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The IQ Camera System
The IQ camera system Unlimited creativity at your fingertips “I am amazed by the image quality I’ve gotten ‘out of the box’ with the Phase One IQ180 on the Phase One 645DF camera. I can create images with more detail and unique looks than with any other camera out there. It helps me develop styles unique to me,” Jens Honoré, lifestyle photographer. World leading image quality Realize your vision. The IQ180 digital back is the world’s most powerful commercial photographic capture device. With up to 80 megapixels resolution, 12.5 f-stops extreme dynamic range and Capture One, the world’s leading RAW converter, it delivers superior image quality for the world’s leading photographers. © Jens Honoré Touch the future With the launch of the IQ series digital backs, Phase One has stepped into the future of medium format photography. Every component in this new line of digital backs is new or has been redesigned compared with previous generations digital backs. The result is a digital camera back, which sets the industry standard with the highest resolution image sensor, the highest dynamic range, the first camera featuring a USB3 connection, a big 3.2” high resolution touch screen and much more…. The new IQ series digital backs offer up to 80 megapixels resolution The IQ series digital backs supports your photography in a variety of work captured in full-frame 645 format. With it you can capture images of conditions. You can capture your images with 80 megapixels resolution stunning quality with extreme detail reproduction. The high resolution or you can use the Sensor+ technology and go for a faster workflow, cap- You can familiarize yourself with the IQ digital back gives you maximum versatility with your images, ensuring high quality turing images with up to 20 megapixels resolution at 4 times higher ISO over the next pages and book a personal product and usage, even when you work with cropped images. -
Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
645AFD Instruction Manual Companion for Digital Photography
Mamiya 645 AFD Instruction Manual Companion for Digital Photography Mamiya 645 AFD Instruction Manual Companion for Digital Photography Congratulations on your purchase of the Mamiya 645AFD. To make the transition from film to digital easier, we are including this digital companion that explains all of the new indicators you will see on the LCDs of your Mamiya 645AFD. Please read the owner’s manual before reading this companion. Because the Mamiya 645AFD was made to communicate with digital camera backs, these indicators will inform you of the status of the communications between your Mamiya 645AFD and digital camera back. If you do not have a digital back, these indicators will not appear and you do not have to read any further. There are three basic modes that your Mamiya 645 AFD goes through when taking a digital image. First is the Normal or pre-capture mode. The camera is in this mode before the shutter is released. While in this mode the camera virtually acts as if there were a film magazine attached. Shutter speeds and apertures are displayed on the internal and external LCD displays. The second mode is after the shutter release button has been pressed. This is the Capture mode. At this time the Mamiya 645 AFD will start to act very differently when a digital back is attached. There is a whole new set of indicators that will be displayed on the LCD displays of the camera. The After Capture mode is the third and final mode. Again, in this mode there are new indicators that will appear on the camera’s LCD displays. -
User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S
