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Press Release
PRESS RELEASE Annie Leibovitz: American Music at Jackson Fine Art September 9—October 22, 2005 Traveling from New York to Los Angeles and now coming to the south, portraits of American music legends by the world-renowned photographer Annie Leibovitz will premiere at Jackson Fine Art on Friday, September 9, 2005 from 6 to 8pm. This exhibition will showcase this central theme of American Music highlighting Leibovitz’s long and celebrated career. The show will run until October 22, 2005 and will also feature Leibovitz’s newest book from Random House, American Music. “I started out as a photographer at Rolling Stone more than twenty-five years ago,” Leibovitz says, “and I wanted to go back to the subject of music with a mature eye. Bring my experience to it…make it a real American tapestry.” From juke joints to Graceland, Leibovitz traveled through the landscape of blues, gospel, jazz, country and rock. Her subjects include American icons B.B. King, Johnny Cash, Willie Nelson, Miles Davis, Tony Bennett, Pete Seeger, Dolly Parton, Bob Dylan, Tina Turner, Bruce Springsteen, Patti Smith, Iggy Pop, Eminem, Dr. Dre, Mary J. Blige, and many relatively obscure musicians such as Othar Turner, R.L. Burnside, Jessie Mae Hemphill and Irma Thomas. Although mostly shot between 1999 and 2000, some were taken in the early 1970s when Leibovitz became Rolling Stone magazine’s chief photographer. Leibovitz’s photographs of musicians have become signature images that vividly capture the artists behind the music. Her ability to portray each subject’s personality with her own distinct flair continues to set her work apart from other portrait artists. -
An Investigation of the Perceived Impact of the Inclusion of Steel Pan Ensembles in Collegiate Curricula in the Midwest
AN INVESTIGATION OF THE PERCEIVED IMPACT OF THE INCLUSION OF STEEL PAN ENSEMBLES IN COLLEGIATE CURRICULA IN THE MIDWEST by BENJAMIN YANCEY B.M., University of Central Florida, 2009 A THESIS Submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC School of Music, Theatre and Dance College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2014 Approved by: Major Professor Dr. Kurt Gartner Abstract The current study is an in depth look of the impact of steel pan ensemble within the college curriculum of the Midwest. The goal of the study is to further understand what perceived impacts steel pan ensemble might have on student learning through the perceptions of both instructors and students. The ensemble's impact on the students’ senses of rhythm, ability to listen and balance in an ensemble, their understanding of voicing and harmony, and appreciation of world music were all investigated through both the perceptions of the students as well as the instructors. Other areas investigated were the role of the instructor to determine how their teaching methods and topics covered impacted the students' opinion of the ensemble. This includes, but is not limited to, time spent teaching improvisation, rote teaching versus Western notation, and adding historical context by teaching the students the history of the ensemble. The Midwest region was chosen both for its high density of collegiate steel pan ensembles as well as its encompassing of some of the oldest pan ensembles in the U.S. The study used an explanatory mixed methodology employing two surveys, a student version and an instructor version, distributed to the collegiate steel pan ensembles of the Midwest via the internet. -
April May June
May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St. -
Case 1:16-Cv-02725-DLC Document 87 Filed 09/08/17 Page 1 of 66
Case 1:16-cv-02725-DLC Document 87 Filed 09/08/17 Page 1 of 66 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK -------------------------------------- X : WE SHALL OVERCOME FOUNDATION and : 16cv2725(DLC) BUTLER FILMS, LLC, on behalf of : themselves and all others similarly : OPINION AND ORDER situated, : : Plaintiffs, : : -v- : : THE RICHMOND ORGANIZATION, INC. (TRO : INC.) and LUDLOW MUSIC, INC., : : Defendants. : : -------------------------------------- X APPEARANCES: For the Plaintiffs: Mark C. Rifkin Randall S. Newman Gloria K. Melwani Wolf Haldenstein Adler Freeman & Herz LLP 270 Madison Ave, 10th Floor New York, NY 10016 For the Defendants: Paul LiCalsi Ofer Reger Robins Kaplan LLC 601 Lexington Ave, Suite 3400 New York, NY 10022 DENISE COTE, District Judge: The defendants The Richmond Organization, Inc. (“TRO”) and its subsidiary and imprint Ludlow