Evidence for Complex Contagion Models of Social Contagion from Observational Data
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April 2016 Vol Xix Issue Xi • Syracuse New York Your Student Fee Get Lit
APRIL 2016 VOL XIX ISSUE XI • SYRACUSE NEW YORK YOUR STUDENT FEE GET LIT. jerkmagazine.net ISH GUITARS 10 JERK THIS What you should hit 59 ALTRUIST up and bitch about Kanye West this month. 60 AMPLIFIED 11 21+/- Grayak Bhang 61 SYNAPSE 13 TOTALLY New Americana UNSCIENTIFIC POLL Dating BACK OF BOOK 14 SEX Mrs. Robinson 62 DISCOVERSYR Harriet Tubman 22 FRAMED House Breasts1 SMUT FEATURES 64 SPEAKEASY Poster Child 30 Come Together BITCH OPINIONS Volunteers for 65 OBITCHUARY CONTENTS APRIL 2016 Believe in Syracuse Man Bun 20 Whitewashed are ushering in a new This takes era of revitalization 66 CLOSET CASE #OscarsSoWhite to a and appreciation for It's not stealing if you whole new level. the city. don't remember. High Society 24 7 EDITOR'S LETTER 8 FEEDBACK 16 Call of Duty Medical marijuana dispensaries are opening all 34 Finely Tuned 67 FORM AND 9 PEEPS Women should be Ish Guitars is FUNCTION over New York state. But getting your hands on 12 CLICKBATE required to register bringing rock and How to Dress Like that medicinal green isn't as easy as you'd think. for the draft. roll to Armory Square. You Work for The Government regulations are clashing with the Daily Orange 18 Checking Up proponents of this plant-based relief. It’s been a year GAWK FASHION since the Counseling The Case of the Collegiate Cat Center replaced the 46 Faux Pas(s) Burglar 38 Advocacy Center. Unstylish nays to We’re following up on fashion-forward yays. At Jerk, we're always pushing the envelope. -
FCJ-156 Hacking the Social: Internet Memes, Identity Antagonism, and the Logic of Lulz
The Fibreculture Journal issn: 1449-1443 DIGITAL MEDIA + NETWORKS + TRANSDISCIPLINARY CRITIQUE issue 22 2013: Trolls and the Negative Space of the Internet FCJ-156 Hacking the Social: Internet Memes, Identity Antagonism, and the Logic of Lulz Ryan M. Milner College of Charleston Abstract: 4chan and reddit are participatory media collectives undergirded by a “logic of lulz” that favours distanced irony and critique. It often works at the expense of core identity categories like race and gender. However, the logic need not be entirely counterproductive to public discourse. Provided that diverse identities find voice instead of exclusion, these sites may facilitate vibrant, agonistic discussion instead of disenfranchising antagonism. In order to assess this potential for productive agonism, I undertook a critical discourse analysis of these collectives. Emphasising the image memes they produce, I evaluated discourses on race and gender. Both race and gender representations were dominated by familiar stereotypes and partial representations. However, while dissenting perspectives on race were repressed or excluded, dissenting perspectives on gender were vocalised and contested. The ‘logic of lulz’ facilitated both dominance and counter, each articulated with heavy reliance on irony and critique. This logic ambiguously balanced agonism and antagonism, but contestation provided sharper engagement than repression. 62 FCJ-156 fibreculturejournal.org Ryan M. Milner ‘A troll exploits social dynamics like computer hackers exploit security loop- holes…’ (Adrian Chen, 2012 October 12) In October 2012, reddit – a popular link aggregation service and public discussion forum – was embroiled in a prominent controversy. Adrian Chen, a journalist for the news site Gawker, had just revealed the ‘offline’ identity of Violentacrez, one of reddit’s ‘most reviled characters but also one if its most beloved users’ (Chen, 2012 October 12). -
Racist Nationalism on R/Imgoingtohellforthis
Politically incorrect participatory media: Racist nationalism on r/ImGoingToHellForThis Abstract This article examines how racism and nationalism flourish in participatory media spaces by analyzing user comments and images posted on the reddit community r/ImGoingToHellForThis in the week following widespread news coverage of the photograph of Alan Kurdi, a Syrian boy whose dead body was photographed on a beach in Turkey. The community is dominated by racist nationalist discourse that combines textual commentary with photographs and other visual media that have been remediated into offensive visual jokes, which “cloak” the racism. Through an in-depth study of user-submitted comments and visual jokes, this article argues that the “cloaks” that obscure online racism can be at once highly obvious and highly effective. Rather than unmasking obscured racist online ideologies, scholars must also examine how racism flourishes while hiding in plain sight by tracing how racist discourses assemble in participatory media