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Our New York Book Fair List
Simon Beattie Recent Acquisitions To be exhibited at the 60th annual New York International Antiquarian Book Fair 5–8 March 2020 from item 43, Sonorama Park Avenue Armory 01. ARCHENHOLZ, Johann Wilhelm von. A Picture of England: containing a Description of the Laws, Customs, and Manners of England … By M. d’Archenholz, formerly a Captain in the Service of the King of Prussia. Translated from the French … London: Printed for Edward Jeffery … 1789. 2 vols, 12mo (169 × 98 mm), pp. [4], iv, 210; [4], iv, 223, [1]; a very nice copy in contemporary mottled calf, smooth spines gilt in compartments, gilt-lettered morocco labels, a little worm damage to the upper joint of vol. I, but still handsome; engraved armorial bookplate of Sir Thomas Hesketh, Bart., of Rufford Hall, Lancashire; Easton Neston shelf label. $1300 First edition in English, with the sections on Italy omitted. ‘Archenholz did more than any other man to present a complete picture of England to Germans. His fifteen years of study and travel well qualified him as an observer of different peoples and their manners, and his views of England served Germany for a quarter of a century as their chief source of information’ (Cox). Cox III, 99; Morgan 75. LARGE PAPER COPY 02. [BERESFORD, Benjamin, and Joseph Charles MELLISH, translators]. Specimens of the German Lyric Poets: consisting of Translations in Verse, from the Works of Bürger, Goethe, Klopstock, Schiller, &c. Interspersed with Biographical Notices, and ornamented with Engravings on Wood, by the first Artists. London: Boosey and Sons … and Rodwell and Martin … 1822. 8vo (212 × 135 mm) in half-sheets, pp. -
Introduction to the Abercorn Papers Adobe
INTRODUCTION ABERCORN PAPERS November 2007 Abercorn Papers (D623) Table of Contents Summary ......................................................................................................................2 Family history................................................................................................................3 Title deeds and leases..................................................................................................5 Irish estate papers ........................................................................................................8 Irish estate and related correspondence.....................................................................11 Scottish papers (other than title deeds) ......................................................................14 English estate papers (other than title deeds).............................................................17 Miscellaneous, mainly seventeenth-century, family papers ........................................19 Correspondence and papers of the 6th Earl of Abercorn............................................20 Correspondence and papers of the Hon. Charles Hamilton........................................21 Papers and correspondence of Capt. the Hon. John Hamilton, R.N., his widow and their son, John James, the future 1st Marquess of Abercorn....................22 Political correspondence of the 1st Marquess of Abercorn.........................................23 Political and personal correspondence of the 1st Duke of Abercorn...........................26 -
Headway Fourth Edition Pre-Intermediate Reading Text Unit 7
Read the text. 1 Living history Chatsworth House has been home to the same family since 1549. In that time the house has welcomed kings and queens, prime ministers and politicians, and more recently bands and film crews. The 12th Duke of Devonshire, Peregrine Cavendish, and his wife Amanda have lived at Chatsworth since 2006. The Duke inherited the house on the death of his father in 2004. He says: ‘My family has lived here for over 450 years. The estate has been passed down the Cavendish family for 15 generations, and I now have the pleasure and responsibility to look after it for the next generation.’ Visitors often see him walking through the house and garden when it is open to the public. He says, ‘Chatsworth is a magical place, and I feel lucky to be able to share it with all of our visitors.’ Headway Pre-Intermediate Fourth Edition • Student’s Book • Unit 7 pp.58–59 © Oxford University Press PHOTOCOPIABLE 2 The most beautiful house in England Chatsworth is situated in the hills of Derbyshire, in the Midlands. Many people say it is the most beautiful house in England. It has nearly 300 rooms (with 17 staircases and 26 baths) and is set in 35,000 acres of land. It needs 500 staff to run. The art collection includes paintings by Raphael, van Dyck, and Rembrandt. The whole estate is worth about £500 million. It costs approximately £5m a year to run Chatsworth, so the house has been open to the paying public since 1949, and in 2010 there were around 600,000 visitors. -
