Keith Richards the Ultimate Guide to His Music & Legend

Total Page:16

File Type:pdf, Size:1020Kb

Keith Richards the Ultimate Guide to His Music & Legend SPECIAL COLLECTORSCOLLECTORS EDITION Keith Richards The Ultimate Guide to His Music & Legend WENNER MEDIA SPECIALS Display until October 8, 2015 $12.99 Keith Richards Special Collectors Edition Introduction Keith Comes Clean Page 6 As he released his first solo album, Richards joked about his reputation The Exile Speaks and vented his anger at Mick Jagger. By Anthony DeCurtis As the Stones made a masterpiece Page 56 in France, Keith opened up like few rock stars could. By Robert Greenfield Dancing With Mr. D Page 8 After 40 years with the Stones, Keith sounded of on drugs, Keith Meets the death and why he’ll write all of our epitaphs. Mounties By David Fricke When Keith was busted in Toronto Page 64 in 1977, the fate of the Stones was put in doubt. By Chet Flippo The 20 Page 26 Greatest Songs From Stones classics to obscure solo Love Wears gems, a definitive guide to Keith’s finest moments. a White Stetson Page 72 On the heels of Tattoo You, Keith talked love, money and fallen stars. By Kurt Loder Keith’s Guitar Page 34 Secrets On his childhood heroes, the art Tales of Keith of the intro and the lifelong search Amazing moments of excess, for the lost chord. abandon and infinite good luck By Patrick Doyle from a life well lived. Page 82 Page 42 Sympathy A Pirate Looks at 44 for the Devil In 1987, Keith took time to reflect on Tom Waits, Mike Campbell, Billy one of rock & roll’s great legacies. Gibbons, Joan Jett and others pay By Kurt Loder tribute to Keith Richards. Page 50 Page 88 4 | KEITH RICHARDS | COLLECTORS EDITION Introduction n 1971, as the rolling stones prepared to record Exile on Main Street in an airless basement in the South of France, Keith Rich- ards sat for perhaps the greatest interview of his life. Over several days, he talked to Roll- ing Stone’s Robert Greenfield about every- thing from his school days to his most famous riIf to the tragedy at Altamont. At 27, Richards had al- ready experienced a lifetime’s worth of amazing highs and incredible turmoil. “Who says you’ve got to live three- score and 10 years?” he said. “Everybody can’t make 70.” Well, here we are 44 years later, and Keith isn’t just still with the man’s legend, recounting his 20 wildest adventures, from us. At 71, he’s a rock & roll force of nature, a guitar legend, his ’77 drug bust in Toronto to his brief stint as a “nanny” a pirate and a gentleman. He has survived his own mythic in Australia to that time he claimed to snort dear old Dad’s penchant for the high life, as well as several arrests, a hand- ashes. Of course, no one would care about any of this if it ful of near-death experiences and, most important, 50 years weren’t for the music. Which is why we’ve paid tribute with a of love and war with his “wife” (his term) Mick Jagger. “Hey, list of Richards’ 20 greatest songs – his best Stones lead vo- I’ve been there – the white light at the end of the tunnel – cals, plus solo cuts – and told the stories behind them. three or four times,” he told Rolling Stone’s David Fricke Richards’ classic rifs – “(I Can’t Get No) Satisfaction,” in 2002. “But when it doesn’t happen, and you’re back in – “Jumpin’ Jack Flash,” “Brown Sugar,” “Start Me Up” and that’s a shock.” many, many more – are among the most indelible in rock his- Richards’ reputation as a permanently soused wild man tory. He’s also a brilliant songwriter, an underrated bandlead- mumbling and stumbling through life is deeply misleading er and an unflashy technical innovator on his instrument. – in truth, he’s a whip-smart raconteur who’s endlessly quot- “What Chuck [Berry] is to Keith, Keith is to me,” writes Nils able. The interviews in this book, which span more than 40 Lofgren of the E Street Band, in a section of tributes that also years, prove as much. Keith on his legendary booze and drugs includes kind words from Tom Waits, Buddy Guy, Joan Jett, intake: “Intoxication? I’m polytoxic.” Keith on flower power: Billy Gibbons and others. Lofgren could be speaking for thou- “You paid a fair amount of lip service to it. But I am quite sands of players. proud that I never did go and kiss the maharishi’s goddamn We love Keith Richards because he’s a rock & roll original feet.” Keith on not getting laid during the Stones’ first U.S. who’s always lived by his own code. “Whatever it was I did,” tour: “We noticed a distinct lack of crumpet.” Keith on ru- he told