Photographing a Revolution Weeks in BBC Maida Vale Studios, London
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Future for Local and Regional Media
House of Commons Culture, Media and Sport Committee Future for local and regional media Fourth Report of Session 2009–10 Volume II Oral and written evidence Ordered by The House of Commons to be printed 24 March 2010 HC 43-II (Incorporating HC 699-i-iv of Session 2008-09) Published on 6 April 2010 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon and East Chelmsford) (Chair) Mr Peter Ainsworth MP (Conservative, East Surrey) Janet Anderson MP (Labour, Rossendale and Darwen) Mr Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr Mike Hall MP (Labour, Weaver Vale) Alan Keen MP (Labour, Feltham and Heston) Rosemary McKenna MP (Labour, Cumbernauld, Kilsyth and Kirkintilloch East) Adam Price MP (Plaid Cymru, Carmarthen East and Dinefwr) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) The following members were also members of the committee during the inquiry: Mr Nigel Evans MP (Conservative, Ribble Valley) Helen Southworth MP (Labour, Warrington South) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the Internet via www.parliament.uk. Publications The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. -
One Man's Personal Campaign to Save the Building – Page 8
The newspaper for BBC pensioners – with highlights from Ariel online Goodbye TVC One man’s personal campaign to save the building – page 8 April 2013 • Issue 2 bbC expenses regional dance band down television drama memories Page 2 Page 6 Page 7 NEWS • MEMoriES • ClaSSifiEdS • Your lEttErS • obituariES • CroSPEro 02 baCk at thE bbC Pollard Review findings On 22 February, acting director general Tim Davie sent the following email to all staff, in advance of the publication of the Nick Pollard. Pollard Review evidence: hen the Pollard Review was made clearer to ensure all entries meet BBC published back in December, Editorial standards. we said that we would The additional papers we’ve published Club gives tVC a great release all the evidence that today don’t add to Nick Pollard’s findings, send off WNick Pollard provided to us when he they explain the factual basis of how he (where a genuine and identifiable interest of delivered his report. Today we are publishing arrived at them. We’ve already accepted the BBC is at stake). Thank you to all the retired members and all the emails and documents that were the review in full and today’s publication There will inevitably be press interest and ex-staff who joined us for our ‘Goodbye to appended to the report together with the gives us no reason to revisit that decision as you would expect we’re offering support to TVC’ on 9 March. The day started with a transcripts of interviews given to the review. or the actions we are already taking. -
Select Committee of Tynwald on the Television Licence Fee Report 2010/11
PP108/11 SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE REPORT 2010/11 REPORT OF THE SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE At the sitting of Tynwald Court on 18th November 2009 it was resolved - "That Tynwald appoints a Committee of three Members with powers to take written and oral evidence pursuant to sections 3 and 4 of the Tynwald Proceedings Act 1876, as amended, to investigate the feasibility and impact of withdrawal from or amendment of the agreement under which residents of the Isle of Man pay a television licence fee; and to report." The powers, privileges and immunities relating to the work of a committee of Tynwald are those conferred by sections 3 and 4 of the Tynwald Proceedings Act 1876, sections 1 to 4 of the Privileges of Tynwald (Publications) Act 1973 and sections 2 to 4 of the Tynwald Proceedings Act 1984. Mr G D Cregeen MHK (Malew & Santon) (Chairman) Mr D A Callister MLC Hon P A Gawne MHK (Rushen) Copies of this Report may be obtained from the Tynwald Library, Legislative Buildings, Finch Road, Douglas IM7 3PW (Tel 07624 685520, Fax 01624 685522) or may be consulted at www, ,tynwald.orgim All correspondence with regard to this Report should be addressed to the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas IMI 3PW TABLE OF CONTENTS 1. Introduction 1 2. The broadcasting landscape in the Isle of Man 4 Historical background 4 Legal framework 5 The requirement to pay the licence fee 5 Whether the licence fee is a UK tax 6 Licence fee collection and enforcement 7 Infrastructure for terrestrial broadcasting 10 Television 10 Radio: limitations of analogue transmission capability and extent of DAB coverage 13 3. -
