Jorge Otero-Pailos Curriculum Vitae

Selected Art Exhibitions The British Houses of Parliament, London, 2016 “The Ethics of Dust: Westminster Hall,” an Artangel public art commission. Yerba Buena Center for the Arts, San Francisco, 2016 “Time, Space and Scale,” curated by Slow Research Lab/ Carolyn Strauss Watari Museum of Contemporary Art, Tokyo, 2015 “Don’t Follow the Wind: Non-Visitor Center,” Curated by Kenji Kubota, Eva and Franco Mattes, and Jason H. Waite Louis Vuitton Museum La Galerie, Paris, 2015 Curated by Judith Clarke Victoria & Albert Museum, London, 2015 “All This Belongs to You,” curated by Rory Hyde. Pratt Manhattan Gallery, 2014-15 “Dust, Dialogue and Uncertainty,” curated by Ana Paula Pais and Carolyn Strauss Keller Gallery, Massachusetts Institute of Technology, 2014 “Space-Time,” solo show curated by Irene Hwang WUHO Gallery, San Diego, CA, 2014. “An Olfactory Archive,” curated by David Gissen and Irene Cheng California College of Arts, 2013 “An Olfactory Archive,” curated by David Gissen and Irene Cheng Tin Sheds Gallery, University of Sydney, 2013 “Dirt, Dust and Ruins,” curated by Zanny Begg and Jennifer Ferng Storefront for Art and Architecture, New York City, 2012 “Aesthetics/Anesthetics,” curated by Eva Franch i Gilabert Venice Art Biennial, Italy, 2009 “Making Worlds, ” curated by Daniel Birnbaum. Manifesta7, The European Contemporary Art Biennial, Bolzano, 2008 “The Rest of Now,” curated by Raqs Media Collective. Armory Week, Pulse, Contemporary Art Fair, New York City, 2010 Botello Art Gallery, San Juan, PR, 1997 “Arquitectos en Botello,” curated by Maud Duquella.

Selected Art Collections The Museum of London; England, United Kingdom The Ulster Museum, Belfast, Northern Ireland, United Kingdom The Whitworth, Manchester, England, United Kingdom The Glynn Vivian Art Gallery, Swansea, Wales, United Kingdom Kelvingrove / The People's Palace, Glasgow, Scotland, United Kingdom Museums Sheffield, England, United Kingdom Worcester City Art Gallery & Museum, England, United Kingdom Thyssen-Bornemisza Art Contemporary TBA-21, Vienna, Austria Louis Vuitton, Paris, France. Museion: Contemporary Art Museum of Bolzano, Bolzano, Italy

Selected Architectural Designs Registered Architect (Licensed in New York, Puerto Rico, and Spain) ·Museum of Sex, expansion of historic building, collaboration with Work AC Architects, Manhattan, NYC, 2014 ·Issue Project Room, adaptive reuse of McKim Mead & White interior, collaboration with Work AC Architects, 2013-14. ·Townhouse Renovation and Addition, Upper East Side, Manhattan, 2013. ·New Holland Island, Masterplan for 18th century World Heritage Site, (St. Petersburg, Russia), collaboration with Work AC Architects, 2012. AIA Award Winner, Masterplanning, 2013. ·Place Lalla Yeddouna (Fez, Morocco), International Competition Entry, collaboration with R&Sie (François Roche and Stéphanie Lavaux), 2010 ·Bauhaus Masters Houses Reconstruction (Dessau-Rosslau) Invited Competition Entry, collaboration with Wandel Hoefer Lorch +Hirsch Architects (project), 2010 ·Consultant, Planning for New Museum Building, Thyssen-Bornemisza Art Contemporary Foundation, Vienna, Austria, 2010 ·Consultant, Planning for New Museum Building, Neuberger Museum of Art, SUNY Purchase, New York, 2009-10 ·Master plan for the Edinburgh College of Art, collaboration with the Shashi Caan Collective (project), 2008 ·KNEW Buildings, 2192 and 2196 