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Sr. No. HMS No. Employee Name Designation 1 959 Ms. Reena Habil Singh Nursing Superintendent 2 357 Mrs
List of Nursing Staff Sr. No. HMS No. Employee Name Designation 1 959 Ms. Reena Habil Singh Nursing Superintendent 2 357 Mrs. Jaibunisha Deputy Nursing Superintendent 3 285 Ms. Vijay A Lal Assistant Nursing Superintendent 4 348 Mr. Harish Kumar Dass Assistant Nursing Superintendent 5 362 Mrs. Sunita Kumar Assistant Nursing Superintendent 6 379 Mrs. Trishna Paul Assistant Nursing Superintendent 7 384 Mrs. Tulika Pant Assistant Nursing Superintendent 8 540 Ms. Madhu Gaur Assistant Nursing Superintendent 9 585 Mr. Arvind Kumar Assistant Nursing Superintendent 10 692 Mr. Shiju Devassiya Assistant Nursing Superintendent 11 1070 Mr. Youdhbir Singh Rawat Assistant Supervisor 12 1071 Mr. Naveen Chandra Assistant Supervisor 13 1072 Mr. Sanjay Shah Assistant Supervisor 14 1073 Mr. Gajpal Singh Negi Assistant Supervisor 15 1075 Mr. Narender Kumar Assistant Supervisor 16 1798 Mr. Balwant Singh Assistant Supervisor 17 2087 Mr. Dinesh Prasad Assistant Supervisor 18 2096 Mr. Dabbal Singh Assistant Supervisor 19 2319 Mr. Mahesh Prasad Uniyal Assistant Supervisor 20 2592 Mr. Raghubir Singh Assistant Supervisor 21 242 Ms. Rajni Prasad Incharge 22 258 Mrs. Dorris Raj Incharge 23 268 Ms. Roshni Prabha Incharge 24 273 Ms. Sangeeta Singh Incharge 25 349 Mrs. Laishram Memtombi Devi Incharge 26 351 Mrs. Sheeja Massey Incharge 27 440 Mrs. Mary Kutty Tomy Incharge 28 442 Mrs. Irene John Incharge 29 444 Ms. Rubita Kerketta Incharge 30 948 Mr. Yashpal Singh Rawat Incharge 31 950 Mr. Tirath Singh Incharge 32 1006 Mr. Devi Ram Incharge 33 1008 Mr. Munendra Pal Gangwar Incharge 34 355 Mrs. Santoshi Rawat Incharge 35 356 Mrs. Nisha Mariya Singh Incharge 36 439 Mr. -
Uttarakhand State Medical/Dental Counselling - 2016 (State Merit List of Registered Candidates Only) NOTE : 1
Uttarakhand State Medical/Dental Counselling - 2016 (State Merit List of Registered Candidates only) NOTE : 1. Merit List is prepared on the basis of NEET All India Rank (Over All Rank) and data of registered candidates verified by CBSE, New Delhi 2. Category/Sub Category will be as filled by candidate and subject to provisional verification of documents, uploaded by the candidate by counselling board and final verification with original documents at the time of admission in the allotted institute. Generated NEET Total NEET All Sub - NEET Roll NEET Combined S. No. Candidate's Name Father's Name Gender Category Marks India Rank Category Number Percentile State Merit Obtained (Over All) Rank 1 AVINASH KUMAR KAUSHAL KUMAR M GEN - 81436829 611 99.977298 160 1 2 ANKITA PANDEY KAILASH CHANDRA PANDEY F GEN - 64503665 591 99.948169 367 2 3 DHAIRYA ANIL KUMAR RAI F GEN - 64905012 580 99.922595 550 3 4 SONALI KORANGA KUNDAN SINGH KORANGA F GEN - 87301508 573 99.897706 745 4 5 SHUBHAM CHAUHAN VINAY CHAUHAN M GEN - 60848106 568 99.876919 880 5 6 ABHINAY PUNDIR HARENDRA SINGH M GEN - 81433043 552 99.781052 1554 6 7 SAKSHI SINGHAL TARUN SINGHAL F GEN - 64500851 552 99.781052 1587 7 8 PRANJAL GULATI ANIL GULATI M GEN - 87202252 550 99.763684 1682 8 9 SIDDHARTH SURI SACHIN SURI M GEN - 64505957 548 99.745085 1789 9 10 SHUBHAM JOSHI JAGDISH CHANDRA JOSHI M GEN - 87203112 542 99.684638 2234 10 11 VIJAY NEGI PURAN SINGH NEGI M GEN - 60822758 541 99.671783 2325 11 12 AAMNA FALAK MAHBUB ALAM F GEN - 64502905 541 99.671783 2337 12 13 AMRIT PANT VIJAY PANT -
