York Minster: the Cathedral and Metropolitical Church of Saint Peter, York, England York Minster Is Considered One of the Finest Medieval Buildings in Europe

Total Page：16

File Type：pdf, Size：1020Kb

York Minster: The Cathedral and Metropolitical Church of Saint Peter, York, England York Minster is considered one of the finest medieval buildings in Europe. Its a site that included the first Christian church dating to 300AD. The first church was wooden, then rebuilt with stone in 647AD, and dedicated to St. Peter. It was known to have been a Roman fortress. Over the next centuries, York found itself under attack by the Danes, Saxons, Norse and English. In 1069, William the Conqueror ransacked the church. He then appointed his own Archbishop and a Norman cathedral was built on the site. <britainexpress.com ><historyofyork.org> The present Gothic‐style church was ordered to be constructed in 1215 by the Archbishop of York, Walter de Grey. It was designed to be the greatest cathedral in the kingdom. It was built over 250 years, between 1220 and 1472. <historyofyork.org>"Declared full and consecrated in 1472, York Minster has survived wars, plague, political upheaval, structural disaster and native revolt." <luxury‐architecture.net> The term "minster" was given to Anglo‐Saxon church buildings during their time period. The churches had missionary instructing uses. The term today is used as an "honorific title." <luxury‐architecture.net> Only Westminster Abbey still retains the title of minster in England. <tripsavvy.com> Architecturally, the Gothic use of "flying buttresses" were designed to assist in partitioning medieval cathedrals. The York Minster has the largest expanse of stained glass in the world. The largest was completed in 1408. It is carefully cleaned and refurbished every ten years. See https://www.luxury‐architecture.net/amazing‐history‐architecture‐york‐minster/, for a more extensive description of the church's architectural features. Pictured is Emperor Constantine of the Western Roman Empire. York was called Eboracum then. In 313AD, Constantine proclaimed religious tolerance throughout the Roman Empire, as the first Christian Emperor. His statue is outside of the church and remembered for his religious tolerance. Sources: Tour with Guide, https://yorkminster.org/, http://www.historyofyork.org.uk/themes/york‐minster, https://www.tripsavvy.com/facts‐and‐ figures‐about‐york‐minster‐1662731, https://britainexpress.com/cities/york/minster.htm, https://www.luxury‐architecture.net/amazing‐history‐ architecture‐york‐minster/, http://www.yorkshireguides.com/york_minster.html and https://simple.wikipedia.org/wiki/York_Minster. acuri.net John R. Vincenti York Minster, England .

Copy Link

Recommended publications

The Value of Books
The Value of Books: The York Minster Library as a social arena for commodity exchange. Master’s thesis, 60 credits, Spring 2018 Author: Luke Kelly Supervisor: Gudrun Andersson Seminar chair: Dag Lindström Date: 12/01/2018 HISTORISKA INSTITUTIONEN It would be the height of ignorance, and a great irony, if within a work focused on the donations of books, that the author fails to acknowledge and thank those who assisted in its production. Having been distant from both Uppsala and close friends whilst writing this thesis, (and missing dearly the chances to talk to others in person), it goes without saying that this work would not be possible if I had not had the support of many generous and wonderful people. Although to attempt to thank all those who assisted would, I am sure, fail to acknowledge everyone, a few names should be highlighted: Firstly, thank you to all of my fellow EMS students – the time spent in conversation over coffees shaped more of this thesis than you would ever realise. Secondly, to Steven Newman and all in the York Minster Library – without your direction and encouragement I would have failed to start, let alone finish, this thesis. Thirdly, to all members of History Node, especially Mikael Alm – the continued enthusiasm felt from you all reaches further than you know. Fourthly, to my family and closest – thank you for supporting (and proof reading, Maja Drakenberg) me throughout this process. Any success of the work can be attributed to your assistance. Finally, to Gudrun Andersson – thank you for offering guidance and support throughout this thesis’ production.