Frederick Douglass Boulevard, rehabilitation and rooftop additions to two Neo-Grec buildings, Manhattan, New York, 2008 ·AD 2116: Postdated Building, 555 Lenox Avenue, rehabilitation of Italianate building into 32 apartments and street-front retail, 2008 ·Dos Bocas Eco-Resort and Museum (50 key adaptive reuse of coffee plantation) Dos Bocas Lake, Puerto Rico (project), 2006 ·Blumenfeld Residence (remodeling), White Plains, New York, 2004 ·Nurun Interactive Agency (interior design), Manhattan, New York, 2003 ·Marin Penthouse, Manhattan, New York (project), 2003 ·Flat-Rate Moving Co. (office renovation), Manhattan, New York, 2003 ·New York University Cancer Research Center, Manhattan, New York, (as designer for Perkins Eastman Architects) 2002 ·Loft: painter’s residence and studio, TriBeCa, Manhattan, (project), 2001 ·Villa Quiles-Mariani, Utuado, Puerto Rico (project) 1996–97 ·Museum of Pre-Columbian, African, and Puerto Rican Arts, University of Puerto Rico, Utuado Campus (Feasibility study), 1996–7 ·Company Headquarters for Southern Fire Systems, Cocoa, Florida (project), 1993–94

Selected Bibliography David Gissen, Subnature: Architecture’s Other Environments (New York: Princeton Architectural Press, 2009), 53, 95–99, 213. Daniela Zyman and Eva Ebersberger, eds., Jorge Otero-Pailos: The Ethics of Dust (Köln: Walther König, 2009). Texts by Thordis Arrhenius, Daniel A. Barber, Daniel Birnbaum, Valeria Burgio, Dorota Chudzicka, Lorenzo Fusi, David Gissen, Francesca Von Habsburg, Caroline A. Jones, Adam Phillips, and Raqs Media Collective Jorge Otero-Pailos: Space-Time 1964/2014 (Cambridge: MIT Dept. of Architecture, 2014). Texts by Deborah Douglass, Mechtild Widrich, Martha Buskirk, and Laura Raskin.

Selected Honors, Awards & Grants Academia Científica y De Cultura Iberoamericana, Académico [Academy of Science and Culture of Ibero- America, Academician], 2016 Graham Foundation for Advanced Studies in the Fine Arts, Individual Grant, 2014 American Institute of Architects, Merit Award, New Holland Island Masterplan, 2013. Collaboration with Work AC UNESCO, Eminent Professional Award, 2012 Academy of Arts and Sciences of Puerto Rico, Academico Correspondiente [Foreign Academician], 2011 James Marston Fitch Foundation, Mid-Career Grant, 2011 Asian Cultural Council, Project Grant, 2009 Sociedad Estatal para la Acción Cultural Exterior (SEACEX, Spanish State Society for Foreign Cultural Action), 2009 Graham Foundation for Advanced Studies in the Fine Arts, Individual Grant, 2009 Samuel H. Kress Foundation, The Practice of Conservation Grant, 2008 Society of Architectural Historians, Opler Fellowship for Emerging Scholars, 2007 Institute of Latin American Studies, Columbia University, Individual Grant, 2007 Canadian Center for Architecture, Post-doctoral Resident Fellow, 2005 Lawrence B. Anderson Award, MIT, 2004 The American-Scandinavian Foundation, King Olav V Post-doctoral Fellow, 2004 Independent Project Award, New York State Council on the Arts: Architecture Planning and Design Program, 2003

Teaching Director and Professor of Historic Preservation, Columbia University, Graduate School of Architecture, Planning and Preservation Guest Professor of Critical Heritage Studies, Oslo School of Architecture, Institute for History, Theory and Form

