Link BAND of BROTHER Series
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Scanned Using Book Scancenter 5131
St. John's College Independent Bi-Weekly • Volume 2, Issue 9 • Friday, February 20,1998 A letter from the Dean...... .....2 Fasching Ball Superstars.... ..... 5 Inside Reichman blurs the lines........3 Movie Reviews................... .... .6 A Letter from the Assistant Reality update................... .....4 J. Bielagus on Darwin........ ....7 Dean..........2 2 The Moon • February 20, 1998 • Volume 2, Issue 9 A Letter to the Community from Assistant Dean Basia Miller To the College Community, views of the two individuals and moved on or even fear in the college community. The Dean and I want to let you all know to include a number of other people from The Dean and I have been particularly about an event that has required our investi- each side whom we called upon or who aware of our responsibility to let you know gation over the past few days and how it came forward on their own. promptly as many of the details as possible was concluded. Writing an open letter to However, before the college concluded in order to squelch any rumors and allay any the campus community seems the quickest its investigation, the male student decided to anxieties you may have had. and most complete way to do this. withdraw, in part for financial reasons. His It disturbs the whole community to hear As you may or may not have known, one voluntary withdrawal from the college rumors and to be caught up in puzzling over of our female students allegedly suffered a meant that our investigation was terminated how this could happen on our campus. -
Bullet in the Head
JOHN WOO’S Bullet in the Head Tony Williams Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Tony Williams 2009 ISBN 978-962-209-968-5 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Condor Production Ltd., Hong Kong, China Contents Series Preface ix Acknowledgements xiii 1 The Apocalyptic Moment of Bullet in the Head 1 2 Bullet in the Head 23 3 Aftermath 99 Appendix 109 Notes 113 Credits 127 Filmography 129 1 The Apocalyptic Moment of Bullet in the Head Like many Hong Kong films of the 1980s and 90s, John Woo’s Bullet in the Head contains grim forebodings then held by the former colony concerning its return to Mainland China in 1997. Despite the break from Maoism following the fall of the Gang of Four and Deng Xiaoping’s movement towards capitalist modernization, the brutal events of Tiananmen Square caused great concern for a territory facing many changes in the near future. Even before these disturbing events Hong Kong’s imminent return to a motherland with a different dialect and social customs evoked insecurity on the part of a population still remembering the violent events of the Cultural Revolution as well as the Maoist- inspired riots that affected the colony in 1967. -
Ludacris – Red Light District Brothers in Arms the Pacifier
Pickwick's Video/DVD Rentals – New Arrivals 19. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ __________________________________________________________________ Ludacris – Red Light District Genre: Music Synopsis: Live concert from Amsterdam plus three music videos. Brothers In Arms Genre: Action Actors: David Carradine, Kenya Moore, Gabriel Casseus, Antwon Tanner, Raymond Cruz Director: Jean-Claude La Marre Synopsis: A crew of outlaws set out to rob the town boss who murdered one of their kinsmen. Driscoll is warned so his thugs surround the outlaws and soon there is a shootout. Set in the American West. The Pacifier Genre: Comedy Actors: Vin Diesel, Lauren Graham, Faith Ford, Brittany Snow, Max Theriot, Carol Kane, Brad Gardett Director: Adam Shankman Synopsis: The story of an undercover agent who, after failing to protect an important government scientist, learns the man's family is in danger. In an effort to redeem himself, he agrees to take care of the man's children only to discover that child care is his toughest mission yet. Pickwick's Video/DVD Rentals – New Arrivals 19. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ __________________________________________________________________ The Killer Language: Japanese Genre: Action Actors: Chow Yun Fat Director: John Woo Synopsis: The story of an assassin, Jeffrey Chow (aka Mickey Mouse) who takes one last job so he can retire and care for his girlfriend Jenny. When his employers betray him, he reluctantly joins forces with Inspector Lee (aka Dumbo), the cop who is pursuing him. -
