Official Program Bringing Films to Life 19 – 30 April 2017 the Schedule
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SISTER PUBLICATION Follow Us on WeChat Now Advertising Hotline 400 820 8428 AUGUST / SEPTEMBER 2017 Chief Editor Frances Chen 陈满满 Production Manager Ivy Zhang 张怡然 Designers Aries Ji 季燕 Joan Dai 戴吉莹 Contributors Alyssa Marie Wieting, Betty Richardson, Celine Song, Dominic Ngai, Erica Martin, Frances Arnold, Kendra Perkins, Leonard Stanley, Manaz Javaid, Nate Balfanz, Theresa Kemp, Trevor Lai Operations Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路169号智造局2号楼305-306室 邮政编码:200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话:021-8023 2199 传真:021-8023 2190 Guangzhou 广告代理: 上海和舟广告有限公司广州分公司 电话:020-8358 6125, 传真:020-8357 3859-800 Shenzhen 广告代理: 上海和舟广告有限公司广州分公司 电话:0755-8623 3220, 传真:0755-8623 3219 Beijing 广告代理: 上海和舟广告有限公司 电话: 010-8447 7002 传真: 010-8447 6455 CEO Leo Zhou 周立浩 Sales Manager Doris Dong 董雯 BD Manager Tina Zhou 周杨 Sales & Advertising Jessica Ying Linda Chen 陈璟琳 Celia Chen 陈琳 Chris Chen 陈熠辉 Nikki Tang 唐纳 Claire Li 李文婕 Jessie Zhu 朱丽萍 Head of Communication Ned Kelly BD & Marketing George Xu 徐林峰 Leah Li 李佳颖 Peggy Zhu 朱幸 Zoey Zha 查璇 Operations Manager Penny Li 李彦洁 HR/Admin Sharon Sun 孙咏超 Distribution Zac Wang 王蓉铮 General enquiries and switchboard (021) 8023 2199 [email protected] Editorial (021) 8023 2199*5802 [email protected] Distribution (021) 8023 2199*2802 [email protected] Marketing/Subscription (021) 8023 2199*2806 [email protected] Advertising (021) 8023 2199*7802 [email protected] online.thatsmags.com shanghai.urban-family.com Advertising Hotline: 400 820 8428 城市家 出版发行:云南出版集团 云南科技出版社有限责任公司 -
Twilight Payment Captures Melbourne Cup As Mcneil Sparkles | 2 | Wednesday, November 4, 2020
STEVE MORAN WE MOVED HEAVEN AND EARTH TO HAVE INTERNATIONAL CUP RUNNERS - AND NOW WE ARE PAYING THE PRICE - PAGE 17 Wednesday, November 4, 2020 | Dedicated to the Australasian bloodstock industry - subscribe for free: Click here Twilight Payment (right) RACING PHOTOS What's on Twilight Payment Metropolitan meetings: Launceston (TAS) Race meetings: Grafton (NSW), Kyneton (VIC), Kilcoy (QLD), Port Lincoln (SA), captures Melbourne Avondale (NZ) Barrier trials / Jump-outs: Warwick Farm (NSW), Grafton (NSW), Mornington (VIC), Cup as McNeil sparkles Mortlake (VIC), Toowoomba (QLD), Port Second O’Brien father-son quinella marred by fatal injury to Lincoln (SA) Derby winner as McEvoy cops record whip fine International meetings: Sha Tin (HK), Lingfield (UK), Nottingham (UK), Kempton But the event was marred by a fatal fetlock BY ANDREW HAWKINS | @ANZ_NEWS (UK), Dundalk (IRE), Greyville (SAF) injury to last year’s Epsom Derby (Gr 1, 1m oseph O’Brien led home his father Aidan 4f) winner Anthony Van Dyck (Galileo), the in the Melbourne Cup (Gr 1, 3200m) for Cup’s fifth racing-related injury resulting in the second time in four years yesterday death since 2013, while Kerrin McEvoy, aboard as Twilight Payment (Teofilo) held off runner-up Tiger Moth, received an Australian JTiger Moth (Galileo) under a sensational record whip fine of $50,000 and a 13-meeting Jye McNeil ride, giving owner Lloyd Williams a suspension as Racing Victoria stewards made historic seventh success in the race that stops good on their threat to heavily penalise overuse the nation at Flemington. of the crop. Continued on page 2>> Follow us @anz_news | 1 | Brought to you by Twilight Payment captures Melbourne Cup as McNeil sparkles | 2 | Wednesday, November 4, 2020 << Continued from page 1 The news overshadowed what will Plaudits for McNeil at first Cup ride be remembered as one of the toughest Melbourne Cup wins the contest has seen in its 160-year history, with McNeil’s ride sure to go down in the annals of history as an all-time great performance. -
Presents a Film by TRACEY DEER 92 Mins, Canada, 2020 Language: English with Some French