[Show full text]
York Minster Timeline There Has Been a Minster in York Since AD 627
York Minster Timeline There has been a Minster in York since AD 627. Earlier Minster buildings may have looked like this. The exact location of York Minster the Saxon Minster is not known. From AD 71 From AD 627 Treasure Hunt Discover Where the Minster stands today was The first Minster in York, was small and the treasure once the site of the Roman HQ building. It was in wooden. It was built for the baptism of Edwin, map inside! the middle of a Roman fort. the Saxon King of Northumbria. By AD 640 AD 1080 to AD 1100 A stone Minster had replaced the wooden building. Archbishop Thomas of Bayeux built a This was probably enlarged and improved several Norman Cathedral on the present site. This Minster times before the coming of the Normans. was altered in the 1160s by Archbishop Roger of Pont l’Evéque. AD 1220 Archbishop Walter Gray started to rebuild the South Transept in the Gothic style. (Look at the front page to see it.) Over the next 250 years, the whole of the Minster was slowly rebuilt. The Cathedral you see today was finished in 1472. Welcome to our magnificent Cathedral. This Follow the instructions on your map inside. You Minster or cathedral? What’s the difference? place of Christian worship has been here for will need a pencil to mark the position of each A cathedral church is the mother church of the diocese. It’s where the centuries. It is full of beautiful things waiting treasure. bishop has his seat or ‘cathedra’.
[Show full text]
Books Available to Buy
The Stained Glass Centre: Books Available to Buy If you are interested in purchasing any of the books listed below, please get in contact with the Friends Administrator by post or email: The Stained Glass Centre Friends Administrator, c/o York Glaziers Trust, 6 Deangate, York YO1 7JB, or [email protected] Books can be picked up from the centre by arrangement, made available to collect at any of our upcoming events, or will be posted to you. Postage and packaging prices will be dependent on the weight and size of purchase. Many thanks The Stained Glass Centre Author Title Price Stock History of York Minster (no cover so title and author £1.00 1 unknown) Albutt, R. Stained Glass Windows of AJ Davies of the £25.00 1 Bromsgrove Guild, Worcestershire Albutt, R. Stained Glass Windows of Bromsgrove and Redditch, £8.00 1 Worcestershire Angus, M. Modern Stained Glass in British Churches £5.00 3 Archer, M. Introduction to English Stained Glass £2.00 7 Archer, M. Stained Glass £1.00 4 Armitage, L. Stained Glass £10.00 1 Atterbury, P. Pugin £25.00 2 Aubert, M. Stained Glass of the Xiith and Xiiith Centuries from £12.00 1 French Cathedrals Aubert, M. Le Vitrail en France £5.00 1 Baker, E. Church Archaeology £5.00 1 Baker, J. English Stained Glass of the Medieval Period (83 £10.00 3 Plates) Beaulah, K. Church Tiles of the Nineteenth Century £1.00 1 Beckett, L. & A. York Minster £3.00 1 Hornak Beckett, W. & G. Pains of Glass: The Story of the Passion from King's £2.00 2 Pattison College Chapel, Cambridgeshire Bell, C.C.
[Show full text]
AWN Pugin's “True Principles” Gothic Furniture
A.W.N. Pugin’s “True Principles” Gothic Furniture Evolutionary, Revolutionary, Reactionary? Peter N. Lindfeld However much we may be indebted to lustrations laid down for the frst time the 15.1 Illustration of the extravagant style those ancient supporters of Pointed Ar- design principles that were to establish the of modern Gothic furniture and decora- chitecture who, faithfully adhering to its genuinely structural and medievally based tion, published in A.W.N. Pugin, Te True Principles of Pointed or traditions at a period when the style fell Gothic, as opposed to the decorative and Christian Architecture. into general disuse, strove earnestly, and fanciful Gothic, as the primary style of the [New Haven, CT, Yale Center for in some instances ably, to preserve its nineteenth century”.2 British Art: NA440 P9 1841] character; whatever value in the cause Te importance and infuence of Con- which we may attach to the crude and trasts and Te True Principles can not be isolated examples of Gothic which be- disputed.3 Unpublished manuscript sources, long to the eighteenth century, or to the however, indicate that the core idea in Pu- eforts of such men as Nash and Wyatt, gin’s polemical outpourings in Te True there can be little doubt that the revival Principles - the identifcation and restoration of Mediæval design received its chief of medieval design’s essential nature - is not impulse in our own day from the en- particularly revolutionary. Tis is especially ergy and talents of one architect whose the case when examining his and other ar- name marks an epoch in the history of British art, which, while art exists at all, chitects’ designs for furniture.
