DOCSLIB.ORG

Four Star Films, Box Office Hits, Indies and Imports, Movies A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Four Star Films, Box Office Hits, Indies and Imports, Movies A Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of Aug 29 - Sept 4, 2021 Anastasia (1956) TCM Sun. 5 p.m. The Best Years of Our Lives (1946) TCM Tues. 5 p.m. The Browning Version (1951) TCM Wed. 9:30 a.m. Casablanca (1942) TCM Sun. 3 p.m. The Conversation (1974) EPIX Sat. 4:35 a.m. Dances With Wolves (1990) Paramount Mon. 8 a.m. The Dark Knight (2008) Paramount Thur. 3:30 p.m. Paramount Thur. 10 p.m. Forrest Gump (1994) AMC Sun. 1:53 p.m. AMC Tues. 8 p.m. AMC Wed. 5 p.m. Goodbye Again (1961) TCM Sun. 9:15 p.m. Goodbye, Mr. Chips (1939) TCM Wed. 11:30 a.m. Goodfellas (1990) AMC Thur. 8 p.m. AMC Fri. 5 p.m. Gunga Din (1939) TCM Sat. 9 a.m. His Girl Friday (1940) KVCR Wed. 8 p.m. Indiana Jones and the Raiders of the Lost Ark (1981) Showtime Wed. 7:35 a.m. Showtime Sat. 6 a.m. Lawrence of Arabia: Director's Cut (1962) TCM Sat. 1 p.m. A Midsummer Night's Dream (1935) TCM Mon. 9 a.m. Platoon (1986) Showtime Wed. 5 p.m. Psycho (1960) Showtime Thur. 8 p.m. Pulp Fiction (1994) AMC Fri. 2 p.m. AMC Sat. 1 a.m. Raiders of the Lost Ark (1981) Paramount Wed. 9 a.m. Paramount Wed. 5 p.m. Rear Window (1954) Showtime Thur. 6 p.m. Saving Private Ryan (1998) Showtime Wed. 11:30 p.m. The Shawshank Redemption (1994) BBC America Mon. 8 p.m. BBC America Mon. 11 p.m. The Silence of the Lambs (1991) Ovation Sun. 10:30 a.m. Singin' in the Rain (1952) TCM Thur. 11 p.m. A Star Is Born (1937) TCM Tues. 11:15 p.m. Sunset Boulevard (1950) TCM Thur. 9 p.m. 12 Angry Men (1957) TCM Sat. 11:15 a.m. The Untouchables (1987) Ovation Fri. 7 p.m. Ovation Sat. 1:30 p.m. Vertigo (1958) Showtime Thur. 3:50 p.m. Yankee Doodle Dandy (1942) TCM Mon. 9:15 p.m. Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z BRAVO, IFC & SUNDANCE IN PRIMETIME Bravo, IFC & Sundance in primetime, airing the week of the week of Aug 29 - Sept 4, 2021 Anchorman: The Legend of Ron Burgundy (2004) ★★★ IFC Sun. 8 p.m. IFC Mon. 12:45 p.m. IFC Tues. 3 p.m. IFC Tues. 7:25 p.m. Comedy Central Sat. 8 p.m. Animal House (1978) ★★★ Sundance Mon. 3:30 p.m. Bridesmaids (2011) ★★★ Bravo Sat. 5:49 p.m. Bravo Sat. 8:54 p.m. Bruce Almighty (2003) ★★ Bravo Wed. 2 a.m. Coneheads (1993) ★★ IFC Tues. 1 p.m. Crocodile Dundee (1986) ★★★ Sundance Sun. 4 p.m. Sundance Sun. 8:30 p.m. Crocodile Dundee II (1988) ★★ Sundance Sun. 6 p.m. Sundance Sun. 10:30 