Algernon Charles Swinburne - Poems
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Subjects of the Visual Arts: Hermaphrodites a Roman Copy of a Greek Sculpture of by Martin D
Subjects of the Visual Arts: Hermaphrodites A Roman copy of a Greek sculpture of by Martin D. Snyder Hermaphroditus (ca 200 C. E.). Encyclopedia Copyright © 2015, glbtq, Inc. This photograph appears under the the CeCILL Entry Copyright © 2002, glbtq, Inc. license and is attributed Reprinted from http://www.glbtq.com to Rama. In classical mythology, the nymph Salmacis loved the handsome but unresponsive Hermaphroditus, son of Hermes and Aphrodite. When he bathed in her spring, she forcibly embraced him. As Hermaphroditus struggled to free himself, Salmacis prayed that they never part. The gods granted her wish, and the two became a single being with both male and female sexual characteristics. (Ovid, Metamorphoses, 4.285 ff.) In ancient art Hermaphroditus, either specifically or as a generalized type, is a common subject. He is either nude or lifts his garment to expose his genitals; alternatively, a satyr, who mistakes him for a woman, assaults him. The most famous portrayal represents Hermaphroditus asleep, lying on his stomach, head turned to the side, and torso twisted just enough to reveal his breast and genitals. (National Museum of the Terme, Rome, and the Louvre, Paris.) Hermaphrodites disappear from post-classical art history until the Renaissance, when writers of alchemical treatises rediscovered them as non-erotic symbols for the union of opposites (a potent image for later Jungian psychology), and emblem books portrayed them as symbols of marriage. (For a modern interpretation, see Marc Chagall's Homage to Appollinaire, 1911.) The tale of Hermaphroditus and Salmacis was portrayed occasionally in Renaissance and Neoclassical art. Among the depictions are the following: Jan Gossaert [Jan de Mabuse], The Metamorphosis of Hermaphroditus and the Nymph Salmacis (1505), Bartholomaeus Spranger, Salmacis and Hermaphroditus (1581), Francesco Albani, Salmacis Falling in Love with Hermaphroditus (ca 1660) and Salmacis Kissing Hermaphroditus in the Water (1660), and François-Joseph Navez, The Nymph Salmacis and Hermaphroditus (1829). -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Newsletter Contents 07-08
Newsletter No 28 Summer/Autumn 2008 He is currently working on a book on the nineteenth- From the Chair century travel photographer Baron Raimund von Stillfried. Welcome to the first of our new shorter-but- hopefully-more-frequent newsletters! The main casualty has been the listings section, which is no New SSAH Grant Scheme longer included. Apologies to those of you who found this useful but it takes absolutely ages to compile and As you’ll know from last issue, we recently launched a the information should all be readily available scheme offering research support grants from £50 to elsewhere. Otherwise you should still find the same £300 to assist with research costs and travel mix of SSAH news and general features – if you have expenses. We’re delighted to say that several any comments on the newsletter or would like to applications have already been received and so far we contribute to future issues, please let us know! have awarded five grants to researchers from around Now, let’s waste no more time and get on the world. Here we present the first two reports with the latest news… from grant recipients on how the money has been Matthew Jarron spent. Committee News Gabriel Montua, Humboldt-Universität Berlin, Germany As promised last issue, we present a profile of our newest committee member: The generous SSAH grant of £206.96 enabled me to cover my travel expanses to the Scottish National Luke Gartlan Gallery of Modern Art in Edinburgh, where I consulted item GMA A42/1/GKA008 from the Luke is a lecturer in the School of Art History at the Gabrielle Keiller Collection: letters exchanged University of St Andrews, where he currently teaches between Salvador Dalí and André Breton. -
