Christopher Durang
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2013-14Season Therapy Beyond
Scott Alan Evans, Cynthia Harris & Jenn Thompson Co-Artistic Directors VOLUME 21 No. 1 SUMMER 2013 the actors company theatre By COMPANY NEWS William Inge Directed By NEW SEASON ∙NEW LOOK ∙NEW SITE Jenn Thompson A violent love triangle that tests ACT’s 20th Anniversary season was the ties that bind. Ta benchmark in every way. The com- pany said “Happy Birthday” to itself with a special production of Happy Birthday by Anita Loos; it said “Goodbye” to Cathy By Bencivenga, its long-time and much be- Christopher loved General Manager; “Hello” to Christy Durang Ming-Trent its new General Manager; and Directed By Scott Alan Evans many many “Thank Yous” to the support- ers and contributors who helped make its Anniversary Spring Gala at the University BEYOND Club such an unmitigated success. It’s natural to use such a milestone year THERAPY as a pivot point to launch into the future. Life can be crazy. Therapy can help. The first revival of a long-lost classic. That is just what TACT is doing. We have a new logo and a new look – and will soon have a brand new website (coming late in the fall of 2014). And, of course, most important of all is the new season. Read all about it here, renew or become a new member, and check out what our compa- 2013-14 SEASON ny of actors has been up to. TACT welcomes Hilary Rainey to the staff Natural Affection, Beyond Therapy as our new Development Manager and Kathleen DeSilva, Danelle Feder, Andre Gonzalez, Caroline Kettig, Katherine Mc- Lennan, and Emma Thomasch, as mem- pposites attract, so they say. -
Miss Witherspoon
Otterbein University Digital Commons @ Otterbein 2007-2008 Season Productions 2001-2010 5-1-2008 Miss Witherspoon Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2007-2008 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Miss Witherspoon" (2008). 2007-2008 Season. 4. https://digitalcommons.otterbein.edu/production_2007-2008/4 This Book is brought to you for free and open access by the Productions 2001-2010 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2007-2008 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. OTTERBEIN COLLEGE DEPARTMENT OF THEATRE AND DANCE Presents Christopher Durang’s Miss Wither spoon Directed by Ed Vaughan Scenic and Lighting Design Rob Johnson Costume Design Sound Design Wes Jenkins Peter Sichko May 1-3, 9&10, 2008 Campus Center Theatre cast Veronica.......................................................................................Caitlin Morris Maryamma............................................................................. Selina Verastigui Mother 1& Mother 2................................................................ Clare Schmidt Father 1& Father 2, Sleazy Man, Dog Owner, Wise Man.....Lucas Dixon Teacher, Woman in Hat............................................................Ayaunna Bibb production team -
FINDING HUMOUR in the PAIN Directing Christopher Durang and Albert Innaurato’S the Idiots Karamazov
FINDING HUMOUR IN THE PAIN Directing Christopher Durang and Albert Innaurato’s The Idiots Karamazov by Chris McGregor B.A. Drama, Bishop’s University, Lennoxville, Quebec 1987 A THESIS SUBMITTED N PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FiNE ARTS in The Faculty of Graduate Studies (Theatre) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August, 2009 © Chris McGregor, 2009 Abstract Finding Humour in the Pain-Directing Christopher Durang and Albert limaurato’s Play, The Idiots Karamazov examines the preparation, research, pre-production and rehearsal processes that went into staging The Idiots Karamazov at the University of British Columbia’s Frederic Wood Theatre from March l9to 28, 2009. This paper is broken down into 4 chapters detailing my goals to achieve a successful and relevant production for today’s audience. My rehearsal process was to inspire and guide all artists involved to act upon their creative impulses and to make this production a collaborative effort. Chapter 1 includes a biography of both playwrights, outlining their influences and a brief historical account ofhow The Idiots Karamazov evolved from an 8mm student film to a full-length professional production at Yale Repertory Theater. Chapter 2 provides a directorial analysis of the text and detailed methods and philosophies in directing from several well-known academics and theatre artists. Chapter 3 is a detailed journal chronicling the pre-production process including several e-mail correspondences with playwright, Christopher Durang. Also included in this chapter are several entries detailing early meetings with designers, daily accounts of the rehearsal process, production meetings, and fmally a description of three performances I attended during the run. -