Applications Received During 1 to 30 September, 2019
Applications received during 1 to 30 September, 2019 The publication is a list of applications received during 1 to 30 September, 2019. The said publication may be treated as a notice to every person who claims or has any interest in the subject matter of Copyright or disputes the rights of the applicant to it under Rule 70 (9) of Copyright Rules, 2013. Objections, if any, may be made in writing to copyright office by post or e-mail within 30 days of the publication. Even after issue of this notice, if no work/documents are received within 30 days, it would be assumed that the applicant has no work / document to submit and as such, the application would be treated as abandoned, without further notice, with a liberty to apply afresh. S.No. Diary No. Date Title of Work Category Applicant 1 13868/2019-CO/M 01/09/2019 TUM MERA SATH DENA Music CHANDRAKANT SUMAN 2 13869/2019-CO/CF 01/09/2019 IN BORNE PERSONALITY Cinematograph Film Jitendrakumar Navnitlal Acharya 3 13870/2019-CO/L 01/09/2019 PREM BHANG Literary/ Dramatic NITIN SUBHASH BHALERAO 4 13871/2019-CO/L 01/09/2019 SOAP HOLDER Literary/ Dramatic TANMAYMANI KISHOR SHARMA 5 13872/2019-CO/A 01/09/2019 CHIRAG SALON Artistic MR. BHIKAM SEN 6 13873/2019-CO/A 01/09/2019 DHYAN MATCH BOX Artistic M/s Sri Dhanalakshmi Match Works 7 13874/2019-CO/A 01/09/2019 INFYMART Artistic M/s INFYMART RETAILS PRIVATE LIMITED 8 13875/2019-CO/L 01/09/2019 Never Abandon Ship Literary/ Dramatic Royston Donny MArio Fernandes 9 13885/2019-CO/L 01/09/2019 my fugacious world Literary/ Dramatic AAQIB JAVAID 10 13876/2019-CO/L 02/09/2019 An Improved Modulation Literary/ Dramatic Ashok Rajaram Suryawanshi Technique for 11 13877/2019-CO/L 02/09/2019 PerformanceTHE GOLDEN THREAD Literary/ Dramatic DR. -
Sl. No. Name of the Candidate Gender M/F Father's Name/ Husband's
List of the applicant who actually appeared in the Technician (T-1) Examination-2016 held on 04-09-2016 Sl. No. Name of the Gender Roll No. Father's Name/ Husband's name Candidate M/F 1 100100001 Rakesh Lathar M Sh. Babu Lal 2 100100002 Abhishek Giri M Sh. Bhupendra Giri Puran Singh 3 100100003 M Sh. Ajit Singh Shekhawat Shekhawat Devendra 4 100100004 M Sh. Madan Lal Solanki Shaktipal Singh 5 100100005 M Sh. Chain Singh Rathore Rathore 6 100100006 Vishakha Pareek F Sh. Satyanarayan Pareek Raghav Singh 7 100100007 M Sh. Hari Charan Meena Meena Shiv Prakash 8 100100013 M Sh. Gordhan Ram Devasi 9 100100014 Bijendra Kumar M Sh. Shree Chand 10 100100015 Neetendra Singh M Sh. Bodu Singh Sawi Singh 11 100100016 M Sh. Sugan Singh Rajpurohit Rajpurohit 12 100100017 Ghanshyam M Sh. Girdhari Lal Amrit Jeet Kaur 13 100100018 F Sh. Chandra Prakash Verma Verma 14 100100019 Deva Ram M Sh. Dalla Ram 1 Sl. No. Name of the Gender