DOCSLIB.ORG

Interpreten Alphabetisch

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Interpreten Alphabetisch Albums Chart-History The Rolling Stones EntryDate T i t l e GERMANY U K U S A 23.04.1964 The Rolling Stones (England's Newest Hit Makers) 08/19643 04/19641 12 07/1964 11 28.11.1964 12 X 5 11/1964 3 01.12.1964 Around And Around 12/1964 4 21.01.1965 Rolling Stones No. 2 03/19651 3 01/1965 1 10 03.04.1965 The Rolling Stones, Now! 04/1965 5 14.08.1965 Out Of Our Heads 09/19652 09/19652 08/1965 1 3 22.11.1965 Bravo Rolling Stones 11/1965 1 4 18.12.1965 December's Children (And Everybody's) 12/1965 4 21.04.1966 Aftermath 05/19661 8 04/19661 8 07/1966 2 23.04.1966 Big Hits (High Tide And Green Grass) 11/19664 04/1966 3 07.01.1967 Got Live If You Want It 01/1967 6 23.01.1967 The Rolling Stones Live 01/1967 2 26.01.1967 Between The Buttons 03/19672 01/19673 03/1967 2 05.08.1967 Flowers 10/19677 08/1967 3 20.12.1967 Their Satanic Majesties Request 12/19674 12/19673 12/1967 2 18.12.1968 Beggars Banquet 12/19688 12/19683 12/1968 5 20.09.1969 Through The Past Darkly (Big Hits Vol. 2) 09/196913 09/19692 09/1969 2 13.12.1969 Let It Bleed 12/19693 12/19691 1 12/1969 3 19.09.1970 Get Yer Ya-Ya's Out! 09/19706 09/19701 2 10/1970 6 03.04.1971 Stone Age 05/197130 04/1971 4 19.04.1971 Sticky Fingers 04/19711 3 05/19711 5 05/1971 1 4 18.09.1971 Gimme Shelter 09/1971 19 08.01.1972 Hot Rocks 1964 - 1971 07/19903 01/1972 4 11.03.1972 Milestones 03/1972 14 22.05.1972 Exile On Main Street 05/19722 06/19721 2 06/1972 1 4 11.11.1972 Rock'n'Rolling Stones 11/1972 41 20.01.1973 More Hot Rocks (Big Hits & Fazed Cookies) 01/1973 9 22.09.1973 Goat's Head Soup 09/19732 09/19731 2 10/1973 1 4 28.10.1974 It's Only Rock'n'roll 10/197412 11/19742 11/1974 1 1 21.06.1975 Metamorphosis 06/197545 06/1975 8 28.06.1975 Made In The Shade 06/197514 06/1975 6 06.12.1975 Rolled Gold - The Very Best Of The Rolling Stones 12/1975 7 08.05.1976 Black And Blue 05/197615 05/19762 05/1976 1 4 08.10.1977 Love You Live 11/197722 10/19773 10/1977 5 05.11.1977 Get Stoned - 30 Greatest Hits 12/197715 11/1977 8 24.06.1978 Some Girls 07/19786 06/19782 07/1978 1 2 05.07.1980 Emotional Rescue 07/19802 07/19801 2 07/1980 1 7 04.04.1981 Sucking In The Seventies 04/1981 15 12.09.1981 Tattoo You 09/19813 09/19812 09/1981 1 9 12.06.1982 Still Life (American Concerts 1981) 06/19824 06/19824 06/1982 5 11.12.1982 Story Of The Stones 12/1982 24 19.11.1983 Undercover 11/19832 11/19833 11/1983 4 07.07.1984 Rewind (1971 - 1984) 07/198431 07/1984 23 05.04.1986 Dirty Work 04/19862 04/19864 04/1986 4 11.09.1989 Steel Wheels 09/19892 09/19892 09/1989 3 15.04.1991 Flashpoint 04/19915 04/19916 04/1991 16 04.12.1993 Jump Back - The Best Of 1971 - 93 01/199419 12/199316 09/2004 30 23.07.1994 Voodoo Lounge 07/19941 6 07/19941 1 07/1994 2 20.11.1995 Stripped 11/19953 11/19959 12/1995 9 11.10.1997 Bridges To Babylon 10/19971 4 10/19976 10/1997 3 15.06.1998 The Singles Collection - The London Years 06/1998 28 16.11.1998 No Security 11/19985 11/1998 34 12.10.2002 Forty Licks - Best Of 10/20022 10/20022 10/2002 2 08.12.2003 Four Flicks [DVD] 12/2003 38 13.11.2004 Live Licks 11/20049 11/200438 11/2004 50 17.09.2005 A Bigger Bang 09/20051 2 09/20052 09/2005 3 