User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S Introduction 3 5 MENU—ISO, White balance, Media, Browse 31 1 General overview 6 Menu system overview 31 Parts, components and control panel 8 Navigating the menu system 31 Initial setup 10 Language choice 33 Shooting and storage modes 11 ISO 33 White balance 34 2 Initial General Settings 14 Media 34 Overview of menu structure 15 Browse 35 Setting the menu language 17 6 MENU—Storage 36 Delete 37 3 Storage overview – Format 42 working with media and batches 18 Copy 42 Batc hes 18 Batch 43 Navigating media and batches 18 Default Approval Level 44 Creating new batches 20 Using Instant Approval Architecture 21 7 MENU—Settings 45 Reading and changing approval status 22 User Interface 46 Browsing by approval status 22 Camera 48 Deleting by approval status 23 Capture sequence 50 Connectivity 51 4 Overview of viewing, deleting Setting exposure time/sequence 54 and copying images 24 Miscellaneous 56 Basic image browsing 24 About 57 Choosing the current batch 24 Default 58 Browsing by approval status 24 Zooming in and out 24 8 Multishot 59 Zooming in for more detail 25 Thumbnail views 25 General 59 Preview modes 26 Histogram 27 9 Flash/Strobe 60 Underexposure 27 General 60 Even exposure 27 TTL 60 Overexposure 27 Full-details 27 10 Cleaning 61 Battery saver mode 28 Full-screen mode 28 11 Equipment care, service, Overexposure indicator 28 technical spec. 63 Deleting images 29 General 63 Transferring images 29 Technical specifications 64 Inset photo on cover: © Francis Hills/www.figjamstudios.com.Not all the images in this manual were taken with a Hasselblad CF. -
When You Buy the New Gfx100s and Trade in Any Working Full-Frame Or Medium Format Digital Camera
OFFER ENDS 30 APRIL WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA FUJIFILM-CONNECT.COM/PROMOTIONS The GFX100S and GF50mmF3.5 lens shown are sold separately. See in-store or online for details. Terms and conditions apply To claim your trade-in bonus, simply fill out the details over the page. The bonus will be paid directly into your bank account after the claim has been validated by FUJIFILM UK. Once validated, the bonus will be paid within 14 days. CANON PHASE ONE CANON EOS-1D C PHASE ONE XF 100MP CANON EOS-1D MKII PHASE ONE 645DF+ CANON EOS-1D MKII N PHASE ONE IQ1 100MP CANON EOS-1D MKIII PHASE ONE IQ140 CANON EOS-1D MKIV PHASE ONE IQ150 €500 TRADE-IN BONUS CANON EOS-1D X PHASE ONE IQ160 WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING CANON EOS-1D X MKII PHASE ONE IQ180 CANON EOS-1D X MKIII PHASE ONE IQ250 FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA CANON EOS-1DS PHASE ONE IQ260 CANON EOS-1DS MKII PHASE ONE IQ280 HASSELBLAD NIKON CANON EOS-1DS MKIII PHASE ONE IQ3 50MP HASSELBLAD A5D-50C NIKON D3 NIKON D800 CANON EOS 5D PHASE ONE IQ3 60MP HASSELBLAD A5D-80 NIKON D3S NIKON D800E CANON EOS 5D MKII PHASE ONE IQ3 80MP HASSELBLAD H4D-31 NIKON D3X NIKON D810 CANON EOS 5D MKIII PHASE ONE P20+ HASSELBLAD H4D-40 NIKON D4 NIKON D850 CANON EOS 5D MKIV PHASE ONE P21+ HASSELBLAD H4D-60 NIKON D4S NIKON D810A CANON EOS 5DS PHASE ONE P25+ HASSELBLAD H5D-200C NIKON DF NIKON Z5 CANON EOS 5DS R PHASE ONE P30+ HASSELBLAD H5D-50C NIKON D600 NIKON Z6 CANON EOS 6D PHASE ONE P40+ HASSELBLAD H5X NIKON D610 -
Indoor Navigation Based on Fiducial Markers of Opportunity