Roll No. Father's Name/ Husband's name Candidate M/F Mahesh Singh 15 100100021 M Sh. Nepal Singh Khinchi Kailash Chandra 16 100100022 M Sh. Narsa Ram Meghwal 17 100100024 Jitendra Puri M Sh. Himmat Puri 18 100100028 Rakesh Singh M Sh. Lakhan Singh 19 100100030 Anada Ram M Sh. Banshi Lal Prakash 20 100100031 M Sh. Nathuram Leelawat Leelawat 21 100100032 Ramesh Kumar M Sh. Dana Ram 22 100100034 Laxman Garg M Sh. Amar Lal Garg 23 100100035 Rana Ram M Sh. Joga Ram 24 100100036 Dhirendra Singh M Sh. Puran Singh Priyanka 25 100100037 F Sh. -
Annexure 1B 18416
Annexure 1 B List of taxpayers allotted to State having turnover of more than or equal to 1.5 Crore Sl.No Taxpayers Name GSTIN 1 BROTHERS OF ST.GABRIEL EDUCATION SOCIETY 36AAAAB0175C1ZE 2 BALAJI BEEDI PRODUCERS PRODUCTIVE INDUSTRIAL COOPERATIVE SOCIETY LIMITED 36AAAAB7475M1ZC 3 CENTRAL POWER RESEARCH INSTITUTE 36AAAAC0268P1ZK 4 CO OPERATIVE ELECTRIC SUPPLY SOCIETY LTD 36AAAAC0346G1Z8 5 CENTRE FOR MATERIALS FOR ELECTRONIC TECHNOLOGY 36AAAAC0801E1ZK 6 CYBER SPAZIO OWNERS WELFARE ASSOCIATION 36AAAAC5706G1Z2 7 DHANALAXMI DHANYA VITHANA RAITHU PARASPARA SAHAKARA PARIMITHA SANGHAM 36AAAAD2220N1ZZ 8 DSRB ASSOCIATES 36AAAAD7272Q1Z7 9 D S R EDUCATIONAL SOCIETY 36AAAAD7497D1ZN 10 DIRECTOR SAINIK WELFARE 36AAAAD9115E1Z2 11 GIRIJAN PRIMARY COOPE MARKETING SOCIETY LIMITED ADILABAD 36AAAAG4299E1ZO 12 GIRIJAN PRIMARY CO OP MARKETING SOCIETY LTD UTNOOR 36AAAAG4426D1Z5 13 GIRIJANA PRIMARY CO-OPERATIVE MARKETING SOCIETY LIMITED VENKATAPURAM 36AAAAG5461E1ZY 14 GANGA HITECH CITY 2 SOCIETY 36AAAAG6290R1Z2 15 GSK - VISHWA (JV) 36AAAAG8669E1ZI 16 HASSAN CO OPERATIVE MILK PRODUCERS SOCIETIES UNION LTD 36AAAAH0229B1ZF 17 HCC SEW MEIL JOINT VENTURE 36AAAAH3286Q1Z5 18 INDIAN FARMERS FERTILISER COOPERATIVE LIMITED 36AAAAI0050M1ZW 19 INDU FORTUNE FIELDS GARDENIA APARTMENT OWNERS ASSOCIATION 36AAAAI4338L1ZJ 20 INDUR INTIDEEPAM MUTUAL AIDED CO-OP THRIFT/CREDIT SOC FEDERATION LIMITED 36AAAAI5080P1ZA 21 INSURANCE INFORMATION BUREAU OF INDIA 36AAAAI6771M1Z8 22 INSTITUTE OF DEFENCE SCIENTISTS AND TECHNOLOGISTS 36AAAAI7233A1Z6 23 KARNATAKA CO-OPERATIVE MILK PRODUCER\S FEDERATION -
India Celebrates 70Th Republic
We Wish Readers a Happy Republic Day of India EVER TRUTHFUL # 1 Indian American Weekly: Since 2006 VOL 13 ISSUE 04 ● NEW YORK / DALLAS ● JANUARY 25 - 31, 2019 ● ENQUIRIES: 646-247-9458 www.theindianpanorama.news 15th Edition of Pravasi Bharatiya India celebrates 70th Republic Day Divas Concludes page 3 ● South African President Cyril Ramaphosa attends as Chief Guest ● Impressive Parade and enthusiasm mark the celebration Federal Government Shutdown ● Ends after a 35 -day Stand off PM lays a wreath at Amar Jawan Jyoti and pays tribute to martyrs NEW DELHI (TIP): Celebrations for the Trump Signs Bill Reopening Government 70th Republic Day began on Saturday, January for 3 Weeks through February 15 26, with South African President Cyril Ramaphosa in attendance as the chief guest, President Trump amid heavy security deployment in the city. announcing that "we have reached a deal Prime Minister Narendra Modi paid his to end the tributes to the martyrs by laying a wreath