Amateur Mixed Martial Arts Rules (Revised: November 1, 2011)
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AMATEUR MIXED MARTIAL ARTS Rules and Regulations Split Or
AMATEUR MIXED MARTIAL ARTS Rules and regulations Split or different style events Cards split between professional and amateur matches shall be left at the discretion of the sanctioning Commissions. National Database Event Registration All Promoters are required to register in a timely manner, their event in advance with the Association of Boxing Commissions designated national record keeper, MMA.TV, and receive approval from this agency for each specific requested bout Weight classes of amateur mixed martial artists Amateur mixed martial artist shall be divided into the following classes: 01Flyweight (125and under) with not more than a 10 pound spread 02Bantamweight ……………..(126 - 135) 03Featherweight ……………..(136 - 145) 04 Lightweight ………………..(146 - 155) 05 Welterweights …………….(156 - 170) 06 Middleweights ……….……(171 - 185) 07 Light Heavyweights ……...(186 - 205) 08 Cruiser Heavyweights ... ..(206 - 230) 09 Heavyweights…………… .(231 - 265) 10Super Heavyweight over …(265) Weighing of mixed martial artists Weigh in will be determined at the discretion of the sanctioning Commissions. Cage All amateur contests will take place in a cage or ring left at the discretion of the sanctioning Commissions. All rings must adhere to a minimum of five ropes as a standard safety precaution. Equipment The appropriate equipment shall be approved at the discretion of the sanctioning Commissions. Specifications for bandages on mixed martial artists’ hands All mixed martial arts contestants shall be required to gauze and tape their hands prior to all contests. Bandages and tape shall be placed on a contestant’s hands in the dressing room in the presence of the inspector and, if desired, in the presence of the chief second of his or her opponent. -
2016 /2017 NFHS Wrestling Rules
2016 /2017 NFHS wrestling Rules The OHSAA and the OWOA wish to thank the National Federation of State High School Associations for the permission to use the photographs to illustrate and better visually explain situations shown in the back of the 2016/17 rule book. © Copyright 2016 by OHSAA and OWOA Falls And Nearfalls—Inbounds—Starting Positions— Technical Violations—Illegal Holds—Potentially Dangerous (5-11-2) A fall or nearfall is scored when (5-11-2) A near fall may be scored when the any part of both scapula are inbounds and the defensive wrestler is held in a high bridge shoulders are over or outside the boundary or on both elbows. line. Hand over nose and mouth that restricts breathing (5-11-2) A near fall may be scored when the (5-14-2) When the defensive wrestler in a wrestler is held in a high bridge or on both pinning situation, illegally puts pressure over elbows the opponents’s mouth, nose, or neck, it shall be penalized. Hand over nose and mouth Out-of-bounds that restricts Inbounds breathing Out-of-bounds Out-of-bounds Inbounds (5-15-1) Contestants are considered to be (5-14-2) Any hold/maneuver over the inbounds if the supporting points of either opponent’s mouth, nose throat or neck which wrestler are inside or on but not beyond the restricts breathing or circulation is illegal boundary 2 Starting Position Legal Neutral Starting Position (5-19-4) Both wrestlers must have one foot on the Legal green or red area of the starting lines and the other foot on line extended, or behind the foot on the line. -
The Knee Strike