Christina Rossetti
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com ChristinaRossetti MackenzieBell,HellenaTeresaMurray,JohnParkerAnderson,AgnesMilne the g1ft of Fred Newton Scott l'hl'lll'l'l'llllftlill MMM1IIIH1I Il'l'l lulling TVr-K^vr^ lit 34-3 y s ( CHRISTINA ROSSETTI J" by thtie s-ajmis atjthoe. SPRING'S IMMORTALITY: AND OTHER POEMS. Th1rd Ed1t1on, completing 1,500 copies. Cloth gilt, 3J. W. The Athen-cum.— ' Has an unquestionable charm of its own.' The Da1ly News.— 'Throughout a model of finished workmanship.' The Bookman.—' His verse leaves on us the impression that we have been in company with a poet.' CHARLES WHITEHEAD : A FORGOTTEN GENIUS. A MONOGRAPH, WITH EXTRACTS FROM WHITEHEAD'S WORKS. New Ed1t1on. With an Appreciation of Whitehead by Mr, Hall Ca1ne. Cloth, 3*. f»d. The T1mes. — * It is grange how men with a true touch of genius in them can sink out of recognition ; and this occurs very rapidly sometimes, as in the case of Charles Whitehead. Several works by this wr1ter ought not to be allowed to drop out of English literature. Mr. Mackenzie Bell's sketch may consequently be welcomed for reviving the interest in Whitehead.' The Globe.—' His monograph is carefully, neatly, and sympathetically built up.' The Pall Mall Magaz1ne.—' Mr. Mackenzie Bell's fascinating monograph.' — Mr. /. ZangwiU. PICTURES OF TRAVEL: AND OTHER POEMS. Second Thousand. Cloth, gilt top, 3*. 6d. The Queen has been graciously pleased to accept a copy of this work, and has, through her Secretary, Sir Arthur Bigge, conveyed her thanks to the Author. -
CSU IP Italy Virtual International Program FALL 2020
CSU IP Italy Virtual International Program FALL 2020 HCL 302 CLASSICAL MYTHOLOGY AND RELIGION Instructor: Prof. Beatrice Fabbri Email: [email protected] Class Schedule: Tuesday 10:30am - 11:30 am (Pacific Standard Time) Thursday: by appointment. Office Hours: Friday, 9:30am-10:30 am (Pacific Standard time) and by appointment Class Location: Online via Zoom “The love of wisdom begins in wonder” (Socrates) COURSE DESCRIPTION This course is designed to provide the students with a basic introduction to Classical Mythology. In this course, the students will read and study the main issues related to Gods/Goddesses, Heroes, Sagas in the Greek world. References to Etruscan, Roman, other Mediterranean Mythologies will be included as points of references. Enriched with the knowledge gleaned from the readings, students will be able to recognize and appreciate the many allusions and echoes from these myths in modern literature, painting, sculpture, music, dance and cinema. Some basic references to the historical background of Greek will enrich the comprehension and assimilation of the meaning of mythology in Western culture. The etymology itself of mythology recalls the exposition of "legendary lore, a telling of mythic legends; a legend, story, (from mythos "myth" + -logy "study). Actually, the Greek word mythos "speech, thought, story, myth, anything delivered by word of mouth," is of unknown origin. Greek Myths are stories about divine beings, generally arranged in a coherent system; they are revered as true and sacred. The etymology of Religion in the ancient world, refers to the latin root religio to be understood as an individual virtue of worship, never as doctrine, practice, or actual source of knowledge. -
The B-G News April 14, 1967