p.m. The Dukes of Hazzard (2005) ★★ IFC Sun. 5:45 p.m. Edge of Tomorrow (2014) ★★★ IFC Sat. 9 p.m. IFC Sun. 2:15 a.m. KVEA Sun. 8:30 p.m. Fast Times at Ridgemont High (1982) ★★★ AMC Sun. 9:53 a.m. Sundance Mon. 1 a.m. Sundance Mon. 6 p.m. 48 HRS. (1982) ★★★ IFC Sun. 10:30 a.m. The Great Outdoors (1988) ★★ Sundance Mon. 8 p.m. Sundance Tues. Noon Gremlins (1984) ★★★ IFC Fri. 8 p.m. IFC Sat. 1:15 p.m. Gremlins 2: The New Batch (1990) ★★★ IFC Fri. 10:30 p.m. IFC Sat. 10:45 a.m. Halloween (2007) ★ IFC Fri. 3:15 p.m. IFC Sat. 3:15 a.m. He's Just Not That Into You (2009) ★★ Bravo Sat. 1:30 a.m. Bravo Sat. 10:33 a.m. How to Lose a Guy in 10 Days (2003) ★★ Bravo Sat. 8 a.m. Jaws the Revenge (1987) ★ Sundance Sun. 11:45 a.m. Sundance Mon. 3 a.m. Jaws 3 (1983) ★ Sundance Sun. 1:45 p.m. Sundance Mon. 10:45 a.m. K-9 (1989) ★★ IFC Sun. 12:45 p.m. IFC Mon. 3 a.m. Sundance Mon. 1 p.m. London Has Fallen (2016) ★★ Bravo Mon. 10 p.m. Bravo Tues. Noon Paramount Fri. 1:30 a.m. Paramount Fri. 11 a.m. The Magnificent Seven (2016) ★★ Bravo Fri. 12:30 p.m. The Mist (2007) ★★ IFC Fri. 12:30 p.m. Monster-in-Law (2005) ★★ E! Wed. 8:30 a.m. E! Wed. 2:30 p.m. Bravo Fri. 11:26 p.m. Bravo Sat. 1:03 p.m. A Nightmare on Elm Street (2010) ★★ IFC Fri. 5:45 p.m. IFC Sat. 1 a.m. Riddick (2013) ★★ IFC Sat. 6:15 p.m. IFC Sat. 11:30 p.m. Robin Hood: Men in Tights (1993) ★★ IFC Sun. 3:15 p.m. IFC Sun. 10:15 p.m. RoboCop (2014) ★★ IFC Wed. 2:05 a.m. IFC Wed. 7:15 a.m. IFC Sat. 3:45 p.m. RV (2006) ★★ IFC Tues. 11:50 p.m. IFC Wed. 9:45 a.m. Silent House (2011) ★★ IFC Fri. 10:30 a.m. Spaceballs (1987) ★★ Sundance Mon. 10 p.m. Sundance Tues. 2 a.m. Super Troopers 2 (2018) ★★ IFC Tues. 5:15 p.m. IFC Tues. 9:40 p.m. The Wedding Planner (2001) ★★ E! Wed. 6 a.m. E! Wed. Noon E! Thur. 6 a.m. Bravo Fri. 9 p.m. Bravo Sat. 3:22 p.m. Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z BOX OFFICE HITS Movies that scored big at the box office, airing the week of the week of Aug 29 - Sept 4, 2021 American Pie (1999) ★★★ E! Sun. 8:30 a.m. American Pie 2 (2001) ★★ E! Sun. 6 a.m. E! Sun. 10:30 a.m. E! Wed. 2:30 a.m. E! Wed. Noon Any Which Way You Can (1980) ★★ REELZ Mon. 6:30 p.m. Avengers: Age of Ultron (2015) ★★★ TNT Tues. 8 p.m. Back to the Future (1985) ★★★ Paramount Tues. Noon Paramount Tues. 5:30 p.m. Back to the Future Part II (1989) ★★★ Paramount Tues. 3 p.m. Paramount Tues. 8 p.m. Back to the Future Part III (1990) ★★★ Paramount Tues. 9 a.m. Paramount Tues. 10:30 p.m. Bad Boys II (2003) ★★ TNT Sat. 5:15 