Anthony DeCurtis of Rolling Stone in 1988, “no mors of his immortality: “All right, if matter how stupid or flamboyant or irresponsible it may have Still Smokin’ you want to believe it – I will write all seemed from the outside – and I can understand it appear- Richards photographed for RS in 1988. of your epitaphs.” ing like that – to me it’s always been very important to know “I will write all of your Like Richards himself in these in- what I’m made of, and what I’m capable of doing.” What can epitaphs,” he later said. terviews, we’ve had a bit of fun with we say? Keith contains multitudes. KEITH RICHARDS | COLLECTORS EDITION | 7 Keith Meets the Mounties When Keith was busted in Toronto in 1977, it put the future of the Stones in doubt BY CHET FLIPPO Excerpted from RS 238, May 5th, 1977 y cab is cruising through the winding entrance of the Harbour Castle Hilton in Toronto, temporary home for the Rolling Stones, and I have no idea what to expect. All I know is what I’ve read (and written myself): Keith Richards has been bust- ed again; his bust – right here at the Harbour Castle – happened just days after his common-law wife, Anita Pallenberg, was ar- Mrested by Mounties at the airport; and there is serious talk that the Stones have had it. I know the Stones are here to record two nights of shows at El Mocambo Tavern to com- plete a live album. But now with the busts, the Stones are once again in chaos. I’d been with them before, in 1975 on their Tour of the Americas, and there had been speculation then that the end was near. I’ll have to face Mick Jagger with what has become a tired question: 26 | KEITH RICHARDS | COLLECTORS EDITION On tour in 1975 KEITH RICHARDS | COLLECTORS EDITION | 00 Could this be the last time? Perhaps for the first time, he’ll have peace in Brampton released Keith on a $1,000 no-deposit to give the question serious thought, and an answer. bail. He didn’t have to post a cent. But first there was the Stones hierarchy – aides, attorneys, That did not please the Mounties. They had charged him security and the two men I would run up against most fre- with possession with intent to trafc – a serious charge that can quently in Toronto: Paul Wasserman, number one among rock draw seven years to life in prison. High vs. low bail for Keith & roll press agents, who is often paid to keep his clients out of Richards, Rolling Stone, became an issue. the press. And manager Peter Rudge, a dapper but hyper Brit- While the band went on with all-night rehearsals at rented on, known for pulling the unexpected. Rudge has been trying studios, action picked up at the Harbour Castle. The lobby was to keep the activities of the Rolling Stones in Toronto a secret. suddenly populated with plainclothes Mounties, groupies and After I check in to the Harbour Castle, I slip into the lobby reporters. The Stones’ own beefy security force flew in. – which is packed with local journalists and patrolled by I leave Bill Carter at the Quayside and go of in search of Mounties – and run into Bill Carter. He is a tough lawyer Wasserman, the press agent, to see what he is not allowed to tell out of Little Rock, Arkansas, who is now the Stones’ very ef- me. When he opens the door to 3016, he sighs. “Why didn’t you ficient American attorney and chief of tour security. I know call me from New York? I could have told you that you weren’t him from the ’75 tour. We retire to a corner of the Quayside allowed to come.” bar to talk. “I’d rather hear it in person,” I say. “So – the Stones will play Not 10 minutes later, Peter Rudge walks by, sees me and El Mocambo. Now, is it tonight?” turns pale. Later, he comes over to shake hands – gingerly. “I He sighs heavily. “It doesn’t matter. You can’t get in anyway. forbade American press, you know,” he says. “Also, we knew No press. And you can’t talk to the Stones either.” you were coming. Why do you think you couldn’t get a room “Thanks a lot,“ I say on my way out. “I’ll keep you posted on on our floor?” I am stuck on the seventh floor, while the Stones what’s happening.” entourage is scattered between 29 and 34. “Thanks. By the way, they won’t be there tonight. There’s a party here which you are not invited to. If you mention any of this to Peter, I’ll deny having said it.” I’ll have to face Mick I decide to check out El Mocambo with a local reporter.
Recommended publications
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Linn Lounge Presents... the Rolling Stones
    Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News.