Kinematics Analysis of Muay Thai Knee Techniques Rachnavy P. 1, Khaothin T. 1, Rittiwat W. 2 1 School of Sports Science, Suranaree University of Technology (Thailand) 2 School of Sports Science, Srinakharinthara Wiroj University (Thailand) Purpose: The Knee Strike (This technique is done by raising the knee diagonally to the thigh, rib and side of the body of an opponent.) and Knee Straight (This technique is done by raising the knee straightly to the body of an opponent.) techniques are commonly used in Muay Thai. It is effective for close quarters combat. This paper was to compare knee Strikes and knee straight velocity in Muay Thai. Methods: Five professional boxers performed five knee strikes and five knee straights technique to Muay Thai punching bag. Three-dimensional kinematics of knee Strikes and knee straight technique were recorded via a motion capturing system (Qualisys Systems, Sweden). Results: After data collection, velocities of knee technique were analyses. The t-test was used to compare the means between two techniques. In comparing the knee strike and knee straight techniques, there were significant differences in knee velocity (p < 0.05). The results indicated that the mean values of knee straight velocity (mean 15.15 ± 4.60 m/s) were higher than knee Strike velocity (mean 6.01 ± 1.47 m/s). Conclusions: This study found that velocity of knee straight is higher than velocity of knee strike. It is possible that knee straight technique generated more power than knee strike technique. This finding suggests that choosing the right techniques will help boxer to win a fight. -
Npc Bodybuilding Division Rules
NATIONAL PHYSIQUE COMMITTEE OF THE USA PO Box 3711, Pittsburgh, Pennsylvania 15230 USA TOLL FREE: 1-866-304-4322 PHONE: 412-276-5027 FAX: 412-281-0471 EMAIL: [email protected] WEB: www.NPCnewsOnline.com NPC BODYBUILDING DIVISION RULES Posing Music • Posing Music will be used at the Finals only. • Posing Music must be on CD and must be the only music on the CD. • Posing Music should be cued to the start of the music. N • Posing Music must not contain vulgar lyrics. Competitors Membership using music containing vulgar lyrics will be disqualifi ed. Each competitor must be a member of the NPC. Onstage Complete Registration Card • During the Prejudging male and female competitors are not on the back of this Issue. permitted to wear any jewelry onstage other than a wedding band. Decorative pieces in the hair are not permitted. • During the Finals female competitors are permitted to wear earrings. Competitor Rules • No glasses, props or gum are permitted onstage. • Any competitor doing the “Moon Pose” will be disqualifi ed. Check-Ins • Lying on the fl oor is prohibited. Competitors will be checked in and weighed. • Bumping and shoving is prohibited. First and second persons involved will be disqualifi ed. Posing Suits • Competitors numbers will be worn on the left side of the suit • All suit bottoms must be V-shaped, no thongs are permitted. bottom during both Prejudging and Finals. • Suits worn by male competitors at the prejudging and fi nals must be plain in color with no fringe, wording, sparkle Backstage or fl uorescents. The only people permitted in the backstage area are: • Suits worn by female competitors at the Prejudging must be • Competitors two-piece and plain in color with no fringe, wording, sparkle • Expediters or fl uorescents. -
Pete Suazo Utah Athletic Commission Unified Rules Of
PETE SUAZO UTAH ATHLETIC COMMISSION GOVERNOR’S OFFICE OF ECONOMIC DEVELOPMENT P.O. Box 146950 60 East South Temple, 3rd Floor Salt Lake City, UT 84114-6950 Office: 801-538-8876 Fax: 801-708-0849 UNIFIED RULES OF PROFESSIONAL MIXED MARTIAL ARTS 1. Definitions “Mixed martial arts” means unarmed combat involving the use, subject to any applicable limitations set forth in these Unified Rules and other regulations of the applicable Commission, of a combination of techniques from different disciplines of the martial arts, including, without limitation, grappling, submission holds, kicking and striking. “Unarmed Combat” means any form of competition in which a blow is usually struck which may reasonably be expected to inflict injury. “Unarmed Combatant” means any person who engages in unarmed combat. “Commission” means the applicable athletic commission or regulatory body overseeing the bouts, exhibitions or competitions of mixed martial arts. 2. Weight Divisions Except with the approval of the Commission, or its executive director, the classes for mixed martial arts contests or exhibitions and the weights for each class shall be: Strawweight up to 115 pounds Flyweight over 115 pounds to 125 Bantamweight over 125 to 135 pounds Women's Bantamweight over 125 to 135 pounds Featherweight over 135 to 145 pounds Lightweight over 145 to 155 pounds Welterweight over 155 to 170 pounds Middleweight over 170 to 185 pounds Light Heavyweight over 185 to 205 pounds Heavyweight over 205 to 265 pounds Super Heavyweight over 265 pounds In non-championship fights, there shall be allowed a 1 pound weigh allowance. In championship fights, the participants must weigh no more than that permitted for the relevant weight division. -
