Pr. See: ALBEDON

INDEX OF PUBLISHERS, PRINTERS, SERIES

An asterisk before a place name indicates a false imprint. The dates are the true dates of publication relating to clandestine editions represented in the British Museum collection, not necessarily the dates supplied in the books themselves. The letters Pro stand for printer or printers. Names of individuals or firms not so qualified are publishers.

A, N.G. VAN DER Pr. See: ALBEDON.

AA, H. VAN DER Oosterhout, 1944. Pro No. A25.

L' ABEILLE LABORANTE Utrecht, 1944. Variant of the name De Bezige Bij. No. M14.

ACAT Amsterdam, 1945. Pro No. R28.

AELST, ERNEST VAN Maastricht, 1944. No. G44.

AEN DE RIVIER Deventer, 1945. Pr. A name used by De IJsel. No. P3. 232 PUBLISHERS' INDEX

AHREND, ]. WIDOW & SON Amsterdam, 1944. Pro No. 07; H6; SU.

AKADEMISCHE VERLAGSANSTALT PANTHEON Amsterdam, 1941-44. This publishing house belonging to K.G. Kollar produced books for Ger• man refugees in Holland and for Dutch readers of German literature. Whether taken from the German classics or from established modern or completely new writers, the texts were such as would not have been ap• proved by the occupation authorities. New authors were mainly those connected with Stefan George whose aesthetic ideas and style of life the Nazis condemned. Other imprints used are Pegasos Verlag and Rhein• verlag. No. C9; G13; H40; L1; P1; T8.

ALBEDON The Hague, 1944, 45. Pro No. B16, 44; 015, 17-19; K1; W2.

De ALBLASSERWAARD Bleskensgraaf, 1945. Pro No. B27, 30; S16.

ALGEMEENE NEDERLANDSCHE DRUKKERIJ - ONDERNEMING Pro See: ANDO.

De ALGEMEENE VRIJE ILLEGALE DRUKKERI] Pro See: D.A.V.I.D.

AMERONGEN, G.]., & co Amersfoort, 1942,44. No. E6; K12.

ANDO The Hague, 1943. Pro No. G25. PUBLISHERS' INDEX 233

ARGONAUTEN-DRUCK Amsterdam, 1944. Imprint used by Wolfgang Cordan. No. C8.

ARNHEMSCHE BOEK- EN HANDELSDRUKKERIJ Arnhem, 1943. Pro No. R2, 3.

ASTRA NIGRA-REEKS "Black Stars series", published by K.C. van Boeschoten and L.J. Zim• merman, The Hague, 1943-45. No. D15, 17, 18; E5; Kl; V9; W2.

B., A.A. See: BALKEMA, A.A.

BAKKER, BERT The Hague, 1943, 44. For biographical data see author catalogue. For publications under the imprints FINAL STAGE PRESS, MANSARDE PERS and TABABA PERS see this index under these names. His established publishing firm was D.A Daa• men. No. B5, 11; G25; H9.

BALKEMA, A.A. Amsterdam, 1942-45. A bookseller with earlier experience in publishing and with useful con• tacts, published usually small but always fine books, whether anony• mously, under the initials AAB., his full name or in conjunction with others under the imprints Het Zwarte Schaap (La Bete Noire) and the famous series" 5 lb Pers". No. A2, 7, 8; B12, 23, 34, 43; C7; D1, 2, 7; G3, 19; H22, 39; K3, 11; L5, 7,9,20,25; M6, 34; N3, 13,20; P4, 9, 10, 17, 20; Q1; R12, 17,29; S2, 3, 4, 32; V3; Y1.

BATTEN, FREDERIK EDUARD ANTON The Hague, 1945. No. B44; D19. See also: Het ZWARTE SCHAAP in this index and entry in author catalogue.

BAYARDPERS Bussum, 1944,45. An imprint used by F.G. Kroonder. No. A17; B17, 38, 45; H8; L8; M11, 24; R10; S29, 37; T7; V19, 25. 234 PUBLISHERS' INDEX

La BETE NOIRE See: Het ZWARTE SCHAAP.

De BEZIGE BI] Utrecht, 1943-45. This imprint and its equivalents The Busy Bee, L'abeille laborante, De doezende dar, Wed. de Bye, denote a publishing venture which was among the most outstanding during the war, both for the contents and for the physical appearance of its output. It is also the only major Dutch publishing house which, established for the purpose of spreading clan• destine printing, survived the war and entered upon a flourishing future in peace time with an organisation based on the document drawn up in 1944, no. Pll. It was founded by Geertjan Lubberhuizen and Charles Eugene Blommestein, both studying law at Utrecht University. When students at all Dutch universities and technical colleges were required to sign a declaration of loyalty to the Occupation regime they, like others, refused to do so and were therefore unable to continue. Already parti• cipating in Resistance activities, they now devoted themselves wholly to these, and Lubberhuizen's energetic movements on behalf of Jewish chil-· dren whom he successfully placed with Christian families in the country, earned him the nickname, in English, of The Busy Bee. To raise money towards the maintenance of these children saved from deportation the two students conceived the idea of publishing Jan Campert's poem The eighteen dead as a "rijmprent", single sheet illustrated verse, no. Cl. It was a particularly good choice. Hitherto it had been passed from hand to hand in handwriting or in typescript or stencilled form; now, printed and illustrated with care, the broadside sold beyond all expectation and had to be reprinted repeatedly as well as being printed by other publish• ers. This success persuaded the two men to continue publishing for the benefit of the Resistance. The works that bear their imprints clearly re• flect this close connection. They excelled in the "rijmprenten", many of which feature Resistance poems, and in fine printing. The series "Quousque tandem" was specially designed to help victims of persecu• tion, and the authors and artists gave their work to it. The three war• time issues of the small-size series "Documents humains" brought to• gether the expression of past, present and future political ideals. The Vrij Nederlandsch liedboek is a large though not complete collection of Resistance poetry and is the most beautifully printed and produced of all such collections published during the war, no. V3. The efforts of The Busy Bee enriched the finances of the Resistance by fl. 800,000, a sum at that time equivalent to roughly £ 80,000. After employing a variety PUBLISHERS' INDEX 235 of printers, mainly at Utrecht, among whom Jan Hendriks is perhaps the most important, and elsewhere, such as Fokke Tamminga at The Hague, D.A.V.I.D. at Amsterdam and H.N. Werkman at Groningen, they used the money made from the sale of one book, Sjoerd Leiker's Drie getui• gen, no. L14, to acquire a printing press of their own. Repeated attempts by the police to discover The Busy Bee failed although on one occasion the printers and typographer working for them on the translation of Ver• cors' Le silence de la mer were surprised during a raid on their premises and summarily shot. At the end of the war The Busy Bee established it• self at Amsterdam. No.A20,29,32;B19,20,25,41;C1;D10,12,21;E1;F2;G1,2,8, 10, 23,24, 28;H48, 54;K6,9, 15;L2, 14, 22, 23;M14,26, 28, 35;N2, 10, 21; 02; PH, 13; R16, 22, 24; S5, 9,14,24,31; T4, 10; V5, 7,26,33, 35, 43;W1, 19, 20, 27;Z5.

BIGOT & VAN ROSSUM Amsterdam, 1944. No. R5.

BLAEU,]OAN Amsterdam, 1943. Pro Falsely used name supplied in place of one of the printers working for Franso Hoes. No. H43.

BLAUWE LUCHT Amsterdam, 1945. An imprint used by J. Kooijman. No. J1.