Music, Inc. (“Ludlow”) (collectively, the “Defendants”) possess two copyrights in the musical composition “We Shall Overcome” (the “Song” or the Case 1:16-cv-02725-DLC Document 87 Filed 09/08/17 Page 2 of 66 “Copyrighted Song”), registered as a derivative work with the Copyright Office in 1960 and 1963. In this litigation, the plaintiffs We Shall Overcome Foundation (“WSOF”) and Butler Films, LLC (“Butler”) (collectively, the “Plaintiffs”) challenge through a putative class action the validity of the Defendants’ copyrights in the Song. The Plaintiffs have filed a motion for partial summary judgment in which they principally argue that the lyrics and melody in the first verse and its identical fifth verse (“Verse 1/5”) of the Song are not sufficiently original to qualify for copyright registration as a derivative work.1 For the reasons that follow, that portion of the Plaintiffs’ motion for summary judgment is granted. -
Protest Music As Responsible Citizenship Was a Special Event That
Protest Music As Responsible Citizenship was a special event that studied how music helps to construct the political consciousness of a nation, how songs mobilize thousands of people around issues affecting American life, and how music addresses the role of America in the global context. The event brought together Harry Belafonte, Holly Near, Bernice Johnson Reagon, and Pete Seeger, four musicians who have played key public roles in the past decades, to discuss how citizenship, music, and social change take on greater significance in this time of increasing polarization both at home and globally. Music and social change have been documented through autobiographies and biographies of performers, ethnographic studies of music and cultural performance, and ethnomusicology research on music and revolution. However, little has been documented about the role of public music performances in shaping citizen responses to political events. The musicians participating in the event and conversation--Harry Belafonte, Holly Near, Bernice Johnson Reagon, and Pete Seeger--have challenged the public to consider issues of national security and responsible citizenship. Through their songs, stories, and actions, these musicians have enacted their citizenship by voicing a challenging call. Protest Music as Responsible Citizenship explored how protest music and protest itself can be considered responsible citizenship. The event, which was moderated by James Early of the Smithsonian and Mershon’s Amy Horowitz, included a roundtable that brought together artists and a variety of scholars from Ohio State to discuss the complexities of protest music and other political art in a complicated global society. The event also included an evening performance for the public, where the artists performed songs and discussed their own political and performing histories. -
BROADSIDE Hoots Will Be Held Sunday, Jan
1F53 THE NATIONAL TOPICAL SONG l·1A.GAZINE DECEHBER 20, 1964 PRICE -- 50¢ BY @ 1964 PETER Hopi Busic LA FARGE New York jin - "l<t 'fir 'b in +hl!.. +wo- bit CMait-- in' ~( 1:0. '1.Ic.Jc-er just -to +h, .... 1c. +h~t- SY1akes wen.. 0.1 - w--oyr:;. 'Gut the..y Ai~lr r~rtic:.·Il\'" tbout 'the @] fv' r'l t;fhf- o~ of" thU"rl ~S&'cI nell f"1 :r: Tk 1)~~rJ them too at 0. ..f!o.r)- Coy ~lJ. en- Chorl.lS beArd the. (at- ..... le.. e>olllce loud bfld de..3r c.irdJ Dy dib -.q\al1~S ;he.. rattle. - ~nbtes C"l)il f\ : I j , j ~ 0 I jg~ J~ I Cl I .-I .. fJ r~t- +-Ie....- sl'lak~• R. r6t -t\e. sna.ke. noise he-II ~~e ~---- 2. I'Ve heard it too alley's side Where the pushers deal and the addicts glide Heroin's quiet, it enchants the boys But I've heard its anthem and the rattlesnake's noise ~iJ.Jf II Then there's the uptown doctor with his needle clean ra±- He_ st'\a.ke. He's always nice and never mean He gives them dope by another name But I heard the rattlesnake just the same. (Chorus) 3. There's the city official 'way down low Keepin' his pockets full of dough If you want help don't ask his aid There's a rattlesnake sitting in his shade " There's a politician 'way up h!gh ! Too far to hear the people cry ,I Passin' bills for the wealthy men He won't explain but the rattlesnake can. -
Mick Evans Song List 1