    [Show full text]
  • Albums‐ Chart‐History Regarding Albums Top 50 ‐ Charts the Rolling Stones
    Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling Stones 1 2 3 4 04/1964 3 1 12 11 11/1964 3 12/1964 4 01/1965 1 3101 The Rolling Stones (England's 12 X 5 Around And Around Rolling Stones No. 2 Newest Hit Makers) 5 6 7 8 04/1965 5 08/1965 2 2 1 3 11/1965 1 4 12/1965 4 The Rolling Stones, Now! Out Of Our Heads Bravo Rolling Stones December's Children (And Everybody's) 9 10 11 12 04/1966 1 881 2 04/1966 4 3 01/1967 6 01/1967 2 Aftermath Big Hits (High Tide And Green Got Live If You Want It The Rolling Stones Live Grass) 13 14 15 16 01/1967 2 3 2 08/1967 7 3 12/1967 4 3 2 12/1968 8 3 5 Between The Buttons Flowers Their Satanic Majesties Request Beggars Banquet Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling Stones 17 18 19 20 09/1969 13 2 2 12/1969 3 1 1 3 09/1970 6 1 2 6 04/1971 30 4 Through The Past Darkly (Big Let It Bleed Get Yer Ya‐Ya's Out! Stone Age Hits Vol. 2) 21 22 23 24 04/1971 1 351 1 409/1971 19 01/1972 3 4 03/1972 14 Sticky Fingers Gimme Shelter Hot Rocks 1964 ‐ 1971 Milestones 25 26 27 28 05/1972 2 1 241 11/1972 41 01/1973 9 09/1973 2 1 241 Exile On Main Street Rock'n'Rolling Stones More Hot Rocks (Big Hits & Goat's Head Soup Fazed Cookies) 29 30 31 32 10/1974 12 2 1 1 06/1975 45 8 06/1975 14 6 12/1975 7 It's Only Rock'n'roll Metamorphosis Made In The Shade Rolled Gold ‐ The Very Best Of The Rolling Stones Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling
    [Show full text]
  • Waiting on a Friend
    Waiting On A Friend 1 / 4 2 / 4 Waiting On A Friend 3 / 4 Licytuj na allegro.pl już od 29.00 zł - SP THE ROLLING STONES Waiting on A Friend MINT (7541622483). Allegro.pl - Radość zakupów i .... "Waiting On A Friend" as written by Mick Jagger and Keith Richards.... Read More... Edit Wiki. Watching girls passing by, it ain't the latest thing. Waiting On A Friend Chords The Rolling Stones / This isn't your standard Cadd9 (032033) Rather its what is referred to Cadd9(add2) (032030) / [Intro] / Cadd9 F .... Waiting On A Friend (Remastered 2009) · The Rolling Stones. The Rolling Stones 19,760,827 views. 50+ .... One friend, recently, within the past two years, experienced a very traumatic event. She has come so far in her .... The music video is very literal: Mick Jagger is standing in a doorway, waiting for his friend (Keith Richards) to come by. Then they go to a bar and meet up with the .... Waiting On A Friend - Rolling Stones zobacz tekst, tłumaczenie piosenki, obejrzyj teledysk. Na odsłonie znajdują się słowa utworu - Waiting On A Friend.. "Waiting on a Friend" is a song by the Rolling Stones from their 1981 album Tattoo You. Released as the album's second single, it reached No. 13 on the .... The Rolling Stones - Waiting on a friend - tekst piosenki, tłumaczenie piosenki i teledysk. Znajdź teksty piosenki oraz tłumaczenia piosenek i zobacz teledyski .... Waiting on a Friend by The Rolling Stones - discover this song's samples, covers and remixes on WhoSampled.. Discover releases, reviews, credits, songs, and more about The Rolling Stones - Waiting On A Friend at Discogs.