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2013-12-05 Indoor Navigation based on Fiducial Markers of Opportunity Lakhani, Mazhar Ali Lakhani, M. A. (2013). Indoor Navigation based on Fiducial Markers of Opportunity (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/26507 http://hdl.handle.net/11023/1176 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Indoor Navigation based on Fiducial Markers of Opportunity by Mazhar Ali Lakhani A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE DEPARTMENT OF ELECTRICAL AND COMPUTER ENGINEERING CALGARY, ALBERTA NOVEMBER, 2013 © Mazhar Ali Lakhani 2013 Abstract Indoor navigation has gained significant importance in the last decade due to its applications in the location based services industry. The outdoor navigation technology of GNSS by itself does not offer good solutions due to presence of multipath and low SNR in indoor environments. Complimentary sensors like IMU, magnetometers, cameras, etc., have their own set of problems. A camera however, provides a wealth of information for position estimation. The main aim of this thesis is to analyse camera based navigation systems using stationary figures of opportunity. -
Second Release)
ICT-PSP Project no. 297158 EUROPEANAPHOTOGRAPHY EUROPEAN Ancient PHOTOgraphicvintaGe repositoRies of digitAized Pictures of Historical qualitY Starting date: 1st February 2012 Ending date: 31st January 2015 Deliverable Number: D 3.1.2 Title of the Deliverable: Digitised material (second release) Dissemination Level: Public Contractual Date of Delivery to EC: Month 30 Actual Date of Delivery to EC: July 2014 Project Coordinator Company name : KU Leuven Name of representative : Fred Truyen Address : Blijde-Inkomststraat 21 B-3000 Leuven PB 3301 Phone number : +32 16 325005 E-mail : [email protected] Project WEB site address : http://www.europeana-photography.eu Page 1 of 37 EUROPEANAPHOTOGRAPHY Deliverable D3.1.2 Digitized material (second release) Context WP 3 Digitisation WPLeader CRDI – Ajuntament de Girona Task 3.1.2 Digitised material (second release) Task Leader CRDI – Ajuntament de Girona Dependencies Author(s) David Iglésias (CRDI. Ajuntament de Girona) Contributor(s) Joan Boadas (CRDI. Ajuntament de Girona), Promoter, Fondazione Alinari, TopFoto, Imagno, Parisienne, ICCU, Polfoto, Gencat Cultura, United-Archives, NALIS, MHF, Arbejdermuseet, ICIMSS, KU Leuven, Lithuanian Museums Reviewers Sofie Taes (KU Leuven), Davide Madonna (ICCU), Nikolaos Simou (NTUA) Approved by: History Version Date Author Comments 0.1 24/07/2014 David Iglésias - CRDI 1.0 30/07/2014 David Iglésias - Updated according CRDI to the peer review Statement of originality: This deliverable contains original unpublished work except where clearly indicated otherwise. Acknowledgement of previously published material and of the work of others has been made through appropriate citation, quotation or both. Page 2 of 37 EUROPEANAPHOTOGRAPHY Deliverable D3.1.2 Digitized material (second release) TABLE OF CONTENTS 1 EXECUTIVE SUMMARY .................................................................................................................... -
Programmable Image-Based Light Capture for Previsualization
ii Abstract Previsualization is a class of techniques for creating approximate previews of a movie sequence in order to visualize a scene prior to shooting it on the set. Often these techniques are used to convey the artistic direction of the story in terms of cinematic elements, such as camera movement, angle, lighting, dialogue, and char- acter motion. Essentially, a movie director uses previsualization (previs) to convey movie visuals as he sees them in his ”minds-eye”. Traditional methods for previs include hand-drawn sketches, Storyboards, scaled models, and photographs, which are created by artists to convey how a scene or character might look or move. A recent trend has been to use 3D graphics applications such as video game engines to perform previs, which is called 3D previs. This type of previs is generally used prior to shooting a scene in order to choreograph camera or character movements. To visualize a scene while being recorded on-set, directors and cinematographers use a technique called