[Show full text]
'Daylight Upon Magic': Stained Glass and the Victorian Monarchy
‘Daylight upon magic’: Stained Glass and the Victorian Monarchy Michael Ledger-Lomas If it help, through the senses, to bring home to the heart one more true idea of the glory and the tenderness of God, to stir up one deeper feeling of love, and thankfulness for an example so noble, to mould one life to more earnest walking after such a pattern of self-devotion, or to cast one gleam of brightness and hope over sorrow, by its witness to a continuous life in Christ, in and beyond the grave, their end will have been attained.1 Thus Canon Charles Leslie Courtenay (1816–1894) ended his account of the memorial window to the Prince Consort which the chapter of St George’s Chapel, Windsor had commissioned from George Gilbert Scott and Clayton and Bell. Erected in time for the wedding of Albert’s son the Prince of Wales in 1863, the window attempted to ‘combine the two ele- ments, the purely memorial and the purely religious […] giving to the strictly memorial part, a religious, whilst fully preserving in the strictly religious part, a memorial character’. For Courtenay, a former chaplain- in-ordinary to Queen Victoria, the window asserted the significance of the ‘domestic chapel of the Sovereign’s residence’ in the cult of the Prince Consort, even if Albert’s body had only briefly rested there before being moved to the private mausoleum Victoria was building at Frogmore. This window not only staked a claim but preached a sermon. It proclaimed the ‘Incarnation of the Son of God’, which is the ‘source of all human holiness, the security of the continuousness of life and love in Him, the assurance of the Communion of Saints’.
[Show full text]
Stained Glass Windows Stained Glass and Banners • Stained Glass Windows and Banners Bring Colour to a Church
Stained Glass Windows Stained Glass and Banners • Stained glass windows and banners bring colour to a church. They also remind people of stories in the Bible or of important truths. • Before TVs or LCD projectors, stained glass windows could be used as visual aids. This is the risen Christ in the window of a church in the Cotswolds. What are the small black marks in the palms of his hands? Modern Stained Glass Window • This modern stained glass window is in memory of a young man. He died while mountaineering aged 19. • The mountain in the window - the Eiger - is on the last photo that he took. When looking at this window – what do you think people think about? This window may help people to think about their own lives, too. What does the bird in the sky make you think of? Can you see the Do you think that cross? this is a good Look closely at what memorial for a is behind the base of young person? it ... What do you think the cross towering over the town represents? About stained glass • Stained glass is simply coloured glass but the term stained glass is normally used in referring to pictorial windwos such as are to be found in some churches. The colours are produced by adding a metallic oxide to the glass. • The means of colouring glass was understood in the early years of the Common Era. The earliest stained glass in Europe has been found at Jarrow at the monastery where Bede lived, prayed, taught and wrote.
[Show full text]
York Minster a Medieval Cathedral
1 York Minster a Medieval Cathedral The Great East Window Lady Chapel High Altar Chapter House 2 Quire 1 3 North Central South The Five Transept Tower Transept Entrance Sisters Window Nave Altar Early English 1220 -1260 Decorated 1280 -1350 Nave Perpendicular 1361 -1472 1 Prince William’s Tomb 2 Cathedra West End 3 Walter Gray’s Tomb The Great West Window 2 York Minster KS 3 RE: A Christian Place of Worship The full title of this building is the Cathedral and Metropolitical Church of St Peter in York. You will see Peter’s chief symbol (the crossed + keys of Heaven) throughout. It is a cathedral because it is a church where a bishop has his + + throne, or cathedra. It is a metropolitical church Northern because our bishop is also an archbishop, also Province Diocese + of York known as a Metropolitan Primate. Minster is essentially an Old English word, which can mean + + either “monastery” or “mission-church”. York + + Minster was never a monastery, but was + + + + originally founded by a missionary-bishop, St + Paulinus, in AD 627. Not all cathedrals are + York Minster minsters; not all minsters are cathedrals, but we are both. + Other cathedrals of the Northern Province A bishop of the Anglican Church (Church of England) is responsible for all the parish churches and their priests in an area called a diocese. An archbishop, however, is also responsible for a group of dioceses, known as a province. The Anglican Church is divided into two provinces: YORK and CANTERBURY. Thus the Minster is the Mother Church for both the Diocese and Province of York.