Rank Athlete Country Organisation Gender Type Division Point 1
Rank Athlete Country Organisation Gender Type Division Point 1 Muhammad Mokaev United Kingdom EMMAA English Mixed Martial Arts Association Male Senior Bantamweight 1679.0 2 Anna Gaul Germany GEMMAF Female Junior Jr Strawweight 1181.0 2 Murad Guseinov Bahrain Bahrain MMAF Male Senior Welterweight 1181.0 3 Omar Aliev Russia Russian MMA Union Male Junior Jr Light Heavyweight 1149.0 4 Milly Horkan United Kingdom EMMAA English Mixed Martial Arts Association Female Junior Jr Bantamweight 1097.0 5 Reo Yamaguchi Japan Japan MMAF Male Junior Jr Bantamweight 1009.0 6 Gani Adilserik Kazakhstan KZMMAF Male Junior Jr Flyweight 952.0 7 Fariz Abdalov Kazakhstan KZMMAF Male Junior Jr Flyweight 936.0 8 Sirazhudin Abdulaev Russia Russian MMA Union Male Junior Jr Featherweight 932.0 8 Nikita Kulshin Russia Russian MMA Union Male Junior Jr Lightweight 932.0 9 Talshyn Zhumatayeva Kazakhstan KZMMAF Female Junior Jr Lightweight 900.0 9 Magomed Tuchalov Russia Russian MMA Union Male Junior Jr Middleweight 900.0 10 Rustam Ashurbekov Russia Russian MMA Union Male Junior Jr Heavyweight 868.0 11 Magdalena Czaban Poland MMA Polska Stowarzyszenie Female Senior Atomweight 836.0 12 Yerulan Kabdulov Kazakhstan KZMMAF Male Junior Jr Strawweight 751.0 13 Shamsutdin Makhmudov Russia Russian MMA Union Male Senior Super Heavyweight 705.0 14 Murad Ibragimov Bahrain Bahrain MMAF Male Senior Flyweight 580.0 14 Emil Piatek Poland MMA Polska Stowarzyszenie Male Junior Jr Lightweight 580.0 14 Kamil Shaikhamatov Russia Russian MMA Union Male Junior Jr Welterweight 580.0 15 Błażej -
Mixed Martial Arts Rules for Amateur Competition Table of Contents 1
MIXED MARTIAL ARTS RULES FOR AMATEUR COMPETITION TABLE OF CONTENTS 1. SCOPE Page 2 2. VISION Page 2 3. WHAT IS THE IMMAF Page 2 4. What is the UMMAF Page 3 5. AUTHORITY Page 3 6. DEFINITIONS Page 3 7. AMATEUR STATUS Page 5 8. PROMOTERS & REQUIREMENTS Page 5 9. PROMOTERS INSURANCE Page 7 10. PHYSICIANS AND EMT’S Page 7 11. WEIGN-INS & WEIGHT DIVISIONS Page 8 12. COMPETITORS APPEARANCE& REQUIREMENTS Page 9 13. COMPETITOR’s MEDICAL TESTING Page 10 14. MATCHMAKING APPROVAL Page 11 15. BOUTS, CONTESTS & ROUNDS Page 11 16. SUSPENSIONS AND REST PERIODS Page 12 17. ADMINISTRATION & USE OF DRUGS Page 13 18. JURISDICTION,ROUNDS, STOPPING THE CONTEST Page 13 19. COMPETITOR’s REGISTRATION & EQUIPMENT Page 14 20. COMPETITON AREA Page 16 21. FOULS Page 17 22. FORBIDDEN TECHNIQUES Page 18 23. OFFICIALS Page 18 24. REFEREES Page 19 25. FOUL PROCEDURES Page 21 26. WARNINGS Page 21 27. STOPPING THE CONTEST Page 22 28. JUDGING TYPES OF CONTEST RESULTS Page 22 29. SCORING TECHNIQUES Page 23 30. CHANGE OF DECISION Page 24 31. ANNOUNCING THE RESULTS Page 24 32. PROTESTS Page 25 33. ADDENDUMS Page 26 PROTOCOL FOR COMPETITOR CORNERS ROLE OF THE INSPECTORS MEDICAL HISTORY ANNUAL PHYSICAL OPTHTHALMOLOGIC EXAM PROTOCOL FOR RINGSIDE EMERGENCY PERSONNEL PRE & POST –BOUT MEDICAL EXAM 1 SCOPE: Amateur Mixed Martial Arts [MMA] competition shall provide participants new to the sport of MMA the needed experience required in order to progress through to a possible career within the sport. The sole purpose of Amateur MMA is to provide the safest possible environment for amateur competitors to train and gain the required experience and knowledge under directed pathways allowing them to compete under the confines of the rules set out within this document. -
Introduction