The Invisible Hand at ACT Encore Arts Seattle
Kurt Beattie Carlo Scandiuzzi Artistic Director Executive Director ACT – A Contemporary Theatre presents Beginning October 17, 2014 • Opening Night October 23, 2014 CAST Sydney Andrews* Nina Cynthia Jones* Cassandra Marianne Owen* Sonia William Poole Spike Pamela Reed* Masha R. Hamilton Wright* Vanya CREATIVE TEAM Kurt Beattie Director Carey Wong Scenic Designer Catherine Hunt Costume Designer Michael Wellborn Lighting Designer Brendan Patrick Hogan Sound Designer Jeffrey K. Hanson* Stage Manager Erin B. Zatloka* Rehearsal Stage Manager Ruth Eitemiller Production Assistant Evan Christian Anderson Assistant Lighting Designer Kathryn Stewart Directing Intern Running Time: This performance runs approximately two hours. There will be one 15-minute intermission. *Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Vanya and Sonia and Masha and Spike is presented by special arrangement with Dramatists Play Service, Inc., New York. Originally produced on Broadway by: Joey Parnes, Larry Hirschhorn, Joan Raffe/Jhett Tolentino, Martin Platt & David Elliot, Pat Flicker Addiss, Catherine Adler, John O’Boyle, Joshua Goodman, Jamie deRoy/Richard Winkler, Cricket Hooper, Jiranek/Michael Palitz, Mark S. Golub & David S. Golub, Radio Mouse Entertainment, Shawdowcatcher Entertainment, Mary Cassette/Barbara Manocherian, Megan Savage/Meredith Lynsey Schade, Hugh Hysell/Richard Jordan, Cheryl Wiesenfeld/Ron Simons, S.D. Wagner, John Johnson in association with McCarter Theater Center and Lincoln Center Theater Originally commissioned and produced by McCarter Center Theater, Princeton, N.J. Emily Mann, Artistic Director; Timothy J. Shields, Managing Director; Mara Isaacs, Producing Director; and produced by Lincoln Center Theater, New York City under the direction of Andre Bishop and Bernard Gersten in 2012. -
Christopher Durang
The Deadly Seriousness of America’s Funniest Playwright: Christopher Durang by Dr. Susan C. W. Abbotson Presented at the William Inge Theatre Festival. 26 April 2008 Abbotson 1 The Deadly Seriousness of America’s Funniest Playwright: Christopher Durang By Dr. Susan C.W. Abbotson, Rhode Island College, 26 April 2008 While describing Christopher Durang as a “social satirist, a malicious caricaturist, who carries everyday scenes—a family around a breakfast table—to the most cataclysmic, even perverse, conclusion,” Mel Gussow also acknowledges Durang’s “heightened social consciousness” and “sense of moral dismay” (“Daring Visions” D9), a combination that evokes a playwright not afraid to offend, but only out of a need to communicate something important. It is this aspect of his work that makes Durang deadly serious, despite the comic veneer that has had audiences splitting their sides across America. There is a dark side to Durang that many critics have found upsetting, but that is partly the point. Durang acknowledges that his sense of humor “asks for a complicated response. I ask people to laugh at things, “ he explains,” that I know are also serious and tragic. And some people hate that” (“Suspending” 38). Ben Brantley’s response to 1994s Durang Durang suggests something of this: “Durang Durang is both endearing and exasperating,” he declared, with wise-cracks that suddenly blossom “into moments of coruscating comic insight” (“Plays that Cast” C11). Brantley recognizes that Durang is no “conventional storyteller,” and with even greater insight, also realizes that it is maybe better that way (“Plays that Cast” C11). Durang may have written his first play at the tender age of eight, but the wit and erudition behind much of his drama evidences his solid educational background. -
Miss Witherspoon by Christopher Durang