at shutdown." He has Amar Jawan Jyoti in the presence of Defense since signed a bill Minister Nirmala Sitharaman and the three which will keep service chiefs. Later Modi, wearing his government open traditional kurta-pajama and trademark through February 15 Nehru jacket, reached the Rajpath and received and greeted President Ram Nath Kovind and WASHINGTON (TIP): The House and Senate both the chief guest. contd on Page 38 approved a measure Friday, January 25 to temporarily reopen the federal government with a short-term Prime Minister Modi greets Chief Guest South spending bill that does not include President Donald African President Cyril Ramaphosa at Rajpath contd on Page 38 Photo / courtesy PIB Dr. -
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Graphic Art in India : L850 to 1950 (A Brief Background and History) Amit Mukhopadhyoy and Nirmolendu Dos Selected Reprod Uction List of Works Contemporary Section
An exhibition organised by Lalit Kala Akademi, New Delhi Published by Lalit Kala Akademi Rabindra Bhavan, New Delhi CONTENTS Historical Section Graphic Art in India : l850 to 1950 (A Brief Background and History) Amit Mukhopadhyoy and Nirmolendu Dos Selected Reprod uction _List of works Contemporary Section Contemporary Graphics in India I - Joyo Apposwomy 11 - Ratan Porimoo Ill - S.A. Krishnon Printmaking, A Flashback \ Keshov Molik \ I. Printmaking in Bengal : A Quick Survey Pronobronion Ray Printmaking in India : Focus on the Western Region AS. Roman Printmaking in Southern Region Jose( Jomes Selected Reproduction Invited works Selected works List of works GRAPHIC ART IN INDIA : 1850 TO 1950 (A Brief Background and History) Amit Mukhopadhyay and Nirmalendu Das exploring the medium, graphic art became one of the most im portant media for artistic expression and began to flourish through commerci al printing. Before 1964, all the printed pictures for both ill ustrative (commercial) and non The phrase 'Graphic Art' has been derived from the Greek 'Graphikos' through the illustrative (fine art) purposes, were together titled graphic art'. As the purpose Latin 'Graphicus' to the English 'Graphic' which stands for writing, drawing and attitude of each differs from that of the other, it became a vital necessity to (pictorial or symbolic rather than verbal); plus 'Art' (middle Eng lish and old Eng lish coin a new term to di stinguish between them. To solve this problem , the Print accusative) from the Latin 'Ars' (nomi native), 'Artem ' (accusative), meaning skill Council of America, in 1964, restricted the definition of an original print and applied to a production of beauty or to a work of creative imagination. -
Bhupen Khakhar’, in Bhupen Khakhar, in Retrospective Exh