De BLAUWE SCHUlT Groningen and Heerenveen, 1940-44. "The Blue Ship" was founded and directed by Adriana Buning, F .R.A. Henkels and A.J. Zuithoff: a schoolmistress, a clergyman and a chemist, and had as its printer H.N. Werkman at Groningen. It came into being as a spontaneous expression of spiritual Resistance in June 1940 when Miss Buning came across a newspaper cutting she had preserved, quite against her usual custom, of Martinus Nijhoff's poem Het jaar 1542 and made enquiries about getting it reprinted. With the assistance of F.R.A. Henkels who visited and secured the cooperation of H.N. Werkman, the piece was published, no. N16. They chose the name of The Blue Ship in allusion to Erasmus' ship of fools, the Blue Ship of those who belonged to no guild - or Chamber of Culture - which Henkels remembered 236 PUBLISHERS' INDEX having seen depicted in a painting by Hieronymus Bosch. The name also recalled some lines in a poem of Jacob van Oostvoorne called Song of the Blue Ship's Crew which are printed on the inside front cover of the Turkenkalender, no. T13, and which can be translated as "Sleep not, oh God, but take our helm, preserve us from all that would do us harm, whether it Satan be or Turk, sickness or dreams, vain thought or yet in• ternal strife". Subscribers to their publications are referred to in the col• ophons as "Friends of The Blue Ship", Henkels is described in them as "one of the skippers of the Blue Ship", and Martinus Nijhoff whose per• mission to reprint the earlier poems they sought belatedly in 1941 and who became fIrmly attached to the enterprise, is described similarly as "the poet of the Blue Ship". In 1946 F.R.A. Henkels brought out a booklet describing the history and publications of The Blue Ship, Log• hoek van de Blauwe Schuit, and in 1968 the Arbeiderspers, Amsterdam, published a selection of Werkman's letters written during the war, Brie• ven van H.N. Werkman 1940-1945, edited by J. Martinet, which throw much light on this publishing venture. No. B32, 33; C3; H20, 29-36; L26-28; M13; N12, 14-17; P19; R6; T11, 13; V16, 40.

BOEF, LOUIS DEN Dordrecht, 1945. Used the imprint De Wielewaal. No. S33.

BOEKENFONDS "DIE RAECKSE" Apeldoorn, 1943. False imprint used by the underground newspapers De Vrije Katheder and De Patriot, Haarlem. No. H44.

BOEKHANDELBROESE Utrecht, 1943. The bookshop of Christiaan Leeflang. No. V29.

BOEKHOVEN,J. VAN Utrecht, 1943, 44. Pro No. B6, 11; G8; M31; V29; W14, 15.

De BOEKVINK Amsterdam, 1944, 45. "The Chaffmch", imprint used by Reinold Kuipers. No. K18, 19; R28; SI1. PUBLISHERS' INDEX 237

BOER, C. DE, JR. Den Helder, 1943,44. No. C8; T3; V22.

BOER, P. DEN Utrecht, 1944. Pro No. El0; L2, 14; M14.

BOESCHOTEN, K.C. VAN, and ZIMMERMAN, L.J. The Hague, 1943-45. Published anonymously or under the series name "Astra nigra-reeks". No. B16;D15, 17, 18;E5;Kl;V9;W2.

BONS,JAN Amsterdam, 1943, 45. No. K4; V14.

BOOM RUYGROK Haarlem, 1945. Pro No. S36.

BOOMSMA, HAN See: FLAKKEESCHE DRUKKERIJ and MAHAMAPERS.

BOOMSMA, J. & M. See: FLAKKEESCHE DRUKKERIJ.

BOOSTEN & STOLS Maastricht, 1941-44. Pro A well-known printing house which had earned a reputation for fine printing before the war. No. B22, 31, 51; D3; E15-17, 19; G9; L4; M7; Pi; Rll; S10, 13, 26; V17, 18; W26.

BOOY, THlJS Alphen aan den Rijn, 1944. No. B4.

BORGHOUT Amsterdam? 1944. Pro No. S4.

BORGHOUTS Rotterdam, 1943, 44. Pro No. V36, 37. 238 PUBLISHERS' INDEX

BOSCH & KEUNING Baarn, 1942,44. No. B46; H11.

BOSMAN, ANTHONY Dordrecht and Noordeloos, 1942-45. Used the imprints Odyssea Pers and Semaphore Pers. No. A33; B26-28, 30, 31, 51; S13, 16.

BOTHE, JOS. J. Amsterdam, 1944. Pro No. G23.

BOUCHER, L.J.C. The Hague, 1942. No. E18.

BREUGHEL, G.W. 's-Graveland,1943-45. Also published anonymously or under the imprint Odyssee-Pers. No. B1, 21, 22; S36; V6, 22.

BRONSWIJK Oostburg, 1943. Pro No. T9.

BUSCHMANN, F. Amsterdam, 1945. Pro A false imprint used by De IJse1, Deventer. No. W11.

The BUSYBEE See: De BEZIGE BIJ.

De BYE, Widow Utrecht, 1944. Variant of the name De Bezige Bij. No. H54.

CANCERPERS The Hague, 1944. No. H50.

CENTRAAL Amsterdam, 1944. Pro No. K19. PUBLISHERS' INDEX 239

CHRISTOFOOR, Foundation Amsterdam, 1945. No. A31.

CONTACT Amsterdam, 1943, 44. No. All; M17, 18.

CORVEY, C.G.A. Amsterdam, 1943. Paper wholesale dealers. No. A27.

CUPERUS AZN., B. De Bilt, 1941. Pro No. S6.

DAAMEN, D.A. See: BAKKER, BERT.

DAAS,H. DEN Utrecht, 1945. Pi-. No. K5; R26.

D.A.V.I.D., De Algemeene Vrije Illegale Drukkerij. Amsterdam, 1944,45. Pro A printing house set up specially for Resistance work, hiding its identity under the name board Marten Toonder Film Studio. It printed anything from armbands to underground newspapers. It had been devised by Dick van Veen and Jo Pellicaan who themselves worked for the underground newspaper Vrij Nederland. An account of this press is given by Richter Roegholt, De geschiedenis van de Bezige Bij, 1972, pp. 58-61. Its device showed a rotary press pierced by arrows and the words "Door drucken aenvallen", "Press to attack", used in particular on the parts for the D.A.V.I.D.-reeks, the series of single sheet illustrated verse printed for De Bezige Bij. No. F2; G7, 7a; K6; S24; Tl0.

OICO Amsterdam, 1945. Pro No. T12. 240 PUBLISHERS' INDEX

DIEKEMA, DOUWE *Franeker, 1944. False imprint used by Christiaan Leeflang, Utrecht. No. S34.

DEERING, ANTON See: De HEGGEWINDE.

DISHOECK, C.A.J. VAN Bussum, 1943. No. R23.

De DISTELVINK Amsterdam, 1944,45. "The Goldfinch", imprint of Ger. Soutendijk who also designed the de• vice of the bird singing on barbed wire. No. G27; H25;]2, 3; K14; L10; S28.

DOCUMENTS HUMAINS Utrecht, 1944. Series published by De Bezige Bij. No. A32; D21; W19.

De OOEZENDE DAR Utrecht, 1944. Variant of the name De Bezige Bij. No. V42.

DONKER, AD * Antwerp; Bilthoven and Rotterdam, 1943-45. No. B42; C4; D13; G4; H36; M29, 30, 37; R1; S7; T9; W10, 13.

Van de DRIFT Delft, 1944. Pro No. V48.

DRIJVERS, H. Amsterdam, 1944. Used imprint De Witte Raaf. No. H42.

DROST, A. Deventer, 1944. Printer and publisher using the imprint Grotius. No. H38.

DRUKKERIJ For names of printing firms beginning with this designation see the indi• vidual name following it. PUBLISHERS' INDEX 241

DUBBELAAR, ].W. Leiden, 1944, 45. Pro No. A4; S3sb; V12.

DUWAER, ].F., & ZONEN Amsterdam, 1943-45. Pro No. A8; G19; K3, 4; P9, 10; S2; V14; Yl.

EDELDRUKKEN Laren, 1944. Series published by A.G. Schoonderbeek. No. V27.

EENHOORN PERS Breda, 1944. Imprint of C.]. Asselbergs for graphic work printed on the hand press. No. R32.

ELBURG, G.G. VAN Warmond, 1944, 45. Pro No. H26; N7.

ELCKERLYC Lage Vuursche, 1944. Imprint used by H. Th. Wijdeveld. No. W14, 15.