On-set previs, which provides a real-time view with little to no processing. Other types of previs, such as Technical previs, emphasize accurately capturing scene properties but lack any interactive manipulation and are usually employed by visual effects crews and not for cinematographers or directors. This dissertation’s focus is on creating a new method for interactive visualization that will automatically capture the on-set lighting and provide interactive manipulation of cinematic elements to facilitate the movie maker’s artistic expression, validate cine- matic choices, and provide guidance to production crews. Our method will overcome the drawbacks of the all previous previs methods by combining photorealistic ren- dering with accurately captured scene details, which is interactively displayed on a mobile capture and rendering platform. -
Photography 2021 Equipment Recommendation
DEPARTMENT: PHOTOGRAPHY 2021 EQUIPMENT RECOMMENDATION Student work: Nicole van Niekerk FIRST YEAR / ONE YEAR PROGRAM + Digital DSLR camera body or Interchangeable Mirrorless camera + 1x Good multi-purpose zoom lens, wide to telephoto range (16-55mm) (Generic lenses like SIGMA and Tamron is more than adequate. Please discuss your options with the relevant service providers attached later in the document.) + 1x Reflector board (107 - 110cm). Please do not buy a reflector smaller than this. + 1x Strong sturdy tripod (invest in a good tripod that can support your camera and lens) + 1x Cable Release + 1x Extra Camera battery + 2x Memory card (with a write speed of atleast 150mb/s) + 1x Grey card + Cleaning kit RECOMMENDED CAMERA BODIES FujiFilm, Nikon, Canon and Sony are the only four digital camera brands we recommend. Although there are other great brands on the market; we have found that in terms of product range and support these brands have a very strong presence in South Africa. The following camera bodies are especially popular: (Please refer to the FAQ section at the end of the document for more information) 02 2021 Photography Equipment List Open Window FUJIFILM MIRRORLESS CAMERAS FUJIFILM X-T30 FUJIFILM X-T3 FUJIFILM X-S10 FUJIFILM X-T4 FUJIFILM GFX-50S FUJIFILM GFX-100 FUJIFILM LENSES FUJIFILM XF 16 – 55MM F2.8 NICE TO HAVE (FUJIFILM XF 56MM F1.2) FUJIFILM XF 16 – 80MM F4 NICE TO HAVE (FUJIFILM XF 80MM F2.8 MACRO) 03 2021 Photography Equipment List Open Window NIKON MIRRORLESS NIKON Z6 II NIKON Z7 II NIKON Z5 NIKON MIRRORLESS LENSES -
BROCHURE Number of Effective Pixels 51.4 Million Pixels Touch Screen Color LCD Monitor (Approx
Specication Model name FUJIFILM GFX 50S LCD monitor 3.2 inch, Aspect Ratio 4:3, Approx. 2,360K-dot Tilt-Type, Medium Format Mirrorless Digital Camera SYSTEM BROCHURE Number of effective pixels 51.4 million pixels Touch Screen Color LCD Monitor (Approx. 100% Coverage) Image sensor 43.8mm×32.9mm Bayer array with primary color filter Sub LCD monitor 1.28 inch, Aspect Ratio 1:1, 128×128-dot Monochrome LCD Monitor Sensor Cleaning System Ultra Sonic Vibration Movie recording [Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 36Mbps up to Approx. 30min. Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB) UHS-I / UHS-II*1 [HD (1280×720)] 29.97p / 25p / 24p / 23.98p 18Mbps up to Approx. 30min. File format Still Image JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW (RAF original format), Photography functions Color, Sharpness, Highlight tone, Shadow tone, Noise reduction, Long exposure NR, RAW+JPEG, 8-bit TIFF (In-camera Raw Conversion Only) Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Movie MOV (MPEG-4 AVC / H.264 Edit/Save custom setting, Store AF mode by orientation, Rapid AF, AF point display, Pre-AF, Audio : Linear PCM / Stereo sound 48KHz sampling) Face/Eye detection AF, AF+MF, Focus peak highlight, Focus check, Interlock spot AE & focus area, Number of [L] <4:3> 8256×6192 <3:2> 8256×5504 <16:9> 8256×4640 <1:1> 6192×6192 Instant AF setting (AF-S/AF-C), Depth-of-field scale, Rlease/Focus priority, Touch screen mode, recorded pixels <65:24> 8256×3048 <5:4> 7744×6192 <7:6> 7232×6192 Mount adapter setting, -