John Gibson and the Anglo-Italian Sculpture Market in Rome
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository John Gibson and the Anglo-Italian Sculpture Market in Rome: Letters, Sketches and Marble Alison Yarrington Tate Papers no.29 John Gibson established a hugely successful sculpture studio in Rome, and despite strong reasons to return to London, such as the cholera outbreaks in Rome in the 1830s, he remained steadfast in his allegiance to the city. His status and success in this intensely competitive environment was promoted through a sympathetic engagement with a wide variety of friends, fellow sculptors and patrons. This paper explores this method of engagement, notably through Gibson’s works for and correspondence with the 6th Duke of Devonshire. There is no place in Europe like Rome for the number of artists of different nations, there is no place where there is so much ambition of who shall produce the finest works – this concentration for fame keeps up the art and good taste. Here art is not a money making trade. You should make an effort to come here and we would go to the Vatican together.1 When John Gibson penned this letter to his friend and former fellow pupil John Barber Crouchley in early May 1837, his primary place of residence and the centre of his sculptural practice was firmly established in Rome, with his career on a firm upward trajectory towards success and recognition. By contrast, Crouchley, who had been prevented by his father from travelling abroad with Gibson when he left Liverpool in 1817, saw his ambitions as a sculptor subsequently fade. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Or, the Unfortunate Attachment
Introduction beware then how you chuse, for your first preference makes your destiny Emma; or, The Unfortunate Attachment WHEN GEORGIANA SPENCER MARRIED the duke of Devonshire on June 4, 1774,1 she fulfilled her mother’s greatest hope and fear. “My dread is that she will be snatched from me before her age and experience make her by any means fit for the serious duties of a wife, a mother, or the mistress of a family,” her mother wrote in January 1774 (Masters 12). Despite her belief that she was facilitating a love-match, Lady Spencer’s prophecy proved correct. “Lady Georgiana’s marriage was one de convenance,” her niece Lady Caroline Lamb wrote with typical hyper- bole. “Her delight was hunting butterflies. The housekeeper breaking a lath over her head reconciled her to the match. She was ignorant of every- thing.”2 In fact, Lady Georgiana received an “exemplary education”3 from her mother. She was a proficient musician, poet, and writer who knew her future husband as early as 1765 and 1766, for he visited Althorp House on frequent occasions (Masters 12). The difference between Lady Georgiana and her husband is perhaps best shown by a perfunctory note the duke wrote shortly after their marriage. “I am going to sup in St. James’s Place and have sent you the carriage that you may come in it if you like it.” On the back, Lady Georgiana allowed her high spirits to overflow in verse. J’aime, je plais, je suis contente, Tout se joint pour mon bonheur. Que peut on plus, je suis amante 1 © 2004 State University of New York Press, Albany 2 Emma; or, The Unfortunate Attachment Et mon Amant me donne son coeur. -
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. -
ANGLO-GERMAN CULTURAL RELATIONS Language & Literature
