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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Two-Division World Champion Michael Spinks Confirmed for Sixth Annual Box Fan Expo, During Cinco De Mayo Weekend, Saturday May 2, in Las Vegas
Two-Division World Champion Michael Spinks Confirmed for Sixth Annual Box Fan Expo, During Cinco de Mayo Weekend, Saturday May 2, in Las Vegas Las Vegas (February 20, 2020) – Two-division world champion Michael Spinks has confirmed that he will appear at the sixth annual Box Fan Expo on Saturday, May 2, 2020, at the Cox Pavilion in Las Vegas from 10 a.m. to 5 p.m. Spinks will hold a Meet & Greet with his fans at his booth during the fan event held over the Cinco De Mayo weekend. The Box Fan Expo is an annual fan event that coincides with some of the sports’ legendary, classic fights in Las Vegas, including Mayweather vs. Maidana II, Mayweather vs. Berto, Canelo vs. Chavez Jr., Canelo vs. GGG II, and Canelo vs. Jacobs. Centered in boxing’s longtime home – Las Vegas – this year’s Expo is a must-do for fight fans coming in for this legendary weekend, with dozens of professional fighters, promoters, and companies involved in the boxing industry. The Expo is the largest and only Boxing Fan Expo held in the United States. http://boxfanexpo.com- @BoxFanExpo Tickets to the Box Fan Expo are available online at: https://bitly.com/BoxingExpo2020 Spinks will make his second appearance at this years’ Expo and will be signing gloves, photos, personal items and memorabilia. Spinks will also have merchandise on sale at his booth, and fans will also have an opportunity to take pictures with this boxing legend also known as “Jinx.” About Michael Spinks Spinks is a two-division world champion, having held the undisputed light heavyweight title from 1983 to 1985, and the lineal heavyweight title from 1985 to 1988. -
Atlantic City Boxing Hall of Fame Inaugural Induction Weekend Photos from Kick Off Meet and Greet
Atlantic City Boxing Hall of Fame Inaugural Induction Weekend Photos from Kick Off Meet and Greet WHO: The Atlantic City Boxing Hall of Fame (ACBHOF) WHAT: The Atlantic City Boxing Hall of Fame will enshrine 24 Charter Class members. Confirmed to attend Honorees: Mike Tyson, Michael Spinks, Don King, Larry Hazzard, Dwight Muhammad Qawi, J Russell Peltz, Frank Gelb, Mike Rossman, Bill Johnson, Steve Smoger, Dave Bontempo, Don Elbaum, Bob Lee and Ken Condon. The Atlantic City Boxing Hall of Fame will celebrate and remember the legacy of Lou Duva, Arturo “Thunder” Gatti, Matthew Saad Muhammad as well as hometown hero Leavander Johnson for their extraordinary careers spanning seven decades. Special Guests *Ray Mercer (BULLYING…We’re Kickin’ It Spokesperson) *Mark Breland *Iran Barkley *Milton Luban *Tracy Patterson *John Scully Non Fighters *Don Guardian, Mayor of Atlantic City *Rodney Jerkins, multi Grammy-award winner *Suzette Charles, former Miss America *Sophia Gatti, daughter of Arturo Gatti *Pat Lynch, renowned Boxing Manager *Lillo Brancato, Actor *Grandy Twins *Vincenzo Vaccaro: Cake King of Queens *Atlantic City Police Athletic League *Aaron Snowell, co-organizer the Jack Johnson Exhibit *BULLYING…We’re Kickin’ It *The Legacy Exists Joe Frazier Scholarship Fund *Joseph Nicolosi, Artist known for his signature Pop Art portraits *James O’Neal, Wood Sculpture Artist WHERE: The Claridge – A Radisson Hotel, 123 South Indiana Avenue, Atlantic City, NJ 08401 Friday, May 26th, Sunday May 27th and Sunday, May 28th May 27th Press Check-in 9:15A | in the Conference Center | Fight Fan Experience 10A – 4P May 27th Press Check-in 5:15P | Red Carpet Arrivals 6:00P | in the Art Gallery | Honoree Gala 7P – 11P May 28th Press Check-in 4:00P | Red Carpet Arrivals 4:30P | in the Conference Center | Inaugural Induction Ceremony | Time: 6P – 9P Post ceremony interviews and photo ops available as well. -
N.J. Boxing Hall of Fame Newsletter March 2017
The New Jersey Boxing Hall of Fame Newsletter Volume 22 Issue 3 E-Mail Address: [email protected] March 2017 NEXT MEETING DATE - PRESIDENT - HENRY HASCUP 59 KIPP AVE, LODI, N.J. 07644 (1-973-471-2458) Posthumous participants being inducted are Thursday, Queens’ former middleweight and light Officials (Commission, Judges, Doctors heavyweight world champion Dick Tiger and Referees): Dr. Frank Doggett, Larry March 30th (60-19-3, 27 KOs), Brooklyn/Manhattan Hazzard Sr., Steve Smoger light heavyeight world champion Jose “Chegui” Torres (41-3-1, 29 KOs), and Media (Writers, Photographers, Artists, * The next meeting for the New Jersey Digital, Historians): Dave Bontempo, Jack Williamsburg middleweight world Boxing Hall of Fame will be on "KO JO" Obermayer, Bert Sugar champion “The Nonpareil”, Jack Thursday, March 30th, at the Faith Dempsey (51-4-11, 23 KOs). Reformed Church located at 95 Special Contributors: Ken Condon, Washington St. in Lodi, N.J. which is Non-participants heading into the Dennis Gomes, Bob Lee right at the corner of Washington and NYSBHOF are Queens’ International agent Prospect St., starting at 8:00 P.M. Don Majeski, Long Island matchmaker www.ACBHOF.com and through social Ron Katz, Manhattan manager Stan media (@ACBHOF on * At this meeting we will be announcing Hoffman and past Ring 8 Facebook/Instagram/Twitter). the 2017 Hall of Famers. president/NYSAC judge Bobby Bartels. * New Jersey Golden Glove Tournament * Our next Induction ceremonies will Posthumous non-participant inductees are March 25th - True Warriors Boxing be on Thursday, November 9th at Brooklyn boxing historian Hank Kaplan, Gym - 85 5th Ave Paterson @ 7:30 PM the Venetian in Garfield. -
JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234
JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234 Intro: | | | | | Just one look and I fell so hard, in love with you, oh-oh, oh-oh. I found out, how good it feels, to have your love, oh-oh, oh-oh. Say you will, will be mine, for-ever and al-ways, oh-oh, oh-oh. Just one look, and I knew, that you were my only one, oh oh-oh oh. I thought I was dreamin', but I was wrong, yeah, yeah, yeah. Oh, but-a, I'm gonna keep on schemin', till I can make you, make you my own. So you see, I really care, with-out you I'm nothin', oh-oh, oh-oh. Just one look and I know, I'll get you some-day, oh-oh, oh-oh. Just one look, that's all it took, just one look, that's all it took. Just one look, that's all it took for me! JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234 Intro: | A | D | A | E7 | A F#m D E7 Just one look and I fell so hard, in love with you, oh-oh, oh-oh. A F#m D E7 I found out, how good it feels, to have your love, oh-oh, oh-oh. A F#m D E7 Say you will, will be mine, for-ever and al-ways, oh-oh, oh-oh. A F#m D E7 A A7 Just one look, and I knew, that you were my only one, oh oh-oh oh. -
Check out 8 Songs Musical Artists Have
Search TRAILBLAZERS IN MUSIC: CHECK OUT SONGS MUSICAL ARTISTS HAVE SAMPLED FROM WOMEN OF MOTOWN By Brianna Rhodes Photo: Classic Motown - Advertisement - The Sound Of Young America wouldn’t be known for what it is today without the trailblazing Women of Motown. Throughout its 60-year existence, Motown Records made an impact on the world thanks to music genius and founder, Berry Gordy. It's important to note though, that the African- American owned label wouldn’t have reached so many monumental milestones without The Supremes, Martha Reeves & The Vandellas, Mary Wells, The Marvelettes, Tammi Terrell and Gladys Knight. The success of these talented women proved that women voices needed to be heard through radio airwaves everywhere. As a kid, you were probably singing melodies created by these women around the house with family members or even performing the songs in your school’s talent show, not even realizing how much of an impact these women made on Black culture and Black music. This is why it’s important to acknowledge these women during the celebration of the label’s 60th anniversary. The legendary reign of the Women of Motown began back in 1960, with then 17-year-old musical artist Mary Wells with her debut single, “Bye Bye Baby.” Wells, who wrote the song herself, helped Motown attain its first Top 10 R&B hit ever. Wells continued to make history with her chart-topping single, “My Guy” becoming Motown’s fourth No. 1 hit on the Billboard Hot 100 and the company’s first major U.K. single. -
Motown the Musical
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The Cold Wars Impact on the Evolution of Training Theory In
Iron Game History Volume 7 Numbers2&3 THE COLD WAR’S IMPACT ON THE EVOLUTION OF TRAINING THEORY IN BOXING Nicholas Bourne, Jan Todd, & Terry Todd After World War II the Soviet Union was left as ing the Strength of the Punch” that appeared in the Jan- the sole military and political force capable of matching uary 1986 National Strength and Conditioning Associa- the United States. A forty-six year Cold War then ensued tion Journal. The authors used tensiometric dynamome- between the United States and the Soviet Union in the ters and observation to discover that the use of the legs battle for global power and ideological supremacy. The when pushing off was responsible for producing 38.46% Cold War was fought on many fronts, including the (the greatest percentage) of the power of the punch. sporting arena. The former Soviet Union was highly Trunk rotation was second greatest at 37.42% followed successful in its pursuit of sporting dominance. During by arm extension at 24.12%.2 Filiminov’s research con- the Cold War era, in fact, the Soviet Union was by far the firmed the importance of the legs in the transfer of force most successful nation in the Olympic “team” competi- from the ground, through the trunk to the arm. Anyone tion. The success of the “Big Red Machine” has been not convinced of the effects of ground reaction force attributed to a number of factors, but the most significant should try jumping up in the air and throwing a ball to was the allocation of enormous financial and scientific see how far it goes. -
