ODU Russell Stanger String Quartet and ODU Cello Choir

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ODU Russell Stanger String Quartet and ODU Cello Choir

Program String Quartet No. 2 in D Major Alexander Borodin 1. Allegro Moderato (1833-1887) 3. Notturno - Andante The ODU Russell Stanger String Quartet Jordan Goodmurphy, Violin Emily Pollard, Violin F. Ludwig Diehn School of Music Joshua Clarke, Viola Michael Russo, Cello Trio in C Major, Op. 87 for Three Cellos L.V. Beethoven 3. Minuetto-Allegro molto scherzo. Trio. (1770-1827) trans. A.C. Prell ODU Russell Stanger String Quartet ODU Cello Choir Requiem, Op. 66 for Three Cellos and Piano David Popper Andante Sostenuto (1843-1913) Leslie J. Frittelli, director Carter Campbell, piano Sonata No. 1 in A Major for Three Cellos Arcangelo Corelli 1. Grave (1653-1713) 2. Allegro arr. Erinn Renyer 3. Adagio 4. Allegro ODU Cello Choir Carter Campbell Diehn Center for the Performing Arts Trinity Green Chandler Recital Hall Joshua Kahn Lexi McGinn Avery Suhay Aleta Tomas Lacey Wilson Friday, November 22, 2019 7:30 pm Program String Quartet No. 2 in D Major Alexander Borodin 1. Allegro Moderato (1833-1887) 3. Notturno - Andante The ODU Russell Stanger String Quartet Jordan Goodmurphy, Violin Emily Pollard, Violin F. Ludwig Diehn School of Music Joshua Clarke, Viola Michael Russo, Cello Trio in C Major, Op. 87 for Three Cellos L.V. Beethoven 3. Minuetto-Allegro molto scherzo. Trio. (1770-1827) trans. A.C. Prell ODU Russell Stanger String Quartet ODU Cello Choir Requiem, Op. 66 for Three Cellos and Piano David Popper Andante Sostenuto (1843-1913) Leslie J. Frittelli, director Carter Campbell, piano Sonata No. 1 in A Major for Three Cellos Arcangelo Corelli 1. Grave (1653-1713) 2. Allegro arr. Erinn Renyer 3. Adagio 4. Allegro ODU Cello Choir Carter Campbell Diehn Center for the Performing Arts Trinity Green Chandler Recital Hall Joshua Kahn Lexi McGinn Avery Suhay Aleta Tomas Lacey Wilson Friday, November 22, 2019 7:30 pm .

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The Third Period of César Franck Author(S): Sydney Grew Source: the Musical Times, Vol
The Third Period of César Franck Author(s): Sydney Grew Source: The Musical Times, Vol. 60, No. 919 (Sep. 1, 1919), pp. 462-464 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/3701958 Accessed: 25-03-2015 19:50 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 128.235.251.160 on Wed, 25 Mar 2015 19:50:30 UTC All use subject to JSTOR Terms and Conditions 462 THE MUSICAL TIMES.-SEPTEMBER I, 1919. He is content to spend days on a single passage I wasnot sorrowful. (Boosey.) The Cost. 2. The so that he gives it the one ultimate formwhich (I. Blind; Cost.) (WinthropRogers.) afterwards to be the inevitable form it The Soldier. (WinthropRogers.) proves Blowout, you bugles. (WinthropRogers.) should take. Yet this constant preoccupation The Heart'sDesire. (WinthropRogers.) with precision in detail has nowhere resulted in Earth's Call. (Rhapsodyfor voice and pianoforte.) laboured writing. His harmonic texture may be (WinthropRogers.) or suave or SpringSorrow.
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Juilliard String Quartet Areta Zhulla and Ronald Copes, Violins Roger Tapping, Viola Astrid Schween, Cello
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String Quartet 2 Notes.Odt
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