Introduction “...the Shorin-ryu (Shorin ‘school’) is very light and quick, with rapid motions to the front and back, which may be likened to the swift flight of the falcon.” - Karate-Do Kyohan, Gichin Funakoshi, p.8 The Pinan kata, “forms of safety”, are a series of five forms from the Shorin-ryu (Shuri-te) School of Okinawa Karate-do, which was known for its speed and agility. Created by Grandmaster Yasutsune “Anko” Itosu and later popularized by his student Gichin Funakoshi, the Pinan kata are known in the Shotokan style as Heian- no-kata. They incorporate a wide variety of stances and techniques designed to develop your mind and strengthen your body. The Pinan katas are often thought of as training methods for beginners or children and are hence undervalued by more experienced karateka. The main reason for the katas being viewed this way is the fact that they were first established at the time Itosu was introducing Karate to the Okinawan schools. Some say that the Pinans are mealy watered down versions of the advanced kata and were developed solely for children. If this were the case then why did Itosu also teach the Pinans to his adult students? It is far more likely that Itosu had developed the Pinans over a period of time and meant for them to be a synthesis of the best methods being practised in the Shuri region. When karate was introduced to the Okinawan schools the Pinans would be the natural choice because they are relatively short. This is probably the only reason they were selected and has nothing to do with the effectiveness of techniques contained within them. -
Rules & Regulations Governing Amateur Mixed
RULES & REGULATIONS GOVERNING AMATEUR MIXED MARTIAL ARTS IN CALIFORNIA CALIFORNIA AMATEUR MIXED MARTIAL ARTS ORGANIZATION, INC.’S CODE OF REGULATIONS: AMATEUR MIXED MARTIAL ARTS RULES RULES & REGULATIONS GOVERNING .....................................................................................................................1 CHAPTER 1 .............................................................................................................................................................................6 ARTICLE 1. GENERAL PROVISION..............................................................................................................................6 § 101. CITATION. ....................................................................................................................................................................6 § 102. DEFINITIONS ................................................................................................................................................................6 § 103. FILING OF APPLICATIONS AND REPORTS....................................................................................................................6 § 104. FORMS.........................................................................................................................................................................6 § 105. FILING OF CHANGE OF ADDRESS................................................................................................................................6 § 106. AUTHORITY -
Sag E Arts Unlimited Martial Arts & Fitness Training
Sag e Arts Unlimited Martial Arts & Fitness Training Grappling Intensive Program - Basic Course - Sage Arts Unlimited Grappling Intensive Program - Basic Course Goals for this class: - To introduce and acclimate students to the rigors of Grappling. - To prepare students’ technical arsenal and conceptual understanding of various formats of Grappling. - To develop efficient movement skills and defensive awareness in students. - To introduce students to the techniques of submission wrestling both with and without gi’s. - To introduce students to the striking aspects of Vale Tudo and Shoot Wrestling (Shooto) and their relationship to self-defense, and methods for training these aspects. - To help students begin to think tactically and strategically regarding the opponent’s base, relative position and the opportunities that these create. - To give students a base of effective throws and breakfalls, transitioning from a standing format to a grounded one. Class Rules 1. No Injuries 2. Respect your training partner, when they tap, let up. 3. You are 50% responsible for your safety, tap when it hurts. 