Large Format View Camera a Creative Tool with Limitless Potential
Section3b LargeFormat – View Arca Swiss . 158-169 Horseman . .170-179 Linhof . 180-197 Sinar . .198-217 Toyo . 218-228 ARCA SWISS DISCOVERY 4x5 SYSTEM Arca Swiss cameras are more than the sum of their parts. Each and every model gives you an entry into the Arca system, allowing you access to the most complete line of professional accessories available. Designed by working photographers, this modular system allows you to add components as needed, giving you the freedom to purchase what you need when you need it. In addition, Arca Swiss cameras are ergonomically designed, allowing the photog- VIEW CAMERAS rapher to control perspective and depth-of-field accurately. And Arca has devised a fail-safe (and foolproof) system for Arca Swiss attaching the lensboard bellows and camera back. Discovery The affordable Arca Discovery is an economical introduction to the Arca Swiss system. In spite of its 158 low cost, the light-weight Discovery shares many of the unique features that Arca cameras are renowned for (plus a few of its own). The Discovery is also compatible with most Arca system accessories, such as rails, viewers, hoods, masks, rollfilm holders and more. FEATURES ■ Precision micro gear ■ Made of lightweight Arca Swiss 4x5 Discovery Camera (0210445) focusing metal alloys Consists of: 30cm monorail (041130), monorail attachment piece 3/8˝, Function Carrier Front ■ Superfluous refocusing ■ Precision Swiss construction (Discovery), Function Carrier Back (Discovery), after parallel displacements Format Frame Front (Discovery), Format Frame ■ Includes Rucksack case Back (Discovery), standard 38cm bellows ■ Yaw-free movements (72040), film and groundglass holder 4x5, 1 3 ■ Built-in ⁄4 and ⁄8 fresnel lens and Arca Swiss nylon backpack. -
€600 Trade-In Bonus on the Fujifilm Gfx
30 SEPTEMBER 2017 OFFER ENDS €600 TRADE-IN BONUS ON THE FUJIFILM GFX 50S TRADE IN ANY WORKING FULL FRAME DSLR, FULL FRAME MIRRORLESS CAMERA OR DIGITAL MEDIUM FORMAT CAMERA AND GET MONEY OFF YOUR NEW FUJIFILM GFX 50S. PROMO.FUJI-OFFERS.COM/TRADEIN BRFFUK0075 AUGUST TRADE-IN LEAFLET GFX.indd 1 12/07/2017 09:53 €600 TRADE-IN BONUS ON THE FUJIFILM GFX 50S FUJIFILM G FORMAT 43.8x32.9MM SENSOR 51.4-MEGAPIXEL RESOLUTION X-PROCESSOR PRO IMAGING ENGINE 425-POINT AUTOFOCUS SYSTEM ISO SENSITIVITY FROM 50 TO 102,400 MULTIPLE FORMAT OPTIONS SEE THE GFX 50S IN ACTION. VISIT FUJIFILM-X.COM/GFX BRFFUK0075 AUGUST TRADE-IN LEAFLET GFX.indd 2 12/07/2017 09:53 30 SEPTEMBER 2017 OFFER ENDS QUALIFYING TRADE-IN MODELS CANON n CANON EOS 1D C n CANON EOS 1DX MKII n CANON EOS 5D MKIII n CANON EOS 1D MKII n CANON EOS 1DS n CANON EOS 5D MKIV n CANON EOS 1D MKII N n CANON EOS 1DS MKII n CANON EOS 5DS n CANON EOS 1D MKIII n CANON EOS 1DS MKIII n CANON EOS 5DS R n CANON EOS 1D MKIV n CANON EOS 5D n CANON EOS 6D n CANON EOS 1DX n CANON EOS 5D MKII HASSELBLAD n HASSELBLAD X1D-50C n HASSELBLAD A5D-50C n HASSELBLAD H4D-40 n HASSELBLAD H6D-100C n HASSELBLAD A5D-80 n HASSELBLAD H4D-60 n HASSELBLAD H6D-50C n HASSELBLAD H5D-50C n HASSELBLAD H4D-31 n HASSELBLAD H5D-200C n HASSELBLAD H5X LEICA n LEICA S n LEICA M n LEICA SL ( TYP 601 ) n LEICA M-P 240 MAMIYA n MAMIYA 645DF n MAMIYA CREDO 50 n MAMIYA CREDO 80 n MAMIYA CREDO 40 n MAMIYA CREDO 60 n MAMIYA ZD NIKON n NIKON D3 n NIKON D5 n NIKON D750 n NIKON D3S n NIKON DF n NIKON D800 n NIKON D3X n NIKON D600 n NIKON D800E n NIKON