ENSCHEDE,]OH., & ZONEN Haarlem, 1940-45. Founded in 1743 this is one of the oldest and most respected printing houses in Holland, with a collection of old typefaces and its own type foundry. One of its early type designers was].M. Fleischman, and in this century Jan van Krimpen and S.L. Hartz have designed new type for this fIrm. Their clandestine work consisted mainly in printing for other fIrms such as A.A. Balkema, Amsterdam, but they also published indepen• dently. No. All; B12; H39; L25; Ms, 6; N3, 13, 20; Q1; R12; S34; Vll; W2l.

ERECHTIiEION-UiTGAVE Appingedam, 1945. Imprint used by the printer and publisher Rozenborg (Rosenborg). No. S19, 20.

ERWICH, ANTON See: IN DUYSENT SORGEN. 242 PUBLISHERS' INDEX

ESSEN, P. VAN, & ZONEN Molenaarsgraaf, 1945. Pro No. B26.

ETHNER, E.A. Hilversum, 1944. Pro No. H42.

EVERHARD, J.A., & ZOON Naarden, 1945. Pro No. F4.

FADDEGON & co. Amsterdam, 1945. Pro No. M14a.

FINAL STAGE PRESS The Hague, 1944. A new name for the Mansarde Pers of Bert Bakker, C.A.B. Bantzinger and Fokke Tamminga, reflecting the hope that with the invasion by the Allies of the European mainland and their progress into Belgium and the southern parts of the Netherlands the war had entered its final stage. No. E9; H2.

FIVE POUND PRESS See: VlJF PONDEN PERS.

FLAKKEESCHE DRUKKERIJ J. & M. BOOMSMA Middelharnis, 1944. In 1934 the firm was in the hands of the twin brothers Han and Rien Boomsma of whom Han was compositor and Rien printer. For financial reasons they had to give up printing the lotal paper in 1936 and took up publishing instead. They came into contact with the publishing house Spectrum of Utrecht which asked them to print clandestine editions during the war. They also printed forged identity papers, especially the documents exempting bearers from deportation to Germany. They also printed for the German army one of their cypher codes and managed to hide a copy and to have it transmitted to England. But their attempt to do the same with the supplement to this code was spotted and they were nearly shot then and there and were only saved because Han pro• tested that he was only trying to proofread the sheet he had in his pos• session and this was corroborated as normal practice by one of the sol- PUBLISHERS' INDEX 243 diers present who was himself a printer. (Based on an interview pub• lished in Parooi, 29 April 1972.) No. A12; D8; H3; M16; W6.

FLOWER GARDEN PRESS Wormerveer, 1945. English version of the imprint In den Bloemhof used by Meijer's Boek• en Handelsdrukkerij. No. H41.

FRIEDLAENDER, HENRI Wassenaar, 1945. Published works with his own typographical design under the series name "Pulvis viarum". No. G33;05.

De FRYSKE KOP Amsterdam, 1944. Imprint used by Bigot & Van Rossum. No. R5.

GEER, E.P.A. VAN DE, Brothers Amsterdam, 1945. Pro No. G29.

GENIUS The Hague, 1944. Series published by H. van Krimpen. No.K2.

De GLOBE Amsterdam, 1944, 54. Pro No. A7; B34; L20; P17, 20-22; S3.

De GOLFSLAG *Oostende, 1944. A false imprint used by Aldert Witte, Santpoort. No. D14.

GONDREXON, JAN Delft, 1945. Pro A false name used by Van Marken's Drukkerij, Delft. No. H49.

Het GOOI Hilversum, 1945. Pro No.T7. 244 PUBLISHERS' INDEX

GROTIUS Deventer, 1944. False imprint used by A. Drost. No. H38.

HAAGSCHEDRUKWERKCENTRALE The Hague, 1944. Pro No. P16.

HAAN,W.DE Utrecht, 1943? No. HI.

HAASBEEK, c. Alphen aan den Rijn, 1943. Pro No. B8.

HALEWYNPERS The Hague, 1945. An imprint used by A.A.M. Stols together with Fokke Tamminga. No. D9;M3.

HAMBERG,H. Hillegom, 1944. Pro No. W25.

De HANDPALM Utrecht, 1945. Series published by Jac.P. Romijn. No. G31; R26.

HANNIBAL, KATINKA & co. *Utrecht, 1945. A false imprint used by Franso Hoes, Amsterdam. No. E8.

Den HARTOG Utrecht, 1945. Bookbinders. No. H52.

HAVER, WEENINK & SNEL Arnhem, 1944. Pro No. L6. PUBLISHERS' INDEX 245

HEEROMA, KLAAS HANZEN Oegstgeest, 1944,45. For biographical data see author catalogue. Published anonymously or in the series "In signo piscium". No. H10, 12, 14, 16-19; L21; Nll; P1S; S25.

De HEGGEWINDE Delft, 1944. "The Bindweed", imprint used by Anton Deering and Maarten Vrolijk for one book only. No. V4S.

HELLINGA, WYTZE GERBENS See: VIJF PONDEN PERS in this index and also entries in author catalogue.

HENDRIKS, JAN Utrecht, 1943,44. Pro During the years of occupation this printer devoted himself exclusively to the printing of illegal newspapers and clandestine books at great per• sonal sacrifice. By dismissing all his employees in order not to endanger them he gained the reputation of working for the Nazis. His only assis• tant was his daughter who helped with the printing and with the distri• bution of finished work. In his book Vij! jaar drukkunst "in het verbor• gene", "Five years of printing in secret", published by The Busy Bee in 1945, he tells how she used to push a pram with a live baby on top of a pile of underground papers. Among the books he printed for The Busy Bee was its ftrst publication, Campert's De achttien dooden. No. C1; 04; G12; L15; M20, 26; P13; R22; S23; V2, 43; W2S.

HERBERGREEKS The Hague, 1945. The "Hostelry series" published by Dirk de Jong who gave shelter to many fugitives at his home, the device featuring a welcoming coaching inn. No. B29, 55; G21; R31; V44, 49; WS.

HIERDEN, A. V AN Eerbeek, 1944. Pro No. H15.

HlJLKEMA. G. The Hague, 1945. Pr. No. V45. 246 PUBLISHERS' INDEX

HOES, FRANSO By profession a banker and otherwise unknown as a publisher he spe• cialized in the kind of clandestine book known in Holland as mystifica• tion, i.e. misleading in title, imprint and as much other information about the book as possible. The books and broadsides he published are also distinguished by· their strongly anti-Nazi character and their warm con• cern for the sufferings of his people. Many of his books are recognizable by the embossed decoration on their titlepages. No. B3; E8; G14; H26, 28,43,51; N7; P3, 5; S27; V28, 32; W1l.

HOEYENBOS, J. Utrecht, 1942, 45. Pro No. Ell; M21; N18.

De HOFSTAD The Hague, 1945. Pro No. W17.

HOLLAND Amsterdam, 1943, 45. No. L18a; R30.

HOMERUS PERS Bussum, 1943. An imprint used by F.G. Kroonder. No. E14; M9, 10; W3.

HOOGLAND Delft, 1944. Pr. No. L21; N1l.

HOONTE Utrecht, 1944. Pro No. M22.

IJDO, ED. Leiden, 1944. Pro No. P4.

De I]SEL Deventer, 1943-45. Pr. A firm taking its name from the local river, also using the name Aen de Rivier, "By the River". No. B3; H51; N8; P3; V32; W11. PUBLISHERS' INDEX 247

IN AGRIS OCCUPATIS Yerseke and Groningen, 1944. "In occupied country", an imprint used fust by A.Th. Mooij alone at Yerseke in zealand and later by him together with W.H. Nagel and W.H. Overbeek at Groningen. Publications with this imprint comprise the "Voliere-reeks", i.e. the "Birdcage series", with the device of the cage in the colophon, and the "Portefeuille serie" of books small enough to fit into a wallet as well as books outside these series. Many were either printed, or printed and illustrated, by H.N. Werkman. No. A14j E13j L16j M12, 23j N1j 04j S15j T5, 6j V10, 15, 26j W1S.