The Imitation Game
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. The Imitation Game Editor: Ian McEwan Published by Jonathan Cape, Represented in South Africa I98! 175 pp. by Oxford University Press Price: R13.10 Reviewed by John Cundill Albert begins to turn Maisie inside out. All the while he continues to kiss her. Maisie's groans suggest the abandonment of lovemaking, as well as fear and pain Haisie begins to disappear. What can one say about a writer who includes directions like that in a television script? And features, in the same play, a severed 12-inch human penis floating in a sealed glass jar? Several thoughts rush to mind. Does he really expect to get away with it? How do you show lovers in action to that extent on television? How do you get the female partner into a position which would tax the agility of a professional contortionist? In the midst of all this, how do you get her to disappear into thin air? How can you expect a producer to tackle something like this in the first place? Where do you find a broadcasting authority willing to screen it? As a script writer with only SABC - TV for a local market, I stand in awe of Ian McEwan's audacity - and, oh, how I envy the man. -
Now for a Lampshade Solo: How the Radiophonic Workshop Built the Future of Sound
https://www.theguardian.com/tv-and-radio/2018/jul/18/lampshade-solo-radiophonic-workshop-built- future-of-sound-festivals Now for a lampshade solo: how the Radiophonic Workshop built the future of sound Pascal Wyse Wed 18 Jul 2018 They chased bees, raided junkyards and banged household objects. Now, half a century on, the Radiophonic Workshop are festival material. Meet the sound effect visionaries whose jobs came with a health warning. On a mission … a recording session in 1962. Photograph: BBC Photo Library In 1957, just before the broadcast of a radio show called Private Dreams and Public Nightmares, a warning was sent to BBC engineers. “Don’t attempt to alter anything that sounds strange,” it said. “It’s meant to sound that way.” The BBC was also worried about the public. Donald McWhinnie, the programme’s maker, made an explanatory statement, ending with the cheerful signoff: “One thought does occur – would it not be more illuminating to play the whole thing backwards?” Radiophonic sound was now in the public domain. A year later, to the bewilderment of many, the BBC dedicated a whole workshop to this avant-garde stuff, even giving it a home in an old ice rink: Maida Vale Studios. Years later, the Queen, shaking hands with the Workshop’s creator, Desmond Briscoe, would confirm its universal success with the words: “Ah yes, Doctor Who.” But what is radiophonic sound – and why did it need a workshop? Radiophonics owes everything to the invention of the tape recorder. Once you could capture sound, using a workable material, you could play with it: slow it down until it thundered, feed it back on itself until it shrieked and echoed, or simply slice bits out. -
Officers Report
Committee Date: 11/06/2015 Application Number: 2015/01789/PA Accepted: 12/03/2015 Application Type: Full Planning Target Date: 07/05/2015 Ward: Edgbaston Birmingham Dental Hospital & School Of Dentistry, Land At Former Pebble Mill Studios, Pebble Mill Road / Bristol Road, Edgbaston, Birmingham, B5 7QQ Erection of single storey temporary general anaesthetic unit, with plant room above, including ancillary works for parking, landscape and waste storage. Applicant: Birmingham Community Healthcare NHS Trust 3 Priestley Wharf, Holt Street, Birmingham Science Park, Aston, Birmingham, B7 4BN, Agent: One Creative Environment 5 The Triangle, Wildwood Drive, Worcestershire, WR5 2QX Recommendation Approve Temporary 1. Proposal 1.1. A three year temporary consent is sought for the erection of a single storey general anaesthetic unit with 228sq.m of accommodation provided with plant room above and ancillary works relating to parking, landscaping and waste storage. 1.2. The temporary building would measure 14.86m in width, 12m in depth and 6.9m in height (which includes the plant box on the roof). Without the plant, the building would measure 4.2m in height. The plant area on the roof would measure 12m in width, 4m in depth and 2.7m in height. The plant room would be constructed from powder coated aluminium louvres whilst the unit would be clad in white Kingspan panels with a brick plinth matching the existing Dental Hospital building. 1.3. The building would have an internal layout comprising one operating theatre with scrub and prep area, anaesthetic room and dirty utility; staff restroom; recovery area; staff areas, office area and a waiting room. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