10.08.2007 The Biggest Bang (DVD) 08/2007 1 1 24.11.2007 Rolled Gold + 11/2007 26 18.04.2008 Shine A Light (OST) 04/20087 04/20082 04/2008 11 The Rolling Stones Albums Chart-History 05.06.2010 Exile On Main Street - Rarities Edition 06/2010 27 25.06.2010 Stones In Exile [DVD] 06/2010 27 22.10.2010 Ladies & Gentlemen [DVD] 10/2010 20 02.12.2011 Some Girls - Live In Texas '78 [DVD] 12/2011 34 20.07.2012 Live At The Checkerboard Lounge [DVD] 07/2012 36 Muddy Waters / Rolling Stones 23.11.2012 Grrr! 11/20121 1 11/20123 12/2012 19 18.01.2013 Crossfire Hurricane [DVD] 01/2013 50 03.08.2013 Hyde Park Live 08/201316 08/2013 19 22.11.2013 Sweet Summer Sun - Hyde Park Live [DVD] 11/2013 2 14.11.2014 From The Vault - Hampton Coliseum 1981 11/2014 19 28.11.2014 From The Vault - L.A. Forum 1975 11/2014 19 26.06.2015 From The Vault - The Marquee Club - Live In 1971 06/2015 17 13.11.2015 From The Vault - Live At The Tokyo Dome 1990 11/2015 21 27.11.2015 From The Vault - Live In Leeds 1982 11/2015 43 10.06.2016 Totally Stripped 06/2016 7 07.10.2016 The Rolling Stones In Mono 10/2016 29 18.11.2016 Havana Moon [DVD] 11/2016 4 09.12.2016 Blue & Lonesome 12/20161 2 12/20161 1 12/2016 4 06.10.2017 From The Vault - Sticky Fingers Live 2015 10/2017 10 08.12.2017 On Air 12/201710 12/201727 12/2017 47 22.06.2018 Studio Albums - Vinyl Collection 1971 - 2016 06/2018 24 20.07.2018 From The Vault - No Security - San Jose '99 07/2018 6 26.04.2019 Honk 04/20196 05/20198 05/2019 23 28.06.2019 Bridges To Bremen 06/2019 6 12.07.2019 Rock And Roll Circus 07/2019 17 15.11.2019 Bridges To Buenos Aires 11/2019 15 Page 2 The Rolling Stones.
Load more

Recommended publications
  • MUST BE MY DAY Barn 12 Aisles (NEW JERSEY ELIGIBLE) 648 A-D BAY FILLY Foaled April 14, 2018 Tattoo No
    Consigned by Spring Haven Farm, Agent, Utica, Ohio Raised at Hickory Lane Horse Farm, Findlay, Ohio MUST BE MY DAY Barn 12 Aisles (NEW JERSEY ELIGIBLE) 648 A-D BAY FILLY Foaled April 14, 2018 Tattoo No. 7S071 Muscles Yankee 3,1:52.2 Muscle Hill 3,1:50.1 --------------------- Yankee Blondie 3, 1:59.4f Trixton 3,1:50.3 -------------------------- Garland Lobell 3,1:55.3 Emilie Cas El 3,1:57.1f ----------------- Amour Angus 3,2:03.1f MUST BE MY DAY Super Bowl 3,1:56.2 American Winner 3,1:52.3 ------------ B J's Pleasure 3,1:59.4f Emotional Rescue 3,1:58f ------------- Jazz Cosmos 3,1:55 Touch Of Jazz 3,2:02.4h -------------- Corliss 2:05.1h 1st Dam EMOTIONAL RESCUE 2,1:59.1f; 3,1:58f; BT1:56.3 ($439,202) by American Winner. 6 wins at 2 and 3. At 2, winner The Standardbred S., leg Pennsylvania Sires S. at Pocono, The Meadows; second in elim. and Final Breeders Crown at Woodbine, elim. and Final Merrie Annabelle T., leg Pennsylvania Sires S. at The Meadows; third in Bluegrass S. At 3, winner Arden Downs S.; second in Buckette; third in leg Pennsylvania Sires S. at Pocono. From 10 previous foals, dam of 7 winners, 5 in 2:00, including: SOME GIRLS (M) 2,1:57; 3,1:56.4; BT1:55.2s ($433,320) (Conway Hall). 16 wins at 2 and 3. At 2, winner leg New York Sire S. at Buffalo, Saratoga, Tioga, Yonkers (2), Final New York Sire S.
    [Show full text]
  • Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
    Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust.
