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Hindu Spiritual Books in English Pdf Hindu spiritual books in english pdf Continue Historical Literature of Hinduism Part series on Hinda scripture and texts PuranasBrahma puranas Brahman Brahmand Brahmawaywart Markanda Vaishnava Puranas Vishubaata Haruda Vamana Kurma Kurma Machia Shaiva Puranas Shiva Linga Kus Kamasutram Braham Sutras Samhya Sutras Mimamsa Sutras Nya Satras Vaisheta Sutra Yoga Soutras Subras Suraka Samhita Sushruta Samkhita Panchatantra Divya Prabanda Tiramramai Ramcharitmanas Yoga Wasstha Suara Timeline of Hindu texts vte Hindu texts associated with any of the diverse traditions in Hinduism. Several texts are common resources within these traditions and are widely regarded as Hindu scriptures. These include Purana, Ithihasa and Vedas. Scholars question the definition of the term Hindu scriptures, given the diverse nature of Hinduism, but many list Bhagavad Gita and Agamas as Hindu scriptures, and Dominique Goodall includes Bhagavata Purana and Yajnawalkia Smriti on the list of Hindu Scriptures. History There are two historical classifications of Hindu texts: Shruti is what is heard, and Smriti is what is remembered. Shruti refers to the body of the most authoritative, ancient religious texts, which are considered to be eternal knowledge, sponsored not by man or divine agent, but by sages (rishi). They form the central canon of Hinduism. Only the Upanishads are influential among Hindus, who are considered the scriptures to be predominantly Hindu, and their central ideas continue to influence its thoughts and traditions. Smriti's texts are a specific body of Hindu texts attributed to the author as a derivative of work they consider to be less authoritative than Shruti in Hinduism. Smriti's literature represents 100 different texts and includes, but is not limited to, Purans, Hindu epics, suturs, hindu texts, Kowiya or poetic literature, bhasyas and numerous nibands (digests) covering politics, ethics, culture, art and society. Many ancient and medieval Hindu texts were written in Sanskrit, many others in regional Indian languages. Nowadays, most ancient texts have been translated into other Indian languages, and some in non-Indian languages. Before the beginning of the general era, Hindu texts were orally composed, then memorized and transmitted orally, from generation to generation, for more than millennia before they were written in manuscripts. This verbal tradition of preserving and transmitting Hindu texts, from one generation to the next, continued in Era. The texts that appeared later were called smriti. Smriti is a literature that includes various Shastras and Ithihas (such epics as Ramayana, Mahabharata), Harivams Puranas, Agamas and Darshanas. Sutra and Shastra texts were collections of technical or specialized knowledge in a particular field. The earliest date back to the later half of the 1st millennium BC. Dharma shastras (legal books), derivatives of Dharma sutras. Other examples were bhautikashastra physics, rasayanashastra chemistry, j'vashastra biology, vastusha architectural science, shilpashastra science sculpture, arthashastra economics and n'tishastra political science. It also includes tantras and Agam's literature. This genre of texts includes sutras and shastras of six schools of Hindu philosophy. Purana's main article: Punana Purana is a vast genre of Hindu texts that encyclopedically cover a wide range of topics, particularly legends and other traditional knowledge. Composed mainly in Sanskrit but also in regional languages, some of these texts are named after major Hindu deities such as Lord Vishnu, Lord Shiva and Goddess Devi. Puranic literature is encyclopedic, and it includes various topics such as cosmogony, cosmology, genealogy of gods, goddesses, kings, heroes, sages and demigods, folk tales, pilgrimages, temples, medicine, astronomy, grammar, mineralogy, humor, love stories, and philosophy. The contents are varied in the Pumans, and each Of Pulana is preserved in numerous manuscripts, which are in themselves voluminous and comprehensive. Hindu Pumana are anonymous texts and probably the work of many authors over the centuries; in contrast, most Jaina Puranas can be dated and their authors assigned. There are 18 Maha Puranas (Great Puranas) and 18 Upa Puranas (Small Puranas), with more than 400,000 verses. Purans do not enjoy the authority of the Holy Scriptures in Hinduism, but are considered Smriti. These Hindu texts influenced Hindu culture, inspiring major national and regional annual Hindu festivals. Bhagavata Purana was one of the most famous and popular lyrics in the puranik genre. The manuscript of Bhagavad Gita Tevaram Saivite's 19th-century hymns Tevaram is the body of the wonderful hymns exuding Bhakti composed more than 1400-1200 years ago in classical Tamil by three Saivit composers. They are credited with stirring up the Bhakti movement throughout India. Divya Prabandha Vaishnavit hymns nalayir Divya Prabandha (or Nalayira (4000) Divya Prabhamdham) is a divine collection of 4,000 verses (Naalayira in Tamil means 'four thousand'), composed before the 8th century