p.m. La Bamba (1987) ★★★ Ovation Sat. 11 p.m. Batman Begins (2005) ★★★ Paramount Thur. Noon Paramount Thur. 7 p.m. A Beautiful Mind (2001) ★★★ Starz Fri. 4:05 a.m. Starz Fri. 2:56 p.m. The Best Years of Our Lives (1946) ★★★★ TCM Tues. 5 p.m. Big (1988) ★★★ Starz Sat. 12:23 p.m. Big Daddy (1999) ★ TRU Fri. 10 p.m. TRU Sat. Noon The Bodyguard (1992) ★★ TMC Fri. 10:05 p.m. Boomerang (1992) ★★ Showtime Thur. 10:15 a.m. The Bourne Identity (2002) ★★★ A&E Tues. 3 p.m. Bram Stoker's Dracula (1992) ★★★ Ovation Sun. 8 a.m. Braveheart (1995) ★★★ Starz Wed. 10:22 a.m. Bridesmaids (2011) ★★★ Bravo Sat. 5:49 p.m. Bravo Sat. 8:54 p.m. Bruce Almighty (2003) ★★ Bravo Wed. 2 a.m. Cast Away (2000) ★★★ AMC Wed. 8 p.m. AMC Thur. 5 p.m. City Slickers (1991) ★★★ Cinemax Thur. 11:52 a.m. The Client (1994) ★★★ POP Mon. 8 p.m. POP Tues. 1:30 a.m. Coming to America (1988) ★★★ VH1 Sat. Noon VH1 Sat. 8 p.m. Con Air (1997) ★★ AMC Mon. 5:30 p.m. AMC Tues. 11:30 a.m. Conan the Barbarian (1982) ★★★ TMC Fri. 1:30 a.m. Contact (1997) ★★★ TMC Fri. 2 p.m. Crocodile Dundee (1986) ★★★ Sundance Sun. 4 p.m. Sundance Sun. 8:30 p.m. Crocodile Dundee II (1988) ★★ Sundance Sun. 6 p.m. Sundance Sun. 10:30 p.m. Dances With Wolves (1990) ★★★★ Paramount Mon. 8 a.m. The Dark Knight (2008) ★★★★ Paramount Thur. 3:30 p.m. Paramount Thur. 10 p.m. The Day After Tomorrow (2004) ★★ HBO Thur. 2:05 p.m. Deep Impact (1998) ★★ Syfy Sun. 8 a.m. Syfy Mon. 1:45 a.m. Despicable Me (2010) ★★★ Freeform Sat. 7:45 p.m. Despicable Me 2 (2013) ★★★ Freeform Sat. 9:50 p.m. Die Another Day (2002) ★★ Ovation Mon. 7 p.m. Dirty Dancing (1987) ★★★ Cinemax Mon. 4:50 p.m. Django Unchained (2012) ★★★ Showtime Fri. 6:15 p.m. Elf (2003) ★★★ Starz Mon. 6:06 a.m. Enemy of the State (1998) ★★★ AMC Sun. 4:53 p.m. AMC Mon. 2:30 p.m. Erin Brockovich (2000) ★★★ AMC Thur. 11:30 a.m. Every Which Way But Loose (1978) ★★ REELZ Mon. 4 p.m. The Fast and the Furious (2001) ★★ HBO Fri. 2:58 p.m. Fast Five (2011) ★★ USA Tues. 5:05 p.m. USA Tues. 10:08 p.m. A&E Sat. 8 p.m. A&E Sun. 12:03 p.m. Field of Dreams (1989) ★★★ MLB Sun. 6 p.m. Paramount Mon. Noon Paramount Tues. 2 a.m. A Fish Called Wanda (1988) ★★★ EPIX Thur. 9:35 p.m. Fletch (1985) ★★ Encore Tues. 8:42 a.m. Encore Tues. 9 p.m. For Your Eyes Only (1981) ★★★ Ovation Mon. 4 p.m. Forrest Gump (1994) ★★★★ AMC Sun. 1:53 p.m. AMC Tues. 8 p.m. AMC Wed. 5 p.m. 48 HRS. (1982) ★★★ IFC Sun. 10:30 a.m. Four Weddings and a Funeral (1994) ★★★ TMC Tues. 8 p.m. Friday the 13th (1980) ★★ Syfy Thur. 12:27 p.m.