Francis Ford Coppola La Remontée Du Fleuve Jean-Philippe Gravel
Document generated on 09/28/2021 11:11 a.m. Ciné-Bulles Le cinéma d'auteur avant tout Francis Ford Coppola La remontée du fleuve Jean-Philippe Gravel Science-fiction Volume 19, Number 4, Fall 2001 URI: https://id.erudit.org/iderudit/33706ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this article Gravel, J.-P. (2001). Francis Ford Coppola : la remontée du fleuve. Ciné-Bulles, 19(4), 4–7. Tous droits réservés © Association des cinémas parallèles du Québec, 2001 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Ford Coppola La remontée du fleuve PAR JEAN-PHILIPPE GRAVEL À la fin du mois de mai 1979, au Festival de Cannes, Francis Ford Coppola présentait Apocalypse Now. Cette grande première cannoise répondait alors à une certaine nécessité, celle de prouver que, contrairement à la rumeur, le film n'était pas un gigantesque ratage. Coppola se trouve donc sur la Croisette pour montrer qu'il a une véritable production sous la main, et ne la quittera qu'après avoir empoché ex-aequo la Palme d'or avec le Tambour de Volker Schlôndorff. -
Anjelica Huston
www.hamiltonhodell.co.uk Anjelica Huston Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company WAITING FOR ANYA Horcada Ben Cookson Goldfinch/Fourth Culture Films Assemblage Entertainment/AMBI ARCTIC DOGS Magda (Voice) Aaron Woodley Group JOHN WICK: CHAPTER 3 - PARABELLUM The Director Chad Stahelski Lionsgate/Summit Entertainment Indian Paintbrush/Twentieth ISLE OF DOGS Mute Poodle (Voice) Wes Anderson Century Fox TROUBLE Maggie Theresa Rebeck Washington Square Films THIRST SECRET Narrator (Voice) Nathan Silver Yellow Bear Films Bron Studios/XYZ Films/Gilbert THE CLEANSE Lily Bobby Miller Films TINKER BELL AND THE LEGEND OF THE NEVERBEAST Queen Clarion (Voice) Steve Loter Disneytoon Studios JAMES MCNEILL WHISTLER AND THE CASE FOR BEAUTY Narrator (Voice) Norman Stone 1A Productions/Film Odyssey THE PIRATE FAIRY Queen Clarion (Voice) Peggy Holmes Disneytoon Studios Roberts Gannaway/Peggy Walt Disney Pictures/Disneytoon SECRET OF THE WINGS Queen Clarion (Voice) Holmes Studios HORRID HENRY: THE MOVIE Miss Battle-Axe Nick Moore Vertigo Films THE BIG YEAR Annie Auklet David Frankel Fox 2000 Mandate Pictures/Summit 50/50 Diane Jonathan Levine Entertainment Jean-Loup Felicioli/Alain A CAT IN PARIS Claudine (Voice) France 3 Cinéma/Lumière Gagnol WHEN IN ROME Celeste Mark Steven Johnson Touchstone Pictures TINKER BELL AND THE -
Changing Attitudes Toward War and Women in Twentieth Century Film
Changing Attitudes Toward War and Women in Twentieth Century Film Mary Ann T. Natunewicz INTRODUCTION This unit has been written for use in two eleventh grade United States History courses. One course covers the period from 1865 to the present, while the second course, an Advanced Placement program, begins at the period of colonization. This unit will be used over a semester in sections that deal with World Wars I and II, the Korean Conflict, the Vietnam War, and the Gulf War. Most of the curriculum here could also be adapted for ninth grade courses. Each section of the lesson plans is designed for one or two 45- minute periods. The school in which this will be taught is an urban high school with 2500 students, a significant number of whom are refugees who have had first hand experience with war. Students who are still learning English will find films that use dialects and non-standard English especially challenging. PURPOSE AND OBJECTIVES OF UNIT It is the purpose of this unit to show students that war films do more than tell stories and provide catharses for viewers. Each film also conveys the social values and the mores of the period in which it was produced and addresses attitudes not only toward war, but also toward topics closely associated with war, such as the morality of fighting, the causes for which it is moral and just to fight, the definition of heroism and the responsibility of the individual to exhibit ethical behavior. Frequently, the causes worth fighting for are such things as political systems, home and family. -
New York Premiere of Restored Version of One from the Heart