MICK EVANS SONG LIST 1. 1927 If I could 2. 3 Doors Down Kryptonite Here Without You 3. 4 Non Blondes What’s Going On 4. Abba Dancing Queen 5. AC/DC Shook Me All Night Long Highway to Hell 6. Adel Find Another You 7. Allan Jackson Little Bitty Remember When 8. America Horse with No Name Sister Golden Hair 9. Australian Crawl Boys Light Up Reckless Oh No Not You Again 10. Angels She Keeps No Secrets from You MICK EVANS SONG LIST Am I Ever Gonna See Your Face Again 11. Avicii Hey Brother 12. Barenaked Ladies It’s All Been Done 13. Beatles Saw Her Standing There Hey Jude 14. Ben Harper Steam My Kisses 15. Bernard Fanning Song Bird 16. Billy Idol Rebel Yell 17. Billy Joel Piano Man 18. Blink 182 Small Things 19. Bob Dylan How Does It Feel 20. Bon Jovi Living on a Prayer Wanted Dead or Alive Always Bead of Roses Blaze of Glory Saturday Night MICK EVANS SONG LIST 21. Bruce Springsteen Dancing in the dark I’m on Fire My Home town The River Streets of Philadelphia 22. Bryan Adams Summer of 69 Heaven Run to You Cuts Like A Knife When You’re Gone 23. Bush Glycerine 24. Carly Simon Your So Vein 25. Cheap Trick The Flame 26. Choir Boys Run to Paradise 27. Cold Chisel Bow River Khe Sanh When the War is Over My Baby Flame Trees MICK EVANS SONG LIST 28. Cold Play Yellow 29. Collective Soul The World I know 30. Concrete Blonde Joey 31. -
A Discography of Robert Burns 1948 to 2002 Thomas Keith
Studies in Scottish Literature Volume 33 | Issue 1 Article 30 2004 A Discography of Robert Burns 1948 to 2002 Thomas Keith Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Keith, Thomas (2004) "A Discography of Robert Burns 1948 to 2002," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/30 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas Keith A Discography of Robert Bums 1948 to 2002 After Sir Walter Scott published his edition of border ballads he came to be chastised by the mother of James Hogg, one Margaret Laidlaw, who told him: "There was never ane 0 my sangs prentit till ye prentit them yoursel, and ye hae spoilt them awthegither. They were made for singing an no forreadin: butye hae broken the charm noo, and they'll never be sung mair.'l Mrs. Laidlaw was perhaps unaware that others had been printing Scottish songs from the oral tradition in great numbers for at least the previous hundred years in volumes such as Allan Ramsay's The Tea-Table Miscellany (1723-37), Orpheus Caledonius (1733) compiled by William Thompson, James Oswald's The Cale donian Pocket Companion (1743, 1759), Ancient and Modern Scottish Songs (1767, 1770) edited by David Herd, James Johnson's Scots Musical Museum (1787-1803) and A Select Collection of Original Scotish Airs (1793-1818) compiled by George Thompson-substantial contributions having been made to the latter two collections by Robert Burns. -
We Rise Again Songs of Peace, Protest and Freedom
Valentine‛s Day is just around the corner. Let that special someone know how much you care. E TH 10% off any arrangement Use discount code: RWC ™ Offer expires 06/30/2015 Enhance any occasion Balloon Deliveries Private / Corporate Event Decor Graduations Baskets 408) 370-1075 www.BalloonCrew.com Order Early Rainbow Women’s Chorus Staff Ruth Huber, Co-Artistic Director, Composer-in-Residence Ruth Huber was instrumental in founding both RWC and Tapestry Singers (the Austin Women’s Chorus). She holds three music degrees, including a Master of Music in Composition from the San Francisco Conservatory, and has studied conducting at San Jose State University. Her compositions and songs have won awards from the American Choral Directors Association, the San Francisco ArtSong Competition, and the Austin Music Umbrella Songwriters Competition, and she receives commissions from choral groups around the country. A certified member of Music Teachers National Association, she teaches piano, serves as Music Director for Campbell United Congregational Church and resides in San Jose with her wife, Brenda Meng, and an assortment of adorable cats. Betsy Wagner, Co-Artistic Director, Choralographer Betsy Wagner has a Bachelor of Arts degree in Music Education with a dual major in voice and piano from Louisiana Tech University in Ruston, LA. She has been teaching music to students in grades K-12 since 1978. Since coming to the Bay Area in 1990, she has built an award-winning choir program at Morrill Middle School in San Jose. Betsy has been singing with Rainbow Women’s Chorus since 1997 and has been co-director since 2000. -
Theo Bikel with Pete Seeger (And More)