IN DE BENARDE NEDERLANDEN Bussum, 1945. "In the troubled Netherlands", an imprint used by F.G. Kroonder. No. M32.

INDENBLOEMHOF Wormerveer and *Wassenaar, 1944,45. "In the flower garden", also in an English version, Flower Garden Press, an imprint used by Meijer's Boek- en Handelsdrukkerij. No. A26j B7j D16j E3j H41, 45-47j P12j T2.

IN DEN CEDER VAN DEN LIBANON * Laren, 1945. A false imprint used by Franso Hoes, Amsterdam. No. S27.

IN DEN DROEVEN TYT Bussum, 1944. "In time of sorrow", an imprint used by F.G. Kroonder. No. E2.

IN DEN TOREN Naarden, 1945. An established imprint of Jan Poortenaar. No. F4.

IN DUYSENT SORGHEN Utrecht, 1944, 45. "In a thousand cares", an imprint used by Albert Kuyle and Antonius Leonardus Erwich. No. E10j M15.

IN SIGNO PISCIUM Oegstgeest, 1944, 45. "In the sign of the fishes", a series imprint used by K.H. Heeroma for his own and other poets' work, with the declared aim of assisting the "underwater dwellers", another name for the men and women who had 248 PUBLISHERS' INDEX gone "underground", i.e. into hiding. No. 8 in the series was not pub• lished. No. Hll, 12, 16, 18, 19; L21; Nll; P18; S25.

INDENHAECK (INDENHAEK), W. *Stadskanaal, 1944, 45. A false imprint used by Jac.P. Romijn. No. B52; El0; K5.

De IVOREN TOREN * Apeldoorn, 1945. "The ivory tower", a false imprint used by Franso Hoes, Amsterdam. No. G14.

JAKOPERS The Hague, 1945. Imprint of J. Kortenhorst. No. W17.

JANSEN, P.J. Leiden and Eerbeek, 1944. Printer and publisher. No. H15, 17.

JONG, DIRK DE The Hague, 1943-45. Published anonymously, under the imprint Uitgeversmaatschappij Jan van der Noot and with the series imprint De Herberg-reeks. No. B29, 55; D3; G21; R31; S10; V44, 49; W8.

KAMEL EON PERS Bussum, 1945. Imprint used by F.G. Kroonder to symbolize the many times he had for safety's sake changed his appearance. No. N22; S1.

KANON,JAN Delft, 1945. Pro A false name given for Van Marken's Drukkerij. No. H49.

KARSTENS, J. Pr. See: LEIDSCHE HANDELSDRUKKERIJ.

KEMINK & ZOON Utrecht, 1943. Pr. No.G4. PUBLISHERS' INDEX 249

KENTAUR·DRUCK Amsterdam, 1941. A series with the device of a centaur, published by K.G. Kollar at his Akademische Verlagsanstalt Pantheon. No.C9.

KETELAAR & DE LEEMPT *Utrecht, 1943. Pro False names given for "De IJsel", Deventer. No. H51.

KLEINE DIETSE KEUR The Hague, 1943. Series published by Servire. No. V31.

KNOCK·OUT·PRESS The Hague, 1945. No. H56.

KNOOP Haren, 1944. Pro No. W18.

KOCH & KNUTfEL Gouda, 1942,43. Pro No. B1; 03; V6.

KOERSEN, H.J., & ZONEN Amsterdam, 1945. Pro No. A31; B41; W12.

KOLLAR, K.G. Amsterdam, 1941-44. Published under the imprints Akademische Verlagsanstalt Pantheon, Pe• gasos Verlag, Rhein verlag. No. C9; G13; H40; L1; P1; T8.

KONING, DAVID Haarlem, 1944. Used the imprint "Die Raeckse". No. H44;M5.

KONINGH, H. DE The Hague, 1944, 45. Publisher and bookbinder. No. A20; G24; H2, 56; L22, 23; M2. 250 PUBLISHERS' INDEX

KOOIJMAN,J. Amsterdam, 1945. Published under the imprint Blauwe Lucht, "Blue Sky". No. J1.

KORTENHORST, J. The Hague, 1945. Published under the imprint Jako Pers. No. W17.

KRIMPEN, HUIB VAN The Hague, 1944. Son of the typographer Jan van Krimpen. Published anonymously and under the series imprint "Le lapin et Ie chat". No. C5, 11; E6; G22; H55; J4; K2.

KROON, M.G.J. Laren, 1945. Pro No. M32.

KROONDER, F.G. Bussum, 1943-45. An established publisher who adopted ever new disguises for his clan• destine publications. His imprints in chronological order are Homerus Pers, In den droeven tyt, Odyssee-Pers, Bayard Pers, In de benarde Ne• derlanden, Kameleon Pers, and even his own name. No. A17; B17, 38, 45; E2, 14; F3; H8; L8; M9-11, 24, 32; N22; R10; Sl, 29, 37; T7; V19, 25; W3, 4.

KUIPERS, ABE JOHANNES Groningen, 1945. No. D6; K16, 17; V39.

KUIPERS, REINOLD Amsterdam, 1944, 45. See also entry in author catalogue. No. H6, 7; K18, 19; R28; Sl1.

KUYLE,ALBERT See: IN DUYSENT SORGHEN.

LA RIVIERE & VOORHOEVE Zwolle, 1944. Pro No. H21.

Le LAPIN ET LE CHAT The Hague, 1944. A series published by Huib van Krimpen. No. C5, 11; E6. PUBLISHERS' INDEX 251

LARING & STOKVELD * Apeldoorn, 1943. Pro False name given for B.H. Nooy, Purmerend. No. H44.

LAST EN CO. Amsterdam, 1943. False imprint used by Franso Hoes. No. H43.

LASTDRAGER IJmuiden, 1943. Pro No. W23.

LEEFLANG, CHRISTIAAN Utrecht, 1943-45. A bookseller particularly active in the distribution of clandestine books and publisher under his own name and the imprints Boekhandel Broese, Douwe Diekema and Longuevie & Gendre. No. S21, 34; Vll, 29.

LEEMPT, G. VAN *'s-Hertogenbosch, 1945. False imprint used by A.A.M. Stols, The Hague. No. R19.

LEER, L. VAN Amsterdam, 1944. Pro No. 02.

LEEU, GERARD *Gouda, 1944. False imprint used by A.A.M. Stols, The Hague. No. R18.

LEEUWEN,P. VAN NieuwVennep, 1944. Pro No. MS. See also: ·no. H44.

LEEUWEN, S.]. VAN Hillegersberg, 1944. Pro No. P15. 252 PUBLISHERS' INDEX

LEIDSCHE HANDELSDRUKKERI] J. KARSTENS Leiden, 1944. Pro No. AS, 15; L12, 13.

LEITER-NYPELS Maastricht, 1943, 44. Pro No. B21, 48, 49.

LIBERTAS The Hague, 1945. Newspaper. No.M2.

LINDENBAUM & co. Amsterdam, 1944. Pro No. B42.

LOCHEMSE HANDELS- EN COURANTENDRUKKERI] V.H. J.H. SCHEEN Lochem, 1941. Pro No. M27.

LONGUEVIE & GENDRE *Liege, 1945. Imprint used by C. Leeflang, Utrecht. No. V1I.

LOOT,MAX See: MAHAMAPERS.

LUBBERHUlZEN,GEERTJAN See: De BEZIGE BI].

LUCTOR ET EMERGO The Hague, 1944. Pro The motto of the province of Zealand: I struggle and I emerge, name of an established firm. No. B54; G22; K2.

MAAS,J.J. Amsterdam, 1943. Pro No. W5. PUBLISHERS' INDEX 253

De MAAS ENWALER Druten, 1943. Pro No. 01; Z2.

MAHAMAPERS The Hague, 1944. Imprint used by Max Loot, Han Boomsma and Maarten Vrolijk. No. B54; DB; H3; V45.