communities. Keywords Discourse, free speech, humor, multimodality, nationalism, participatory media, political correctness, race, refugees, visual media Although the utopian proclamations of the 1990s have long faded from fashion, scholars continue to find the potential for new forms of democratization and empowerment online, particularly on social media spaces that promote participatory media practices. However, participatory media are often breeding grounds for nefarious politics, including the virulent misogyny associated with #GamerGate (Chess and Shaw, 2015; Massanari, 2014, 2015a). Participatory media can also foster outrage, anger, and incivility in newspaper comment sections, YouTube videos, and partisan Facebook pages (Ben-David and Matamoros-Fernández, 2016; Carpentier, 2014; Sobieraj and Berry, 2011; Wright and Street, 2007). -
Memes in Digital Culture by Limor Shifman
UvA-DARE (Digital Academic Repository) Book review: Memes in Digital Culture by Limor Shifman Lecheler, S. Publication date 2014 Document Version Final published version Link to publication Citation for published version (APA): Lecheler, S. (Author). (2014). Book review: Memes in Digital Culture by Limor Shifman. Web publication/site, LSE. http://blogs.lse.ac.uk/lsereviewofbooks/2014/01/18/book-review- memes-in-digital-culture-by-limor-shifman/ General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 Book Review: Memes in Digital Culture by Limor Shifman | LSE Review of Books About Latest reviews Events Bookshop Guides Reading Lists Podcasts explore the latest social science -
Parody Accounts in Topical Discussions on Twitter Tim
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queensland University of Technology ePrints Archive News via Voldemort: Parody accounts in topical discussions on Twitter Tim Highfield Queensland University of Technology Corresponding author: Tim Highfield, Queensland University of Technology, GPO Box 2434, Brisbane, QLD 4001, Australia. Email: [email protected] Bio: Tim Highfield is Vice-Chancellor’s Research Fellow in Digital Media at Queensland University of Technology, Brisbane, Australia. His fellowship project is ‘Visual Cultures of Social Media’, building on his prior research into social media, politics, popular culture, and playful practices. His first book, Social Media and Everyday Politics, is due for publication in late 2015. For more details, see http://timhighfield.net or @timhighfield on Twitter. Abstract Parody accounts are prevalent on Twitter, offering irreverent interpretations of public figures, fictional characters, and more. These accounts post comments framed within the context of their fictional universes or stereotypes of their subjects, responding in-character to topical events. This article positions parody accounts as a ritualised social media practice, an extension of fan practices and irreverent internet culture. By providing a typology of parody accounts and analysing the topicality of selected parody accounts’ tweets, the research examines how these accounts contribute to topical discussions. In-character framing of topical comments allows parody accounts to offer original interpretations of breaking news 1 that receive more attention than their other tweets. The presence and longevity of parody accounts underlines the importance of humour on social media, including within news and topical coverage. -
Race to Post: White Hegemonic Capitalism and Black Empowerment in 21St Century Black Popular Culture and Literature Regina N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Race to Post: White Hegemonic Capitalism and Black Empowerment in 21st Century Black Popular Culture and Literature Regina N. Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES RACE TO POST: WHITE HEGEMONIC CAPITALISM AND BLACK EMPOWERMENT IN 21ST CENTURY BLACK POPULAR CULTURE AND LITERATURE By REGINA N. BRADLEY A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2013 Regina N. Bradley defended this dissertation on May 14, 2013. The members of the supervisory committee were: David Ikard Professor Directing Dissertation Maxine Jones University Representative Maxine Montgomery Committee Member Leigh Edwards Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii Dedicated to Eugene and Sara Barnett. Paw Paw and Nana Boo, “here me.” iii ACKNOWLEDGEMENTS I would like to begin my acknowledgements by shouting out my dissertation director David Ikard. Dr. Ikard, I had no idea what I was in for when I knocked on your office door back in 2008. What an incredible journey! You helped me step my game up and transition from a graduate student to a scholar. Thank you for investing your time, your red ink, and your support into my project. The gangstallect is real! Many thanks to Maxine Montgomery, Maxine Jones, and Leigh Edwards for their time and insight at various stages of this dissertation. -