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-14-1967 The B-G News April 14, 1967 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The B-G News April 14, 1967" (1967). BG News (Student Newspaper). 2083. https://scholarworks.bgsu.edu/bg-news/2083 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Helwig, Brown Victorious Rick Helwig and Ashley Brown, Ively, In Wednesday's all* campus (Ind.), 139. 659 votes, Jean Schober (UP), Elected Sophomore Class Stu- both University Party candidates, elections. Keith Mabee (UP) was elected 517 votes, and Paul Buehrer (UP), dent Council representatives were were elected student body pres- Junior Class vice president. Mabee 557 votes. Other candidates for Sue Schaefer (UP), 744 votes, ident and vice president, respect- Helwig easily defeated T. David received 404 votes and his op- the office were Bob Alexander Wendy Whitlinger (UP), 635 votes Evans, an Independent candidate, ponents, Ken Mack (Ind.), John (CIP), 413 votes, Jim Ccffman and Joe Loomis (Ind.), 556 votes. by a 2,516 to 1,096 margin. Brown Pomeroy (CIH) and Charles Jack- (UP), 282 votes.JaneLowell(CIP), Other candidates for Sophomore had more trouble, edging out J eff son (Ind.), received 291, 275 and 236 votes and William Moes(Ind-), Class representative were Terry Wltjas of the Campus Interest 110 votes, respectively. -
GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
Algernon Charles Swinburne
W&M ScholarWorks Arts & Sciences Articles Arts and Sciences 2015 Algernon Charles Swinburne Terry L. Meyers College of William and Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/aspubs Part of the Literature in English, British Isles Commons Recommended Citation Meyers, Terry L., Algernon Charles Swinburne (2015). Wiley-Blackwell Encyclopedia of Victorian Literature. https://scholarworks.wm.edu/aspubs/610 This Article is brought to you for free and open access by the Arts and Sciences at W&M ScholarWorks. It has been accepted for inclusion in Arts & Sciences Articles by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. SWINBURNE, ALGERNON CHARLES 1613 War, the Boer War, and the suffrage Senf, Carol. A., ed. 1993. The Critical Response to movement, evidence that Stoker was thinking Bram Stoker. Westport, CT: Greenwood Press. about contemporary events and weaving Valente, Joseph. 2002. Dracula's Crypt: Bram these thoughts into his fiction. A definitive Stoker, Irishness, and the Question of Blood. Chicago: University of Illinois Press. study of his romances remains to be written. Warren, Louis S. 2002. "Buffalo Bill Meets Dracula: Stoker was a complex writer who saw evil in William F. Cody, Bram Stoker, and the Frontiers his world but who also hoped to alleviate that of Decaf' The American Historical Review 107: evil either through science and technology or 1124-57. through human relationships. He often wove romance into his darkest works and gothic horror into his romances, as well as references to politics and medicine into both. Swinburne, Algernon SEE ALSO: Gothic; Medicine; New Woman Charles fiction; Novel, historical; Vampires and TERRY L. -
'She Enclosed & Decorated This Hall on the Advice of John Ruskin': Pauline
‘She enclosed & decorated this hall on the advice of John Ruskin’: Pauline, Lady Trevelyan and the creation of Wallington Hall’s Central Hall Lucy West Introduction On 13 May 1866 in a quiet bedroom in Neuchâtel, Switzerland – far from her home of Wallington Hall, Northumberland – Pauline Jermyn Trevelyan (née Paulina Jermyn Jermyn; 1816-1866) (Fig. 1)* took her last breath. At her bedside were her husband, who was the eminent naturalist and geologist Sir Walter Calverley Trevelyan (1797-1879), and John Ruskin (1819-1900), their trusted travel companion who was ‘with her and Sir Walter to the last’.1 Ruskin had been a continual presence in Pauline’s life from their first meeting around 1843, becoming her drawing teacher from 1847 and whom she referred to as her ‘Master’.2 Their relationship was one characterized by mutual respect afforded by Pauline’s privileged aristocratic and intellectual status. Indeed, their correspondence even reveals a certain level of dependency on Ruskin’s part. He would frequently ask Pauline’s trusted advice on subjects such as the names of flowers, a gap in his knowledge of which Ruskin was conscious: ‘I am making some studies of plants for architectural purposes in which I again want some help from you for I have no one of whom I can ask the name of the commonest plants – or rather, I am ashamed to ask their names … ’.3 This article examines afresh how the intellectual and artistic association between Pauline and Ruskin affected the enclosing and decoration of the central hall (Fig. 2) at the Trevelyan residence of Wallington Hall. -