MANGART, PIERRE Rosieres (Picardie), 1943, 44. False imprint used by AAM. Stols, The Hague. No. Bl0; C2; Fl; Gll; M33; R13; V21; W16; Z4.

MANSARDE PERS The Hague, 1943, 45. "Attic Press", an imprint used by Bert Bakker, Fokke Tamminga and C.AB. Bantzinger., The attic was the room above Tamminga's printing office which they used for their meetings. No. A6, 9, 13, 16, 30; H53; R25.

MANTEAU,A. Brussels, 1945. No. B36.

MARCKELBACH Bussum, 1945. Pro No. V25.

Van MARKEN'S DRUKKERIJ Delft, 1944,45. Pro No. H49; RiB, 19.

MARNIXPERS *Amsterdam, 1944. Imprint used by P.J. Venemans, The Hague. No. Dll; S22.

MEIJER'S BOEK- EN HANDELSDRUKKERIJ Wormerveer, 1941-45. This long established major printing house printed many clandestine publications for other publishers and used several fictitious imprints for its own publications, among which De Poolpers, Gouda, In den Bloem• hof and Flower Garden Press, and Jean Nicolle, Louviers, are represented in the British Museum collection. No. A21-24, 26, 27; B7, 43; C4, 7, 9;D2, 13, 16, 20;E3;G13, 14, 17, 254 PUBLISHERS' INDEX

18; H22, 23, 37,40,41,45-47; Kll; Ll, 5, 7, 9;M17, 18, 29, 30, 34, 37; P12; Rl, 13a, 17; S7, 17, 27, 30, 32; T2; V3; Wl0; Z3.

MEISCHKE, J.C.A. Amsterdam, 1944. Pro No. H55.

MEREL-REEKS Groningen, 1945. Series published by A.J. Kuipers. No. D6; K16, 17.

De MOLENPERS Leiden, 1944, 45. "The Mill Press", imprint used by Jan Vermeulen, Leiden, with obvious allusion to his name, and with a device of mill sails. No. A4, 5, 15; P8; S35b; V12, 13.

MOOI], AREND THEODOOR See: IN AGRIS OCCUPATIS.

MORKS' DRUKKERIJ Dordrecht, 1942. Pro No. B28.

MORRIEN, ADRIAAN See: Het ZWARTE SCHAAP in this index and also the entry in author cata• logue.

MOS, H.M. Amsterdam, 1944. No.G5.

MOUTON & CO. The Hague, 1942,45. Pro No. E18; H24; 05.

Het MUIDERSLOT *Muiden, 1945. False imprint used by Franso Hoes, Amsterdam. No. V32.

NAGEL, WILLEM HENDRIK See: IN AGRIS OCCUPATIS. PUBLISHERS' INDEX 255

NAGENGAST Castricum, 1944. Pro No. D14; W24.

NEDERLANDSCHE KEURBOEKERlJ Amsterdam, 1942. No. 03.

NEDERLANDSCHE UITGEVERSMAATSCHAPPIJ * Amsterdam, 1944. A false imprint used by A.G. Schoonderbeek, Laren. No. H21.

NICOLLE, JEAN *Louviers, 1945. Pro False name supplied for Meijer's Boek- en Handelsdrukkerij, Wormerveer. No. R13a.

NIEUWLEVEN The Hague, 1944. Pro No. C5, 11;J4.

De NIEUWE GEDACHTE Laren, 1942. No.K11.

NIEUWENHUlJSEN, W.P. VAN Utrecht, 1944, 45. Pro No. A18;J5.

NlJE, TH.E. Amsterdam, 1944. No. B15.

NOOT, JAN V AN DER The Hague, 1944. A false imprint used by Dirk de Jong. No.D3.

NOOY,B.H. Purmerend, 1943. Pro No. H44.

NOVARIA *Maastricht, 1945. False imprint used by the publishing firm Holland, Amsterdam. No. R30. 256 PUBLISHERS' INDEX

NVPELS, CHARLES Amsterdam, 1941. Pro No. C10. See also entry in author catalogue.

ODYSSEA PERS Noordeloos, 1945. An imprint used by Anthony Bosman. No. B26, 27.

ODYSSEE PERS *Utrecht, 1943. False imprint used by G.W. Breughel, 's-Graveland. No. B1; V6.

ODYSSEEPERS *Utrecht, 1943 [44?]. False imprint used by F.G. Kroonder, Bussum. No. W4.

OLDEBOERRIGTER, MELLE JOHANNES Amsterdam, 1945. No. H27. See also entry in author catalogue.

ONS VOLK Amsterdam, 1944, 45. Underground newspaper. No. D12a; H57.

OORSCHOT, G.A. VAN Amsterdam, 1944. No. A10.

OP KORTE GOLF Den Dolder, 1941. "On Short Wave". No. S6.

OPHORST, RUTGER Bussum, 1944,45. Pro No. B38; F3; H8; Mll; V19.

OPRECHT ZUrich, 1944. No. B35.

ORION The Hague, 1944. Pro No. G20. PUBLISHERS' INDEX 257

D'OUOE ZOUTKEET Zaandijk, 1944, 45. Imprint used by Klaas Woudt. No. A2; B23; Dl; S12, 18; Zl.

OVERBEEK, WlLLEM HENDRIK See: IN AGRIS OCCUPATIS.

PANDORA PERS The Hague, 1945. Imprint used by Martin Veeneman. No. E7.

PARNASSUS Amsterdam, 1943? No.N4.

PASMAN, J. Zuilen, 1943, 44. Pr. No. B9, 47; H5, 13; M36; R8, 14, 27; S8; V8, 41.

De PATRIOT Haarlem, 1943. Underground newspaper. Pro No. H44.

PEGASOS VERLAG Amsterdam, 1944. An imprint used by A.G. Kollar. No. G13.

PEGASUS PERS Amsterdam, 1945. An imprint used by Franso Hoes. No. P3.

PELLE, Brothers Bussum, 1942 [44?], 43. Pro No. M9; W3, 4.

De PERI scoop *Naarden, 1943. An imprint used by Franso Hoes, Amsterdam. No. P5.

PERSEN DER NAAMLOOZEN Amsterdam, 1944. "Press of the Nameless", imprint used by Pieter Starreveld. No. M25. 258 PUBLISHERS' INDEX

PILLOT, A.C.M. Tilburg, 1944. Bookseller. Pr. No. H28.

PLANETA Haarlem, 1944. Pro No. R29.

PLANTIJN Rotterdam, 1945. Pr. No. V46.

PLEITER,H. The Hague, 1944. Pro No. H50.

POLAK,W. The Hague, 1944. No. P16.

PONTNEUF Amsterdam, 1945. No. R7.

De POOLPERS *Gouda, 1944. False imprint used by Meijer's Boek- en Handelsdrukkerij, Wormerveer. No. A21-24.

POORTENAAR, JAN Naarden, 1945. Published under the imprint In den Toren. No. F4.

PORTEFEUILLE-SERIE Groningen, 1944. Published by In agris occupatis. No. E13; L16.

PROMINENTENREEKS Amsterdam, 1942. Series published by L.J. Veen. No.Z3.

PULVIS VIARUM Wassenaar, 1945. Series published by Henri Friedlaender. No.G33;05. PUBLISHERS' INDEX 259

QUOUSQUE TANDEM Utrecht, 1943, 44. "How much longer", a series published by De Bezige Bij. No. A29; B19, 25; G8; L2, 14; M26, 28; 02; R16, 22; S5; V7, 38; W27.

Die RAECKSE *Apeldoorn, 1943, 44. False imprint used by David Koning and the underground newspapers De Vrije Katheder and De Patriot, Haarlem. No. H44;M5.

De RECHTVAERDIGE TROU Amsterdam, 1943. "Steadfast loyalty", a false imprint used by Franso Hoes. No.H51.

De RESIDENTIEBODE The Hague, 1944. Newspaper. Pro No. B16.

RHEINVERLAG *Ziirich, 1942. False imprint used by Franso Hoes. No.T8.