This manuscript is the penultimate form of the essay as it appeared in the publication cited below. The text is one stage short of the final version agreed upon by the author and editor of the particular publication. If the essay was published in more than one publication, versions of the form it finally assumed are available in the books/anthologies/catalogs listed below. Publication(s): • ‘Bhupen Khakhar’, in Bhupen Khakhar, in retrospective exh. cat., Museo Nacional, Centro de Arte, Reina Sofia, Madrid, 2002. Bhupen Khakhar Geeta Kapur Strategies Bhupen Khakhar’s entry into the art scene in the mid-1960s sets up radically different representational modalities in relation to the existing tendencies in twentieth-century Indian art. It also establishes a different set of equations between Indian and contemporary western art. (1) The two-sided critique, of Indian and western modernism, retrospectively readable in Khakhar’s work may be collapsed into a single event: the ‘crisis’ within modernist art by the 1960s . But today this self-referring art-historical explanation can hardly suffice. The process of deconstructing the universalist claims of modernism, underway in postwar/ mid-century rearticulations of art and politics, has been further charged by the century-long struggle against colonialism and the volatile nature of cultural alternatives that emerge thereon. The current rewriting of cultural (consequently, literature, cinema and art ) histories will show that the decisive break in modernist art practices in the 1960s requires an inscription of the unique role of artists from outside the western mainstream. These artists have questioned, from their own historical vantage point, the fact of a modernist hegemony with the aim of loosening the hold of a one-dimensional (western) internationalism. -
MSME TOOL ROOM, HYDERABAD An
S.NO INSTITUTE NAME STATE LAST NAME FIRST NAME PROGRAMME COURSE 1 CENTRAL INSTITUTE OF TOOL Andhra Pradesh BURRI VIKRAM ENGINEERING AND AUTOMATION AND ROBOTICS DESIGN/ MSME TOOL ROOM, TECHNOLOGY HYDERABAD 2 NOVA COLLEGE OF ENGINEERING Andhra Pradesh ARETI SOBHACHAND ENGINEERING AND COMPUTER SCIENCE AND & TECHNOLOGY ANA TECHNOLOGY ENGINEERING 3 NOVA COLLEGE OF ENGINEERING Andhra Pradesh PAREPALLI SUBBARAO ENGINEERING AND First Year/Other & TECHNOLOGY TECHNOLOGY 4 NOVA COLLEGE OF ENGINEERING Andhra Pradesh GORRIPATI VARAPRASAD ENGINEERING AND MECHANICAL ENGINEERING & TECHNOLOGY TECHNOLOGY 5 NOVA COLLEGE OF ENGINEERING Andhra Pradesh SAMBHANGI ANUSHA ENGINEERING AND CIVIL ENGINEERING & TECHNOLOGY TECHNOLOGY 6 NOVA COLLEGE OF ENGINEERING Andhra Pradesh DONAKADA ANURADHA ENGINEERING AND ELECTRONICS AND & TECHNOLOGY TECHNOLOGY COMMUNICATIONS ENGINEERING 7 NOVA COLLEGE OF ENGINEERING Andhra Pradesh ARAVALLI SOWJANYA ENGINEERING AND FIRST YEAR/OTHER & TECHNOLOGY TECHNOLOGY 8 NOVA COLLEGE OF ENGINEERING Andhra Pradesh T.S .MOSES MANAGEMENT MASTERS IN BUSINESS & TECHNOLOGY ADMINISTRATION 9 BUCHEPALLI VENKAYAMMA Andhra Pradesh VENKATA VEMIREDDY SUBBAREDDY ENGINEERING SUBBAREDDY COLLEGE 10 BUCHEPALLI VENKAYAMMA Andhra Pradesh MALLALA NAGENDRAM ENGINEERING AND COMPUTER SCIENCE & ENGINEERING SUBBAREDDY ENGINEERING MA TECHNOLOGY COLLEGE 11 BUCHEPALLI VENKAYAMMA Andhra Pradesh DARLA RAMESH ENGINEERING AND ELECTRONICS & COMMUNICATION SUBBAREDDY ENGINEERING TECHNOLOGY ENGG COLLEGE 12 MADINA ENGINEERING COLLEGE Andhra Pradesh JOGGU KRISHNA ENGINEERING AND -
K. G. Subramanyan Purushottam Dhumal Gulam Mohammed Sheikh
