Festival Program 3 - 14 April 2019
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Presents a Film by TRACEY DEER 92 Mins, Canada, 2020 Language: English with Some French
Presents a film by TRACEY DEER 92 mins, Canada, 2020 Language: English with some French Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com BEANS Festivals, Achievements and Awards Awards & Achievements DGC Discovery Award – 2020 WGC Screenwriting Award, Feature Film – 2021 Canadian Screen Awards – 2021 Best Motion Picture, Winner John Dunning Best First Feature Film Award, Winner Achievement in Casting, Nomination Achievement in Sound Mixing, Nomination Achievement in Cinematography, Nomination Vancouver Films Critics Circle – 2021 One to Watch: Kiawentiio Best Supporting Actress: Rainbow Dickerson Festivals Berlinale, Generation Kplus, Germany – 2021 Crystal Bear for Best Film Toronto International Film Festival, Canada – 2020 TIFF Emerging Talent Award: Tracey Deer TIFF Rising Stars: Rainbow Dickerson TIFF’s Canada’s Top Ten Vancouver International Film Festival, Canada – 2020 Best Canadian Film Yukon Available Light Film Festival, Canada – 2021 Made in the North Award for Best Canadian Feature Film Audience Choice Best Canadian Feature Fiction Kingston Canadian Film Festival, Canada – 2021 Limestone Financial People’s Choice Award Minneapolis St. Paul International Film Festival, USA – 2021 Audience Choice Award: Nextwave Global Features Provincetown Film Festival - 2021 NY Women in Film & Television Award for Excellence -
Más Sobre Under the Silver Lake
Ysidro Más sobre Under the Silver Lake: relato de Eduardo unaEl propósito polarización principal anunciada del siguiente texto es continuarGarcía la discusión sobre la película Under thePlenamar Silver Lake. De entrada, este escrito se compone de tres breves partes que abordarán: (i) las vicisitudes de distribución que sufrió la película después de su presentación ante la crítica especializada; (ii) el estado actual de la industria del cine con relación a los guiones originales; y, (iii) mi crítica al filme. Entiendo que exponer los dos primeros puntos permitirán una mejor comprensión de esta excepcional obra cinematográfica. Mientras más lo pienso, necesito escribir de ella. Para empezar, había mucha expectativa con el nuevo proyecto del director y guionista norteamericano David Robert Mitchell (Michigan, Estados Unidos, 1974). Cuando presentó su película de horror It Follows (2015), fue la mejor valorada de su género en la última década1. Pero desde su estreno en el Festival de Cannes de 2018, Under the Silver Lake empezó un largo y accidentado camino para su distribución comercial. La recepción de la crítica fue polarizada2. La compañía A24, distribuidora de películas independientes y nicho de directores emergentes (como Ari Aster con Midsommar, 2019; Robert Eggers con The Lighthouse, 2019; los hermanos Safdie con Uncut Gems, 2019), pospuso su estreno dos veces. En primer lugar, estuvo pautado para junio de 2018 y cambió a diciembre del mismo año. Al final, la estrenaron en abril de 20193. Supuestamente, las razones de estas decisiones corporativas estaban ligadas a la intransigencia creativa de David Robert Mitchell. Según los rumores, los ejecutivos de A24 exigían trabajos de edición al metraje de la película (que es de alrededor de 2 horas y 20 minutos) y éste se negaba. -
Download This Issue (PDF)
DREW BROWN america’s tastiest driveTM Bu alo’s corner taverns have been perfecting the chicken wing since it was invented at the legendary Anchor Bar in 1964. Secret recipes, historic charm and Bu alo-style hospitality make the new BUFFALO WING TRAIL an experience to be savored. Come to Buffalo this summer to taste the delicious dozen. The wet naps are on us. buffalowingtrail.com @buffalowingtrail #WingBUF #NeverRanch © NYSDED DREW BROWN CONTENTS From the Editors The only local voice for news, arts, and culture. Roaring, Rewriting, and Editors-in-Chief: May 22, 2019 Brian Graham & Adam Welsh Roving for Restaurants Managing Editor: Breathing Difficulties – 5 Nick Warren inter is over. Just like Game of Thrones, all things must Copy Editor: The need for better air quality monitors in Matt Swanseger the wake of Erie Coke’s ongoing violations Wcome to an end. As many of us know very Contributing Editors: well, however, not everything goes quite the way we Ben Speggen Missing the mark – 7 want it to. Prior to the show’s series finale, over one Jim Wertz million fans signed an online petition on Change.org, Contributors: Why the EDDC’s game plan for North Park asking for showrunners David Benioff and D.B. Weiss Mary Birdsong Row needs adjustment to remake the entire last season. It’s a new level of Charles Brown community involvement in the face of what they feel Jonathan Burdick Katie Chriest Pithole City – 11 to be poor decisions. Back in the north(west) of Penn- Symoné Crockett sylvania, there’s an oddly similar feeling happening. -