News Via Voldemort: Parody Accounts in Topical Discussions on Twitter
News via Voldemort: Parody accounts in topical discussions on Twitter Tim Highfield Queensland University of Technology Corresponding author: Tim Highfield, Queensland University of Technology, GPO Box 2434, Brisbane, QLD 4001, Australia. Email: [email protected] Bio: Tim Highfield is Vice-Chancellor’s Research Fellow in Digital Media at Queensland University of Technology, Brisbane, Australia. His fellowship project is ‘Visual Cultures of Social Media’, building on his prior research into social media, politics, popular culture, and playful practices. His first book, Social Media and Everyday Politics, is due for publication in late 2015. For more details, see http://timhighfield.net or @timhighfield on Twitter. Abstract Parody accounts are prevalent on Twitter, offering irreverent interpretations of public figures, fictional characters, and more. These accounts post comments framed within the context of their fictional universes or stereotypes of their subjects, responding in-character to topical events. This article positions parody accounts as a ritualised social media practice, an extension of fan practices and irreverent internet culture. By providing a typology of parody accounts and analysing the topicality of selected parody accounts’ tweets, the research examines how these accounts contribute to topical discussions. In-character framing of topical comments allows parody accounts to offer original interpretations of breaking news 1 that receive more attention than their other tweets. The presence and longevity of parody accounts underlines the importance of humour on social media, including within news and topical coverage. Keywords Social media, Twitter, parody, fandom, rituals, play, tropes, humour, irreverence, news and commentary Word count: 8156 words including all tables, notes, and references. -
Tom Green .Docx
Tom Green Transcript Tom: So it’s the first time I’ve been in a school in a while so, it’s scary being in a school but thanks for having me come out and talk to you guys. Host: You’re welcome Tom. Just by way of introduction although I don’t think there’s anybody here. Is this on? Yep. Although I don’t think there’s anybody here who doesn’t know who Tom Green is, but just to set this up we’re here at Humber College at The Humber College School of Comedy and we’re talking to Tom Green who's our special guest. We talk a lot in the program, we talk a lot about the spirit of innovation, so let’s just see the kind of innovation we’re talking about I think is encapsulated by the gentleman who’s sitting here with me. Think about this, reality TV, I think he got there before just about anybody, shock comedy, got there just about before anybody, prank comedy, got there just about before anybody, comedy on the internet, got there before just about anybody, the fusion of rap music and comedy, got there just about before anybody. A pretty impressive life and a pretty impressive comedy resume. Tom Green. Tom: Wow! Thank you, Mark. Thanks. Clapping Host: Andrew, why don’t you ask, throw out the first question? Andrew: Well, I’m going to start. You’re from Ottawa, I’m from Ottawa and I went back over some old articles we’d done and found your grade seven report card. -
STORM Report Is a Compilation of Up-And-Coming Bands and This Issue of the STORM Report Explores the Artists Who Are Worth Watching
Artist and Brand Partnerships Grace Vanderwaal Luke Combs Whethan MUNA Youngr and more THE STORM ISSUE NO. 43 REPORT MARCH 2017 TABLE OF CONTENTS 4 EYE OF THE STORM From Selling Out to Celebrated: Artist and Brand Partnerships 5 STORM TRACKER Purity Ring, Selena Gomez, and London Grammar 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Lil' Yachty. Photo provided by Publicist ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and This issue of The STORM Report explores the artists who are worth watching. Only those showing the most evolution of artist and brand partnerships. promising potential for future commercial success make it onto our From avoiding the stigma of “selling out” monthly list. to acting as creative collaborators, artists have evolved their role in the artist/brand How do we know? relationship significantly over the past decade. Through correspondence with industry insiders and our own ravenous media consumption, we spend our month gathering names of artists Featured on the cover this month is emerging who are “bubbling under”. We then extensively vet this information, Hip Hop artist Lil’ Yachty, who has had brand analyzing an artist’s print & digital media coverage, social media partnerships for as long as he has had a growth, sales chart statistics, and various other checks and balances to career in music. -