Load more

Recommended publications
  • Literariness.Org-Mareike-Jenner-Auth
    Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting
    [Show full text]
  • Spring 2017 Issue-All
    SPRING 2017 - Volume 64, Number 1 WWW.AFHISTORY.ORG know the past .....Shape the Future The Air Force Historical Foundation Founded on May 27, 1953 by Gen Carl A. “Tooey” Spaatz MEMBERSHIP BENEFITS and other air power pioneers, the Air Force Historical All members receive our exciting and informative Foundation (AFHF) is a nonprofi t tax exempt organization. Air Power History Journal, either electronically or It is dedicated to the preservation, perpetuation and on paper, covering: all aspects of aerospace history appropriate publication of the history and traditions of American aviation, with emphasis on the U.S. Air Force, its • Chronicles the great campaigns and predecessor organizations, and the men and women whose the great leaders lives and dreams were devoted to fl ight. The Foundation • Eyewitness accounts and historical articles serves all components of the United States Air Force— Active, Reserve and Air National Guard. • In depth resources to museums and activities, to keep members connected to the latest and AFHF strives to make available to the public and greatest events. today’s government planners and decision makers information that is relevant and informative about Preserve the legacy, stay connected: all aspects of air and space power. By doing so, the • Membership helps preserve the legacy of current Foundation hopes to assure the nation profi ts from past and future US air force personnel. experiences as it helps keep the U.S. Air Force the most modern and effective military force in the world. • Provides reliable and accurate accounts of historical events. The Foundation’s four primary activities include a quarterly journal Air Power History, a book program, a • Establish connections between generations.
    [Show full text]
  • Recommend Me a Movie on Netflix
    Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve.
    [Show full text]
  • GRIT Program Schedule Listings in Eastern Time
    GRIT Program Schedule Listings in Eastern Time Week Of 07-09-2018 Grit 7/9 Mon 7/10 Tue 7/11 Wed 7/12 Thu 7/13 Fri 7/14 Sat 7/15 Sun Grit 06:00A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Movie: The Redhead And The Cowboy Movie: Westbound 06:00A 06:30A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC TV-PG V; 1951 TV-PG V; 1959 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG; CC Death Valley Days: TV-PG L, V; CC Movie: Across The Wide Missouri 07:30A 08:00A The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: Movie: Colt .45 TV-PG V; 1951 08:00A CC 08:30A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TV-PG V; 1950 08:30A CC 09:00A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt
    [Show full text]
  • Magic Mike August 2012
    MAGA MAGIC MIKE AUGUST 2012... ““UnnhheessiiittaattiiinngglllyyThheeReexxiiisstthheebbeessttcciiinneemaaIIIhhaavveeeevveerrkknnoownn…”” ((SSuunnddaayyTiiimeess2012)) ““ppoossssiiibblllyyBrriiittaaiiinn’’’ssmoossttbbeeaauuttiiiffuulllcciiinneemaa.........””((BBC)) AUGUST 2012 Issue 89 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6pm Sun 4.30-5.30pm To advertise email [email protected] INTRODUCTION Gallery 4-5 BEST IN AUGUST August Evenings 11 Coming Soon 26 August Films at a glance 26 August Matinees 27 Rants and Pants 42-43 SEAT PRICES (+ REX DONATION £1.00) Circle £8.00+1 Concessions £6.50+1 At Table £10.00+1 Concessions £8.50+1 Royal Box (seats 6) £12.00+1 From infidelity in Caramel, Nadine takes her or for the Box £66.00+1 All matinees £5, £6.50, £10 (box) +1 women to war. Where Do We Go Now BOX OFFICE : 01442 877759 Mon to Sat 10.30 – 6.00 Mon 6 7.30. Egypt/France/Italy/Lebanon 2012 Sun 4.30 – 6.30 FILMS OF THE MONTH Disabled and flat access: through the gate on High Street (right of apartments) Some of the girls and boys you see at the Box Office and Bar: Dayna Archer Liam Parker Julia Childs Amberly Rose Ally Clifton Georgia Rose Nicola Darvell Sid Sagar Romy Davis Liam Stephenson Karina Gale Tina Thorpe Ollie Gower Beth Wallman Elizabeth Hannaway Jack Whiting Billie Hendry-Hughes Olivia Wilson Thanks to McConaughey's oily power, it's not Abigail Kellett Roz Wilson Amelia Kellett Keymea Yazdanian all sex, violence & chicken legs. Lydia Kellett Yalda Yazdanian Killer Joe Fri 3 7.30/Sat 4 7.00 USA 2012 Ushers: Amy, Amy P, Annabel, Ella, Ellie, Ellen W, Hannah, India, James, Kitty, Luke, Meg, Tyree Sally Rowbotham In charge Alun Rees Chief projectionist (Original) Jon Waugh 1st assistant projectionist Martin Coffill Part-time assistant projectionist Anna Shepherd Part-time assistant projectionist Jacquie Rose Chief Admin Oliver Hicks Best Boy Simon Messenger Writer Jack Whiting Writer "Like a whole series of The Wire in a single Jane Clucas & Lynn Hendry PR/Sales/FoH film..."?? Luckily it's French.
