THE FUTURE Graham Dawbarn’S Vision for Television Page 2
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Fodimus As Captain Mainwaring (In Bank Manager Mode) to Introduce Our Famous Visitor
The new season... … got off to a wonderful start with the ribbon-cutting ceremony performed by the actor The Newsletter for the Friends of Diss Museum Ian Lavender. This event was well attended and Basil Abbott gave a bravura performance Editor: David Young, 34, Louie’s Lane, Diss, IP22 4LS fodimus as Captain Mainwaring (in bank manager mode) to introduce our famous visitor. Ian’s pal Telephone 01379 642168 Latin: we cultivate Rick Wakeman, last year’s ribbon-cutter, could be seen at the back of the crowd. To join the Friends, email: [email protected] Issue 005, May 2017 With the opening of the new Corn Hall only a matter of weeks away the Museum loaned Here we are, a quarter of the way through a new season and with the AGM upon us. the Burroughes Corn Traders Desk on which the Grammar School clock used to sit in the As part of the refurbishment of the Heritage Triangle, the Shambles has new Interpretation Shambles. After much discussion, we had only a few days to make other arrangements. Boards. This is the posh way of saying window boards. They are in the modern style, with With timber donated by Barry and Sue Davies, a design by David Young and the skills of lighter print against a darker background. There is no doubt that they look very nice but some Premises Manager, Yoshi Shinagawa– Turner, a clock tower appeared in the Shambles. may feel that the old ones (which were brilliant) may have been more legible, especially in After removal of a cross-member, only required during the erection process, sufficient sunlight. -
April 2020 • Issue 2 PROSPERO
The newspaper for retired BBC Pension Scheme members • April 2020 • Issue 2 PROSPERO REMEMBERING A GOLDEN AGE OF FILM PAGE 8 PENSION SCHEME | BBC PENSIONS PAUL BOHAN AT 100: ‘A REMARKABLE MAN’ Former BBC broadcast engineer Paul Bohan recently celebrated his 100th birthday, and BBC Volunteer Visitor Arthur Masson caught up with him to talk about the interesting times – and places – he’s seen in his long life. aul was born in Bishop Auckland, County He arrived at Stoney Cross and joined a unit servicing Durham, on 24 November 1919. aircraft, for approximately a year. He was then transferred to RAF Marham, and then to RAF PHe was educated at a council school in Byers Mildenhall. Eventually, with his service completed, Green village, where he obtained the first of many he was released in March 1947. (It is perhaps worth ‘accomplishments’, his 11-plus certificate! He was then posted to Meldrum and completed noting that, as he had passed the Commission 12 years as a TV engineer. He left school at 16 and joined the RAF, completing an examinations, if he had remained in service he would 18-month course at Cranwell as a wireless operator, then, have been a Commissioned Officer.) He was offered early retirement, which he accepted after successfully qualifying, went to RAF Thornaby. at the ‘ripe old age’ of 58 and joined Aberdeen After leaving the RAF he joined BOAC, which was the University Language Laboratory as their recording After one year, he went back to Cranwell for another state airline, and was posted to Sudan (Wadi-Halfa). -
DISCOVER SHARE REMEMBER Bb C.Co.Uk/Rememb Ranc E
DISCOVER SHARE REMEMBER bb c.co.uk/rememb ranc e Schools Section Introduction Written by John Sandham, history teacher, Devon “In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. bb c.co.uk/rememb ranc e We are the dead…” On 28 January 1918, Lieutenant-Colonel John McRae, succumbing to pneumonia and meningitis, joined those comrades he had been remembering in the above poem, ‘In Flanders Fields’. When World War One ended in November 1918, the casualties stood at some 37 million and over 10 million were dead. This ‘War to end all wars’ did not end wars; the years following 1918 have been littered with them, including the Second World War, where advances in the technology deployed in World War One meant the casualties far exceeded those of the First World War and brought millions of civilians into the death count. The 90th anniversary of the Armistice takes place on 11 November. This will be an occasion for the world to remind itself of the futility of war, but also to remember those who lost their lives in WW1 and subsequent wars. The BBC is launching the Remembrance campaign to commemorate those who served and to bring to life the nature of that time. This will inform us about WW1 and the personal stories of individuals who fought and often died in the war and the families they left behind who held onto their personal effects. -
One Man's Personal Campaign to Save the Building – Page 8