COLOUR MUSIC! STLD See CBSO Get RDE Pop Lighting Treatment for HRH and BBC TV at NEC
COLOUR MUSIC! STLD see CBSO get RDE Pop Lighting Treatment for HRH and BBC TV at NEC. BOB ANDERSON The Society of Television Lighting studio, representatives from Playlight, CCT Directors had the unusual experience on and Lee Colortran demonstrated some of June 25th of watching a top Pop lighting their latest lurninaires and portable controls. phone system. Without the questions the designer, Richard Dale, creating spectacu Then the party transferred to the NEC. answers made little sense. Sound, the lar colour lighting effects for a performance Hall 7 at the NEC is about the same size as audience PA system, cut in and out, ofRavel's "Bolero" to be performed before the Wembley Arena, about 120,000 sq. ft. presumably to test balances, and, inciden Prince Charles at the National Exhibition and seats 6,000 people in concert layout. tally, thereby demonstrated how well sound Centre the following night and transmitted You have probably seen show jumping reinforcement can work when the aim is to live on BBC television. televised from there. When the horses assist hearing instead of to attack it. The STLD arrange meetings four or five · depart the main floor is swept clean and Lighting faded and altered as Richard and times a year for members to see studios, filled with countless rows of seats and a flat the hidden electronics control engineers equipment or other matters of interest in the floor facing the platform and on scaffold agreed working limits. Continuing streams general field of performance lighting. terraces along the back and sides. Lighting of water descended from the laser until it Occasionally meetings involve visits to TV is industrial high pressure sodium flood was eventually lowered for major surgery. -
BBC Trust: Local Video Public Value Assessment
Local0B Video Public1B Value Assessment Organisation Responses November 2008 Introduction The BBC Trust is currently conducting a Public Value Test (PVT) into the proposal for Local Video. As part of the PVT process the BBC Trust must examine the public value of the proposal. As part of the Public Value Assessment (PVA) the trust consulted publicly for 42 days. This document contains the full responses from organisations to the consultation. 1 Organisation responses in full The BBC Trust received representations during the public consultation from the following organisations: Audience Council Northern Ireland Audience Council Wales Barnsley Chronicle BECTU Chris Cherry CN Group Community Media Association Guardian Media Group plc Institute of Welsh Affairs Johnston Press John Rossetti Manx Radio Mediatrust MG Alba Newspaper Society Northcliffe Media NWN Media Ltd PACT RadioCentre Scottish Daily Newspaper Society Scottish Screen Voice of the Listener and the Viewer Five organisations also responded requesting that their submissions remain confidential. 2 Audience Council Northern Ireland AUDIENCE COUNCIL FOR NORTHERN IRELAND (ACNI) INITIAL RESPONSE TO THE BBC TRUST’S PUBLIC VALUE TEST ON THE BBC’S PROPOSAL FOR LOCAL VIDEO 4 AUGUST 2008 The Audience Council for Northern Ireland (ACNI) welcomes the BBC’s proposals for an expansion and enhancement of its on-demand service provision with Local Video. Council sees Local Video as an enhancement to existing services and additional to plans already in place to improve BBC local service provision [specifically those to bring service provision in Northern Ireland (and Scotland) into line with those in England and Wales]. Council also recognises the potential benefits of more user-generated content, giving communities the opportunity for involvement, with BBC support, in generating local news stories. -
Daran Little