    [Show full text]
  • Here Are So Many People, Decisions and Steps in Between That Are Rarely Discussed
    ** SCHEDULE OF SPECIAL EVENTS AND INDUSTRY PANELS BELOW BY DATE** (***Additions to Be Announced asap***) THURSDAY, JUNE 24 EPSTEIN’S SHADOW: GHISLAINE MAXWELL (Peacock; June 24)-OPENING NIGHT EVENT In Attendance: Barbara Shearer (Director & Executive Producer), Jennifer Harkness, Nina Burleigh and Emma Cooper (Executive Producers) The documentary series will investigate the powerful, connected, and mysterious Ghislaine Maxwell, who was once the heiress to the Maxwell fortune but whose life takes a sordid downturn when she meets Jeffrey Epstein, the serial sex offender. This investigative series will reveal a complicated story of power, sex, and money, which leads to Ghislaine Maxwell’s arrest awaiting trial in November 2021. The series, titled “Ghislaine Maxwell: Epstein’s Shadow,” will also premiere on Sky Documentaries and streaming service NOW in the UK on June 28. Deadline INSIDE LOOK: THE DAILY SHOW WITH TREVOR NOAH (Comedy Central; Weeknights)- PANEL In Attendance: Desi Lydic and Dulcé Sloan (Correspondents), Jen Flanz (Executive Producer and Showrunner), Zhubin Parang (Supervising Producer and Writer), and Dan Amira (Head Writer and Producer) Between a global pandemic and countless social justice crises this past year, The Daily Show with Trevor Noah offered both levity and crucial commentary on some of today’s most uncomfortable truths. Sit down with The Daily Show’s creative team to discuss how the show works behind the scenes to tackle tough conversations, elevate underrepresented voices and navigate the unforeseen challenges of 2020—all while making the audience laugh. Veteran creatives and correspondents share their insight on what it takes to make a successful show and keep audiences engaged 24/7 with not just the program, but also more broadly with the world around them.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Crime, Class, and Labour in David Simon's Baltimore
    "From here to the rest of the world": Crime, class, and labour in David Simon's Baltimore. Sheamus Sweeney B.A. (Hons), M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. August 2013 School of Communications Supervisors: Prof. Helena Sheehan and Dr. Pat Brereton I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ (Candidate) ID No.: _55139426____ Date: _______________ TABLE OF CONTENTS Introduction 1 Literature review and methodology 17 Chapter One: Stand around and watch: David Simon and the 42 "cop shop" narrative. Chapter Two: "Let the roughness show": From death on the 64 streets to a half-life on screen. Chapter Three: "Don't give the viewer the satisfaction": 86 Investigating the social order in Homicide. Chapter Four: Wasteland of the free: Images of labour in the 122 alternative economy. Chapter Five: The Wire: Introducing the other America. 157 Chapter Six: Baltimore Utopia? The limits of reform in the 186 war on labour and the war on drugs. Chapter Seven: There is no alternative: Unencumbered capitalism 216 and the war on drugs.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • Catriona Helen Miller