Presents a film by TRACEY DEER 92 mins, Canada, 2020 Language: English with some French Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com BEANS Festivals, Achievements and Awards Awards & Achievements DGC Discovery Award – 2020 WGC Screenwriting Award, Feature Film – 2021 Canadian Screen Awards – 2021 Best Motion Picture, Winner John Dunning Best First Feature Film Award, Winner Achievement in Casting, Nomination Achievement in Sound Mixing, Nomination Achievement in Cinematography, Nomination Vancouver Films Critics Circle – 2021 One to Watch: Kiawentiio Best Supporting Actress: Rainbow Dickerson Festivals Berlinale, Generation Kplus, Germany – 2021 Crystal Bear for Best Film Toronto International Film Festival, Canada – 2020 TIFF Emerging Talent Award: Tracey Deer TIFF Rising Stars: Rainbow Dickerson TIFF’s Canada’s Top Ten Vancouver International Film Festival, Canada – 2020 Best Canadian Film Yukon Available Light Film Festival, Canada – 2021 Made in the North Award for Best Canadian Feature Film Audience Choice Best Canadian Feature Fiction Kingston Canadian Film Festival, Canada – 2021 Limestone Financial People’s Choice Award Minneapolis St. Paul International Film Festival, USA – 2021 Audience Choice Award: Nextwave Global Features Provincetown Film Festival - 2021 NY Women in Film & Television Award for Excellence -
Captive Orcas
Captive Orcas ‘Dying to Entertain You’ The Full Story A report for Whale and Dolphin Conservation Society (WDCS) Chippenham, UK Produced by Vanessa Williams Contents Introduction Section 1 The showbiz orca Section 2 Life in the wild FINgerprinting techniques. Community living. Social behaviour. Intelligence. Communication. Orca studies in other parts of the world. Fact file. Latest news on northern/southern residents. Section 3 The world orca trade Capture sites and methods. Legislation. Holding areas [USA/Canada /Iceland/Japan]. Effects of capture upon remaining animals. Potential future capture sites. Transport from the wild. Transport from tank to tank. “Orca laundering”. Breeding loan. Special deals. Section 4 Life in the tank Standards and regulations for captive display [USA/Canada/UK/Japan]. Conditions in captivity: Pool size. Pool design and water quality. Feeding. Acoustics and ambient noise. Social composition and companionship. Solitary confinement. Health of captive orcas: Survival rates and longevity. Causes of death. Stress. Aggressive behaviour towards other orcas. Aggression towards trainers. Section 5 Marine park myths Education. Conservation. Captive breeding. Research. Section 6 The display industry makes a killing Marketing the image. Lobbying. Dubious bedfellows. Drive fisheries. Over-capturing. Section 7 The times they are a-changing The future of marine parks. Changing climate of public opinion. Ethics. Alternatives to display. Whale watching. Cetacean-free facilities. Future of current captives. Release programmes. Section 8 Conclusions and recommendations Appendix: Location of current captives, and details of wild-caught orcas References The information contained in this report is believed to be correct at the time of last publication: 30th April 2001. Some information is inevitably date-sensitive: please notify the author with any comments or updated information. -
February 2009 I COMIN’AT ‘CHA!I 2008 SASS Southwest Regional Match
MercantileEXCITINGSee section our (starting on page 94) NovemberNovemberNovember 2001 2001 2001 CowboyCowboyCowboy ChronicleChronicleChronicle PagePagePage 111 The Cowboy Chronicle~ The Monthly Journal of the Single Action Shooting Society ® Vol. 22 No. 2 © Single Action Shooting Society, Inc. February 2009 i COMIN’AT ‘CHA!i 2008 SASS Southwest Regional Match By Ringo Fire, SASS Life #46037 and Buffy Lo Gal, SASS Life #46039 ES!!! It’s finally here!!! HIGHLIGHTS start on page 73 I’ve been waiting … what?!? It’s over??? check out the vendors, and get ready Y Bull Shoals, SASS for side matches in the afternoon. #25400, summed it up when he said, Side matches were the routine pis- “When you check in on Thursday it’s tol, rifle, and shotgun speed match- like getting on a non-stop carnival es, along with derringer, pocket pis- ride, and when you open your eyes, tol, and long-range events. it’s already Sunday, and it’s over!” Following the side matches was That’s pretty much the way it a Wild Bunch match, under the went at Comin’ at ‘Cha, the 2008 direction and coordination of Goody, SASS Southwest Regional. It was SASS #26190, and Silver Sam, SASS four days of full-tilt boogie, non-stop #34718. That evening was the Cow- action, and fun. T-Bone Dooley, SASS boy Garage Sale (although some #36388, has always called Comin’ at pards did some early shopping while ‘Cha a party with a shoot thrown in, side matches were being shot) where and this year was no different. Okay, folks could try to sell stuff they had the theme was different … Mardi laying around the house or RV they Gras!!! And this year it was the no longer wanted, followed by the SASS Southwest Regional Cham- first night of Karaoke and the accom- pionship … but, you know what I Mardi Gras was the match theme … the festivities started during opening panying general rowdiness. -