The Great Gig in the Sky
ABOUT THE GREAT GIG IN THE SKY “The Great Gig in the Sky” is the fifth track on The Dark Side of the Moon, the 1973 album by the English rock band Pink Floyd. It features vocals by Clare Torry. The song talks to the pressure of mortality on life, with the “Great Gig in the Sky” being a reference to heaven or an afterlife What have the artists said about the song? Almost everyone involved in this song with the exception of drummer Nick Mason has commented about the production, offering different inputs and insights about how the song was created. Great Gig in the Sky? It was just me playing in the studio, playing some chords, and probably Dave or Roger saying “Hmm… that sounds nice. Maybe we could use that for this part of the album.” And then, me going away and trying to develop it. So then I wrote the music for that, and then there was a middle bit, with Clare Torry singing, that fantastic voice. We wanted something for that bit, and she came in and sang on it. Richard Wright, taken from 1984 interview with Charlie Kendall It was something that Rick had already written. It’s a great chord sequence. “The Great Gig in the Sky” and the piano part on “Us and Them,” in my view, are the best things that Rick did – they’re both really beautiful. And Alan [Parsons] suggested Clare Torry. I’ve no idea whose idea it was to have someone wailing on it. Clare came into the studio one day, and we said, “There’s no lyrics. -
The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music. -
US Apple LP Releases
Apple by the Numbers U.S. album releases From the collection of Andre Gardner of NY, NY SWBO‐101 The Beatles The Beatles Released: 22 Nov. 1968 (nicknamed "The White Album") In stark contrast to the cover to Sgt. Pepper's LHCB, the cover to this two record set was plain white, with writing only on the spine and in the upper right hand corner of the back cover (indicating that the album was in stereo). This was the first Beatles US album release which was not available in mono. The mono mix, available in the UK, Australia, and several other countries, sounds quite different from the stereo mix. The album title was embossed on the front cover. Inserts included a poster and four glossy pictures (one of each Beatle). The pictures were smaller in size than those issued with the UK album. A tissue paper separator was placed between the pictures and the record. Finally, as in every EMI country, the albums were numbered. In the USA, approximately 3,200,000 copies of the album were numbered. These albums were numbered at the different Capitol factories, and there are differences in the precise nature of the stamping used on the covers. Allegedly, twelve copies with east‐coast covers were made that number "A 0000001". SI = 2 ST 3350 Wonderwall Music George Harrison Released: 03 Dec. 1968 issued with an insert bearing a large Apple on one side. Normal Copy: SI = 2 "Left opening" US copy or copy with Capitol logo: SI = 7 T‐5001 Two Virgins John Lennon & Yoko Ono Released: January, 1969 (a.k.a. -
On John Lennon's Music
“She Said She Said” – The Influence of "Feminine Voices" on John Lennon’s Music (1) John Lennon’s songs show the recurrent influence of female voices, and this can be shown by musicological comparisons of Lennon compositions with earlier songs sung by women, which he was familiar with. Some of these resemblances have already been pointed out; others are discussed here for the first time. Although these influences featured throughout Lennon’s work, we will focus on the early Beatles (1958-1963), and how specific songs, mostly US R&B, influenced Lennon’s songwriting (he wrote in partnership with Paul McCartney, but it is possible to establish the balance of their contributions by reference to secondary literature, eg Miles 1997, Sheff and Golson 1982, MacDonald 2005). (2) In the period 1958-1963 the Beatles developed from a covers band into the most famous popular music group in the world. The group were constantly listening for new material (they had a huge repertoire of covers), and were absorbing and experimenting with different musical styles in response to increasingly feminised audiences. They initially saw their songwriting as addressing a primarily female audience (Lewisohn 2013). Moreover, almost all the works featuring woman’s voices identified in Lennon’s work come from this period. (3) Lennon, by most accounts, was the “macho” Beatle and was occasionally violent towards women, so it seems surprising that he led the way in covering and borrowing from songs sung by women, most particularly, early 60s US girl-groups such as The Shirelles, the Marvelettes and The Cookies. (4) Most accounts of the Beatles' influences emphasise male artists such as Elvis Presley, Little Richard, Buddy Holly and Chuck Berry (Dafydd, Crampton 1996, 4; Gould 2007, 58–68).