    [Show full text]
  • The Rolling Stones Complete Recording Sessions 1962 - 2020 Martin Elliott Session Tracks Appendix
    THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962 - 2020 MARTIN ELLIOTT SESSION TRACKS APPENDIX * Not Officially Released Tracks Tracks in brackets are rumoured track names. The end number in brackets is where to find the entry in the 2012 book where it has changed. 1962 January - March 1962 Bexleyheath, Kent, England. S0001. Around And Around (Little Boy Blue & The Blue Boys) (1.21) * S0002. Little Queenie (Little Boy Blue & The Blue Boys) (4.32) * (a) Alternative Take (4.11) S0003. Beautiful Delilah (Little Boy Blue & The Blue Boys) (2.58) * (a) Alternative Take (2.18) S0004. La Bamba (Little Boy Blue & The Blue Boys) (0.18) * S0005. Go On To School (Little Boy Blue & The Blue Boys) (2.02) * S0006. I'm Left, You're Right, She's Gone (Little Boy Blue & The Blue Boys) (2.31) * S0007. Down The Road Apiece (Little Boy Blue & The Blue Boys) (2.12) * S0008. Don't Stay Out All Night (Little Boy Blue & The Blue Boys) (2.30) * S0009. I Ain't Got You (Little Boy Blue & The Blue Boys) (2.00) * S0010. Johnny B. Goode (Little Boy Blue & The Blue Boys) (2.24) * S0011. Reelin' And A Rockin' (Little Boy Blue & The Blue Boys) * S0012. Bright Lights, Big City (Little Boy Blue & The Blue Boys) * 27 October 1962 Curly Clayton Sound Studios, Highbury, London, England. S0013. You Can't Judge A Book By The Cover (0.36) * S0014. Soon Forgotten * S0015. Close Together * 1963 11 March 1963 IBC Studios, London, England. S0016. Diddley Daddy (2.38) S0017. Road Runner (3.04) S0018. I Want To Be Loved I (2.02) S0019.
    [Show full text]
  • The Chris Kimsey Interview
    AUDIO FOR POST, BROADCAST, RECORDING AND MULTIMEDIA PRODUCTION V7.8 NOVEMBER/DECEMBER 2008 The Chris Kimsey interview Why MySpace Music and social networks mean new revenue Barry Fox investigates the UK radio mic spectrum storm Room-within-room construction considerations Jean Goudier: top film sound practitioner Meet your maker: Colin McDowell — McDSP REVIEWS: Analogue Tube AT-101 • HHB CDR-882 • UA Twin-Finity SPL Phonitor • Manger Zerobox 109 • AKG C214 • Thermionic Rooster craft been working with Arabel Von Karajan (daughter of conductor Herbert). He formed a production company Chris Kimsey in the US with two partners and they have signed Very Emergency from Kentucky and Saint Jude from His work is known to many and his contribution has been enormous to what were in many cases London, both of which Kimsey produced. He had just finished a major three-month project for a Russian difficult projects. GEORGE SHILLING talks to Chris Kimsey about The Stones and others… artist and was just about to mix Chris Jagger’s new album when Resolution caught up with him. (Photos lthough not particularly a fan of rock bands, Kimsey took over, subsequently working on many www.recordproduction.com) Chris Kimsey was initially interested in film more Hallyday albums. Further projects included music and helped out with the music for Peter Frampton, Ten Years After, and he engineered Is it true that Charlie Watts won’t hit his drums his school plays. After pestering the studio some of the Rolling Stones Sticky Fingers album. for you to work on the sound? Amanager he landed a job at Olympic Studios — Keith When Glyn Johns decided to quit working with You’ve got to get the sound while he’s performing, you Grant showed him around and offered him the the Stones, Kimsey was the natural successor.
    [Show full text]
  • Ronnie Wood, Keith Richards, and Mick Jagger by S.L
    The Retort - Wednesday, February 17, 1993 Revelations Editor Greg Chinberg - 2195 Solo Stones: Ronnie Wood, Keith Richards, and Mick Jagger By S.L. Maasch the album to an immediate rousing boil as Retort Revelations Writer Jagger rages with cyclonic fury, "I'm hard as a The Rolling Stones. The mere mentioning brick / I hope I never go limp." There's the of that name brings to mind the distinctive reckless declaration of independence of the Jagger vocals, the metallic whiplash of Richards' rockin' title track and the vocal duet of Jagger and Ron Wood's guitars, and the elementary and Lenny Kravitz doing a cover of Bill bass-and-drums thunder of Bill Wyman and Withers's 1970's hit song, "Use Me". His Charlie Watts. brashness and swagger are well intact on num- Though the Stones are set to regroup later bers like "Put Me In The Trash" and the relent- this year for yet another new studio album, they lessly strutting cover ofJames Brown's "Think". aren' t ones to sit on their laurels. Recently, three The first single, "Sweet Thing", has Jagger of them put out solo albums and have proven applying a "Fool To Cry" falsetto to a danceable, that they are far from being merely three oldies "Miss You"- style track. On "Out Of Focus", a acts. It's startling to hear rock' n roll so alive and churchy piano-vocal intro segues into a kind of passionate from players whose ages hover near gospel-funk. "Don't Tear Me Up" is a sadder- fifty and who come trailing chains of history, but-wiserreflection bolstered byechoes of "You myth and cash.