www.movingimage.us NEW YORK PREMIERE OF RESTORED VERSION OF ONE FROM THE HEART A PINEWOOD DIALOGUE WITH FRANCIS FORD COPPOLA Tuesday, October 21, 2003 7:30 p.m. ONE FROM THE HEART Zoetrope Studios, 1982, 100 mins. Restored 35mm print courtesy American Zoetrope . Directed by Francis Ford Coppola. Written by Francis Ford Coppola and Armyan Bernstein. Photographed by Vittorio Storaro. Produced by Gray Frederickson and Fred Roos. Executive producer, Bernard Gersten. Editing by Anne Goursaud, with Rudi Fehr and Randy Roberts. Original Music by Tom Waits. Music performed by Waits and Crystal Gayle. Production design by Dean Tavoularis. Art Direction by Angelo Graham. Costume Design by Ruth Morley. Choreography by Kenny Ortega. Principal cast: Frederic Forrest (as Hank), Teri Garr (Frannie), Raul Julia (Ray), Nastassia Kinski (Leila), Lainie Kazan (Maggie), and Harry Dean Stanton (Moe). Screening followed by a Pinewood Dialogue with Francis Ford Coppola, moderated by David Schwartz, Chief Curator of Film. Films directed by Francis Ford Coppola: Dementia 13 1963 You’re a Big Boy Now 1966 Finian’s Rainbow 1968 The Rain People 1969 The Godfather 1972 The Godfather Part II 1974 The Conversation 1974 Apocalypse Now 1979 One from the Heart 1982 The Outsiders 1983 Rumble Fish 1983 The Cotton Club 1984 Faerie Tale Theatre: “Rip Van Winkle” 1985 (For Television) Captain Eo 1986 Peggy Sue Got Married 1986 Gardens of Stone 1987 Tucker: The Man and His Dream 1988 New York Stories: “Life Without Zoe” 1989 The Godfather Part III 1990 Bram Stoker’s Dracula 1992 Jack 1996 John Grisham’s The Rainmaker 1997 Statement by Francis Ford Coppola from the catalogue of the 2003 Toronto International Film Festival: I’d have to say that in many ways, One from the Heart was the antidote to Apocalypse Now. -
A6702 Apocalypse Now Redux (Usa, 2001)
A6702 APOCALYPSE NOW REDUX (USA, 2001) Credits: director, Francis Ford Coppola ; writer, Francis Ford Coppola, John Milius Cast: Marlon Brando, Robert Duval, Martin Sheen, Frederic Forrest, Albert Hall, Larry Fishburne, Dennis Hopper Summary: The ‘definitive’ version of Apocalypse now, with 53 minutes of restored footage including: an additional Playboy playmate sequence; a French plantation scene; and a scene with Kurtz reading a Time magazine article to a caged Willard. Anderson, John. “Reliving the horror and genius of ‘Apocalypse’ now” Newsday (Aug 3, 2001), p. B2. Anger, Cedric. “Un sonambule dans la jungle” Cahiers du cinema n. 558 (Jun 2001), p. 44-47. Ansen, David. “ ‘Apocalypse’ then and now” Newsweek 138/8 (Aug 20, 2001), p. 46+ [2 p.] Arroyave, Orlando. “La desmesura como obra de arte” Kinetoscopio 13/61 (2002), p. 93-95. Baldassarre, Angela. “New ‘Apocalypse’ a complete tale” Times union [Albany, NY] (May 17, 2001), p. P64. Barra, Allen. “Apocalypse forever” Salon (Aug 3, 2001) [http://www.salon.com] [4 p.] Beale, Lewis. “Coppola’s wild ‘Nam feature rides again” Toronto star (Aug 4, 2001), Arts, J6. Bernard, Jami. “Apocalypse now has more fun; Francis Ford Coppola delves into humanity in his re-edited Vietnam masterpiece” The gazette [Montreal] (Aug 4, 2001), p. ? Bertani, Alessandro. “Uno spaccato sulla victoria” Cineforum 42/411 (Jan/Feb 2002), p. 9-11. Bing, Jonathan. “Miramax buys Euro pass for Zoetrope’s ‘Redux’” Daily variety (Aug 21, 2001), p. 15. Bowyer, Justin. “The horror, the horror: ‘Apocalypse now redux’” in Search & destroy (edited by Jack Hunter) [London] : Creation Books, 2003, c2002. (Chap. 3, p. -
Martin Scorsese and Film Culture
Martin Scorsese and Film Culture: Radically Contextualizing the Contemporary Auteur by Marc Raymond, B.A., M.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Institute of Comparative Studies in Literature, Art and Culture: Cultural Mediations Carleton University Ottawa, Canada January, 2009 > 2009, Marc Raymond Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-47489-1 Our file Notre reference ISBN: 978-0-494-47489-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Newsletter 19
In Memory of the Star-Studded MP & GI In 1956, Loke Wan-tho of Singapore's Cathay Organisation established in Hong Kong Motion Picture & General Investment Co Ltd (MP & GI) which thrived in just a few years. Loke Wan-tho, the life and soul of star-studded MP & GI, is himself the brightest star. MP & GI was famed for its Mandarin comedies and musicals. In fact, its Cantonese unit was set up before the Mandarin unit, producing box office successes such as The Romance of Jade Hall (1957) and Bitter Lotus (1960), though it was those middlebrow and westernised features which became MP & GI's trade mark. MP & GI's Cantonese features thus provide useful yardsticks against which their