Selected Print Press Sarah Healey-Dikes, “The Ethics of Dust: Trajan’s Column,” in V&A Conservation Journal, n. 63 (Autumn 2016): 2-4. Julie Lasky, “The Cultural Legacy of Pollution,” Ideas.TED.com, (September 22 2016): http://ideas.ted.com/the-cultural-legacy-of-pollution/. Alba García Ruiz, “La restauración se convierte en arte en el Parlamento británico,” in Agencia EFE, (August 23 2016): http://www.efe.com/efe/espana/cultura/la-restauracion-se-convierte-en-arte-el- parlamento-britanico/10005-3020540#. Gregory Hurcomb, “Grime Time: Boundary-pushing exhibition explores time and scale in architecture and the arts,” in The Architect’s Newspaper, (August 2 2016): http://archpaper.com/2016/08/slow-dialogues- time-space-scale-ybca/#gallery-0-slide-0. Alessandra Caricasulo, “The Ethics of Dust, la mostra più interessante dell’estate londinese,” in Londra da Vivere, (July 10 2016): http://www.londradavivere.com/tempo-libero/mostre/the-ethics-of-dust-la-mostra- piu-interessante-dellestate-londinese/. Judith Flanders, “Ashes to Ashes: Particles of History, Preserved in Latex,” in Times Literary Supplement, n. 5912 (July 22 2016): 20. Luis Ventoso, “Huella Española en la Cuna de la Democracia,” in ABC, (July 10 2016): 74-75. Luis Ventoso, “Gobernar las Olas,” in ABC, (July 7 2016): 12. Eddy Frankel, “Jorge Otero-Pailos: The Ethics of Dust,” in Time Out London, (July 5 2016): http://www.timeout.com/london/art/jorge-otero-pailos-the-ethics-of-dust. Maria Fernanda Antuña, ''Westminster da la Cara,'' in El Comercio, (June 30 2016): http://www.elcomercio.es/sociedad/201606/30/westminster-cara-20160630002002-v.html. “The Ethics of Dust, Artangel and Jorge Otero-Pailos, Westminster Hall” in Culture Whisper (June 30 2016) http://www.culturewhisper.com/r/visual_arts/the_ethics_of_dust_westminster_hall/7332 Ben Luke, “The Ethics of Dust, review: A testament to the everyday life beyond Westminster's ceremonies,” in The Evening Standard, (June 30 2016): http://www.standard.co.uk/goingout/arts/the-ethics- of-dust-review-a-testament-to-the-everyday-life-beyond-westminsters-ceremonies-a3284546.html. Adrian Searle, “The Ethics of Dust: A Latex Requiem for a Dying Westminster,” in The Guardian, (June 29 2016): https://www.theguardian.com/artanddesign/2016/jun/29/the-ethics-of-dust-jorge-otero-pailos- westminster-hall-artangel#comments. Robert Hewison, “If walls could talk…The Ethics of Dust at Westminster Hall,” in Apollo: The International Art Magazine, (June 29 2016): http://www.apollo-magazine.com/if-walls-could-talk-the- ethics-of-dust-at-westminster-hall/. “Eight art exhibitions to see in London post-Brexit,” in Time Out London, (June 29 2016): http://www.timeout.com/london/art/eight-art-exhibitions-to-see-in-london-post-brexit. Mark Westall, “The Ethics of Dust: Massive translucent latex cast suspended in Westminster Hall,” in Fad Magazine, (June 28 2016): http://fadmagazine.com/2016/06/28/the-ethics-of-dust-massive-suspended- latex-sheet-suspended-in-westminster-hall/. Gareth Harris, “UK Parliament’s soot and secrets preserved in latex: Jorge Otero-Pailos’s mirror image of a wall in Westminster Hall resonates after the Brexit vote,” in The Art Newspaper, (June 29 2016): http://theartnewspaper.com/news/news/uk-parliament-s-soot-and-secrets-preserved-in-latex-/. Eddy Frankel, “The Ethics of Dust: a new artwork has just been unveiled in the Houses of Parliament,” in Time Out London: Blog Art, (June 28 2016): http://www.timeout.com/london/art/jorge-otero-pailos-the- ethics-of-dust. Pamela Buxton, “The Dirt of