    [Show full text]
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • The Rolling Stones: Sweet Summer
    Primavera Musical Primavera Musical Colaboradores: Colaboradores: THE ROLLING STONES: SWEET SUMMER SUN - HYDE PARK LIVE THE ROLLING STONES: SWEET SUMMER SUN - HYDE PARK LIVE FICHA TÉCNICA FICHA TÉCNICA The Rolling Stones: Sweet Summer Sun - Hyde Park Live. Reino Unido, 2013. Cor, 118 The Rolling Stones: Sweet Summer Sun - Hyde Park Live. Reino Unido, 2013. Cor, 118 min. Xénero: Documental musical | Dirección: Paul Dugdale | Produción: Jim Parsons min. Xénero: Documental musical | Dirección: Paul Dugdale | Produción: Jim Parsons (Promotone BV) | Fotografía: Brett Turnbull | Montaxe: Simon Bryant, Tom Watson | (Promotone BV) | Fotografía: Brett Turnbull | Montaxe: Simon Bryant, Tom Watson | Música: The Rolling Stones | Participantes: Mick Jagger, Keith Richards, Charlie Watts, Música: The Rolling Stones | Participantes: Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood, Mick Taylor Ronnie Wood, Mick Taylor SINOPSE estaba en plena forma. Pensamos que o ser SINOPSE estaba en plena forma. Pensamos que o ser a máis apropiado era unha festa de verán en a máis apropiado era unha festa de verán en Documental que rexistra a serie de concer- Londres!” Documental que rexistra a serie de concer- Londres!” tos que The Rolling Stones realizaron en tos que The Rolling Stones realizaron en Desde o momento en que os Rolling Stones Desde o momento en que os Rolling Stones xullo de 2013 no Hyde Park de Londres pa- xullo de 2013 no Hyde Park de Londres pa- pisaban o escenario cada noite até o ce- pisaban o escenario cada noite até o ce- ra celebrar os
    [Show full text]
  • Flashpoint Rolling Stones Vinyl
    Flashpoint rolling stones vinyl click here to download Find a The Rolling Stones - Flashpoint first pressing or reissue. Complete your The Rolling Stones collection. Shop Vinyl and CDs. Find a RollingStones* - Flashpoint first pressing or reissue. Complete your RollingStones* collection. Shop Vinyl and CDs. Find a Rolling Stones* - Flashpoint first pressing or reissue. Complete your Rolling Stones* collection. Shop Vinyl and CDs. Rolling Stones - Flashpoint - www.doorway.ru Music. Flashpoint Audio CD Amazon Best Sellers Rank: #93, in CDs & Vinyl (See Top in CDs & Vinyl). The Rolling Stones - Flashpoint - www.doorway.ru Music. customer reviews; Amazon Best Sellers Rank: #, in CDs & Vinyl (See Top in CDs & Vinyl). Rolling Stones - Flashpoint + Collectibles - www.doorway.ru Music. reviews; Amazon Best Sellers Rank: #, in CDs & Vinyl (See Top in CDs & Vinyl). The Rolling Stones "flashpoint" ; Promotane B.v. Title: Flashpoint -remast- Special Order, CD, VinylExpress. ROLLING STONES FLASHPOINT – VINYL LP MADE IN BRAZIL ORIGINAL 1st PRESS in Music, Records | eBay. Flashpoint is a live album by British rock band The Rolling Stones. It was released in , . Satisfaction" – ; "Highwire" – ; "Sex Drive" – "Rock and a Hard Place" and "Can't Be Seen", were not included on the vinyl version. Buy Flashpoint [Czech Issue] (LP) by The Rolling Stones (LP). Amoeba Music. Ships Free in the U.S. Buy Flashpoint (LP) by The Rolling Stones (LP). Amoeba Music. Ships Free in the U.S. Flashpoint, an Album by Rolling Stones. Released April 8, on Rolling Stones (catalog no. Vinyl LP Rolling Stones / C United States. The live adventures of the Rolling Stones First issued in April , Flashpoint is a Stones live album with a difference, since it boasts two studio cuts.
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 11-17-2003 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2003). The George-Anne. 3041. https://digitalcommons.georgiasouthern.edu/george-anne/3041 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. stablished 192; Covering the campus like a swarm of gnats The Official Student Newspaper oi Georgia Eagles win regular season finale over Elon 37-13 Page 6 * \? vSisnsmuSi 11th all those who serve our counti By Eric Haugh and Kim Wicker [email protected] and I Omber afternoon in the crowds of students, faculty, and veter- in i ithered in front of the IT Building for a color guard and banner display observing >y ie Veterans Day. The half-hour long procession, which started at 12:15 p.m. in front of Henderson library, was a silent but profound i ..salute to the flag, and th||§en and women who risked their lives (many losing theirs along the way) to preserve our wap of life. It was a touching ceremony; some of.the observers even . rapine misty-eyed towards||e end of the service, when Dr. White from the COBA buildihgaccepted a wreath from one [ of.the color guard members.
    [Show full text]
  • AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
    AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s.