AD, 12Th Century, and was compiled in its current form 9-10 centuries. The Alvars sang these songs in various sacred shrines. These shrines are known as Divya Desam. In southern India, especially in Tamil Nadu, Divya Prabhand is considered equal to Veda, hence the epithet of Dravid Veda. For example, in many Srirangam temples, Divya Prabhandam's singing is a major part of daily service. Among the 4,000 verses known as Tiru Vaimahi, compiled by Nammalvar (Kaaril Maaran Sadagopan) Tiruk Kurugura. (quote necessary) Other Hindu texts of Hindu texts for specific areas, in Sanskrit and other regional languages, have been considered as follows, The Origin of Arts and Sciences in India Hindu Scriptures provide an early documented history and origin of arts and sciences forms in India such as music, dance, sculpture, architecture, astronomy, science, mathematics, medicine and wellness. Ramayana Valmiki (500 BC to 100 BC) mentions the music and singing of Gandharvas, the Apsaras dance such as Urvasi, Rambha, Menaka, Tilottama Punchapsaras, and Ravana's wives, who succeed in nrityageeta or sing and dance and nritchititra or play musical instruments. Evidence of early dance-related texts is found in Nastas overthrow, which are mentioned in the text of Panini, the sage who wrote the classics in Sanskrit grammar, and which dates back to around 500 BC. , singing, dancing and Sanskrit compositions for these arts. See also the Hindu epics of Hindu eschatology List of Hindu Scriptures List of Historical Indian Texts List of Suter Prasthanatrayi Sanskrit Literature Timeline hindu texts Notes Links - Fraser, Jessica (2011), Continuum Companion to Hindu Studies, London: Continuum, ISBN 978-0-8264-9966-0, pages 1-15 a b c d e Dominic Goodall (1996), Hindu Scripture, University of California Press, ISBN 978-0-520-20778-3, ix-xliii page, Hindu review: Third edition, New York State University Press ISBN 978-0-7914-7082-4, pages 46-52, 76-77 - RC zaner (1992), Hindu Scripture, Penguin Random House, ISBN 978-0-679-41078-2, pages 1-11 and Preface - b James Lochtefeld (2002), Shruti, Illustrated Encyclopedia of Hinduism, Vol. 2: N-Ya, Rosen Publishing. ISBN 978-0-8239-3179-8, page 645 - b James Lochtefeld (2002), Smrti, Illustrated Encyclopedia of Hinduism, Volume 2: H-W, Rosen Publishing, ISBN 978-0-8239-3179-8, page 656-657 and Ramdas Lamb (2002). in the name of: Ramnamis, Ramnam, and the untouchable religion in Central India. New York State University Press. 183-185. ISBN 978-0-7914-5386-5. Patrick Olivell (2014), The Early Upanisads, Oxford University Press, ISBN 978-0-19-535242-9, page 3; The quote: Although theoretically the entire Vedic corps is accepted as an open truth, in fact it is the Upanishads that continue to influence life and think about the various religious traditions that we have come to call Hindu. Upanishads are the scriptures of Hinduism. Wendy Doniger (1990), Text Sources for hindu studies, 1st edition, University of Chicago Press, ISBN 978-0-226-61847-0, pages 2-3; To quote: The Upanishads form the basis of a later Hindu philosophy; only they are from the Vedic corps widely known and cited by the majority of well-educated Hindus, and their central ideas have also become part of the spiritual arsenal of ordinary Hindus. - Wendy Doniger O'Flaherty (1988), Text Sources for Hindu Studies, Manchester University Press, ISBN 0-7190-1867-6, pages 2-3 - Purushottama Bilimoria (2011), Idea of Hindu Law, Journal of the Eastern Society of Australia, Vol. 43, pages 103-130 - Roy Perrett (1998), Hindu Ethics: Philosophical Research, University of Hawaii Press, ISBN 978-0-8248-2085-5, pages 16-18 - Michael Witzel, Veda and Idadainish, in: Flood, Gavin, ed. (2003), Blackwell Companion to Hinduism, Blackwell Publishing Ltd., ISBN 1-4051-3251-5, pages 68-71 - William Graham (1993), Beyond written words: Oral Aspects of Scripture in the History of Religion, Cambridge University Press, ISBN 978-0-521-44820-8, pages 67-77 - Jan Gonda (1970-1987), History of Indian Literature, Volumes 1 to 7, Otto Harrassowitz Verlag, ISBN 978-3-447-02676-5 - Theun Gudrian and Sanjukta Gupta (1981), Hindu Tantric and Literature, Indian Literature, History of Indian Literature Volume 2, Otto Harrassowitz Verlag, ISBN 978-3-447-02091-6, Pages 7-14 - Andrew Nicholson (2013), Association of Hinduism: Philosophy and Identity in Indian Intellectual History, Columbia University Press, ISBN 978-0- 231-14987-7, Pages 2-5 - Carl Potter (1991), Assumptions of Philosophy of India, Motilal Banarsidass, ISBN 978-81-208-0779-2 - b c Greg Bailey (2001), Encyclopedia Asian Philosophy (Editing by Oliver Liman), Routledge, ISBN 978-0-415-17281-3, pages 437-439 - a b John Court (1993), Puman Perennis : Reciprocity and transformation in Hindu and Jain texts (editor: Wendy Doniger), State University of New York Press, ISBN 978-0-7914-1382-1, pages 185-204 - b Gregory Bailey (2003), Study of Hinduism (editor: Arvind Sharmda), University of Press, ISBN 978-1-57003-449-7, page 139 - b Ludo Roche (1986), Puranas, Otto Harrassowitz Verlag, ISBN 978-3-447-02522-5, pages 1-5, 12-21 Nair, Shanta N.
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