ANGLO-GERMAN CULTURAL RELATIONS Language & literature, travel & tourism, c.1714–1914 The catalogue before you, published to mark my tenth anniversary as an independent bookseller, has been years in the making. Many people know me for selling Russian material, but in fact my interest in Germany About has always been stronger. German has always been my favoured foreign this language and I have enjoyed finding, researching, and writing about the catalogue books, manuscripts, music, and ephemera which make up this catalogue. It’s only when you specialize, and collect, in any depth that things start to get interesting, and that has certainly been the case here. You see connections, reactions, and developments; pieces of a historical jigsaw fall into place. The material here charts the cultural connections between the English- and German-speaking worlds in, roughly, the two hundred years between the Hanoverian Succession and the First World War. Through travel and translation, one culture discovers another; discovery then leads to influence. A German immigrant teaches music in London, the same year (1737) an Englishman in Göttingen compiles the first anthology of English literature for Germans. Later, in the 1760s, the first English translations of German literature are mirrored by the appearance of Wieland’s influential edition of Shakespeare. The catalogue documents two major eighteenth- century European literary events: Ossian and Werther, both linked by and to the young Goethe, whose own Faust so captured the English imagination in the nineteenth century. (The web of influence within literature itself is likewise tantalising: Werther reads Ossian, Frankenstein’s monster reads Werther.) The rise of the Gothic is also found here: Bürger’s Lenore in five English translations (1796–7), one of them Walter Scott’s first book, but the influence, surprisingly perhaps, was felt even earlier (and the other way round), in Sophia Lee’s The Recess, translated by Benedikte Naubert in 1786. -
Annual Review 2019
CHATSWORTH CHATSWORTH HOUSE TRUST HOUSE TRUST CHATSWORTH HOUSE TRUST ANNUAL REVIEW 2019 ANNUAL REVIEW 201 REVIEW ANNUAL 9 Pictured De-installation of Raffaelle Monti, A veiled Vestal Virgin, 1846-1847, marble contents Chatsworth House Trust 2 2019 Overview 4 The Duke and Duchess of Devonshire 7 Conservation and Archives 8 Loans, Acquisitions and Commissions 12 Treasures from Chatsworth 14 Exhibitions and the Arts 18 Learning 24 House and Stables 28 Farmyard 29 Garden and Park 30 Forestry 34 Environment 35 Our Visitors and Friends of Chatsworth 36 Our Staff 40 Our Community 42 Our Commitment to Our Shared Future 46 Our Supporters 50 Money Matters 52 Trustees 54 Appendices 56 Further Information 60 Pictured View of the Chatsworth Park to the West, from the top of the Cascade Cover Raffaelle Monti, A veiled Vestal Virgin, 1846-1847, marble chatsworth Below The Devonshire family motto – Cavendo Tutus (Safety through Caution) house trust The Chatsworth House Trust was established The house, much of its contents, the garden and Any surplus the charity generates from its activities is spent on • To make appropriate acquisitions to enhance the in 1981 and endowed by the Devonshire family. surrounding park are leased to the Chatsworth House conservation and restoration of the house, garden and park to Devonshire Collections A registered charity, its principal purpose is Trust. The lease includes many of the chattels on display ensure their preservation for the enjoyment of the public. the long term preservation of the house, its art to visitors, but a significant quantity is loaned temporarily • To ensure as many people as possible can appreciate from the family and the Devonshire Collections. -
Painted Hall
PAINTED HALL Please leave for others to enjoy Used to welcome and impress guests, this was the largest and grandest room built by the 1st Duke. Ask the guide to tell you more about the painted stories. Use the mirrors to help you see. First impressions count. When guests are welcomed to Chatsworth, this is one of the first rooms they see. HOUSE PLAN - Ground Floor William, 1st Duke of Devonshire built the Painted Hall between 1689 and 1694, the only original feature is the painted decoration on the walls and ceiling. Whilst still Earl of Devonshire he chose to flatter the monarch by decorating the hall with scenes from the life of Julius Caesar, he was elevated to Duke in the year the room was completed. A house has been standing here since the 1550s. It was