Production Notes Greg Haddrick, Greg Mclean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS
A Stan Original Series presents A Screentime, a Banijay Group company, production, in association with Emu Creek Pictures financed with the assistance of Screen Australia and the South Australian Film Corporation Based on the feature films WOLF CREEK written, directed and produced by Greg McLean Adapted for television by Peter Gawler, Greg McLean & Felicity Packard Production Notes Greg Haddrick, Greg McLean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler & Felicity Packard SERIES WRITERS Tony Tilse & Greg McLean SERIES DIRECTORS As at 2.3.16 As at 2.3.16 TABLE OF CONTENTS Key Cast Page 3 Production Information Page 4 About Stan. and About Screentime Page 5 Series Synopsis Page 6 Episode Synopses Pages 7 to 12 Select Cast Biographies & Character Descriptors Pages 15 to 33 Key Crew Biographies Pages 36 to 44 Select Production Interviews Pages 46 to 62 2 KEY CAST JOHN JARRATT Mick Taylor LUCY FRY Eve Thorogood DUSTIN CLARE Detective Sergeant Sullivan Hill and in Alphabetical Order EDDIE BAROO Ginger Jurkewitz CAMERON CAULFIELD Ross Thorogood RICHARD CAWTHORNE Kane Jurkewitz JACK CHARLES Uncle Paddy LIANA CORNELL Ann-Marie RHONDDA FINDELTON Deborah ALICIA GARDINER Senior Constable Janine Howard RACHEL HOUSE Ruth FLETCHER HUMPHRYS Jesus (Ben Mitchell) MATT LEVETT Kevin DEBORAH MAILMAN Bernadette JAKE RYAN Johnny the Convict MAYA STANGE Ingrid Thorogood GARY SWEET Jason MIRANDA TAPSELL Constable Fatima Johnson ROBERT TAYLOR Roland Thorogood JESSICA TOVEY Kirsty Hill 3 PRODUCTION INFORMATION Title: WOLF CREEK Format: 6 X 1 Hour Drama Series Logline: Mick Taylor returns to wreak havoc in WOLF CREEK. -
The Earthing Movie Bringing It Home Poisoning Paradise Free Willy
SANTA MONICA COLLEGE FALL 2019 GREEN SCREEN SERIES Hosted by Sheila Laffey, Ph.D., Adjunct Professor 09.23.19 11.04.19 The Earthing Poisoning Movie Paradise Documentary Film Screening and Talk Film Screening with Filmmakers Josh and Rebecca Mon, November 4 | 4 p.m. Tickell and Oscar-nominated Actor Mariel Hemingway 11.18.19 Mon, September 23 | 4 p.m. Free Willy 10.07.19 Film Screening and Talk with Producers Lauren Shuler Donner Bringing It Home and Jennie Lew Tugend Film Screening Mon, November 18 | 3 p.m. and Talk with Sheila Laffey Mon, October 7 | 4 p.m. All events will be held at the Center for Media and Design, Auditorium. Free admission. THE EARTHING MOVIE Film Screening and Talk with Filmmakers Josh and Rebecca Tickell and Oscar-nominated Actor Mariel Hemingway The Earthing Movie (2019, 75 minutes) explores the effects on human physiology and health of connecting our skin to the ground for extended periods of time, which can significantly reduce inflammation, leading to often dramatic health benefits. A talk with the documentary’s award- winning filmmakers Josh and Rebecca Tickell and actor Mariel Hemingway follows the screening. Mon, September 23 | 4 p.m. | Free | Center for Media and Design, Auditorium 180 BRINGING IT HOME Film Screening and Talk with Sheila Laffey Hemp — it’s not just for hippies anymore. Today, it’s found in everything from salad dressings to construction materials. Industrial hemp is a nonpsychoactive plant grown in 31 other countries, but prohibited until very recently in the United States. Directed by Linda Booker, Bringing It Home (2006, 60 minutes) uses animation, archival images, and interviews with hemp business leaders and growers, to explore a crop with so many widespread benefits. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
18 Jan 19 28 Feb 19
18 JAN 19 28 FEB 19 1 | 18 JAN 19 - 28 FEB 19 49 BELMONT STREET | BELMONTFILMHOUSE.COM What does it mean, ‘to play against type’? Come January/February you may find many examples. Usually it’s motivated by the opportunity to hold aloft a small gold-plated statue, but there are plenty memorable occasions where Hollywood’s elite pulled this trope off fantastically. Think Charlize Theron in Monster. Maybe Jim Carrey in Eternal Sunshine? Or Heath Ledger as Joker. These performances often come to dominate award season. Directors wrenching a truly transformative rendition out of their leads can be the difference between a potential big winner fading into obscurity, or being written into history. The class of 2019 appears