All rights reserved including the right to reproduce this book or parts thereof in any form. ISSN 0190-6615 National Association of Schools of Music 11250 Roger Bacon Drive, Suite 21 Reston, Virginia 20190 Tel. (703) 437-0700 Web address: www.arts-accredit.org E-mail: [email protected] CONTENTS Preface ............................. vii Keynote Speech Music, Musicians, and the Art of Listening: Seven Truths About Music in 2000 IJbby Larsen 1 Career Preparation: Moving into the American Marketplace with die Bachelor of Music in Performance Innovation and New Thoughts about Performance Training for the Future Peter J. Schoenbach 6 Responahility-Based Management Responsibility-Centered Budgeting David D. Woods 12 Music Study in the Liberal Arts Setting How Can NASM Better Serve the Liberal Arts College? John F. Strauss 23 The Struggle To Meet the Professional Standards of NASM and Maintain Integrity as a Department in a Liberal Arts Institution Trudy Faber 27 A Liberal Arts Imperative for the Music Professions Linda C. Ferguson 32 Liberal Arts and Professional Music Study: Coexistence or Cooperation? James Woodward 37 The Future of Muacology and Ethnomusicology The Future of Ethnomusicology in the School and Department of Music of the Twenty-First Century Philip V. Bohlman 40 New Directions in Musicology and What They Mean Michael Broyles 47 Changing Faces of Musicology Denise von Glahn 51 The Future of Music Theory Music Cognition Research and the Music Theory Program David Butler 56 Restoring Music Practice to Music Theory Kevin Holm-Hudson 62 Music Theory Research and Curricula: Past, Present, and Future Elizabeth W. -
Newsletter a Publication of the Society for Music Theory
SMT/AMS MILWAUKEE 2014 The Society for Music Theory will celebrate its thirty-seventh Annual Meeting jointly with the American Musicological Society from November 6–9 at the Hilton Milwaukee City Center and Convention Center in Milwaukee, Wisconsin. Newsletter A Publication of the Society for Music Theory News from the Society Annual Meeting.....................................................1–3 Built in classic Art Deco style in 1927, the Hilton is the largest down- Officer Reports....................................................4–6 town hotel with easy access for those driving and only nine miles from General Mitchell International Airport. Information about the conference Committee Reports.............................................7–12 can be found on the SMT conference website http://societymusictheory. org/events/meeting2014/main. Additional information is also available on Interest Groups..................................................13–15 the AMS website http://www.ams-net.org/milwaukee/. Other SMT News...............................................16–17 Although beer is what “made Milwaukee famous,” the city has become a Midwest mecca for the farm-to-table movement offering a variety of restaurants specializing SMT 2015..................................................................... in local food. A restaurant guide will be available on the conference website. Many Call for Proposals........................................17–18 of these are located in the historic downtown Third Ward neighborhood, which is also home