    [Show full text]
  • 10 Second Life and the Dynamics of Revival: the Stones After 1989
    10 Second Life and the Dynamics of Revival: The Stones after 1989 victor coelho 1989 marked the end of one career and the beginning of another for the Rolling Stones. The year capped almost a decade of disharmony and uneven musical production –“Giants Enter a Deep Sleep” is how Elliott describes this period1 – and witnesses the most acrimonious chapter in the venerable Jagger/Richards partnership, one of the most creative collabora- tive musical relationships in popular music history. Although the decade began with a successful tour in 1981–82 to promote the album Tattoo You, memorialized in the pastel-heavy Hal Ashby-produced film Let’s Spend the Night Together, the animosity within the entire band continued into the mid-1980s. With Richards’ addictions and resultant legal troubles reaching a critical stage, control of the group tilted decisively (and understandably) in the direction of Jagger, who remained resolutely in charge. As producer Chris Kimsey remembers from the recording sessions of their grunge- and funk-influenced album Undercover (1983), When we got to making Undercover, that was the worst time I’d ever experienced with them ...We recorded a lot of it in Nassau [Bahamas], then mixed it in New York, at the Hit Factory. I would get Mick in the studio from like, midday until seven o’clock, then Keith from like, nine o’clock till five in the morning. They would not be together. They specifically avoided each other. Mick would say, “When’s he coming in? I’ll be there later.” After about a week, it was killing me.
    [Show full text]
  • The Rolling Stones 1
    Copyright © 2021 www.kensquiz.co.uk The Rolling Stones 1 1. What song did The Rolling Stones perform on their first appearance on 'Ready,Steady,Go'? 2. Who was the last member to join The Rolling Stones? 3. What was the first UK number one for The Rolling Stones? 4. The Rolling Stones first record to reach the UK top 20 was "I Wanna Be Your Man",who wrote it? 5. What was the title of The Rolling Stones' third album, the first not to contain their name? 6. What was the last studio album that Brian Jones (The Rolling Stones) played on? 7. Which record label was responsible for The Rolling Stones releases in the UK from the early days until 1970? 8. What was the cause of death of Brian Jones in July 1969? 9. Who was Brian Jones' replacement in The Rolling Stones staying with the band until December 1974? 10. Name the two members of The Rolling Stones who have been ever-present since its formation in 1962. 11. What band was Ronnie Wood a member prior to joining The Rolling Stones? 12. What song gave The Rolling Stones its first transatlantic hit in May 1966? 13. What were the lyrics of "Let's Spend The Night Together" changed to, for The Rolling Stones performance on the Ed Sullivan Show in 1967? 14. At what venue did The Rolling Stones perform two days after the death of Brian Jones? 15. Who conceived the cover design of the 1970 Rolling Stones album "Sticky Fingers"? 16. What band did Bill Wyman form after leaving The Rolling Stones in 1992? 17.
    [Show full text]
  • HONK in March, 2019 Tobias Hall Announced the Stones New Compilation When He Tweeted the Following
    HONK In March, 2019 Tobias Hall announced the Stones new compilation when he Tweeted the following: The album was released April 19. On November 27, 2019 Tobias Hall was still grinning when he Tweeted, “2019 highlights part 2: Illustrating the cover of a @therollingstones album will go down as a career highlight for me, thanks again to the guys at @studiofury for getting me on board .” (That is a raised hands emoji.) HONK appeared 2,349 days after Grrr!, the Stones grand 50th anniversary compilation. It’s fun to see this young artist’s enthusiasm. Let’s take a dive into its story. Asked how he got involved with the HONK project. Hall said, “I was commissioned by Studio Fury, who art directed and designed the sleeve artwork.” Studio Fury has worked on Blue and Lonesome as well as HONK. Where did the name come from? Title Studio Fury was asked: “How did the album get the name HONK? Do you know how or why it was so named?” They replied, “Yes, but it’s not public knowledge so no comment I’m afraid.” The origins of this title remain a mystery at this point, in fact that has become the Holy Grail of Stones album titles. It was already determined when Tobias Hall, artist and designer began his work. That leaves us room to speculate and who speculates better than fans? Discussion at popular sites like iorr.or and SteveHoffman offered some ideas. Negative comments are always in more abundant supply that positive ones and this holds true with the title.