Download SQ Financial Year Overview
2019-2020 FINANCIAL YEAR OVERVIEW Screen Queensland’s purpose is to grow the screen industry to be a significant contributor to the economic and cultural wellbeing of Queensland. Screen Queensland invests in people and projects to grow a creative, innovative and successful screen industry, and delivers an active screen culture across the state. All figures noted in this overview, including Queensland Production Expenditure (QPE) and jobs, are for the productions' approved investment in the 2019-2020 Financial Year which may or may not have gone into principal photography. Front cover > Retrograde, Unless Pictures and Orange Entertainment Co This page > The Strange Chores, Ludo Studio > CONTENTS Message from Screen Queensland Chair, Linda Lavarch 4 Message from Screen Queensland CEO, Kylie Munnich 5 Key Achievements: 2019-2020 Financial Year 6 - 8 Filmmaking in a Time of COVID-19 9 Spotlight on SQ Enterprise 10 Attracting Productions to Queensland 11 - 12 Growing Queensland Talent 13 - 16 Investing in Development 17 - 19 Investing in Queensland Production 20 - 21 Investing in Game Development 22 Supporting Aboriginal and Torres Strait Islander Practitioners 23 Respect, Inclusion, Diversity, Equality = RIDE 24 - 25 SQhub 26 Screen Culture and Community 27 - 28 Screen Queensland Studios 29 > This Little Love of Mine. Photo by David Fell, courtesy of The Steve Jaggi Company In October, we welcomed Queensland born-and- > MESSAGE raised Kylie Munnich as CEO, joining us from her previous role at Seven Studios. Kylie also served FROM as the Director of Drama & Comedy at Sky Vision UK and spent ten years working for Sony Pictures THE CHAIR Television in senior roles in Australia and the UK. -
SQ Annual Review 2017-18
17 > Celeste ANNUAL REVIEW 18 CONTACT Head Office Address: Gold Coast Office Address: Suite 1/30 Florence Street c/o Village Roadshow Studios Newstead Qld 4006 Building 9A, Entertainment Road Australia Oxenford QLD 4210 T. +61 7 3248 0500 Australia E. [email protected] Postal Address: PO Box 15094 City East Brisbane Qld 4002 Australia Screen Queensland's purpose is to grow the screen industry to be a significant contributor to the economic and cultural wellbeing of Queensland. > Harrow Screen Queensland ACN 056 169 316 ABN 20 056 169 316 Published by Screen Queensland 2018 Also published on screenqld.com.au -------------------------------------------------------------------------------------------------------------------------------------------------------- All figures noted in this Annual Report, including Queensland Production Expenditure (QPE) and jobs, are for the productions given funding in the 2017-18 Financial Year which may or may not have gone into principal photography. > Cover image - Tidelands In the 2017–18 Financial Year, Screen Queensland funded 28 film and television screen productions and games, which generated an estimated $168 million in direct Queensland Production Expenditure (QPE) and more than 1,960 employment opportunities for Queenslanders. > CONTENTS Message from The Premier of Queensland 5 Screen Queensland Chair 7 Look What We Achieved Together 8 2017-18 Highlights 10 Production in Queensland 14 New Initiatives in Screen 18 Screen Support Programs 26 Production Attraction Funding Program 30 Dora the -
NZIFF19 Christchurch WEB.Pdf
CHRISTCHURCH 8 – 25 AUGUST 2019 TIMARU 15 – 25 AUGUST 2019 NZIFF.CO.NZ NZIFF0619_Christchurch-1.indd 1 3/07/19 1:40 PM NZIFF0619_Christchurch-1.indd 2 3/07/19 1:40 PM 43rd Christchurch International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand ISAAC THEATRE ROYAL LUMIÈRE CINEMAS MOVIE MAX DIGITAL PROUDLY SUPPORTED BY General Manager: Sharon Byrne Programmer: Sandra Reid Programme Manager: Michael McDonnell Assistant to the General Manager: Caroline Palmer Communications Manager: Melissa Booth Publicists (Christchurch): Jo Scott, Tanya Jephson Festival Host (Christchurch): Nick Paris Publicist: Sally Woodfield Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Publications Manager: Tim Wong Programme Consultant: Chris Matthews Content Manager: Ina Kinski Content Assistant: Lauri Korpela Technical Adviser: Ian Freer Online Content Coordinator: Sanja Maric Audience Development Coordinator: Emma Carter Guest Coordinator: Lauren Day Social Media Coordinator: David Oxenbridge Communications Assistant: Lynnaire MacDonald Communications Assistant (Auckland): Camila Araos Elevancini Online Social Assistant: Bradley Pratt Festival Accounts: Alan Collins Festival Interns: Erin Rogatski (Auckland) Jessica Hof (Wellington) Publication Design: Ocean Design Group Publication Production: Greg Simpson Cover Design: Blair Mainwaring Cover Illustration: -