RI]NLAND Alphen aan den Rijn, 1944. Pro No. B24.

ROELOFFSEN & HUEBNER Amsterdam, 1943. Pro No. B12.

ROMI]N,]ACOBPIETER Utrecht, 1943-45. For biographical data see author catalogue. His aim in clandestine pub• lications was to help living authors and artists whose work was no longer allowed to be published unless they submitted to the regulations of the regime. He published very small books of particularly good design and two "rijmprenten", both in the British Museum collection. His aversion to other than pre-war established pseudonyms rebounded on himself when, after being warned by a former friend then employed by the De• partment of Information that he would have to cease publishing or get into serious trouble after earlier reprimands had evidently had no effect, he adopted the pseudonym Willem I ndenhae ( c)k both for a work of his 260 PUBLISHERS' INDEX own and for his imprint which he also gave the false place name of Stadskanaal. He published anonymously or under the series imprints Schildpad-reeks and Handpalm-reeks, the pseudonym W. Indenhaeck or his own name. No. A18; B2, 9, 18,47,52; D4; EI0; G12. 26.31; H5, 13; K5, 7, 8,13; L15, 18, 24; M20, 36; R8, 14, 15, 26, 27; S8, 23; Vl, 2,4,8, 24,41.

ROSSUM,J.R. VAN Utrecht, 1943-45. Pro No. B2, 52; DI0; K8; L18, 24; S21; V7.

ROZENBORG(ROSENBORG) Appingedam, 1945. Pro No. S19, 20.

RUMA Amsterdam, 1945. No. M14a.

RUSTENBURG Amsterdam, 1945. Pr. No. GI0; J1.

SANDERS, s. *Bergen-aan-Zee, 1945. False imprint used by A.A.M. Stols, The Hague. No. H49.

SCHAAF, J. V AN DER Amsterdam, 1943, 44. Pro No. A17; B37; E14; RI0.

SCHEEN,J.H. See: LOCHEMSE HANDELS- EN COURANTENDRUKKERIJ.

SCHILDPAD-REEKS Utrecht, 1943, 44. "Tortoise series", published by J.P. Romijn who chose the name for its suggestion of toughness and longevity. No. B2, 9, 18, 47; D4; G12, 26; H5, 13; K7, 8, 13; L15, 18; M36; R8, 14, 15,27;S8,23;Vl,2,4, 8,24,41.

SCHOONDERBEEK,, ARIE GERRIT Laren, 1944. No. H21; V27. PUBLISHERS' INDEX 261

SEMAPHORE PERS Dordrecht and Noordeloos, 1942-45. Imprint used by Anthony Bosman, also in the form S P. No. A33; B28, 30, 31, 51; S13, 16.

SEMPER LABORANS 's-Graveland, 1945. No. HS2.

SERVIRE The Hague, 1943, 44. No. V31.

SEZILLE, CLAUDE *Paris, 1943. Pro False name used for the printing firm Trio, The Hague, in imprints of A.A.M. Stols. No. B10; C2; F1; Gll; M33; V21; W16; Z4.

SIJTHOFF, A.W. Leiden, 1943-45. Printers and publishers. No. B13, 14, 29, 50, 55; H16; KI0; Lll; P8, 18; R31; V13, 44,49.

SKOVGAARD, JENS *Copenhagen, 1944. False imprint used by A.AM. Stols. No. L4.

De SLEUTELPERS Leiden, 1945. "The Key Press", imprint used by the publishing firm A. W. Sijthoff, Leiden, the name recalling the arms of that city. No. BSO.

SMIT, J.K. & ZOON Amsterdam, 1942-45. Pro No. H7, 57; K18; N22; P14.

SOMERSET PRESS Sidcot, 1944. Fictitious imprint used by AAM. Stols, The Hague. No. E19.

SOUSMARIN Heemstede, 1945. Imprint used by De Toorts. No. V30. 262 PUBLISHERS' INDEX

Het SOUSTERRAIN Rotterdam, 1945. Resistance group. No. V46.

SOUTENDlJK, GER Amsterdam, 1944, 45. See also entry in author catalogue. Used the imprint De Distelvink. No. G27; H25; J2, 3; K14; L10; S28.

SP See: SEMAPHORE PERS.

SPAANDERS Haarlem,1944. False imprint used by Aldert Witte. No. W24.

Het SPECTRUM Utrecht, 1943, 44. No. A12; M16; W6.

De SPIEGHEL Amsterdam, 1944. No. N8.

SPIN, C.A. & ZOON Amsterdam, 1943, 44. Pro No. A19; M15.

SPRUYT, MART. Amsterdam, 1945. Pro No. B20; G2; K15; M35; N21; P6; R30.

STARREVELD, PIETER Amsterdam, 1944. Sculptor. No. M24.

STEEG, W. VAN DER Enschede, 1944. Pro No.G6.

STICHTING CHRISTOFOOR See: CHRISTOFOOR. PUBLISHERS' INDEX 263

Het STICHTSE PEPERTJE Utrecht, 1944. Imprint used by Ons Volk. No. D12a.

STOLK,G. Dordrecht, 1945. Pro No. A33; B53; S33.

STOLS, ALEXANDER ALPHONSE MARIUS The Hague, 1943-45. For biographical data and list of works printed to his typographical de• sign see entry in author catalogue. For his own clandestine publications he used not only his own name as imprint, or published them anony• mously, but invented a number of fictitious imprints of Dutch and for• eign, past and present places and dates, not all of them represented in the British Museum collection. Imprints to be found there are: Gerard Leeu, Gouda; Gerard Leempt, 's-Hertogenbosch; S. Sanders, Bergen-aan• Zee; Somerset Press, Sidcot; Les amis danois de Maxime Clare moris, Co• penhagen; Editions Paul Demeny-Fils, Douai; Halewynpers, together with Fokke Tamminga, The Hague; and his most famous false imprint, Pierre Mangart, Rosieres (Picardie). Some of the printers named in colophons are equally fictitious, Jens Skovgaard, Copenhagen, hiding the printing house of Boosten & Stols, Maastricht, Jean Nicolle, Louviers, that of Meijer's Boek- en Handelsdrukkerij, Wormerveer, and Claude Sezille, Paris, the firm Trio, The Hague. The pretended French imprint was so successful that the story is told of a French friend of Stols remarking to him on the quality of these books, revealing such a similarity of design to his own books and asking whether Stols knew Mangart and could arrange a meeting with this admirer, whereupon Stols is said to have bowed saying, he is standing before you. No. B10;C2, 6; D9; E15-17, 20; F1; G9, 11; H49; L3, 6; M1, 3,4,7,33; P15; R9, 11, 13, 13a, 18,19; S26; V4, 17, 18, 21, 34; W16, 26; Z4.

STRENGHOLT, A.J.G. Amsterdam, 1943. No. B8.

De STRIJD The Hague, 1945. "The Struggle", imprint used by Samuel Juliard for his own work. No. E12.

SUB ROSA Amsterdam, 1945. No. V23. 264 PUBLISHERS' INDEX

TABABA-PERS The Hague, 1944. An imprint used by Bert Bakker for one publication only, combining in this name also the first two letters of his printer Tamminga and his illus• trator Bantzinger. No. B5.

TAMMINGA, FOKKE The Hague, 1943-45. Pro His business was closed by the Germans for no better reason than that there were too many printers working already. His machinery was later supposed to be taken over by a bombed-out printer at Aachen. He con• tinued to print all through the war behind closed shutters and prevented the take-over of his presses by sheer determination. He printed several underground newspapers which were distributed free and made a living from the finely printed clandestine books he produced. He was a partner with A.A.M. Stols in the Halewynpers and with Bert Bakker and C.A.B. Bantzinger in the Tababapers and the Mansarde Pers, later Final Stage Press, the names suggested by the attic in which they met and the hope in 1944 of having reached the final stage of the war. He printed also for other publishers such as The Busy Bee, D.A. Daamen, K.H. Heeroma, Knock-out-Press, A.A.M. Stols, Vrij Nederland and Pulvis Viarum. No. A6, 9, 13, 16, 20, 29, 32;B4, 5, 25;D9;E9;G25,33;H2,9, 12, 14, 18, 19, 48, 52, 54, 56; M1, 3, 4; N19; R4, 25; S14, 25, 31; V34, 42; W19, 20, 27.