Miss Witherspoon by Christopher Durang Director Karen M. Jam bon Stage Manager Jonathan Urso Scenic Design Laura Sandberg Light Design Bill Peeler Sound Design Jeff Miller Costume Design MarannFaget and Paula Gilbert CAST Veronica (Miss Witherspoon) Jennifer Underwood Maryamma Suzanne Balling Mother 1 & 2, Chicken Camille Latour Father 1 & 2, Sleazy Man, Gandalf, Dog Owner Derek Jones Teacher, Woman in a Hat Patricia Robinson Time: Recent Past, Forseeable Future (1998, 2005, and beyond) Place: Earth, and not Earth PRODUCTION STAFF Running Crew Martina Olhauser, Tiffany James, ..................................................... Amy Lewis and Carol Ginn Web MasterjEmail Administration Martina Olhauser Graphic Design Sarah Seaton Photographer Bret Brookshire Program Design Emily Erington ACKNOWLEDGEMENTS AND SPECIAL THANKS Binita Lamsa! Bonnie Cullum & The Vortex Cedar Stevens NOTE: There will be brief use of a strobe light and cigarette smoking during the performance. ABOUT THE PLAYWRIGHT he co-authored with Wendy Wasserstein), and The Adventures of Christopher Durang Lola. Bio provided by Wikipedia, the free encyclopedia. He received Obie Awards for Sister Mary Ignatius Explains It All For You, The Marriage of Bette and Boo and Betty's Summer Vacation. He Durang was born in Montclair, NewJersey, the son of Patricia Eliza- received a nomination for a Tony Award for Best Book of a Musical beth, a secretary, and architect Francis Ferdinand Durang, Jr. He for A History of the American Film. grew up in Berkeley Heights. He attended Catholic schools as a child, Durang has been awarded numerous fellowships and high profile including the Our Lady of Peace School in New Providence, New Jer- grants including a Guggenheim, a Rockefeller, the CBS Playwriting sey. -
A Study of the Life and Work of Christopher Durang: Laughing Wild Amidst Severest Woe
Rowan University Rowan Digital Works Theses and Dissertations 5-15-2008 A study of the life and work of Christopher Durang: laughing wild amidst severest woe Jeannine M. James Rowan University Follow this and additional works at: https://rdw.rowan.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation James, Jeannine M., "A study of the life and work of Christopher Durang: laughing wild amidst severest woe" (2008). Theses and Dissertations. 768. https://rdw.rowan.edu/etd/768 This Thesis is brought to you for free and open access by Rowan Digital Works. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Rowan Digital Works. For more information, please contact [email protected]. A STUDY OF THE LIFE AND WORK OF CHRISTOPHER DURANG; LAUGHING WILD AMIDST SEVEREST WOE By Jeannine M. James A Thesis Submitted in partial fulfillment of the requirements of the Master of Arts Degree Of The Graduate School At Rowan University May 15, 2008 Approved by. Professor Date Approved Y' ~ ) c. 2007 Jeanni. M. James ABSTRACT Jeannine M. James A STUDY OF THE LIFE AND WORK OF CHRISTOPHER DURANG; LAUGHING WILD AMIDST SEVEREST WOE 2007/08 Dr. Elisabeth Hostetter Master of Arts in Theatre This thesis maps Durang's struggle with faith and demonstrates how his personal journey to discover and document his pain acts as a catalyst for his creative work. It will explore his style of masking and unmasking himself in his characters revealing his innermost pain and suffering. I also surmise that his work serves as a kind of therapy by allowing him to constantly unravel and unveil his investigation of self. -
Durang, Christopher (B
Durang, Christopher (b. 1949) by Brandon Hayes Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2005, glbtq, inc. Reprinted from http://www.glbtq.com Christopher Durang is an openly gay playwright, screenwriter, and actor whose works have been produced on and off-Broadway and regionally since the late 1970s. A fiercely satirical comic dramatist, Durang often incorporates gay themes and gay characters in his plays. Durang was born on January 2, 1949 in Montclair, New Jersey. He attended Harvard, where he earned a B.A. in English in 1971, and the Yale School of Drama, from which he received an M.F.A in Playwriting in 1974. At Yale he collaborated on several projects with fellow students Albert Innaurato, Wendy Wasserstein, Meryl Streep, and Sigourney Weaver. In 1976, Durang's musical revue A History of the American Film, for which he wrote both lyrics and music, won a spot at the national Eugene O'Neill Playwriting Conference and was presented in Hartford, Los Angeles, and Washington. The next year it was produced on Broadway, earning Durang a nomination for a Tony Award for Best Book of a Musical. In 1979, Durang and Sigourney Weaver presented Das Lusitania Songspiel, a parody of contemporary Broadway musicals performed in the style of a Brecht-Weill cabaret. Durang and Weaver both received Drama Desk nominations for their performances. Durang's breakthrough in achieving critical and financial success came in 1981 with the Off-Broadway production of his scathing one-act play, Sister Mary Ignatius Explains It All For You (written in 1979), which has over the years become a popular vehicle for actresses as diverse as Nancy Marchand, Cloris Leachman, Lynn Redgrave, and many others.