origin and interrelationship with the Mandarin ones are measured. What connections and conflicts do these Cantonese films have with the rest of the Cantonese film world? The two units converged, at the release of The Greatest Civil War on Earth (1961), breaking the deadlock reached by the segregated Mandarin and Cantonese worlds. The world of homeland sentiments and classy Shanghai school so frequently portrayed in Mandarin contemporaries is slowly fading away, pulling itself closer to the Hong Kong society. The focus on Cathay/MP & GI in this issue allows us to share with the writers opinions, first-hand experience, and research that they have of the company, apart from supplying us with the tracks left behind by those involved in the preparation of the film retrospective to be launched between March and June. Despite the vanishing of the MP & GI myth, we still remember fondly the orbit once frequented by the galaxy of stars and how precious it was to have these stars, both on and off the screen, gathered together for a united goal. -
THE OUTSIDERS” Starring C
01. STAY GOLD* 3:29 (Performed by Stevie Wonder) 02. FATE THEME 2:30 03. COUNTRY SUITE** 4:57 04. CHERRY SAYS GOODBYE** 2:21 05. INCIDENTAL MUSIC 1 1:13 06. FIGHT IN THE PARK 3:25 07. BOB IS DEAD 3:32 08. DESERTED CHURCH SUITE** 4:14 09. SUNRISE** 2:56 10. FIRE AT THE CHURCH 2:49 11. INCIDENTAL MUSIC 2* 3:11 12. RUMBLE VARIATION / DALLAS’ DEATH** 4:54 13. BROTHERS TOGETHER* 2:27 14. RUMBLE** 4:37 15. STAY GOLD (ALTERNATE)* 2:30 (Performed by Stevie Wonder) 16. THE OUTSIDE IN 2:41 (Performed by Bill Hughes) 17. STAY GOLD 2:28 (Performed by Bill Hughes) * Previously unreleased ** Contains previously unreleased music Total Time: 55:02 MUSIC COMPOSED BY CARMINE COPPOLA “THE OUTSIDERS” Starring C. THOMAS HOWELL MATT DILLON RALPH MACCHIO PATRICK SWAYZE ROB LOWE and DIANE LANE Co-Starring EMILIO ESTEVEZ TOM CRUISE LEIF GARRETT Music by CARMINE COPPOLA Production Designer DEAN TAVOULARIS Director of Photography STEPHEN H. BURUM A.S.C. Produced by FRED ROOS and GRAY FREDERICKSON Screenplay by KATHLEEN KNUSTEN ROWELL Based upon the Novel by S.E. HINTON Directed by FRANCIS COPPOLA SILCD1428 MCPS Ⓟ 1983 Pony Boy Inc. © Zoetrope Corporation. Under exclusive licence to Silva Screen Records Ltd. All rights reserved. the family livelihood was made. We literally said While he shared an Oscar with Rota that year our prayers for him to find success in the fields for The Godfather: Part II, Carmine’s stand that he aspired to. That had a big effect on me.” alone cinematic breakthroughs occurred in 1979 with Apocalypse Now and The Black Stallion. -
Paris Can Wait
LIFETIME FILMS AMERICAN ZOETROPE CORNER PIECE CAPITAL In association with PROTAGONIST PICTURES and TOHOKUSHINSHA FILM CORPORATION present PARIS CAN WAIT Written, Produced & Directed by ELEANOR COPPOLA Starring DIANE LANE ARNAUD VIARD and ALEC BALDWIN Opens NY/LA 05/12/17 Rated PG 92 min East Coast Publicity West Coast Publicity Distributor 42 West Block-Korenbrot Sony Pictures Classics Scott Feinstein Eric Osuna Carmelo Pirrone 220 West 42nd St., 12th Fl. 6100 Wilshire Blvd., Ste 170 Maya Anand New York, NY 10036 Los Angeles, CA 90048 25 Madison Ave. 212-277-7555 tel 323-634-7001 tel New York, NY 10010 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CAST Anne Lockwood Diane LANE Jacques Clement Arnaud VIARD Michael Lockwood Alec BALDWIN Martine Elise TIELROOY Carole Elodie NAVARRE Mechanic Serge ONTENIENTE Philippe Pierre CUQ Musée Des Tissus Guard Cédric MONNET Concierge Aurore CLEMENT Suzanne Davia NELSON Alexandra Eleanor LAMBERT FILMMAKERS Written, Produced and Directed by ELEANOR COPPOLA Produced by FRED ROOS Executive Producers MICHAEL ZAKIN LISA HAMILTON DALY TANYA LOPEZ ROB SHARENOW MOLLY THOMPSON Director of Photography CRYSTEL FOURNIER, AFC Production Designer ANNE SEIBEL, ADC Costume Designer MILENA CANONERO Editor Glen Scantlebury Sound Designer RICHARD BEGGS Music by LAURA KARPMAN Synopses LOG LINE A devoted American wife (Diane Lane) with a workaholic inattentive husband (Alec Baldwin) takes an unexpected journey from Cannes to Paris with a charming Frenchman (Arnaud Viard) that reawakens her sense of self and joie de vivre. LONG SYNOPSIS Eleanor Coppola’s narrative directorial and screenwriting debut stars Academy Award® nominee Diane Lane as a Hollywood producer’s wife who unexpectedly takes a trip through France, which reawakens her sense of self and her joie de vivre.