[Show full text]
'Let Us Talk' – Response from Wimborne Minster the Responses
‘Let us Talk’ – Response from Wimborne Minster The responses to the questions below are based on work done in March this year with the Minster PCC. We spent the day together to reflect, discuss, worship and pray as we seek to discern God’s way forward for the Minster in the coming 3‐5 years. For a fuller sense of what is already going on at the Minster; of current projects; and a vision for the future, please see the accompanying ‘Rector’s Report’, delivered at our recent APCM on April 18th 2013. 1. What is the ‘Personality and Character’ of your local church? The Minster combines the desire to be a ‘normal’ parish church with a distinctive and historic ministry to the wider civic communities of Wimborne and East Dorset. As such, it can sometimes appear slightly schizophrenic! At its best, it is prayerful, caring, hospitable, generous and inclusive, benefiting from the gifts of able lay people, professional musicians, an iconic building and the affection of the local community. It has a certain ‘respectability’ which is inviting to many and can be off‐putting to others, but on the whole it succeeds in enabling those who come through its doors – whether pilgrim or visitor – to sense something of the hospitality of God. It enjoys high standards in worship and seeks excellence, but not at the expense of warmth. The downside of these many outward strengths is that its ‘internal’ relationships can sometimes suffer, and people within the congregation can, from time to time, be argumentative and critical in an unconstructive way.
[Show full text]
York Minster's Great East Window Conservation of the Glass
Stained Glass Conservation in the 21st Century An Introduction to Current Practice Sarah Brown The York Glaziers Trust [email protected] Then and Now Patch repairs with ‘stop-gaps’ from the glaziers store Holy Trinity, Goodramgate, York Past approaches: copy/replace Winchester college chapel, c1385 Restored Betton & Evans, c1814 (photos: Gordon Plumb) Painted repairs Left: East Window, York Minster, 1405-8, repairs of 1820s Above: East Window, Margaretting, Essex, mid C15, restored 1870s Redressing the Balance: ‘Toned Insertions’ North Moreton, Oxon, c1300 Restored 1860s by Ward & Hughes, under direction of Charles Winston (Photos: Gordon Plumb) Mechanical Damage • Accidental Damage • Ball games • Birds • Window cleaners • Scaffolders • Lawn mowers • Deliberate Damage • Iconoclasm • Vandalism/Break ins Examples of Accidental Damage (ball-game and bird-strike) DELIBERATE ?: RELIGIOUS OR POLITICAL ICONOCLASM Left: Fairford, Gloucs, East Window Right: Holy Tritnity Goodramgate, east window VANDALISM AND CRIMINAL DAMAGE Top: Attempted break in, York Minster Right: Break out, Lincoln Cathedral INHERENT WEAKNESSES: The lead net (Beverley Minster east window, leads of 1859-65) PAST APPROCHS TO LEADED REPAIRS: MENDING LEADS AND STRAP LEADS Left: St Michael, Spurriergate, York Right: C12 glass in store, York Minster Environmental Factors • Moisture – external (rain, sleet etc) • Moisture – internal (humidity and condensation) • Wind pressure • Air-borne pollutants / ‘acid rain’ (now less problematic) • Heating/ventilation • Building
[Show full text]
SUNDERLAND MINSTER the Minster Church of St. Michael and All
The Minster Church of SUNDERLAND MINSTER St. Michael and All Angels Tel: 0191 5654066 Fax: 0191 5671002 & St. Benedict Biscop E-mail [email protected] Remembrance Sunday th READINGS & ROTAS for Wednesday 14 11th NOVEMBER 2012 Second Sunday before Advent (Page 717) 9.00am Morning Prayer Welcome to all visitors. th Please introduce yourself during tea & coffee Sunday 18 November 10.00am Eucharist (Bede Chapel) after the 10.00am Sunday Eucharist. DURHAM DIOCESE Daniel 12.1-3 12.00pm Ecumenical Bible Study Hebrews 10.11-25 (Lounge) COLLECT Prayer INTERCESSIONS Mark 13.1-8 1.30pm Visit of Diamond Hall Juniors Year 3 Almighty Father, whose will is to Prayers are asked for: Mary Reynolds, Duty Rota 10am Service 7.00pm Choral Society Rehearsal restore all things in your beloved Son, Lucy Allen, Elizabeth Robinson, Evelyn Hazlett, Mary Haynes, Irene Bull, Jordan