    [Show full text]
  • The Rolling Stones the Rolling Stones Define Rock 'N' Roll
    The Rolling Stones The Rolling Stones define rock 'n' roll. They are the longest running act in the history of rock music, having remained wildly popular and prodigiously productive over their 30-year career. The group was formed by Mick Jagger and Keith Richards, who met as schoolmates in Dartford, Kent. The legend has them bumping into each other on the platform at Dartford railway station, where Keith notices a blues album under Mick's arm. A bond is struck immediately and the pair go on to form a band with a variety of personnel, who eventually include a boogie-woogie pianist called Ian Stewart and a gifted blonde blues guitarist from Cheltenham called Brian Jones (although at the time he is calling himself Elmo Lewis for added authenticity). The best way to chronicle the Rolling Stones' accomplishments is to break it down by year: 1962 The Stones are just three of a growing circle of musicians who were devoted to the music of American artists like Chuck Berry, Howlin' Wolf, Muddy Waters and Elmore James. They perform these artists' songs with an almost missionary zeal to further the R&B cause, as well as earn enough money to stay alive. For some months, the impoverished early Stones live in squalor in London's Edith Grove. They beg gigs from older, jazz-tinged luminaries like Chris Barber, Cyril Davies and Alexis Korner, yet such is the Stones' raw energy and rapid development, they soon leave behind the somewhat purist and divided world of the jazz and blues establishment. In July, the Stones take their name from a Muddy Waters song called "Rollin' Stone Blues" and make their live debut at London's Marquee Club (minus Bill Wyman and Charlie Watts).
    [Show full text]
  • Interpreten Alphabetisch
    Albums Chart-History The Rolling Stones EntryDate T i t l e GERMANY U K U S A 23.04.1964 The Rolling Stones (England's Newest Hit Makers) 08/19643 04/19641 12 07/1964 11 28.11.1964 12 X 5 11/1964 3 01.12.1964 Around And Around 12/1964 4 21.01.1965 Rolling Stones No. 2 03/19651 3 01/1965 1 10 03.04.1965 The Rolling Stones, Now! 04/1965 5 14.08.1965 Out Of Our Heads 09/19652 09/19652 08/1965 1 3 22.11.1965 Bravo Rolling Stones 11/1965 1 4 18.12.1965 December's Children (And Everybody's) 12/1965 4 21.04.1966 Aftermath 05/19661 8 04/19661 8 07/1966 2 23.04.1966 Big Hits (High Tide And Green Grass) 11/19664 04/1966 3 07.01.1967 Got Live If You Want It 01/1967 6 23.01.1967 The Rolling Stones Live 01/1967 2 26.01.1967 Between The Buttons 03/19672 01/19673 03/1967 2 05.08.1967 Flowers 10/19677 08/1967 3 20.12.1967 Their Satanic Majesties Request 12/19674 12/19673 12/1967 2 18.12.1968 Beggars Banquet 12/19688 12/19683 12/1968 5 20.09.1969 Through The Past Darkly (Big Hits Vol. 2) 09/196913 09/19692 09/1969 2 13.12.1969 Let It Bleed 12/19693 12/19691 1 12/1969 3 19.09.1970 Get Yer Ya-Ya's Out! 09/19706 09/19701 2 10/1970 6 03.04.1971 Stone Age 05/197130 04/1971 4 19.04.1971 Sticky Fingers 04/19711 3 05/19711 5 05/1971 1 4 18.09.1971 Gimme Shelter 09/1971 19 08.01.1972 Hot Rocks 1964 - 1971 07/19903 01/1972 4 11.03.1972 Milestones 03/1972 14 22.05.1972 Exile On Main Street 05/19722 06/19721 2 06/1972 1 4 11.11.1972 Rock'n'Rolling Stones 11/1972 41 20.01.1973 More Hot Rocks (Big Hits & Fazed Cookies) 01/1973 9 22.09.1973 Goat's Head Soup 09/19732
    [Show full text]