Ages: An installation in Westminster Hall celebrates 1000 years of dust and the histories that it holds,” in RIBA Journal, (June 13 2016): https://www.ribaj.com/culture/ethics-of-dust. Cuca Alonso, “Jorge Otero-Pailos: El Mundo Ya Está Construido, No Hacen Falta Más Edificios, Pero Sí Recrearlos,” in La Nueva España, (June 12 2016): 10-11. Hannah Ellis-Petersen, “Where there's muck: Artangel artist wraps Houses of Parliament in latex,” in The Guardian (May 18, 2016): http://www.theguardian.com/artanddesign/2016/may/18/where-theres-muck- artwork-showcases-houses-of-parliament-dirt Μια εγκατάσταση τέχνης καθαρίζει... τα Ανάκτορα του Ουέστµινστερ [An Art Installation Cleans… The Palace of Westminster], in The Times of Change (May 19 2016): http://www.thetoc.gr/politismos/article/mia-egkatastasi-texnis-katharizei-ta-anaktora-tou-ouestminster Annie Guérin, “La représentation et la préservation de la pollution: Le vivre-ensemble et ses résidus,” in Le vivre-ensemble à l'épreuve des pratiques culturelles et artistiques contemporaines, Eve Lamoureux and Magali Uhl, eds., (Montreal: Presses Universitaires de l’Université Laval, 2016) Luise Rellensmann and Jens Casper “Monumente der Verschmutzung: Jorge Otero-Pailos Und Die Experimentelle Denkmalpflege,” in Baunetz Woche, n. 469 (October 20 2016): 6-14. Gregory de la Haba, “Ask the Dust: An Interview with Jorge Otero-Pailos,” in Whitehot Magazine, (August 2016), http://whitehotmagazine.com/articles/interview-with-jorge-otero-pailos/3497. “Garage Talk: Jorge Otero-Pailos,” in Garage Magazine, (August 21 2015), http://garagemag.com/talk- jorge-otero-pailos/. Amy Verner, “The Heart of Louis Vuitton: an exhibition of themes from the Parisian family home,” in Wallpaper* (July 7 2015): http://www.wallpaper.com/fashion/the-heart-of-louis-vuitton-an-exhibition-of- themes-from-the-parisian-family-home/9210. Julie Nysten, “Louis Vuitton L’Expertise,” in Bazar, (July 9 2015): http://www.bazarmagazin.com/art/louis-vuitton-asnieres-galerie-coulisses-visite-exclusive-video- f#.VZ6EomAmC5L. Samuel Medina, “Preservation: Pillar of Pollution,” in Metropolis (May 2015): 56 Emily Sharpe, ''Dirt on Display as Artist Cleans V&A’s Casts,'' in The Art Newspaper, n. 267 (April 2015): 43. Robert Bevan, ''All of This Belongs to You, The V&A,'' in The Evening Standard, (March 25 2015): http://www.standard.co.uk/goingout/exhibitions/all-of-this-belongs-to-you-the-va-10132096.html. Edwin Heathcote, “All of This Belongs to You, V&A, London--Review,” in The Financial Times, (April 9 2015): 13. Meghan Slater, “All of This Belongs to You,” in Moustache Magazine, (April 10 2015): http://www.moustachemagazine.com/2015/04/all-of-this-belongs-to-you/. Luise Rellensmann and Jens Casper, 'Radikale Denkmalpflege: Preservation Is Overtaking Us! Vertritt Einen Progressiven Denkmalbegriff,'' in Baunetz Woche, n. 394 (22 January 2015): 21-22. “Jorge Otero-Pailos,” in Norah Magazine, (December 2014): 70-71. Bryony Roberts, “Beyond Gordon Matta-Clark: Contemporary Crossovers Between Art, Architecture and Preservation,” in Architectural Record (August 2014): http://archrecord.construction.com/features/2014/1408-Beyond-Gordon-Matta-Clark.asp Enrique Ramirez, “Jorge Otero-Pailos: Space-Time 1964/2014,” in JAE Journal of Architectural Education, n. 2, v. 68 (2014): http://acsa-arch.org/acsa-press/journal-of-architectural-education/read-jae/read-jae/jae- reviews/jae-blog/2014/07/25/jorge-otero-pailos-space-time-1964-2014#one. Harriet