Wings Over Israel, Jordan & Egypt 2020
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DIALOGUES with the DEAD Comp
Comp. by: PG0844 Stage : Proof ChapterID: 0001734582 Date:13/10/12 Time:13:59:20 Filepath:d:/womat-filecopy/0001734582.3D1 OUP UNCORRECTED PROOF – FIRST PROOF, 13/10/2012, SPi DIALOGUES WITH THE DEAD Comp. by: PG0844 Stage : Proof ChapterID: 0001734582 Date:13/10/12 Time:13:59:20 Filepath:d:/womat-filecopy/0001734582.3D2 OUP UNCORRECTED PROOF – FIRST PROOF, 13/10/2012, SPi Comp. by: PG0844 Stage : Proof ChapterID: 0001734582 Date:13/10/12 Time:13:59:20 Filepath:d:/womat-filecopy/0001734582.3D3 OUP UNCORRECTED PROOF – FIRST PROOF, 13/10/2012, SPi Dialogues with the Dead Egyptology in British Culture and Religion 1822–1922 DAVID GANGE 1 Comp. by: PG0844 Stage : Proof ChapterID: 0001734582 Date:13/10/12 Time:13:59:20 Filepath:d:/womat-filecopy/0001734582.3D4 OUP UNCORRECTED PROOF – FIRST PROOF, 13/10/2012, SPi 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University press in the UK and in certain other countries # David Gange 2013 The moral rights of the author have been asserted First Edition published in 2013 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. -
In the Wake of Hathor
December 2012: Special Edition In the Wake of Hathor In this special edition, David Splitt gives us a fantastic account of his trip to Egypt, in search of more information about Hathor and her origins. As we prepare a campaign to return her to full sailing order, now is the ideal opportunity to look into her past.. On a gloomy late-November morning in 1896 a small party set out from Norfolk on a journey that would take them to North Africa and what was then the British Protectorate of Egypt. The purpose of their journey, firstly aboard the P & O Steamer “Simla” to Alexandria and then overland to Cairo was not, however, to search out exotic and mysterious sights or to experience the delights of first class travel and hospitality. The journey was a sad mission to save the life of Alan Colman, son of the founder of the mustard empire, who was seriously ill with tuberculosis, and it was the hope of his sisters and friends who made up the remainder of the party that the hot and arid climate would prolong his life and even perhaps encourage his recovery. Ultimately their journey was to be in vain, but the events of this family tragedy would, incongruously, lead eventually to the creation of one of the lasting icons of Broads Heritage – the pleasure wherry Hathor. On a similar wintry morning 112 years later I, and my wife June, set out on a journey to modern day Egypt that was quite clearly meant to be a holiday, but would also be an opportunity for me to gain a little more insight into the events and places central to the story of the wherry. -
EGYPT in STYLE March 06 - 19, 2022 Led by Professor Norman Jones
EGYPT IN STYLE March 06 - 19, 2022 Led by Professor Norman Jones Includes 5 nights Luxury private sailing yacht on the Nile Whether it’s your first visit or your tenth, this is the perfect time for you to see Egypt, with its incredible monuments, temples, artifacts and history. Cruise along the eternal NILE River in the style of the “belle époque of the early 20th century” on a yacht that was built for the King of Egypt. Witness time standing still evidenced by the rhythm of life along its banks. Visit all of the sites that one expects to see in an itiner- ary offering an overview of the history of the region. A highlight of this tour is the visit of the newly opened Museum of Antiquities, which is the largest in the world. Visit temples, tombs, pyramids and markets and explore the Coptic Christian heritage of Egypt as well as its Islamic monuments. Explore Khan el Khalili bazaar in Cairo for a slice of life both past and present. Of course, no itinerary would be complete without a stop at some of the oldest attractions in the world, the colossal pyramids of Giza and the mysterious Sphinx. NO trip is complete in Egypt without flying to see the most majestic and monumental of its temples: Abu Simbel. Let this superbly-crafted exploration of Egypt captivate you with the bountiful treasures of ancient times and the hospitality of modern natives. Ihab Zaki Managing Director, Spiekermann Travel Sunday, March 06 Thursday, March 10 Arrive in Cairo Cairo to Alexandria Upon arrival in Cairo (depending on your arrival time), you will Morning drive to Alexandria, The second largest city in Egypt, Al- be met and transferred to the Marriott Hotel for check-in, and exandria, Egypt’s Hellenistic capitol, known as “The Pearl of the overnight. -
Western Image of the Orient and Oriental in Agatha Christie's Death on the Nile
Gaziantep University Journal of Social Sciences (http://jss.gantep.edu.tr) 2016 15(3):837-866 E-ISSN: 2149-5459 P-ISSN: 1303-0094 Western Image Of The Orient And Oriental In Agatha Christie’s Death On The Nile: A Postcolonial Reading Agatha Christie’nin Nil’de Ölüm Başlıklı Romanında Doğu ve Doğulunun Batılı İmgeleri: Postkolonyal Bir Okuma Mevlüde ZENGİN1 Sie können sich nicht vertreten, sie müssen vertreten werden. Karl Marx, Der 18te Brumaire des Louis Napoleon Abstract This paper attempts to read Agatha Christie’s Death on the Nile (1937), a Hercule Poirot detective novel from a postcolonial stand in general but in particular it seeks traces of Orientalism in it. Expertly plotted and set in Egypt, an exotic background, Death on the Nile is analyzed in this study, through Edward W. Said’s critique of Orientalism, to detect the novel’s projection of the Orient and oriental. Orientalism is defined by Edward Said in his groundbreaking book Orientalism (1978) as a scholarly discipline involving the negative portrayal of the East and eastern people, values and culture by westerners and as western construction of the Orient in occidental discourse through western perspective. Composed of two sections the essay begins with a brief introduction to postcolonial criticism and the critique of Orientalism. Next Death on the Nile is analyzed in the light of the criticism of Orientalism in the second section. The projection of the Orient and oriental people, places, values, concepts and so forth detected in the novel are presented in two subsections of this part. The study concludes that Death on the Nile being a detective novel has an orientalist quality when it comes to the reflection of the Orient and oriental though Christie does not foreground this quality of the novel.