4. An open mind is not only encouraged, it is mandatory. 5. Take Notes. 6. No Whining 7. No Ego 8. No Issues. Bring Every Class Optional Equipment Notebook or 3-ring binder for handouts and class notes. Long or Short-sleeved Rashguard Judo or JiuJitsu Gi and Belt Ear Guards T-shirt to train in (nothing too valuable - may get stretched out) Knee Pads Wrestling shoes (optional) Bag Gloves or Vale Tudo Striking Gloves Mouthguard Focus Mitts or Thai Pads Smiling Enthusiasm and Open-mindedness 1 Introduction Grappling Arts from around the World Nearly every culture has its own method of grappling with a unique emphasis of tactic, technique and training mindset. -
The Wrestler's Body: Identity and Ideology in North India
The Wrestler’s Body Identity and Ideology in North India Joseph S. Alter UNIVERSITY OF CALIFORNIA PRESS Berkeley · Los Angeles · Oxford © 1992 The Regents of the University of California For my parents Robert Copley Alter Mary Ellen Stewart Alter Preferred Citation: Alter, Joseph S. The Wrestler's Body: Identity and Ideology in North India. Berkeley: University of California Press, c1992 1992. http://ark.cdlib.org/ark:/13030/ft6n39p104/ 2 Contents • Note on Translation • Preface • 1. Search and Research • 2. The Akhara: Where Earth Is Turned Into Gold • 3. Gurus and Chelas: The Alchemy of Discipleship • 4. The Patron and the Wrestler • 5. The Discipline of the Wrestler’s Body • 6. Nag Panchami: Snakes, Sex, and Semen • 7. Wrestling Tournaments and the Body’s Recreation • 8. Hanuman: Shakti, Bhakti, and Brahmacharya • 9. The Sannyasi and the Wrestler • 10. Utopian Somatics and Nationalist Discourse • 11. The Individual Re-Formed • Plates • The Nature of Wrestling Nationalism • Glossary 3 Note on Translation I have made every effort to ensure that the translation of material from Hindi to English is as accurate as possible. All translations are my own. In citing classical Sanskrit texts I have referenced the chapter and verse of the original source and have also cited the secondary source of the translated material. All other citations are quoted verbatim even when the English usage is idiosyncratic and not consistent with the prose style or spelling conventions employed in the main text. A translation of single words or short phrases appears in the first instance of use and sometimes again if the same word or phrase is used subsequently much later in the text. -
A Glossary of Guards Part 1: the Closed Guard
Contents A Glossary of Guards Part 1: The Closed Guard ............... 3 Basic Closed Guard .......................................................................................4 High Guard ....................................................................................................5 Rubber Guard ................................................................................................6 Leghook Guard ..............................................................................................7 Shawn Williams Guard ..................................................................................8 A Glossary of Guards Part 2: The Open Guard .................. 9 Standard Open Guard ..................................................................................10 Spider Guard ...............................................................................................11 Butterfly Guard ...........................................................................................12 De la Riva Guard .........................................................................................13 Reverse de la Riva ......................................................................................14 Cross Guard ................................................................................................15 Sitting Open Guard ......................................................................................15 Grasshopper Guard .....................................................................................16 Upside