particularly full of these turns. There might well be as much intrigue in figuring out which will be remembered, as in watching the performances themselves. ‘Unrecognisable as’ awards could go out to Margot Robbie as Elizabeth I in Mary Queen Of Scots; Melissa McCarthy in Can You Ever Forgive Me?; Nicole Kidman in Destroyer; Christian Bale as Dick Cheney in Vice. Others of course have been down this road before. Steve Carell has come a long, long way since Michael Scott and he looks tremendous in Beautiful Boy. And Matt Dillon, who we’ll see in The House That Jack Built, has always had a penchant for the slightly off-colour. There’s probably no one more off-colour than Lars von Trier. Screening for one night only. At Belmont Filmhouse we try to play against type as much as possible. -
Visionsplendidfilmfest.Com
Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland. -
The 66Th Sydney Film Festival Begins 05/06/2019
MEDIA RELEASE: 9:00pm WEDNESDAY 5 JUNE 2019 THE 66TH SYDNEY FILM FESTIVAL BEGINS The 66th Sydney Film Festival (5 – 16 June) opened tonight at the State Theatre with the World Premiere of Australian drama/comedy Palm Beach. Festival Director Nashen Moodley was pleased to open his eighth Festival to a packed auditorium including Palm Beach director Rachel Ward and producers Bryan Brown and Deborah Balderstone, alongside cast members Aaron Jefferies, Jacqueline McKenzie, Heather Mitchell, Sam Neill, Greta Scacchi, Claire van der Boom, and Frances Berry. Following an announcement of increased NSW Government funding by the Premier Gladys Berejiklian, Minister for the Arts Don Harwin commented, “Launching with Palm Beach is the perfect salute to great Australian filmmaking in a year that will showcase a bumper list of contemporary Australian stories, including 24 World Premieres.” “As one of the world’s longest-running film festivals, I’m delighted to build on our support for the Festival and Travelling Film Festival over the next four years with increased funding of over $5 million, and look forward to the exciting plans in store,” he said. Sydney Film Festival Board Chair, Deanne Weir said, “The Sydney Film Festival Board are thrilled and grateful to the New South Wales Government for this renewed and increased support. The government's commitment recognizes the ongoing success of the Festival as one of the great film festivals of the world; and the leading role New South Wales plays in the Australian film industry.” Lord Mayor of Sydney, Clover Moore also spoke, declaring the Festival open. “The Sydney Film Festival’s growth and evolution has reflected that of Sydney itself – giving us a window to other worlds, to enjoy new and different ways of thinking and being, and to reach a greater understanding of ourselves and our own place in the world.” “The City of Sydney is proud to continue our support for the Sydney Film Festival. -
Company B ANNUAL REPORT 2008
company b ANNUAL REPORT 2008 A contents Company B SToRy ............................................ 2 Key peRFoRmanCe inDiCaToRS ...................... 30 CoRe ValueS, pRinCipleS & miSSion ............... 3 FinanCial Report ......................................... 32 ChaiR’S Report ............................................... 4 DiReCToRS’ Report ................................... 32 ArtistiC DiReCToR’S Report ........................... 6 DiReCToRS’ DeClaRaTion ........................... 34 GeneRal manaGeR’S Report .......................... 8 inCome STaTemenT .................................... 35 Company B STaFF ........................................... 10 BalanCe SheeT .......................................... 36 SeaSon 2008 .................................................. 11 CaSh Flow STaTemenT .............................. 37 TouRinG ........................................................ 20 STaTemenT oF ChanGeS in equiTy ............ 37 B ShaRp ......................................................... 22 noTeS To The FinanCial STaTements ....... 38 eDuCaTion ..................................................... 24 inDepenDenT auDiT DeClaRaTion CReaTiVe & aRTiSTiC DeVelopmenT ............... 26 & Report ...................................................... 49 CommuniTy AcceSS & awards ...................... 27 DonoRS, partneRS & GoVeRnmenT SupporteRS ............................ 28 1 the company b story Company B sprang into being out of the unique action taken to save Landmark productions like Cloudstreet, The Judas