Reader Stewards 7.30pm Finance Meeting the King of all: govern the hearts and Sweeney, Rachel Hutchinson, Winnie Katie Hobson Ellen Hunt th minds of those in authority, and bring Thursday 15 Taylor, Edward Watson, Ken Jones, Julie Jill Watson Kath Walshaw 9.00am Morning Prayer the families of the nations, divided Black, Julie Swaidan, Peter Nicholson, Offertory Administrants 12.15pm Eucharist (Bede Chapel) and torn apart by the ravages of sin, Linda Nicholson, Christine Dalzel, Tom Rita Baxter Janine Hobson 5.30pm Whistle Down the Wind to be subject to his just and gentle Turnbull, Paul Mills, Lorraine Anderson, Gemma Rodgerson Andrew Newton Dress Rehearsal rule; who is alive and reigns with you, Marie Kirby, Will Wright, Jamie Coulson, 7.00pm NO Choir Practice in the unity of the Holy Spirit, one Intercessions Coffee Matthew Brown, Sr.
[Show full text]
York Minster Conservation Management Plan 2021
CONSERVATION MANAGEMENT PLAN VOL. 2 GAZETTEERS DRAFT APRIL 2021 Alan Baxter YORK MINSTER CONSERVATION MANAGEMENT PLAN VOL. 2 GAZETTEERS PREPARED FOR THE CHAPTER OF YORK DRAFT APRIL 2021 HOW TO USE THIS DOCUMENT This document is designed to be viewed digitally using a number of interactive features to aid navigation. These features include bookmarks (in the left-hand panel), hyperlinks (identified by blue text) to cross reference between sections, and interactive plans at the beginning of Vol III, the Gazetteers, which areAPRIL used to locate individual 2021 gazetteer entries. DRAFT It can be useful to load a ‘previous view’ button in the pdf reader software in order to retrace steps having followed a hyperlink. To load the previous view button in Adobe Acrobat X go to View/Show/ Hide/Toolbar Items/Page Navigation/Show All Page Navigation Tools. The ‘previous view’ button is a blue circle with a white arrow pointing left. York Minster CMP / April 2021 DRAFT Alan Baxter CONTENTS CONTENTS Introduction to the Gazetteers ................................................................................................ i Exterior .................................................................................................................................... 1 01: West Towers and West Front ................................................................................. 1 02: Nave north elevation ............................................................................................... 7 03: North Transept elevations....................................................................................
[Show full text]
York Minster's Chapter House and Its Painted Glass Narratives
York Minster’s Chapter House and its Painted Glass Narratives Volume 1 of 3 Ann Hilary Moxon PhD University of York History of Art December 2017 Abstract This thesis focuses on the late thirteenth-century narrative glazing scheme of the chapter house in York Minster and the political and religious context of its design. Created as an intrinsic and integrated part of one of the most elaborate and important buildings in the period, the glass has suffered interventions affecting both its appearance and the positions of its narrative panels. By examining the glass in the context of contemporary visual and textual material, it has been possible to reconstruct the original order of the panels and to identify the selection of episodes the lives of the saints, some for the first time. The study has demonstrated the extent to which the iconography was rooted in liturgy and theology relevant to the period which, in turn, reflected the priorities of a dominant group among the active members of Chapter for whose use the building was constructed and, by extension, the contemporary Church. Further, the glass shows strong Mariological themes which reflected features in the rest of the decorative scheme and the architecture of the chapter house, indicating that the glazing scheme may have been conceived as part of the architectural whole. The conclusions are supported by parallel research into the prosopography of the contemporary Chapter which additionally suggests that the conception of the programme may have had its roots in the baronial wars of the
[Show full text]