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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip
CARNEGIE HALL - - NEW YORK Twenty-second Season in New York DR. KARL MUCK, Conductor fnigrammra of % FIRST CONCERT THURSDAY EVENING, NOVEMBER 7 AT 8.15 PRECISELY AND THK FIRST MATINEE SATURDAY AFTERNOON, NOVEMBER 9 AT 2.30 PRECISELY WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE PUBLISHED BY C. A. ELLIS, MANAGER : Piano. Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY THE JOHN CHURCH COMPANY . 37 West 32d Street, New York Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. < Second Violins. • Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H Kuntz, A. Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Ferir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. t Violoncellos. Warnke, H. Nagel, R. Barth, C. Loefner, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
GISELLE in 3D Ballet Cinema Event Premieres World's First 3-D Ballet from the Mariinsky Theatre This July
June 20, 2011 GISELLE IN 3D Ballet Cinema Event Premieres World's First 3-D Ballet from the Mariinsky Theatre This July NCM Fathom and More2Screen Present Stunning Event in RealDTM 3D at More than 160 Select Movie Theaters Nationwide on July 12 CENTENNIAL, Colo.--(BUSINESS WIRE)-- Continuing its mission to offer groundbreaking in-theater events of all types, NCM Fathom presents GISELLE IN 3D, the world's first 3-D ballet to be shown with RealD™ 3D technology onTuesday, July 12 at Noon followed by a second performance at 7:30 p.m. (both times local). Pre-recorded at the historic Mariinsky Theatre in St. Petersburg, Russia, GISELLE IN 3D captures the beauty and movement of a world-class performance in a new and multi- dimensional way, offering cinema audiences a 'best seat in the house' experience from anywhere in their local theater. Tickets for GISELLE IN 3D are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, visit the NCM Fathom website (theaters and participants are subject to change). Presented by London-based distributor More2Screen and NCM Fathom, GISELLE IN 3D was filmed by the UK company Can Communicate, one of the world's leading producers of stereoscopic 3-D content. The ballet will appear in more than 160 select movie theaters across the country via the new digital cinema projection systems. "We are delighted to be working with NCM Fathom to distribute Giselle in 3-D across the States — a partnership which will drive the next stage of the ballet's hugely successful global roll-out," said Christine Costello, More2Screen managing director. -
Dear Music Lover, Welcome to the 23Rd Year of Music at the National
Dear Music Lover, Welcome to the 23rd year of music at the National Museum of Women in the Arts. We are delighted to have been able to reschedule two of the concerts cancelled last season due to COVID-19 and to have added a third. This season, concerts will begin in the spring of 2021. Our concern for audience and artist safety led us to delay the season with the hope that it will be safer to congregate in person at that time. However we anticipate at this time that the concerts will be virtual. If things do change, we will certainly notify you. Our season kicks off on March 31 with the acclaimed McDermott Trio, featuring Anne-Marie, Kerry, and Maureen McDermott, with master violist Paul Neubauer. The McDermott Trio has been recognized as one of the most exciting trios of their generation and Neubauer has been called "a master musician" by the New York Times due to his exceptional musicality and effortless playing. On May 12, we welcome the talented Stefania Dovhan, who has performed at many opera houses including the Royal Opera House, the New York City Opera, and the Baltimore Lyric Opera. We will close out the season on June 2 with the amazing violinist Jennifer Koh, who is known for her intense, commanding performances delivered with dazzling virtuosity and technical assurance. Since 1998, we have presented more than sixty-nine free concerts featuring emerging and established women musicians who have brought to life the halls of this great museum with their artistry and talent. Thank you for your continued support of the Shenson Chamber Music Concert Series. -
18:00 19:30 20:00 14:00
NEWS XXV MUSIC FESTIVAL STARS OF THE WHITE NIGHTS 26 May – 23 July 2017 26 May Friday Concert Hall 18:00 Opening of the XXV Music Festival Stars of the White Nights Boyarina Morozova Russian choral opera in two parts for four soloists, mixed chorus, trumpet, kettledrums and percussion (concert performance) Mariinsky Theatre 19:30 Opening of the XXV Music Festival Stars of the White Nights The Fountain of Bakhchisarai choreographic poem in four acts with prologue and epilogue Concert Hall 20:00 Opening of the XXV Music Festival Stars of the White Nights Daniil Trifonov and Valery Gergiev 27 May Saturday Mariinsky Theatre 14:00 The Fountain of Bakhchisarai choreographic poem in four acts with prologue and epilogue Concert Hall 16:00 Opening of the X International Festival for Children with Limited Abilities Step Forward! Step Forward! Mariinsky II 19:00 The Queen of Spades opera in three acts Conductor: Valery Gergiev Mariinsky Theatre 19:30 The Fountain of Bakhchisarai choreographic poem in four acts with prologue and epilogue Concert Hall 20:00 Daniil Trifonov recital (piano) 28 May Sunday Mariinsky Theatre 12:00 Opera for Сhildren scenes from the fairy-tale operas Concert Hall 12:00 Peter and the Wolf symphonic tale for narrator and orchestra Concert Hall 19:00 Werther opera in four acts (concert performance) Mariinsky Theatre 19:30 The Fountain of Bakhchisarai choreographic poem in four acts with prologue and epilogue 29 May Monday Mariinsky Theatre 18:30 Khovanshchina national musical drama in five acts, six scenes Conductor: Valery Gergiev Concert Hall 19:00 La passion de Jeanne d'Arc . -