The newspaper for BBC pensioners – with highlights from Ariel online Goodbye TVC One man’s personal campaign to save the building – page 8 April 2013 • Issue 2 bbC expenses regional dance band down television drama memories Page 2 Page 6 Page 7 NEWS • MEMoriES • ClaSSifiEdS • Your lEttErS • obituariES • CroSPEro 02 baCk at thE bbC Pollard Review findings On 22 February, acting director general Tim Davie sent the following email to all staff, in advance of the publication of the Nick Pollard. Pollard Review evidence: hen the Pollard Review was made clearer to ensure all entries meet BBC published back in December, Editorial standards. we said that we would The additional papers we’ve published Club gives tVC a great release all the evidence that today don’t add to Nick Pollard’s findings, send off WNick Pollard provided to us when he they explain the factual basis of how he (where a genuine and identifiable interest of delivered his report. Today we are publishing arrived at them. We’ve already accepted the BBC is at stake). Thank you to all the retired members and all the emails and documents that were the review in full and today’s publication There will inevitably be press interest and ex-staff who joined us for our ‘Goodbye to appended to the report together with the gives us no reason to revisit that decision as you would expect we’re offering support to TVC’ on 9 March. The day started with a transcripts of interviews given to the review. or the actions we are already taking. -
The Imitation Game
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. The Imitation Game Editor: Ian McEwan Published by Jonathan Cape, Represented in South Africa I98! 175 pp. by Oxford University Press Price: R13.10 Reviewed by John Cundill Albert begins to turn Maisie inside out. All the while he continues to kiss her. Maisie's groans suggest the abandonment of lovemaking, as well as fear and pain Haisie begins to disappear. What can one say about a writer who includes directions like that in a television script? And features, in the same play, a severed 12-inch human penis floating in a sealed glass jar? Several thoughts rush to mind. Does he really expect to get away with it? How do you show lovers in action to that extent on television? How do you get the female partner into a position which would tax the agility of a professional contortionist? In the midst of all this, how do you get her to disappear into thin air? How can you expect a producer to tackle something like this in the first place? Where do you find a broadcasting authority willing to screen it? As a script writer with only SABC - TV for a local market, I stand in awe of Ian McEwan's audacity - and, oh, how I envy the man. -
Dance Workshop Autumn 2011
School Radio Dance Workshop Autumn 2011 Veejay Kaur - presenter Unit 1 Andy Instone - presenter Unit 2 Age: 6 - 8 CDs: These programmes are available to order (for UK Dance Workshop on bbc.co.uk/schoolradio schools only) on pre-recorded CDs from: These Teacher’s Notes are primarily intended for BBC Schools’ Broadcast Recordings print. The content - with additional features - can Tel: 0370 977 2727 Monday to Friday 0800 to 1800. also be found on the Dance Workshop pages of the Or visit the Order CD page of the BBC School Radio School Radio website. website: The website pages include details of other series from www.bbc.co.uk/schoolradio/ordercd Dance Workshop broadcast this year. Go to: Audio on demand: These programmes are also available as audio on demand for 7 days following www.bbc.co.uk/programmes/b03g64pm transmission from the BBC iplayer. Refer to the transmission dates below to f nd out when programmes are available as podcasts and audio on demand. © This publication contains only BBC copyright material: its contents may be copied or reproduced for use in schools and colleges without further permission. 1 School Radio www.bbc.co.uk/schoolradio © BBC 2010 School Radio Dance Workshop - Autumn 2011 These programmes are available as audio on demand (for 7 days) from the School Radio website following transmission. Refer to the transmission dates below to f nd out when each one is available. Contents: Introduction 3 Unit 1: Indian Classical and Bhangra dance 5 1. Kathak 5 AOD available from 21/09/2011 2. Krishnan vs the Demon 8 AOD available from 28/09/2011 3. -
Officers Report