built for Bess of Hardwick and Sir William Cavendish. Together they established the Cavendish family line from which the earls and dukes of Devonshire are descended. Bess persuaded Cavendish to buy the Chatsworth Estate in 1549. Something to Share... The inscription above the fire was placed by the 6th Duke on completion of his renovation of this room in 1840. There is a translation underneath. Family Timeline 4th Earl & 1st Duke Bess of Hardwick 2nd Earl of Devonshire 3rd Duke 5th Duke 7th Duke 9th Duke 11th Duke 12th Duke 1520–1608 1590–1628 1641–1707 1698–1755 1748–1811 1808–1891 1868–1938 1920–2004 Peregrine [Stoker] 1st Earl of Devonshire 3rd Earl 2nd Duke 4th Duke 6th Duke 8th Duke 10th Duke Devonshire 1552–1626 1617–1684 1673–1729 1720–1764 1790–1858 1833–1908 1895–1950 b.1944 PAINTED HALL continued.. -
Annual Review 2018 Below the Devonshire Family Motto – Cavendo Tutus (Safety Through Caution)
contents Chatsworth House Trust 2 2018 Overview 4 The Duke and Duchess of Devonshire 7 Conservation and Archives 8 From Servants to Staff 12 Loans, Acquisitions and Commissions 16 Exhibitions 18 Learning 24 House and Stables 28 Farmyard 29 Garden and Park 30 Forestry 32 Environment 33 Our Friends of Chatsworth and Visitors 34 Our Staff 36 Our Community 38 Our Supporters 40 Money Matters 42 Trustees 44 Appendices 46 Further Information 48 chatsworth house trust The Chatsworth House Trust was established in The house, much of its contents, the garden and 1981 and endowed by the Devonshire family. surrounding park are leased to the Chatsworth House A registered charity, its principal purpose is Trust. The lease includes many of the chattels on display the long-term preservation of the house, its art to visitors, but a significant quantity is loaned temporarily from the family and the Devonshire Collection. The collection, garden, woodlands and park for the Trust’s income is raised from visitor admissions, Friends of benefit of the public. Chatsworth memberships, Patrons of Chatsworth, events, sponsorship, grants, donations, a franchise fee on the retail Chatsworth comprises a Grade I listed house and stables, a and catering operations, and from an investment portfolio. 105-acre garden, a 1,822-acre park and one of Europe’s most significant art collections – the Devonshire Collection. It All income goes directly to pay the operating and running is also home to the Duke and Duchess of Devonshire, who costs – including the staff involved in opening the visitor pay a market rent for the rooms they occupy. -
The Devonshire Collection Archives GB 2495 DF1 Papers of William Cavendish, 3Rd Duke of Devonshire
The Devonshire Collection Archives GB 2495 DF1 Papers of William Cavendish, 3rd Duke of Devonshire (1698 - 1755) 1713 - 1759 Catalogued by Louise Clarke; revised by Fran Baker, Chatsworth House Trust DF1: Papers of William Cavendish, 3rd Duke of Devonshire (1698 - 1755) Administrative/Biographical History: William Cavendish, 3rd Duke of Devonshire (1698-1755), Whig politician, was the son of William Cavendish, 2nd Duke of Devonshire, and Rachel Russell. He was educated at New College, Oxford, and then entered politics. He was a Whig MP for Lostwithiel (1721- 1724), Grampound (1724-1727), and Hungtingdonshire (1727-1729), until his father’s death sent him to the House of Lords as Duke of Devonshire in 1729. Other offices held by the 3rd Duke included: Lord Steward of the Household (1723-1737 and 1745-1749); Privy Counsellor (from 1731); Lord Privy Seal (1731-1733); and Lord Lieutenant of Ireland (1737-1744). He was appointed a Knight of the Garter in 1733. In the same year Devonshire House, the London residence of the Dukes of Devonshire, was destroyed by fire, and the 3rd Duke commissioned the architect and designer William Kent to rebuild and furnish the house in the Palladian style. In 1718, the 3rd Duke married Catherine Hoskins (c.1700-1777), the daughter of a City businessman. They had seven children: Lady Caroline; William, later 4th Duke of Devonshire; Lord George Augustus; Lady Elizabeth; Field Marshal Lord Frederick; Lord John; and Lady Rachel. The Duke and Duchess had a temporary separation in 1748-9 due to the Duchess’s disapproval of the bride chosen by their son and heir, William, Marquess of Hartington.