Iolanta Bluebeard's Castle
iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today. -
The Mariinsky Ballet & Orchestra
Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko, -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Pace, I. (2012). Instrumental performance in the nineteenth century. In: Lawson, C. and Stowell, R. (Eds.), The Cambridge History of Musical Performance. (pp. 643-695). Cambridge University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/6305/ Link to published version: http://dx.doi.org/10.1017/CHOL9780521896115.027 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] C:/ITOOLS/WMS/CUP-NEW/2654833/WORKINGFOLDER/LASL/9780521896115C26.3D 643 [643–695] 5.9.2011 7:13PM . 26 . Instrumental performance in the nineteenth century IAN PACE 1815–1848 Beethoven, Schubert and musical performance in Vienna from the Congress until 1830 As a major centre with a long tradition of performance, Vienna richly reflects -
Chicago Presents Symphony Muti Symphony Center
CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI zell music director SYMPHONY CENTER PRESENTS 17 cso.org1 312-294-30008 1 STIRRING welcome I have always believed that the arts embody our civilization’s highest ideals and have the power to change society. The Chicago Symphony Orchestra is a leading example of this, for while it is made of the world’s most talented and experienced musicians— PERFORMANCES. each individually skilled in his or her instrument—we achieve the greatest impact working together as one: as an orchestra or, in other words, as a community. Our purpose is to create the utmost form of artistic expression and in so doing, to serve as an example of what we can achieve as a collective when guided by our principles. Your presence is vital to supporting that process as well as building a vibrant future for this great cultural institution. With that in mind, I invite you to deepen your relationship with THE music and with the CSO during the 2017/18 season. SOUL-RENEWING Riccardo Muti POWER table of contents 4 season highlight 36 Symphony Center Presents Series Riccardo Muti & the Chicago Symphony Orchestra OF MUSIC. 36 Chamber Music 8 season highlight 37 Visiting Orchestras Dazzling Stars 38 Piano 44 Jazz 10 season highlight Symphonic Masterworks 40 MusicNOW 20th anniversary season 12 Chicago Symphony Orchestra Series 41 season highlight 34 CSO at Wheaton College John Williams Returns 41 CSO at the Movies Holiday Concerts 42 CSO Family Matinees/Once Upon a Symphony® 43 Special Concerts 13 season highlight 44 Muti Conducts Rossini Stabat mater 47 CSO Media and Sponsors 17 season highlight Bernstein at 100 24 How to Renew Guide center insert 19 season highlight 24 Season Grid & Calendar center fold-out A Tchaikovsky Celebration 23 season highlight Mahler 5 & 9 24 season highlight Symphony Ball NIGHT 27 season highlight Riccardo Muti & Yo-Yo Ma 29 season highlight AFTER The CSO’s Own 35 season highlight NIGHT. -
2013 World Championships Statistics – Men's HT
2013 World Championships Statistics – Men’s HT by K Ken Nakamura The records to look for in Moskva: 1) Krisztian Pars can be the first World Youth Champion to win the World Championships All time Performance List at the World Championships Performance Performer Distance Name Nat Pos Venue Year 1 1 83.89 Ivan Tikhon BLR 1 Helsinki 2005 2 83.63 Ivan Tikhon 1 Osaka 2007 3 2 83.38 Szymon Ziolkowski POL 1 Edmonton 2001 4 3 83.06 Sergey Litvinov URS 1 Roma 1987 5 83.05 Ivan Tikhon 1 Paris 2003 6 4 82.92 Koji Murofushi JPN 2 Edmonton 2001 7 82.68 Sergey Litvinov 1 Helsinki 1983 8 5 82.60 Vadim Devyatovski BLR 2 Helsinki 2005 9 6 82.29 Primoz Kozmus SLO 2 Osaka 2007 10 81.85 Szymon Ziolkowski 1qA Edmonton 2001 11 81.78 Sergey Litvinov 1qA Roma 1987 11 7 81.78 Heinz Weis GER 1 Athinai 1997 13 8 81.70 Yuriy Sedykh URS 1 Tokyo 1991 14 9 81.64 Andrey Abduvaliyev TJK 1 Stuttgart 1993 15 10 81.60 Libor Charfreitag SVK 3 Osaka 2007 16 81.57 Vadim Devyatovskiy BLR 4 Osaka 2007 17 81.56 Andrey Abduvaliyev 1 Göteborg 1995 18 11 81.46 Andrey Skvaruk UKR 2 Athinai 1997 19 81.24 Koji Murofushi 1 Daegu 2011 20 81.20 Vadim Devyatovski 1qA Helsinki 2005 21 12 81.18 Krisztian Pars HUN 2 Daegu 2011 22 13 81.10 Igor Astapkovich BLR 2 Göteborg 1995 22 14 80.98 Tibor Gecsek HUN 3 Göteborg 1995 24 80.94 Yuriy Sedykh 2 Helsinki 1983 24 80.94 Igor Astapkovich 2 Tokyo 1991 25 80.93 Krisztian Pars 5 Osaka 2007 27 15 80.84 Jüri Tamm URS 2 Roma 1987 27 80.84 Primoz Kozmus 1 Berlin 2009 29 16 80.76 Ralph Haber GDR 3 Roma 1987 29 16 80.76 Vasiliy Sidorenko RUS 3 Athiani 1997 -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.