Committee Date: 11/06/2015 Application Number: 2015/01789/PA Accepted: 12/03/2015 Application Type: Full Planning Target Date: 07/05/2015 Ward: Edgbaston Birmingham Dental Hospital & School Of Dentistry, Land At Former Pebble Mill Studios, Pebble Mill Road / Bristol Road, Edgbaston, Birmingham, B5 7QQ Erection of single storey temporary general anaesthetic unit, with plant room above, including ancillary works for parking, landscape and waste storage. Applicant: Birmingham Community Healthcare NHS Trust 3 Priestley Wharf, Holt Street, Birmingham Science Park, Aston, Birmingham, B7 4BN, Agent: One Creative Environment 5 The Triangle, Wildwood Drive, Worcestershire, WR5 2QX Recommendation Approve Temporary 1. Proposal 1.1. A three year temporary consent is sought for the erection of a single storey general anaesthetic unit with 228sq.m of accommodation provided with plant room above and ancillary works relating to parking, landscaping and waste storage. 1.2. The temporary building would measure 14.86m in width, 12m in depth and 6.9m in height (which includes the plant box on the roof). Without the plant, the building would measure 4.2m in height. The plant area on the roof would measure 12m in width, 4m in depth and 2.7m in height. The plant room would be constructed from powder coated aluminium louvres whilst the unit would be clad in white Kingspan panels with a brick plinth matching the existing Dental Hospital building. 1.3. The building would have an internal layout comprising one operating theatre with scrub and prep area, anaesthetic room and dirty utility; staff restroom; recovery area; staff areas, office area and a waiting room. -
COLOUR MUSIC! STLD See CBSO Get RDE Pop Lighting Treatment for HRH and BBC TV at NEC
COLOUR MUSIC! STLD see CBSO get RDE Pop Lighting Treatment for HRH and BBC TV at NEC. BOB ANDERSON The Society of Television Lighting studio, representatives from Playlight, CCT Directors had the unusual experience on and Lee Colortran demonstrated some of June 25th of watching a top Pop lighting their latest lurninaires and portable controls. phone system. Without the questions the designer, Richard Dale, creating spectacu Then the party transferred to the NEC. answers made little sense. Sound, the lar colour lighting effects for a performance Hall 7 at the NEC is about the same size as audience PA system, cut in and out, ofRavel's "Bolero" to be performed before the Wembley Arena, about 120,000 sq. ft. presumably to test balances, and, inciden Prince Charles at the National Exhibition and seats 6,000 people in concert layout. tally, thereby demonstrated how well sound Centre the following night and transmitted You have probably seen show jumping reinforcement can work when the aim is to live on BBC television. televised from there. When the horses assist hearing instead of to attack it. The STLD arrange meetings four or five · depart the main floor is swept clean and Lighting faded and altered as Richard and times a year for members to see studios, filled with countless rows of seats and a flat the hidden electronics control engineers equipment or other matters of interest in the floor facing the platform and on scaffold agreed working limits. Continuing streams general field of performance lighting. terraces along the back and sides. Lighting of water descended from the laser until it Occasionally meetings involve visits to TV is industrial high pressure sodium flood was eventually lowered for major surgery. -
Mention the War: British Sitcoms and Military Masculinity
93 ANETTE PANKRATZ Mention the War: British Sitcoms and Military Masculinity 1. Introduction "Military virtues such as aggression, strength, courage and endurance have repeatedly been defined as the natural and inherent qualities of manhood" and "the soldier has become the quintessential figure of masculinity" (Dawson 1994, 1; cf. Braun 1996, 180; Connell 2005, 73, 213). Despite the assertive tone of these statements, military masculinity is fraught with contradictions and paradoxes. Soldiering, especially the killing of people in combat, can be seen as morally ambiguous (Braun 1996, 180). More importantly, the ideal type of military masculinity can never be reached and is enmeshed in a "dense web of double binds" (Belkin 2012, 4), that is, in disciplinary rituals that address soldiers as "girls" or "poofs" or in exercises that infantilise and feminise them (Belkin 2012, 33). Since the abolishment of National Service in 1961, serving in the army has become a very specialised occupation for a minority of the population in Britain and the warrior hero has been superseded by figures such as the "entrepreneurial individual" (Connell 2005, 254). (British) situation comedies featuring soldiers, from The Army Game (ITV, 1957- 1966) to Bluestone 42 (BBC, 2013-2015), broach this field of tensions with comic intent. They operate with incongruity between the exemplary figure of the warrior hero and its real-life performance, either by turning the norm upside down or by exaggerating and stereotyping it. The implicit juxtaposition of the ideal and its comic Other also puts into play different versions of masculinity, from the anxiously overt or the supposedly 'normal' to the deficient or explicitly dissident. -
Yes Minister & Yes Prime Minister