    [Show full text]
  • Rolling Stones Take Over SIRIUS Satellite Radio Music Channel
    Rolling Stones Take Over SIRIUS Satellite Radio Music Channel Features Exclusive Interviews with the Stones, Nightly Concert Playbacks and More NEW YORK, Aug 22, 2005 /PRNewswire-FirstCall via COMTEX/ -- SIRIUS Satellite Radio (Nasdaq: SIRI) will launch an all- Rolling Stones music channel dedicated to the rock music icons. The legendary band will help program the channel, which will feature five decades of Rolling Stones music, rare tracks, live cuts and previews from A Bigger Bang, their first studio album since 1997. (Logo: http://www.newscom.com/cgi-bin/prnh/19991118/NYTH125 ) Rolling Stones Radio will be available on SIRIUS starting tomorrow, August 23 at 9 am ET through September 29. The channel will also air nightly concert playbacks whereby SIRIUS will play album versions of the Stones' songs in the order they were performed following each US tour date, among many other surprises. Scott Greenstein, President of Entertainment and Sports for SIRIUS, said, "The Rolling Stones are the essence of the spirit of rock n' roll, and with this partnership, SIRIUS is truly giving the Rolling Stones and all SIRIUS subscribers 'a bigger bang.'" SIRIUS will also present exclusive track-by-track stories and introductions to each of A Bigger Bang's 16 all-new songs, as told exclusively to SIRIUS by Mick Jagger, Keith Richards, Charlie Watts and Ron Wood. "Rolling Stones Weekends" will be featured during Labor Day weekend across eight SIRIUS commercial-free music channels. Rolling Stones Radio will be heard on SIRIUS channel 99. For more information, visit http://www.sirius.com. About SIRIUS SIRIUS delivers more than 120 channels of the best commercial-free music, compelling talk shows, news and information, and the most exciting sports programming to listeners across the country in digital quality sound.
    [Show full text]
  • UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
    Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat.
    [Show full text]
  • Het Verhaal Van De 340 Songs Inhoud
    Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise.
    [Show full text]
  • Feeling Black & Blue
    DEBORAH KASS: FEELING BLACK & BLUE Deborah Kass and I were assembling a small mountain of discarded pistachio shells while sipping a stiff pour-over and peering at new works for her upcoming show at Paul Kasmin Gallery, which opens at the end of this year. They were works in progress, a cluster of leaning blue and black mixed-medium canvases that were nearly the height of the ceiling and dominated the space. I asked her if a sleek black multipaneled piece commandeering the better part of the back wall in her studio was intended to be reflective. “Oh, yeah,” she said. Her new series feels invariably necessary to the larger body of her work, perhaps inevitable. Why black and blue? “It’s how I feel,” she sighed. And Kass was making similar pieces even before she began the series. Miniature prototypes from years before littered random crannies of her studio—small blueprints of the evolution of these works. They’re a natural continuation of “Feel Good Paintings for Feel Bad Times” (2007–10), an extension of both her identity as an artist and her exceptional command of art history. Following a conversation with Whitewall late last year, we talked briefly about her May show at Sargent’s Daughters in New York, her Warholian “America’s Most Wanted” series (1998–99). The amount of work she erected in the month between our visits was astonishing, which she chalked up to part realized aesthetic trajectory, part prolonged absence from her studio while her building was being remodeled. Sitting down with Whitewall for the first unveiling of her new series, Kass spoke with us about multiculturalism, feminism, and as always, her love of pop culture.
    [Show full text]
  • CTE Bio Unpeeled
    Cage the Elephant UNPEELED You can’t talk about music in this century without mentioning Cage the Elephant. They are the last of the great bands — or perhaps, based on new album Unpeeled, the first of the great new ones. They trace their nervy, seditious lineage from that same uncompromising place that gave us Between the Buttons-era Stones, the Pixies, the Stone Roses, the Velvet Underground and Iggy Pop. In fact, it was as if Bowling Green, Kentucky’s second-most famous export had been born full-blown and knowing when they first burst out on a stage in the early days of 2006, regurgitated whole out of the music's murky past with their platinum hair, sunglasses and Doc Martens. Mysterious, a little troubled, with an unstudied cool, a reckless charm and the striking looks of the young Yardbirds and the rakish confidence of the early Stones. “We had this picture of what a rock ‘n’ roll band was supposed to be when we started,” says vocalist Matt Shultz, who fronts the sextet comprising brother Brad on rhythm guitar, drummer Jared Champion, bassist Daniel Tichenor, lead guitarist Nick Bockrath and keyboardist Matthan Minster. “In my younger years, I definitely tried to play into personas that often hindered the material’s ability to be truly effective. Then as years passed I started wanting to shed some of that creative baggage.” That might have been the most important lesson the band learned working with Dan Auerbach, who produced Cage’s 2015 Grammy- winning Tell Me I’m Pretty album. He helped them chip away at all the things that stood between them and their songs, uncovering their own raw power.
    [Show full text]