TEULINGS, C.N. 's-Hertogenbosch, 1945. Pro No. E8.

THIEME, G.]. Nijmegen,1945. Pro No. M19; T8.

De TI]DSTROOM Lochem, 1941. No. M27.

De TOORTS Heemstede, 1945. Used the imprint Sousmarin. No. V30. PUBLISHERS' INDEX 265

TRIO The Hague, 1943-45. Pro Long established printing firm on a cooperative basis. Printed clandes• tine editions for De Bezige Bij, Jac.P. Romijn and others and for the periodical Ad Interim. No. A18; B10, 18; C2; F1; Gll, 15, 16; K7, 13; L3, 6; M33; R9, 13, 14; S5; V4, 21; W16; Z4.

TROUW Laren, 1944. Underground newspaper. Pro No.G5.

TWEE FONTEINEN *Driebergen, 1944. False imprint used by Franso Hoes, Amsterdam. No. N7.

D'UILENSPIEGEL-PERS Santpoort, 1943. Imprint used by Aldert Witte. No. 01; P7; V47; Z2.

UITGEVER, UITGEVERSMAATSCHAPPIJ For names of publishing houses beginning with this designation see the individual name following it.

URBI ETORBI Amsterdam, 1943. No. A19.

URSUSMAIOR *'s-Hertogenbosch, 1944. False imprint used by Franso Hoes. No. H28.

UTRECHTSE TYPOGRAFEN ASSOCIATIE Utrecht, 1943, 44. Pro No. A29; B19, 40; G31; M28; 02; R16; V1, 5, 38.

D'UYLEN-SPIEGHEL-PERS See: D'UILENSPIEGEL-PERS.

De VALK Amsterdam, 1944. Pro No. W13. 266 PUBLISHERS' INDEX

VEEN, DICK VAN Amsterdam, 1944,45. No. G6, 7.

VEEN, L.J. Amsterdam, 1942-45. No. D20; M19; W5; Z3.

VEENEMAN, MARTIN The Hague, 1945. Used the imprint Pandora Pers. No. E7.

VEENMAN & ZONEN Wageningen, 1943. Pro No. L18a.

VELDENER, ]OHAN *Utrecht, 1943. Pro False printer's name supplied by Franso Hoes. No. P5.

VENEMANS, P.]. Schiedam, The Hague, * Amsterdam, 1941-44. Published under his name, anonymously or under the imprint Marnix Pers. No. C10; Dll; S22; Tl.

VEREENIGDE ]OUSTER DRUKKERI]EN ]oure, 1944. Pro No. V27.

VERMEULEN,] AN Leiden, 1944,45. Used the imprint Molenpers. No. A4, 5, 15; P8.

VERWEY, G.A. Schiedam, 1943, 44. Pro No. S22; Tl.

VI]F POND EN PERS Amsterdam, 1942-44. 5lb Pers, "5 pound Press", a series of books combining a carefully select• ed text with special care in book production to satisfy a demand for fine books free from interference by the occupation government. The sugges- PUBLISHERS' INDEX 267 tion for the series and the choice of texts came from Wytze Hellinga, the commercial side was seen to by the bookseller and publisher A.A. Balkema, much of the printing was in charge of the typographer Jan van Krimpen. Books published in the series while Wytze Hellinga was living in hiding away from Amsterdam and communications were difficult to maintain, are not recognized by him. The subscribers' list varied from fifty to fifty-five names, and no more copies were printed than were needed for them. No. B12; D2, 7; H20; K3, 11; L5, 25; M6; N3, 13,20; P9; Q1; R12, 17; S2.

De VIJF RINGEN Amsterdam, 1945. No. M31a.

VIJLBRIEF, P. Utrecht, 1943. Pr. No. G26; V24.

VISSER, c. Huizen, 1941-45. Pro No. B17; E2, 12; H21; L8; M24; N10; S29, 37; vio.

VLIEGEND VERZET The Hague, 1945. "Resistance on the wing", a series published by F.E.A. Batten. No. B44; D19.

VOLIERE-REEKS Groningen, 1944. "Birdcage series", published by In agris occupatis. No. E13; L17; M23; N1; 04; S15; T6; V10, 15, 26; W18.

VONK&CO. Zeist, 1945. Pro No. H52.

VOSKENS, DIRK The Hague, 1945. Pro Pseudonym used by Fokke Tamminga. No.D9.

De VRIJE KATHEDER Haarlem, 1943. Underground newspaper. Pro No. H44. . 268 PUBLISHERS' INDEX

VRI] NEDERLAND Amsterdam, 1943-45. Underground newspaper. No. N19; R2-4; T12.

VRIJHEIDSDROMEN Amsterdam, 1945. "Dreams of freedom", a series published by Ruma. No. M14a.

VRI]ZINNIG CHRISTELI]KE ]EUGD CENTRALE Utrecht, 1942. No. N18.

VROLI]K, MAAR TEN See: MAHAMAPERS in this index and also entry in author catalogue.

De WAAL Groningen, 1944, 45. Pro No. D6; K16, 17; R5; V39.

WERF, G. VAN DER Amsterdam, 1944. No.E4.

WERKMAN, HENDRlK NICOLAAS See entry in author catalogue, introduction (p. 2) and entries in this index under De BLAUWE SCHUlT, IN AGRIS OCCUPATIS.

WEST-FRIESLAND Hoorn, W. Fr., 1944. No. Sl; W7.

De WIELEWAAL Dordrecht, 1945. Imprint used by Louis den Boef. No. S33.

WlERING Amsterdam, 1945. No. B39.

WITTE, ALDERTMARIA Santpoort and IJmuiden, 1943,44. Published anonymously, under his own name or the imprints De Golf• slag and D'Uilenspiegel-Pers. See also entry in author catalogue. No. D14; 01; P6, 7; V47; W23-25; Z2. PUBLISHERS' INDEX 269

De WITTE RAAF Amsterdam, 1944. Imprint used by H. Drijvers. No. H42.

WORM, PIET Alkmaar, 1943. Printer and publisher. See also entry in author catalogue. No. A1, 3.

WOUDT, KLAAS Zaandijk, 1944, 45. Used the imprint D'Oude Zoutkeet. No. A2; B23; D1; S12, 18; Z1.

WRINGER, H.P.G. DE Gorinchem, 1943. No. W28.

XELHUAPERS Dordrecht, 1945. Imprint used by Cornelis Buddingh'. No. B53.

De ZEVEN BOKALEN *Kortenhoef, 1945. False imprint used by Franso Hoes, Amsterdam. No. W11.

ZOETEWEIJ, E.TH. Yerseke, 1944. Pro No. M12, 23; T5; V15.

ZWAAN&ZOON Alkmaar, 1940,41. Pro No. R20, 21.

Het ZWARTE SCHAAP Amsterdam, 1943, 44. "The Black Sheep", an imprint used also in its French form, La Bete Noire, and, not represented in the British Museum collection, in English as The Black Sheep, by AA Balkema, F .E.A Batten and Adriaan Mor• rien. The device of the sheep's head is by Dick Elffers. No. B34; L9, 20; M34; P4. CONCORDANCE I

De Jong B.M. De Jong B.M. De Jong B.M.