5352 List of Venues
tradername premisesaddress1 premisesaddress2 premisesaddress3 premisesaddress4 premisesaddressC premisesaddress5Wmhfilm Gilsland Village Hall Gilsland Village Hall Gilsland Brampton Cumbria CA8 7BH Films Capheaton Hall Capheaton Hall Capheaton Newcastle upon Tyne NE19 2AB Films Prudhoe Castle Prudhoe Castle Station Road Prudhoe Northumberland NE42 6NA Films Stonehaugh Social Club Stonehaugh Social Club Community Village Hall Kern Green Stonehaugh NE48 3DZ Films Duke Of Wellington Duke Of Wellington Newton Northumberland NE43 7UL Films Alnwick, Westfield Park Community Centre Westfield Park Park Road Longhoughton Northumberland NE66 3JH Films Charlie's Cashmere Golden Square Berwick-Upon-Tweed Northumberland TD15 1BG Films Roseden Restaurant Roseden Farm Wooperton Alnwick NE66 4XU Films Berwick upon Lowick Village Hall Main Street Lowick Tweed TD15 2UA Films Scremerston First School Scremerston First School Cheviot Terrace Scremerston Northumberland TD15 2RB Films Holy Island Village Hall Palace House 11 St Cuthberts Square Holy Island Northumberland TD15 2SW Films Wooler Golf Club Dod Law Doddington Wooler NE71 6AW Films Riverside Club Riverside Caravan Park Brewery Road Wooler NE71 6QG Films Angel Inn Angel Inn 4 High Street Wooler Northumberland NE71 6BY Films Belford Community Club Memorial Hall West Street Belford NE70 7QE Films Berwick Holiday Centre - Show Bar & Aqua Bar Magdalene Fields Berwick-Upon-Tweed TD14 1NE Films Berwick Holiday Centre - Show Bar & Aqua Bar Berwick Holiday Centre Magdalen Fields Berwick-Upon-Tweed Northumberland -
Student Union Building Annual Report 1984-1985
S86L-V86L l~Od3~ lVnNNV !i8-t86l NOINO 1N30R1S/S3111Ail~V 1N3001S A1ISH3AINO 31V1S 3SI08 1H0d3H 1VONNV TABLE OF CONTENTS PAGE I. Introduction .......... 1 II. Student Union Board of Governors .. 2 III. Student Activities ..... 5 Orientation - Welcome Week .. 6 Student Union Electronic Message Board .. - - - - - - - - - - - • 8 Improving Clubs' and Organizations• Promotional Opportunities . 9 Student Organizations . 13 College Bowl 16 Art Exhibits .. 19 Travel Activities 24 Interfraternity Council/Intergreek Council 27 Sororities/Panhellenic Council .. 29 Support Services to Associated Students of Boise State University . 31 Student Programs Board . • • • • • 32 ASBSU Judiciary . 41 ASBSU Election Board •.. 46 Special Programs and Services 54 Campus Network • 55 Bronco Boot Runs . • . • • • • • • 57 Red Cross Blood Drive 58 National Student Exchange 60 IV. Student Union Operations/Scheduling • • • . 63 V. Recreation Center ...•. 70 VI. Outdoor Activities Center 86 VII. Outdoor Rental Center ... 91 ~ INTRODUCTION The current aims of the college union have grown out of the widely held view among educators that what the college student does educationally in the hours outside the classroom is of major importance and that the social-cultural programs for the student body at the union can give a new dimension to education - vastly expanding the opportunities and the means through which the college educates. At the Boise State University Student Union, we are committed to enhancing the students• educational experience by providing services, activities, and avenues through which the student can further educational p~rsuits. Students have the opportunity to interact with fellow students, faculty, and staff and do so in an informal atmosphere. Students can also broaden their cultural experiences, pursue recreational interests, and gain a feeling of being a part of the university community. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.