Theo Bikel with Pete Seeger (and more) First, here’s another item for consideration by people who think that Pete Seeger was anti-Israel. (If you haven’t already, read Hillel Schenker’s recent post on this.) We have the permission of Gerry Magnes — active with the Albany, NY regional J Street chapter, who married into an Israeli family — to quote what he emailed the other day: Thought I would share a small anecdote my father in law once told me. He’s 95 and still living on a kibbutz (Kibbutz Evron) in the Western Galilee. Last winter, when my wife and I mentioned to him that we’d just attended a Pete Seeger concert . in Schenectady, . he related how he’d seen him perform (I think in Tel Aviv), probably in ’64. When he [Seeger] began to speak about the Israeli-Palestinian/Arab conflict at that time and his hopes for peace, he began to cry. He had to stop talking or singing for a bit until he could collect himself. The sincerity and depth of feeling left a deep impression on my father in law. http://www.cookephoto.com/dylanovercome.html Partners’ board chair Theodore Bikel goes back a long way with Seeger. They were part of the original board (with Oscar Brand, George Wein and Albert Grossman) that founded the Newport Folk Festival. This image captures a festival high point in 1963, with Theo and Seeger (at right) joining Bob Dylan, Joan Baez, the Freedom Singers and Peter, Paul and Mary to sing “We Shall Overcome.” Here’s Theo singing Hine Ma Tov with Seeger and Rashid Hussain (the latter identified as a Palestinian poet) from episode 29 of the 39-episode run of the “Rainbow Quest” UHF television series (1965-66), dedicated to folk music and hosted by Seeger: Upon hearing of Seeger’s passing, Theo wrote this on his Facebook page: An era has come to an end. -
Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94
Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94 By Jon Pareles, The New York Times, 1/28 Pete Seeger, the singer, folk-song collector and songwriter who spearheaded an American folk revival and spent a long career championing folk music as both a vital heritage and a catalyst for social change, died Monday. He was 94 and lived in Beacon, N.Y. His death was confirmed by his grandson, Kitama Cahill Jackson, who said he died of natural causes at NewYork-Presbyterian Hospital. Mr. Seeger’s career carried him from singing at labor rallies to the Top 10 to college auditoriums to folk festivals, and from a conviction for contempt of Congress (after defying the House Un-American Activities Committee in the 1950s) to performing on the steps of the Lincoln Memorial at an inaugural concert for Barack Obama. 1 / 13 Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94 For Mr. Seeger, folk music and a sense of community were inseparable, and where he saw a community, he saw the possibility of political action. In his hearty tenor, Mr. Seeger, a beanpole of a man who most often played 12-string guitar or five-string banjo, sang topical songs and children’s songs, humorous tunes and earnest anthems, always encouraging listeners to join in. His agenda paralleled the concerns of the American left: He sang for the labor movement in the 1940s and 1950s, for civil rights marches and anti-Vietnam War rallies in the 1960s, and for environmental and antiwar causes in the 1970s and beyond. -
“Talking Union”--The Almanac Singers (1941) Added to the National Registry: 2010 Essay by Cesare Civetta (Guest Post)*
“Talking Union”--The Almanac Singers (1941) Added to the National Registry: 2010 Essay by Cesare Civetta (guest post)* 78rpm album package Pete Seeger, known as the “Father of American Folk music,” had a difficult time of it as a young, budding singer. While serving in the US Army during World War II, he wrote to his wife, Toshi, “Every song I started to write and gave up was a failure. I started to paint because I failed to get a job as a journalist. I started singing and playing more because I was a failure as a painter. I went into the army because I was having more and more failure musically.” But he practiced his banjo for hours and hours each day, usually starting as soon as he woke in the morning, and became a virtuoso on the instrument, and even went on to invent the “long-neck banjo.” The origin of the Almanacs Singers’ name, according to Lee Hays, is that every farmer's home contains at least two books: the Bible, and the Almanac! The Almanacs Singers’ first job was a lunch performance at the Jade Mountain Restaurant in New York in December of 1940 where they were paid $2.50! The original members of the group were Pete Seeger, Lee Hays, Millard Campbell, John Peter Hawes, and later Woody Guthrie. Initially, Seeger used the name Pete Bowers because his dad was then working for the US government and he could have lost his job due to his son’s left-leaning politically charged music. The Singers sang anti-war songs, songs about the draft, and songs about President Roosevelt, frequently attacking him.