Gibsone, ''Artist Jorge Otero-Pailos to Coat Houses of Parliament in Latex,'' in The Guardian, (Thursday August 29 2013): http://www.theguardian.com/artanddesign/2013/aug/29/artist-jorge-otero- pailos-parliament-westminster. Tim Walker, ''Houses of Parliament to undergo latex makeover in the name of art,'' in The Daily Telegraph, (August 29 2013): http://www.telegraph.co.uk/news/politics/10271709/Houses-of-Parliament- to-undergo-latex-makeover-in-the-name-of-art.html. “Tozun Ve Nesnenin Etiği,” [“The Ethics of Dust and of the Object”], in Betonart: Concrete, Architecture and Design 34 (2012): 44-49. David Gissen, ''A Theory of Pollution for Architecture,'' in Imperfect Health: The Medicalization of Architecture, ed. Giovanna Borasi and Mirko Zardini, (Zurich: Lars Müler Publishers, Canadian Centre for Architecture, 2012), 117-131. Geoff Manaugh, ''A Can of Air, or: C.S.I. Duchamp,'' in BLDG BLOG, (June 9 2011) http://bldgblog.blogspot.com/2011/06/can-of-air-or-csi-duchamp.html. Xose Ameixeiras, “Jorge Otero-Pailos: La Polución ha Cambiado la Estética de Edificios y Ciudades,” in La Voz de Galicia, (February 27 2011), http://www.lavozdegalicia.es/carballo/2011/02/27/0003_201102C27C8991.htm Lawrence Gasquet, “Venise comme si vous y étiez: The Ethics of Dust, de John Ruskin à Jorge Otero- Pailos,” in Marie-Dominique Popelard and Anthony Wall (eds.), L'Art de très près. Détail et proximité (Rennes, Presses Universitaires de Rennes, 2012). Laura Raskin, “Jorge Otero-Pailos and the Ethics of Preservation,” in Places Journal (January 18 2011), http://places.designobserver.com/entryprint.html?entry=21139. Jane Szita, ''One Artist, One Material: Skin Deep [On Jorge Otero-Pailos],'' in Frame, 80 (May/June 2011): 237. Valeria Burgio, “Contro il restauro: la vita segreta delle officine” [“Against Restoration: The Secret Life of Factories”], in Quando è scultura, ed. Cristina Baldacci (Milan: Et. Al., 2010), 111–20. Marta Hernández, “Jorge Otero-Pailos,” in La Moda en España 68, no. 624 (December 2010): 74–79. Mari Lending, “Écorché Vif: Installation à la Biennale de Venise de Jorge Otero-Pailos,” in Faces 67 (2010): 32–33. Teresa Stoppani, “Venetian Dusts,” in Log 17 (Fall 2009): 109–18. Gregory Caicco, ‘‘Sammenfatter det Viktigste,’’ in Arkitektur N 8, no. 91 (2009): 69. Stephanie Cash, “Seeing Beauty in Venice’s Pollution,” in Art in America (June/July 2009): 40. Natividad Pulido, “España en la Bienal de Venecia,” in ABC (June 5, 2009): 60. Richard McCoy, “The Ethics of Dust: A Conversation with Jorge Otero-Pailos,” in Art21 (December 15, 2009), http://blog.art21.org/2009/12/15/the-ethics-of-dust-a-conversation-with-jorge-otero-pailos/. Andrew Goldstein, “The Ethics of Dust: An Interview with Venice Biennale Artist Jorge Otero-Pailos, (August 5, 2009), Valeria Burgio, “Ética del polvo: conigrafía de Venecia” [“The Ethics of Dust: Conigraphy of Venice”], in Revista de Occidente 340 (September 2009): 114–24. Veronica Becerril, “Jorge Otero, Bestué/Vives y Sara Ramo se suman a Barceló en la Bienal de Venecia,” in ABC (March 24, 2009): 65. Roberta Bosco, “El Arte Como Ecosistema,” in El País (July 19, 2008), Babelia Section, 20. Andrew Hultkrans, “In Reflection,” in Artforum (Summer 2008): 159–60. Sylvia Conta, “When Pollution Speaks of Us: The Ethics of Dust,” in Inside Magazine (Italy) 19 (September 2008): 54–65.