March – April 2019
C ap e rn a u m Dumbo HIGHLIGHTS THE KID WHO WOULD BE KING Dir: Joe Cornish I UK/USA I 2019 I 120mins I (PG) Joe Cornish (Attack The Block) returns with this new spin on the timeless legend of the mythical sword in the stone, Excalibur. 12 year‑old Alex thinks he’s just another nobody until he stumbles upon the sword. He must unite his friends and enemies together with the legendary wizard Merlin (Patrick Stewart) to take on the wicked enchantress Morgana (Rebecca Ferguson). “DELIGHTFUL” IndieWire FIGHTING WITH MY FAMILY Dir: Stephen Merchant I UK/USA I 2018 I 108mins I (12A) Stephen Merchant writes, directs and stars in this heartwarming comedy based on the true story of WWE superstar Paige. Born in Norwich into a tight‑knit wrestling family, Paige (Florence Pugh, Lady Macbeth) and her brother get the once‑in‑a‑lifetime opportunity to try out for WWE. The film also starsThe Rock, Nick Frost (Shaun Of The Dead) and Vince Vaughn. “LOTS OF HEART” Screen International BURNING MEN + Q&A Dir: Jeremy Wooding I UK I 2019 I 95mins I (Cert. TBC) Young, struggling musicians Ray and Don are evicted from their South London squat. They take to the road in their old Volvo, planning to sell their prized record collection and fly to Memphis. However, when they fail to get the money needed, they steal a rare Black Metal record which seems to unleash dark forces. The film comes from local director Jeremy Wooding (Blood Moon) who will take part in a Q&A session in the Filmhouse after the screening. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
Under the Silver Lake (2018) Vomito, Sangue E Seme
Under the Silver Lake (2018) Vomito, sangue e seme. Un racconto bulimico e strampalato dichiaratamente masturbatorio . Un film di David Robert Mitchell con Andrew Garfield, Jimmi Simpson, Summer Bishil, Riley Keough, Topher Grace, Zosia Mamet, Riki Lindhome, Callie Hernandez, Patrick Fischler, Laura-Leigh Claire. Genere Thriller durata 140 minuti. Produzione USA 2018. Un moderno noir ambientato a Los Angeles, interpretato da Andrew Garfield e diretto dal regista di 'It Follows'. Paola Casella - www.mymovies.it Sam è una delle tante anime perse di Los Angeles: non ha un lavoro, non ha un quattrino, sta per essere sfrattato dal suo appartamento e passa il tempo a fare sesso distratto con un'aspirante attrice che si presenta a casa sua abbigliata come i ruoli che interpreta. L'altro suo passatempo è spiare dal balcone le vicine con il canocchiale: è così che intercetta lo sguardo di Sarah, una bella ragazza bionda che sembra disposta ad intraprendere con lui una relazione. "Ci vediamo domani", promette lei, ma il giorno dopo scompare. Lungo la sua ricerca della ragazza scomparsa Sam scoprirà molti altri misteri metropolitani, con la guida di un autore di graphic novel che sembra saperne molto più di lui. Alla sua terza prova registica dopo ''The Myth of the American Sleepover'' e il grande successo horror ''It Follows'', il 44enne David Robert Mitchell firma un noir urbano che sembra essersi sviluppato per sporogenesi. Partendo da un paio di buone idee, si riproduce all'infinito creando una processione inarrestabile di scene e sottotrame, a scapito della comprensibilità della trama. Protagonista non è Sam ma la Città degli Angeli, non tanto nella sua realtà quanto nell'immaginario collettivo, e in quello specificatamente cinefilo. -
The HOT LIST