Though the necessity for art is accepted today by everyone, most works of art come within the means of only the affluent. And the non-affluent, however more keenly responsive they may be to works of art, have to depend on public collections. For all their advantages public collections have one major shortcoming; they do not provide for an intimate speaking relationship between the art-work and the art-lover. So, to reach works of art to people of f!'Odest means is a cause worth giving thought to. The modern print making movement is a step in this direction, A modern print-maker tries to preserve in his print such breathing individualities comparable to those of an original painting, while the possibility of having an edition of the print keeps ih price low. Besides, a modern print has a certain intimacy that a more formal painting often lacks. In a country like ours where a large number of people that respond to works of art are of modest means, this movement should have gathered speed and momentum, but it has not so far. It is partly due to the superstitiOUS resistance to 'the print' on the part of our galleries and buyers who often confuse it with a commercial reproduction. The present portfolio of prints which is the result of a Graphic Workshop, organized by the Amrita Sher-Gil Exhibition Committee and hosted by the Graphic Arts Depart ment of the Faculty of Fine Arts of the M. S. University of Baroda in the autumn of 1973, means to dispel the confusion and show the print as an exclusive individual work, in which the artist's autographic touch will be abundantly evident. -
Master of Fine Arts: Painting, Sculpture & Applied Art
MFA (MASTER OF FINE ARTS: PAINTING, SCULPTURE & APPLIED ART) PROGRAMME STRUCTURE AND SYLLABUS 2019-20 ADMISSION ONWARDS (UNDER MAHATMA GANDHI UNIVERSITY PGCSS REGULATIONS 2019) EXPERT COMMITTEE IN FINE ARTS (PG) MAHATMA GANDHI UNIVERSITY 2019 PROGRAM STRUCTUTRE & SYLLABUS PGCSS2019 – MFA (PAINTING, SCULPTURE, APPLIED ART) Page 1 PROGRAM STRUCTUTRE & SYLLABUS PGCSS2019 – MFA (PAINTING, SCULPTURE, APPLIED ART) Page 2 EXPERT COMMITTEE IN FINE ARTS (PG) CHAIRPERSON : RENJU R MENON HOD, Department of Applied Art, RLV College of Muisc & Fine Arts, Tripunithura MEMBERS : 1. ANTONY P.K. HOD, Department of Paining, RLV College of Muisc & Fine Arts, Tripunithura 2. ANU B.S. HOD, Deprtment of Sculpture, RLV College of Muisc & Fine Arts, Tripunithura 3. K. SIDHARTHAN Former HOD, Department of Paining, RLV College of Muisc & Fine Arts, Tripunithura 4. Dr. SHAJU N.K Faculty in Painting, Sree Sankaracharya University, Kalady 5. Dr. JYOTHILAL Professor in Sculpture, Sree Sankaracharya University, Kalady 6. VINOD L Assistant Professor, Department of Visual Media and Communication, Amrita Vishwa Vidyapeetham University, Edppally, Ernakulam 7. SUNILKUMAR A.P HOD, Department of Sculpture, Govt. College of Fine Arts, Thrissur 8. SUVITHA K.V. Jr. Lecturer, Department of Paining, RLV College of Muisc & Fine Arts, Tripunithura 9. JITHINLAL N.R Jr. Lecturer, Department of Paining, RLV College of Muisc & Fine Arts, Tripunithura PROGRAM STRUCTUTRE & SYLLABUS PGCSS2019 – MFA (PAINTING, SCULPTURE, APPLIED ART) Page 3 PROGRAM STRUCTUTRE & SYLLABUS PGCSS2019 – MFA