FREE YES MINISTER & YES PRIME MINISTER - THE COMPLETE AUDIO COLLECTION: THE CLASSIC BBC COMEDY SERIES PDF Antony Jay,Jonathan Lynn,Paul Eddington,Sir Nigel Hawthorne,Full Cast | 1 pages | 14 Dec 2016 | BBC Audio, A Division Of Random House | 9781910281215 | English | London, United Kingdom Yes Minister - Wikipedia Audible Premium Plus. Cancel anytime. Through the ages of Britain, from the 15th century to the 21st, Edmund Blackadder has meddled his way along the bloodlines, aided by his servant and sidekick, Baldrick, and hindered by an assortment of dimwitted aristocrats. By: Ben Eltonand others. A rollicking collection of six acclaimed dramatisations of P. By: P. Set in the Machiavellian world of modern PR, Absolute Power introduces us to London-based 'government-media relations consultancy' Prentiss McCabe, whose partners Charles Prentiss and Martin McCabe are frequently embroiled in the machinations of the British political system. By: Mark Tavener. It is Tom Good's 40th birthday, and he feels thoroughly unfulfilled. If only he can discover what 'It' is, and if he can, will his wife Barbara agree to do 'It' with him? By: John Esmondeand others. Welcome to Fawlty Towers, where attentive hotelier Basil Fawlty and his charming wife Sybil will attend to your every need - in your worst nightmare. With hapless waiter Manuel and long-suffering waitress Polly on hand to help, anything could happen during your stay - and probably will. By: John Cleeseand others. By: Oscar Wilde. Three series were broadcast between andwith episodes adapted from their TV counterparts by Harold Snoad and Michael Knowles. By: David Croftand others. In the BBC adapted its hit wartime TV series for radio, featuring the original television cast and characters. -
Report Calls for 'Spring Clean' on Compliance Page 2 DG Visits Teams in Pakistan and Afghanistan Page 4 What Th
P H otograp 30·03·10 Week 13 THE BBC NEWSPAPER explore.gateway.bbc.co.uk/ariel H: mark a bassett THE BOAT RACE is ◆back on the BBC, and the production team is ready for the off. L-R are Séan Hughes, Michael Jackson, Paul Davies, Stephen Lyle and Jenny Hackett. Page 5 ROWERS RETURN ◆ Report calls for ◆ DG visits teams in ◆ What they did next - ‘spring clean’ on Pakistan and former staff on life compliance Page 2 Afghanistan Page 4 after the BBC Pages 8-9 > NEWS 2-4 WEEK AT WORK 7 OPINION 10 MAIL 11 JOBS 14 GREEN ROOM 16 < 216 News aa 00·00·08 30·03·10 NEWS BITES a Clearer compliance THE BBC Trust has extended the timetable for its review of the Gaelic service BBC Alba. Originally due to complete ahead of digital Room 2316, White City still needed in A&M switchover in central and northern 201 Wood Lane, London W12 7TS Scotland in April 2010, the review 020 8008 4228 by Cathy Loughran vation has survived and that ‘there is no evidence now will conclude after the trust has Editor that programmes which ought to be made are published its final view on what the Candida Watson 02-84222 ‘SIGNIFICANT CULTURAL CHANGES’ have taken not being made’. future strategy for the BBC ought Deputy editor place in Audio & Music since the Ross/Brand af- Trustee Alison Hastings said there had been to be, currently due later this year. fair, but tighter rules haven’t stifled risk-taking in clear evidence of change after ‘an extremely seri- Cathy Loughran 02-27360 programmes, an independent review has found. -
Whole Day Download the Hansard
Tuesday Volume 597 23 June 2015 No. 21 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Tuesday 23 June 2015 £5·00 © Parliamentary Copyright House of Commons 2015 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 735 23 JUNE 2015 736 is my right hon. Friend taking to support such charities House of Commons and to ensure that offenders leave prison ready to face the world of work? Tuesday 23 June 2015 Michael Gove: I commend my hon. Friend for raising the work of those two voluntary sector organisations. The House met at half-past Eleven o’clock Without the work of voluntary and third sector organisations, we would not be able to provide the educational and rehabilitative services that enable people PRAYERS who are currently in our prisons to have a second chance. [MR SPEAKER in the Chair] Michael Fabricant: Not just voluntary services have a role to play, but private businesses such as Marks & Spencer, and indeed other well known department stores. Does my right hon. Friend agree that we should encourage Oral Answers to Questions private enterprise to help in the rehabilitation of offenders to get them back to work? Michael Gove: I absolutely agree—that is a very good JUSTICE point. May I single out for praise the John Lewis Partnership, which does such a fantastic job in helping people from a variety of backgrounds to be all they can The Secretary of State was asked— be? I stress that there are other organisations, such as Greggs the bakers and, of course, Timpson, the shoe Prisoner Rehabilitation Services and key repair firm.