INSERT BACKGROUND IMAGE The HOT LIST March 2021 Melbourne, Victoria The Hot List Table of Contents Table of ● Key Pillar & Themes Indicator – 3 ● Upcoming Festival & Events – 4 contents ● New Tourism Products & Experiences – 6 ● Food & Drink Openings – 29 ● New Accommodation – 45 ● Future Accommodation Announcements – 63 The Hot List Key Pillars Tourism Products Food & Drink New Key & Experiences Openings Accommodation Pillars NATURE & WILDLIFE BAR & DINING HOTELS BOUTIQUE & LUXURY AQUATIC & COASTAL BARS HOTELS FOOD & DRINK RESTAURANTS HOSTELS MODERN & INDIGENOUS WINERIES, BREWERIES & GLAMPING & CAMPING CULTURE DISTILLERIES CAFÉS, BAKERIES & ECO-RESORTS & LODGES DESSERT SUSTAINABILITY Dark Mofo Festival, Tasmania INSERT BACKGROUND IMAGE FESTIVALS & EVENTS The Hot List Upcoming Festivals & Events UPCOMING April May June ● Brisbane Cycling Festival - Brisbane, ● Mountain Bike trails in Alice Springs - ● Sydney Solstice - Sydney Harbour, New Queensland (24 March - 12 April) Alice Springs, Northern Territory (1-4 South Wales (8 June - 20 June) FESTIVALS May) ● Field to Forest Festival - Oberon, New ● Noosa Eat & Drink Festival - Noosa, South Wales (1 - 30 April) ● Dark Skies Festival - Alice Springs, Queensland (10-13 June) Northern Territory (6 - 14 May) & EVENTS ● ● Sydney Royal Easter Show - Sydney, Hilma af Klint: The Secret Paintings - New South Wales (1 - 12 April) ● YIRRAMBOI Festival - Melbourne, Sydney, New South Wales (12 June - 19 Victoria (6 - 16 May) September) ● Thredbo Easter Adventure Carnival - Thredbo, New South Wales (2 - 18 April) ● Bendigo Writers Festival - Bendigo, ● Darwin Triple Crown Supercars - Please check event and Victoria (7 - 9 May) Darwin, Northern Territory (18 - 20 festival websites for further ● Four Winds Festival - Bermagui, New June) information around ticketing South Wales (2 - 4 April) ● Bass in the Grass - Darwin, Northern and bookings. -
Under the Silver Lake
Presents UNDER THE SILVER LAKE A film by David Robert Mitchell 139 mins, USA, 2018 Language: English Official Selection: 2018 Festival de Cannes – Competition – World Premiere 2018 Fantasia Festival – Camera Lucida – Canadian Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis From the dazzling imagination that brought you It Follows and The Myth of the American Sleepover comes a delirious neo-noir thriller about one man’s search for the truth behind the mysterious crimes, murders, and disappear- ances in his East L.A. neighborhood. Sam (Andrew Garfield) is a disenchanted 33 year old who discovers a mys- terious woman, Sarah (Riley Keough), frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los An- geles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels. From writer-director David Robert Mitchell comes a sprawling and unexpect- ed detective thriller about the Dream Factory and its denizens—dog killers, aspiring actors, glitter-pop groups, nightlife personalities, It girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors, and the shadowy billionaires floating above (and underneath) it all. Mining a noir tradition extending from Kiss Me Deadly and The Long Good- bye to Chinatown and Mulholland Drive, Mitchell uses the topography of Los Angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love. -
Ambler Theater ART HOUSE
A NONPROFIT Ambler Theater ART HOUSE Previews104A JUNE – SEPTEMBER 2018 Joan Crawford, Frederika Brown, and Norma Shearer in THE WOMEN THE and Norma Shearer in Frederika Brown, Crawford, Joan INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. Policies ADMISSION Children under 6 – Children under age 6 will not be admitted to our films or programs unless specifically indicated. General ............................................................$11.25 Late Arrivals – The theater reserves the right to stop selling Members ...........................................................$6.75 tickets (and/or seating patrons) 10 minutes after a film has Seniors (62+) & Students ..................................$9.00 started. Matinees Outside Food and Drink – Patrons are not permitted to bring Mon, Tues, Thurs & Fri before 4:30 outside food and drink into the theater. Sat & Sun before 2:30 .....................................$9.00 Wed Early Matinee before 2:30 ........................$8.00 Accessibility & Hearing Assistance – The Ambler Theater has wheelchair-accessible auditoriums and restrooms, and is Affiliated Theater Members* .............................$6.75 equipped with hearing enhancement headsets and closed You must present your membership card to obtain membership discounts. caption devices. (Please inquire at the concession stand.) The above ticket prices are subject to change. Parking – Check our website for parking information. THANK YOU MEMBERS! Your membership is the foundation of the theater’s success. Without your membership support, we would not How can you support AMBLER THEATER exist. Thank you for being a member. Contact us with your feedback the Ambler Theater? MEMBER or questions at 215 348 1878 x115 or email us at Be a member.