Selected Television and Radio Waldemar Januszczak in the film Ugly Beauty, aired on BBC TV, November 21, 2009. Tim Lienhard for Metropolis, aired on Arte TV (Public Television of France and Germany), July 26, 2008. Paul Petrunia, Donna Sink, and Ken Koense “Never the Same River Twice: Experimental preservation and architectural authorship with Jorge Otero-Pailos,” on Archinect Sessions #47, (January 7, 2016) http://archinect.com/news/article/145189824/never-the-same-river-twice-experimental-preservation-and- architectural-authorship-with-jorge-otero-pailos-on-archinect-sessions-47 Anna María Bogadóttir for Vídsjá: Icelandic National Broadcasting Service, “Preserving the Past is About the Future,” aired on July 7, 2014. Online at http://www.ruv.is/menning/vardveisla-fortidar-snyst-um- framtidina Hans Tursack and Yshai Yudekovitz for Attention: The Princeton Audio Journal for Architecture, n. 2 “Formalisms,” http://attention.princeton.edu/issues/formalisms Lorenzo Fusi for Radio Papesse (Italy), aired on August 12, 2008, http://www.radiopapesse.org/w2d3/v3/view/radiopapesse/notizie--1456/index.html?area=5. Nieves González-Abreu, Gente, Q11 (AM 1140 Radio, Puerto Rico), aired on February 7, 1997.

Selected Public Lectures “Experimental Preservation in the Anthropocene” Seattle Art Museum, 2016 University of Virginia, 2016 Rhode Island School of Design, 2016 “From Monuments to Pollution” Cornell University, Ithaca, 2015 Universidad Politécnica de Puerto Rico, 2015 “Experimental Preservation” Architectural Association, London, 2015 Victoria and Albert Museum, London, 2015 KTH Royal Institute of Technology, Stockholm, 2015 California College of the Arts, 2014 “Monuments and Teddy Bears,” Keynote Address, MAK Center, Los Angeles, 2014. “Dark Matter,” Keynote address, Australian Institute of Architects National Conference, Melbourne, Australia, 2013. “Apergon,” University of Sydney, 2013. “Architectures Under Erasure,” Rice University, 2012. “Context and Supplement,” Oslo Heritage Centenary, Oslo School of Architecture, 2012. “Pollution, Architecture and Modernity,” College of Architecture and Environmental Design, Kent State University, 2011 “Living with Pollution,” University Convocation Lecture, Drury University, 2011 “The Ethics of Dust,” Yale University Art Gallery, Ritchie Memorial Lecture, 2010 “The Ambivalence of Smoke” University of Texas Austin, 2010 Escuela Técnica Superior de Arquitectura de Madrid, 2009 “The Transformation of Architecture,” Swedish Association of Architects, Stockholm, 2006 “Design After the Collapse of Authorship” American Institute of Architects National Headquarters, Washington DC, 2006 Ohio State University, Knowlton School of Architecture Lecture Series, 2006 “La Arquitectura del Contratiempo” [“The Architecture of Counter-time”], Universidad San Martín de Porres, Lima, Perú, 2005 “The Aesthetics of Incompleteness,” University of Washington in Seattle, School of Architecture Lecture Series, 2005 “The Endurance of Intelligibility,” Roger Williams University, School of Architecture Lecture Series, 2005 “History Grafts,” Syracuse University School of Architecture Lecture Series, 2004

Education Ph.D. in Architecture, MIT, 2002 Masters of Architecture (specialization in Urban Design), Cornell, 1995 Bachelors of Architecture, Cornell, 1994