    Vlood Spirits A cjungian Approach to the Vampire JKyth Catriona Helen Miller Submitted for the degree of Doctor of Philosophy University of Stirling Stirling Scotland December 1998 r., 4. , Dedication To my parents, Irene and Jack Miller, without whom.... For all the support, guidance and encouragement above and beyond the call of parental duty. Your many favours can never be repaid. Acknowledgements I would like to thank Dr. John Izod for the skillful and unfailingly tactful supervision of this thesis, and for the companionshipon the j ourney. To Lari, for the chair; the commas and comments;the perpetual phone calls; and for going to Santa Cruz with me all those years ago. To everybody in the Late Late Service for sustenanceof various kinds. And everyone else who asked about my thesis and then listened to the answer without flinching. I also acknowledge the kind financial support of the Glasgow Society for Sons and Daughters of Ministers of the Church of Scotland, and, of course, my parents. Contents Page Acknowlegements i Abstract .v INTRODUCTION PART ONE APPROACH & CONTEXT 10 " The Study of Myth & the Cartesian/Newtonian Framework 11 " The Advent of Psychology 13 " Freud & the Vampire Myth 17 " Beyond Descartes & Newton: the New Paradigm 21 " Jung & the New Model 24 " Archetypes & the Collective Unconscious 31 " The Study of Myth After Freud & Jung 35 The Vampire Myth 40 " I " Jung & the Vampire Myth 41 " Symbols: A Jungian Definition 44 PART TWO ENCOUNTERS WITH SHADOW VAMPIRES 49 " Folklore & Fiction 49 " The Vampire in Folklore 51 " Vampirý Epidemics? 54 " The Shadow Archetype 57 " The Dead 58 " The Living Dead 61 " The Shadow Vampire in the Twentieth Century 65 " Nosferatu: A Symphony of Horror (Dir: F.
    [Show full text]
  • Ellen Falguiere Costume Designer CDG 892 & Local 829 [email protected] (310) 403-3831
    Ellen Falguiere Costume Designer CDG 892 & Local 829 [email protected] (310) 403-3831 FEATURE FILMS Horrible Bosses. Asst. Costume Designer. New Line Cinema. Warner Bros. Produced by Brett Ratner. Directed by Seth Gordon. Starring Jennifer Aniston, Kevin Spacey, Colin Farrell, Donald Sutherland and Jason Bateman. The Other Guys. Asst. Costume Designer. Sony Pictures. Produced by Pat Crowley. Directed by Adam McKay. Starring Will Ferrell, Mark Wahlberg, Samual L. Jackson, Dwayne Johnson, Eva Mendes and Michael Keaton. Cougar Hunting. Costume Designer. Aspen Entertainment. Produced and Directed by Robin Blazak. (Indie) Starring Lara Flynn Boyle and Matt Prokop. Mardi Gras: Spring Break. Asst. Costume Designer. Sony Screen Gems. Produced by Zanne Devine. Directed by Phil Dornfeld. Starring Carmen Electra and Josh Gad. City of Your Final Destination. Asst. Costume Designer. Merchant Ivory Productions. Produced by Paul Bradley. Directed by James Ivory. Filmed in Argentina. Starring Anthony Hopkins, Laura Linney and Charolotte Gainsbourg. My Sexiest Year. Costume Designer. Michael Cerenzie Productions. Directed by Howard Himelstein. Period,1970’s (Indie). Starring Harvey Keitel, Frankie Muniz, Amber Valetta and Karolina Kurkova. Superhero Movie. Asst. Costume Designer. The Weinstein Company. Produced by Robert K. Weiss. Directed by Craig Mazin. Starring Drake Bell, Leslie Nielsen and Sarah Paxton. Scary Movie 4. Asst. Costume Designer. Dimension Films. Brad Grey Pictures. Produced by Robert K. Weiss. Directed by David Zucker. Filmed in Vancouver. Starring Anna Faris, Regina Hall and Craig Bierko. Stick It. Asst. Costume Designer. Touchstone Pictures. Produced by Roger Birnbaum. Directed by Jessica Bendinger. Starring Missy Peregrym and Jeff Bridges National Lampoon’s Pledge This! Costume Designer.
    [Show full text]