Understanding the Intent and Prevalence of Political Online Memes
POLITICAL THEMES IN POLITICAL MEMES: UNDERSTANDING THE INTENT AND PREVALENCE OF POLITICAL ONLINE MEMES Julia Nuckols Master’s thesis Sociology Faculty of Humanities and Social Sciences Spring 2018 University of Jyväskylä JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistis-yhteiskuntatieteellinen tiedekunta Yhteiskuntatieteiden ja filosofian laitos Tekijä – Author Julia Anneli-Abigail Nuckols Työn nimi – Title POLITICAL THEMES IN POLITICAL MEMES: UNDERSTANDING THE INTENT AND PREVALENCE OF POLITICAL ONLINE MEMES Oppiaine – Subject Työn laji – Level Sosiologia Pro Gradu-tutkielma Aika – Month and year Sivumäärä – Number of pages 05/2019 98 Tiivistelmä – Abstract Online memes have become an intricate part of political participation in the online world, whether it involves voicing one’s opinions or attempting to influence other users, memes offer a plethora of information in a small compact form. This paper takes on the case of the 2016 United States of America presidential elections including the surrounding timeline, examining the memes present in online discussions in relation to the elections and the candidates affiliated. Memes as a new social phenomenon alone is a fascinating topic, but it was particularly engrossing to examine the presence of memes in modern day political discourse and the symbiotic nature they inherit amongst online users, the media and politicians themselves. This dissertation aims to answer the following questions; 1) in what volumes have political memes been produced and shared in this particular case study and 2) what political rhetoric do they exhibit (political values, critique, awareness etc.), utilizing famous classical theories in a modern context such as Durkheim’s ritual theory as well as Cooley and Mead’s theory on symbolic interactionism, as well as modern day theories such as the theory of Participatory culture by Henry Jenkins. -
Politically Incorrect Participatory Media: Racist Nationalism on R/Imgoingtohellforthis
Politically incorrect participatory media: racist nationalism on r/ImGoingToHellForThis Article (Accepted Version) Topinka, Robert J (2018) Politically incorrect participatory media: racist nationalism on r/ImGoingToHellForThis. New Media & Society, 20 (5). pp. 2050-2069. ISSN 1461-4448 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/69422/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Politically incorrect participatory media: Racist nationalism on r/ImGoingToHellForThis Abstract This article examines how racism and nationalism flourish in participatory media spaces by analyzing user comments and images posted on the reddit community r/ImGoingToHellForThis in the week following widespread news coverage of the photograph of Alan Kurdi, a Syrian boy whose dead body was photographed on a beach in Turkey. -
Universidade Federal Da Bahia Instituto De Letras
UNIVERSIDADE FEDERAL DA BAHIA INSTITUTO DE LETRAS ALEXANDRE CÉSAR RODRIGUES PUNCHLINES IN NORTH-AMERICAN RAP MUSIC Salvador 2014 ALEXANDRE CÉSAR RODRIGUES PUNCHLINES IN NORTH-AMERICAN RAP MUSIC Trabalho de Conclusão de Curso apresentado ao Instituto de Letras da Universidade Federal da Bahia, como requisito para a obtenção do grau de bacharel em Letras. Orientação: Profa. Dra. Denise Carrascosa Salvador 2014 ABSTRACT The objective of this writing is that of contextualizing, defining and analyzing punchlines in North-American rap music, as well as making clear what their importance is. To do so, first, a selection of important moments to the emergence of hip-hop and then, second, rap music have been selected to help in a better comprehension of the information contained within the punchlines here analyzed and also to give punchlines a sense of context, for they are strongly connected to the culture in which they gained form. Next, a selection of rappers is made, in terms of reducing the enormous quantity of punchlines that there are to a size that is possible to be analyzed at the same time of providing a variety concerning the types of punchline that there are. Lastly, and more importantly, a definition of the moment and environment in which punchlines were created is made, followed by a definition of what punchlines are, what leads them to the analysis per se of punchlines and their division into categories, categories which are defined by the way punchlines are constructed. Keywords: Punchlines. Rap music. United States. North-America. Hip-Hop. CONTENT 1 FIRST WORDS ........................................................................................................... 1 1.1 INTRODUCTION ..............................................................................................................