3 A1 59 A29 112 B40 5 All 61 H30 114 B41 6 A4 64 F2 116 B42 7 AS 67 B8 119 B43 8 A6 69 B9 121 B44 10 A3 70 B10 123 B46 11 A7 71 B11 124 B47 12 A8 72 B12 126 B51 13 A9 78 B13 127 B50 14 A10 80 B16 128 B52 22 A12 82 B17 129 B53 23 A13 85 B18 131 B55 25 A14 86 M2 135 N12 26 A15 89 M3 138 C1 27 A16 91 B21 140 R2 28 A17 92 B22 140 note R3 31 A19 93 B23 141 R4 33 A20 95 A2 143 C2 34 B26 98 H17 148 C4 39 J1 99 V26 149 C5 40 K6 100 B27 151 L11 45 K16 101 B28 155 C6 48 H29 102 B29 156 C7 49 A32 103 B30 157 C8 50 A33 104 B31 160 W27 51 B1 106 B34 162 C10 54 B3 107 B37 165 C11 56 B5 108 B38 166 A21 58 B6 109 B39 167 P16 272 CONCORDANCE I

Dejong B.M. De Jong B.M. De Jong B.M.

171 Dl 242 E7 315 G11 172 D2 243 E8 319 G12 173 D3 244 E9 326 G24 175 A24 245 El0 328 GiS 176 D4 249 Ell 330 G16 177 D5 253 E12 331 G18 178 N11 254 B48 332 G19 179 D6 255 E13 333 G20 182 N14 256 E14 334 G21 183 M7 258 S2 335 G22 184 H31 260 E15 339 G26 186 K17 261 E16 340 G30 189 D7 262 E17 341 G25 191 H22 263 E18 348 B54 192 S34 264 E19 349 G33 199 V16 267 Fl 353 L14 200 D12 274 F3 354 H2 201 D12a 280 H42 355 H56 202 A26 282 PiS 356 H3 203 D13 283 Gl 357 B19 205 D14 284 C3 358 B20 207 K11 285 G23 362 H4 208 DiS 286 L26 364 H5 212 W9 287 B24 365 H6 214 04 292 B35 366 H7 215 D21 294 G2 367 H8 217 A25 295 B36 370 R17 219 A27 297 G3 372 H23 220 A30 298 J2 373 H24 221 A31 299 J3 376 H37 223 V44 303 S28 378 H39 224 V49 304 H32 379 Kl0 226 V48 308 G5 380 H40 227 D8 309 G6 383 L22 232 N13 310 G7 384 S18 235 El 311 G7a 385 H21 239 E5 313 G9 386 H41 241 E6 314 Gl0 387 H43 CONCORDANCE I 273

De Jong B.M. De Jong B.M. De Jong B.M.

391 H50 471 K19 537 H15 392 H49 473 Ll 539 M9,10 394 N15 474 L7 540 M11 396 H51 477 L2 541 M12 398 H52 481 L3 550 M14 399 Wl 483 L4 552 M15 401 B49 484 L5 553 S25 402 H53 485 L6 555 P18 403 H33 486 L8 556 M16 404 H54 488 H57 557 M19 406 H45 492 L9 559 Tll 407 H46 494 Ll0 560 M20 408 H47 497 L1S 561 G8 409 H55 498 V5 562 M21 418 R26 499 L17 563 M22 419 K12 500 L16 568 M23 421 V2 501 L18 569 L23 422 N16 502 L12 570 M27 423 N17 503 L13 572 M24 426 H9 504 L18a 573 M29 428 H11 506 A23 574 M30 431 H13 508 S9 575 M33 435 J4 511 E3 576 M34 436 J5 513 L19 578 H35 437 Kl 514 L20 580 03 438 K4 518 L24 581 M36 439 K2 519 L25 585 M37 440 K3 520 M3S 586 G27 444 K5 524 L27 590 D16 446 K7 527 Ml 591 N3 447 K8 528 D9 593 N5 455 B14 529 M5 594 G44 456 H34 531 M6 595 N7 457 B15 532 B25 596 N8 459 S21 533 M26 597 N9 461 K13 534 M28 599 K15 462 H16 535 M25 600 K9 469 K18 536 H14 602 H36 274 CONCORDANCE I

De Jong B.M. De Jong B.M. De Jong B.M.

604 E2 682 P19 741 S5 605 S8 683 Ql 742 S6 606 N20 684 Rl 744 W2 609 N22 685 M17 746 V22 610 Nl0 686 M18 749 S10 611 N18 687 V34 750 Sl1 612 N19 691 B33 751 S12 616 M32 692 E4 752 S13 617 01 693 S26 754 S17 618 02 695 Rll 758 G31 622 N21 696 RiO 759 S19 630 C9 697 R12 760 S20 637 05 698 R13 761 H25 640 B2 700 R13a 763 S22 642 Pi 701 R15 764 S23 644 M13 702 R14 768 B32 645 B4 703 Vi 770 S27 647 P3 704 R24 772 S29 649 P5 705 R16 773 K14 650 P6 706 R18 778 S31 651 P7 707 R19 780 S32 653 P9 708 R20 784 S33 654 D17 710 R22 785 S35a 655 D18 712 R25 789 S35b 656 D19 713 R27 790 G29 657 D20 714 H48 791 S36 659 Pl0 715 R28 792 S37 662 P11 716 R29 796 Nl 663 P12 718 R30 797 V42 664 H44 723 R31 798 Tl 665 P13 726 R32 804 T2 666 P22 730 M31 805 T3 667 P20 731 R8 807 L21 668 P21 732 R9 808 N2 670 G28 733 Dl0 809 T5 671 S24 735 Sl 810 T6 678 H27 738 S3 811 T7 681 P17 739 S4 813 T8 CONCORDANCE I 275

Dejong B.M. De Jong B.M. Dejong B.M.

815 T9 898 R23 961 W13 818 T12 904 V35 962 W15 819 T13 906 V36 964 W14 821 V46 907 V37 965 Yl 825 G13 908 V38 966 B7 827 Z5 909 V39 971 S14 836 V3 910 V41 975 Z2 838 F4 912 V45 976 S15 844 V6 913 V47 978 H2O 845 V4 914 V43 979 Z3 846 V7 916 TI0 980 Z4 847 V8 921 V33 983 A18 849 V9 922 W3 998 P2 850 VI0 924 W4 1000 R5 852 V11 925 W5 1001 S16 854 V13 926 V40 1002,3 S30 855 V12 927 W6 1005 Zl 857 V14 928 W7 1006 M8 859 G17 931 HI0 1009 G4 860 V15 934 W8 1013 S7 862 V19 938 W11 863 note V17 939 WI0 864 V18 940 P8 Not in De J ong: 865 V20 942 W16 868 G14 943 W17 B.M. 869 V21 944 W18 A28 R21 877 M4 945 W19 B4 S35 878 V23 946 W20 B45 T4 879 V24 947 L28 D11 V30 880 V25 950 W23 G30 V31 885 V27 951 W24 Hl W21 886 H12 952 W25 H38 W22 889 R6 953 W26 M28a 891 V28 956 H18 M31a 892 V29 957 H19 N4 894 V32 958 A22 N6 896 H26 959 W28 P14 897 H28 960 W12 R7 276 CONCORDANCE II

CONCORDANCE II

Location list for copies in the numerical order of D. de long, Het vrije hoek in onvrije tijd. x = copies available at Leiden University; Amsterdam University; Ko- ninklijke Bibliotheek, The Hague; Rijksinstituut voor Oorlogsdocumen- tatie, Amsterdam; British Museum Library. /). = copies acquired by the British Museum Library too late for inclusion in the descriptive part of this catalogue.

D] LU AU KB RI BM D] LU AU KB RI BM

1 x 29 x x 2 30 x 3 x x x x 31 x x x x 4 x x x 32 x x 5 x x x x x 33 x x x x 6 x x x 34 x x x x x 7 x x x x x 35 x x 8 x x x x x 36 9 x 37 10 x x x x 38 11 x x x x x 39 x x x x 12 x x x x x 40 x x x x x 13 x x x x x 41 x 14 x x x x x 42 15 x x x 43 x 16 44 x x 17 45 x x x x 18 x x 46 x 19 x x x 47 x x x x 20 x 48 x x x x 21 49 x x x x x 22 x x x x 50 x x x x 23 x x x x x 51 x x x x x 24 52 25 x x x x x 53 x 26 x x x x x 54 x x x x 27 x x x x 55 28 x IX x x 56 x x x x x CONCORDANCE II 277