DARAN LITTLE Daran is an experienced BAFTA and RTS award-winning and EMMY-nominated TV drama writer. His credits include CORONATION STREET (on which he was one of the core writers for many years and won a 2010 Writers’ Guild Award), EASTENDERS and HOLLYOAKS. He was the Associate Head Writer on the US soap ALL MY CHILDREN for ABC, for which he was nominated for an EMMY award. Daran’s original drama THE ROAD TO CORONATION STREET was the winner of the 2011 BAFTA and RTS awards for Best Single Drama, the Broadcast Digital Award for Best Scripted Programme and the 2011 RTS North West award for Best Script Writer. Telling the story of CORONATION STREET it was directed by Charles Sturridge and starred Jane Horrocks, Celia Imrie and Stephen Berkoff amongst others. Daran is currently developing new drama series ideas with Atticus Film & Television, and has recently worked on new development projects with Hat Trick Productions and Vox Pictures, in addition to writing on EASTENDERS as part of the core team. He has recently worked on several new ideas with a number of producers, including ideas in development with ITV, BBC Comedy, Buccaneer Media and Monkey Kingdom. NBC Universal commissioned him to write a series bible and pilot script for a drama series and he co-wrote two pilot scripts for a new drama idea with Rupert Everett for Scott Free Productions. Daran has also worked with Lovely Day Productions, developing a number of original drama and comedy drama ideas including a comedy pilot, KITTEN CHIC, which premiered on Sky Living as part of their Love Matters season in April 2013. -
Whole Day Download the Hansard
Tuesday Volume 597 23 June 2015 No. 21 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Tuesday 23 June 2015 £5·00 © Parliamentary Copyright House of Commons 2015 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 735 23 JUNE 2015 736 is my right hon. Friend taking to support such charities House of Commons and to ensure that offenders leave prison ready to face the world of work? Tuesday 23 June 2015 Michael Gove: I commend my hon. Friend for raising the work of those two voluntary sector organisations. The House met at half-past Eleven o’clock Without the work of voluntary and third sector organisations, we would not be able to provide the educational and rehabilitative services that enable people PRAYERS who are currently in our prisons to have a second chance. [MR SPEAKER in the Chair] Michael Fabricant: Not just voluntary services have a role to play, but private businesses such as Marks & Spencer, and indeed other well known department stores. Does my right hon. Friend agree that we should encourage Oral Answers to Questions private enterprise to help in the rehabilitation of offenders to get them back to work? Michael Gove: I absolutely agree—that is a very good JUSTICE point. May I single out for praise the John Lewis Partnership, which does such a fantastic job in helping people from a variety of backgrounds to be all they can The Secretary of State was asked— be? I stress that there are other organisations, such as Greggs the bakers and, of course, Timpson, the shoe Prisoner Rehabilitation Services and key repair firm. -
Jonny Greenwood
JONNY GREENWOOD Jonny Greenwood (b. 1971) is best known as the lead guitarist of the band Radiohead whom he joined while still at school. He started to study psychology and music at Oxford Brookes University, but only finished his first term before leaving to sign a six-album deal with EMI, and start his recording career with Radiohead. Radiohead have realised phenomenal success over the past decade, with multi-platinum album sales and an ever growing worldwide following. Greenwood is no stranger to classical music, though. Indeed, his early musical interests included Messiaen and Ligeti and he started out as a viola player. He plays several other instruments too, including piano, organ, banjo, glockenspiel and harmonica, and he has a particular love for the ondes martenot. To date Greenwood has penned three “classical” works. These compositions have been licensed to Faber Music: smear (two ondes martenots and ensemble), Popcorn Superhet Receiver (string orchestra) and Doghouse (string trio and orchestra). smear, commissioned by the FuseLeeds festival, was premiered there in March 2004 by the London Sinfonietta. In March 2005 Greenwood was Featured Composer at the South Bank Centre’s cutting- edge Ether Festival, where the revised version of smear was performed by the London Sinfonietta in the Royal Festival Hall, one of its’ two sell-out concerts there. smear was later released on CD on the London Sinfonietta Label as part of their Jerwood Series. In 2004, Greenwood was made Composer in Residence with the BBC Concert Orchestra. The first fruit of this association was Popcorn Superhet Receiver, a BBC commission, premiered by the BBC Concert Orchestra and Robert Ziegler in April 2005.